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Color name
HEX #D628CB

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D628CB it is the complementary color #29D734. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D628CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D628CB shade: #DB28C6, #EC3AD9, #FD4CEC, #FF5EFF and #FF70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D628CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D628CB shade: #D628CB, #C516B8, #B404A5, #A30092 and #92007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D628CB shade: #D727CC, #D7279C, #D7276D, #D7273E and #D72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D628CB shade: #D727CC, #B327D7, #8327D7, #5427D7 and #2727D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D628CB shade matches the following richer shades: #D727CC and #EC12DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D628CB shade: #D727CC, #C23CBA, #AE50A8, #996596 and #847A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D628CB shade: #8227D7, #B127D7, #D727CE, #D7279F and #D72770

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D628CB shade: #911A8A, #B421AB, #D727CC, #DD4AD4 and #E46DDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D628CB shade: #D628CB, #D75327 and #27D799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D628CB shade: #D628CB, #CED727 and #27CED7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D628CB shade: #D628CB, #D75327, #27D730 and #27ABD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D628CB shade: #D628CB, #D78827, #27D730 and #2776D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 5 / 16

HEX #D628CB

RGB 214 40 203

HSL 303.79, 0.69%, 0.5%

LAB 51.98, 79.39, -45.21

 

Complementary color

CMYK 81 / 0 / 76 / 16

HEX #29D734

RGB 41 215 52

HSL 123.79, 0.69%, 0.5%

LAB 75.65, -71.16, 63.73

 

CMYK 0 / 82 / 10 / 14

HEX #DB28C6

RGB 219 40 198

HSL 307.04, 0.71%, 0.51%

LAB 52.57, 79.65, -41.34

 

CMYK 0 / 75 / 8 / 7

HEX #EC3AD9

RGB 236 58 217

HSL 306.4, 0.82%, 0.58%

LAB 57.91, 81.32, -43.58

 

CMYK 0 / 70 / 7 / 1

HEX #FD4CEC

RGB 253 76 236

HSL 305.76, 0.98%, 0.65%

LAB 63.43, 82.29, -45.37

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 81 / 5 / 16

HEX #D628CB

RGB 214 40 203

HSL 303.79, 0.69%, 0.5%

LAB 51.98, 79.39, -45.21

 

CMYK 0 / 89 / 7 / 23

HEX #C516B8

RGB 197 22 184

HSL 304.46, 0.8%, 0.43%

LAB 46.85, 76.8, -42.5

 

CMYK 0 / 98 / 8 / 29

HEX #B404A5

RGB 180 4 165

HSL 305.11, 0.96%, 0.36%

LAB 42.01, 73.1, -39.12

 

CMYK 0 / 100 / 10 / 36

HEX #A30092

RGB 163 0 146

HSL 306.26, 1%, 0.32%

LAB 37.59, 67.83, -34.82

 

CMYK 0 / 100 / 13 / 43

HEX #92007F

RGB 146 0 127

HSL 307.81, 1%, 0.29%

LAB 33.23, 62.06, -30.17

 

CMYK 0 / 82 / 5 / 16

HEX #D727CC

RGB 215 39 204

HSL 303.75, 0.69%, 0.5%

LAB 52.13, 79.94, -45.54

 

CMYK 0 / 82 / 27 / 16

HEX #D7279C

RGB 215 39 156

HSL 320.11, 0.69%, 0.5%

LAB 49.86, 73.67, -21.01

 

CMYK 0 / 82 / 49 / 16

HEX #D7276D

RGB 215 39 109

HSL 336.14, 0.69%, 0.5%

LAB 48.26, 69.06, 5.06

 

CMYK 0 / 82 / 71 / 16

HEX #D7273E

RGB 215 39 62

HSL 352.16, 0.69%, 0.5%

LAB 47.3, 66.16, 32.47

 

CMYK 0 / 82 / 82 / 16

HEX #D72727

RGB 215 39 39

HSL 0, 0.69%, 0.5%

LAB 47.03, 65.36, 45.2

 

CMYK 0 / 82 / 5 / 16

HEX #D727CC

RGB 215 39 204

HSL 303.75, 0.69%, 0.5%

LAB 52.13, 79.94, -45.54

 

CMYK 17 / 82 / 0 / 16

HEX #B327D7

RGB 179 39 215

HSL 287.73, 0.69%, 0.5%

LAB 46.9, 75.21, -60.56

 

CMYK 39 / 82 / 0 / 16

HEX #8327D7

RGB 131 39 215

HSL 271.36, 0.69%, 0.5%

LAB 39.89, 67.73, -72.28

 

CMYK 61 / 82 / 0 / 16

HEX #5427D7

RGB 84 39 215

HSL 255.34, 0.69%, 0.5%

LAB 34.48, 62.16, -81.37

 

CMYK 82 / 82 / 0 / 16

HEX #2727D7

RGB 39 39 215

HSL 240, 0.69%, 0.5%

LAB 31.32, 59, -86.7

 

CMYK 0 / 82 / 5 / 16

HEX #D727CC

RGB 215 39 204

HSL 303.75, 0.69%, 0.5%

LAB 52.13, 79.94, -45.54

 

CMYK 0 / 92 / 6 / 7

HEX #EC12DE

RGB 236 18 222

HSL 303.85, 0.86%, 0.5%

LAB 55.62, 89.43, -50.04

 

CMYK 0 / 82 / 5 / 16

HEX #D727CC

RGB 215 39 204

HSL 303.75, 0.69%, 0.5%

LAB 52.13, 79.94, -45.54

 

CMYK 0 / 69 / 4 / 24

HEX #C23CBA

RGB 194 60 186

HSL 303.58, 0.53%, 0.5%

LAB 49.79, 66.86, -39.04

 

CMYK 0 / 54 / 3 / 32

HEX #AE50A8

RGB 174 80 168

HSL 303.83, 0.37%, 0.5%

LAB 48.96, 50.26, -30.02

 

CMYK 0 / 34 / 2 / 40

HEX #996596

RGB 153 101 150

HSL 303.46, 0.2%, 0.5%

LAB 49.84, 29.13, -18.28

 

CMYK 0 / 8 / 0 / 48

HEX #847A84

RGB 132 122 132

HSL 300, 0.04%, 0.5%

LAB 52.39, 5.76, -4.06

 

CMYK 40 / 82 / 0 / 16

HEX #8227D7

RGB 130 39 215

HSL 271.02, 0.69%, 0.5%

LAB 39.75, 67.59, -72.5

 

CMYK 18 / 82 / 0 / 16

HEX #B127D7

RGB 177 39 215

HSL 287.05, 0.69%, 0.5%

LAB 46.58, 74.87, -61.08

 

CMYK 0 / 82 / 4 / 16

HEX #D727CE

RGB 215 39 206

HSL 303.07, 0.69%, 0.5%

LAB 52.24, 80.23, -46.52

 

CMYK 0 / 82 / 26 / 16

HEX #D7279F

RGB 215 39 159

HSL 319.09, 0.69%, 0.5%

LAB 49.98, 74.02, -22.6

 

CMYK 0 / 82 / 48 / 16

HEX #D72770

RGB 215 39 112

HSL 335.11, 0.69%, 0.5%

LAB 48.35, 69.3, 3.34

 

CMYK 0 / 82 / 5 / 43

HEX #911A8A

RGB 145 26 138

HSL 303.53, 0.7%, 0.34%

LAB 35.19, 59.03, -33.93

 

CMYK 0 / 82 / 5 / 29

HEX #B421AB

RGB 180 33 171

HSL 303.67, 0.69%, 0.42%

LAB 43.85, 69.58, -39.78

 

CMYK 0 / 82 / 5 / 16

HEX #D727CC

RGB 215 39 204

HSL 303.75, 0.69%, 0.5%

LAB 52.13, 79.94, -45.54

 

CMYK 0 / 67 / 4 / 13

HEX #DD4AD4

RGB 221 74 212

HSL 303.67, 0.68%, 0.58%

LAB 57.1, 72.15, -42.19

 

CMYK 0 / 52 / 4 / 11

HEX #E46DDC

RGB 228 109 220

HSL 304.03, 0.69%, 0.66%

LAB 63.83, 60.54, -36.07

 

CMYK 0 / 81 / 5 / 16

HEX #D628CB

RGB 214 40 203

HSL 303.79, 0.69%, 0.5%

LAB 51.98, 79.39, -45.21

 

CMYK 0 / 61 / 82 / 16

HEX #D75327

RGB 215 83 39

HSL 15, 0.69%, 0.5%

LAB 52.71, 49.8, 50.51

 

CMYK 82 / 0 / 29 / 16

HEX #27D799

RGB 39 215 153

HSL 158.86, 0.69%, 0.5%

LAB 76.88, -56.59, 18.81

 

CMYK 0 / 81 / 5 / 16

HEX #D628CB

RGB 214 40 203

HSL 303.79, 0.69%, 0.5%

LAB 51.98, 79.39, -45.21

 

CMYK 4 / 0 / 82 / 16

HEX #CED727

RGB 206 215 39

HSL 63.07, 0.69%, 0.5%

LAB 82.84, -22.1, 76.66

 

CMYK 82 / 4 / 0 / 16

HEX #27CED7

RGB 39 206 215

HSL 183.07, 0.69%, 0.5%

LAB 75.75, -36.5, -16.04

 

CMYK 0 / 81 / 5 / 16

HEX #D628CB

RGB 214 40 203

HSL 303.79, 0.69%, 0.5%

LAB 51.98, 79.39, -45.21

 

CMYK 0 / 61 / 82 / 16

HEX #D75327

RGB 215 83 39

HSL 15, 0.69%, 0.5%

LAB 52.71, 49.8, 50.51

 

CMYK 82 / 0 / 78 / 16

HEX #27D730

RGB 39 215 48

HSL 123.07, 0.69%, 0.5%

LAB 75.6, -71.65, 64.93

 

CMYK 82 / 20 / 0 / 16

HEX #27ABD7

RGB 39 171 215

HSL 195, 0.69%, 0.5%

LAB 65.33, -19.19, -31.97

 

CMYK 0 / 81 / 5 / 16

HEX #D628CB

RGB 214 40 203

HSL 303.79, 0.69%, 0.5%

LAB 51.98, 79.39, -45.21

 

CMYK 0 / 37 / 82 / 16

HEX #D78827

RGB 215 136 39

HSL 33.07, 0.69%, 0.5%

LAB 63.51, 23.01, 60.25

 

CMYK 82 / 0 / 78 / 16

HEX #27D730

RGB 39 215 48

HSL 123.07, 0.69%, 0.5%

LAB 75.6, -71.65, 64.93

 

CMYK 82 / 45 / 0 / 16

HEX #2776D7

RGB 39 118 215

HSL 213.07, 0.69%, 0.5%

LAB 49.85, 11.46, -56.4

 

Description

Color code: HEX #D628CB | qconv.com Color code: HEX #D628CB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 40 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 40 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 5 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 5% 16% C M Y K

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Provide designers and agencies with accurate color values.

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