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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D623B7 it is the complementary color #29DC48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D623B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D623B7 shade: #DB23B2, #EC35C5, #FD47D8, #FF59EB and #FF6BFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D623B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D623B7 shade: #D623B7, #C511A4, #B40091, #A3007E and #92006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D623B7 shade: #D622B7, #D62287, #D62256, #D62226 and #D62222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D623B7 shade: #D622B7, #C522D6, #9522D6, #6422D6 and #3322D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D623B7 shade matches the following richer shades: #D622B7 and #EB0EC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D623B7 shade: #D622B7, #C237AA, #AE4B9D, #9A5F90 and #867382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D623B7 shade: #9422D6, #C422D6, #D622B8, #D62288 and #D62258

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D623B7 shade: #8F177B, #B31D99, #D622B7, #E042C5 and #E666CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D623B7 shade: #D623B7, #D66422 and #22D6AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D623B7 shade: #D623B7, #B8D622 and #22B8D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D623B7 shade: #D623B7, #D66422, #22D640 and #2294D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D623B7 shade: #D623B7, #D69A22, #22D640 and #225ED6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 14 / 16

HEX #D623B7

RGB 214 35 183

HSL 310.39, 0.72%, 0.49%

LAB 50.59, 77.66, -35.81

 

Complementary color

CMYK 81 / 0 / 67 / 14

HEX #29DC48

RGB 41 220 72

HSL 130.39, 0.72%, 0.51%

LAB 77.36, -70.99, 58.28

 

CMYK 0 / 84 / 19 / 14

HEX #DB23B2

RGB 219 35 178

HSL 313.37, 0.72%, 0.5%

LAB 51.24, 78.03, -31.8

 

CMYK 0 / 78 / 17 / 7

HEX #EC35C5

RGB 236 53 197

HSL 312.79, 0.83%, 0.57%

LAB 56.5, 79.92, -34.4

 

CMYK 0 / 72 / 15 / 1

HEX #FD47D8

RGB 253 71 216

HSL 312.2, 0.98%, 0.64%

LAB 61.95, 81.05, -36.48

 

CMYK 0 / 65 / 8 / 0

HEX #FF59EB

RGB 255 89 235

HSL 307.23, 1%, 0.67%

LAB 65.28, 78.11, -41.89

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFE

RGB 255 107 254

HSL 300.41, 1%, 0.71%

LAB 68.7, 74.03, -46.99

 

CMYK 0 / 84 / 14 / 16

HEX #D623B7

RGB 214 35 183

HSL 310.39, 0.72%, 0.49%

LAB 50.59, 77.66, -35.81

 

CMYK 0 / 91 / 17 / 23

HEX #C511A4

RGB 197 17 164

HSL 311, 0.84%, 0.42%

LAB 45.57, 74.78, -32.69

 

CMYK 0 / 100 / 19 / 29

HEX #B40091

RGB 180 0 145

HSL 311.67, 1%, 0.35%

LAB 40.81, 70.86, -28.92

 

CMYK 0 / 100 / 23 / 36

HEX #A3007E

RGB 163 0 126

HSL 313.62, 1%, 0.32%

LAB 36.54, 65.21, -24.11

 

CMYK 0 / 100 / 27 / 43

HEX #92006B

RGB 146 0 107

HSL 316.03, 1%, 0.29%

LAB 32.2, 59.47, -19.11

 

CMYK 0 / 84 / 14 / 16

HEX #D622B7

RGB 214 34 183

HSL 310.33, 0.73%, 0.49%

LAB 50.52, 77.86, -35.92

 

CMYK 0 / 84 / 37 / 16

HEX #D62287

RGB 214 34 135

HSL 326.33, 0.73%, 0.49%

LAB 48.5, 72.26, -10.47

 

CMYK 0 / 84 / 60 / 16

HEX #D62256

RGB 214 34 86

HSL 342.67, 0.73%, 0.49%

LAB 47.12, 68.3, 17.6

 

CMYK 0 / 84 / 82 / 16

HEX #D62226

RGB 214 34 38

HSL 358.67, 0.73%, 0.49%

LAB 46.42, 66.21, 45.07

 

CMYK 0 / 84 / 84 / 16

HEX #D62222

RGB 214 34 34

HSL 0, 0.73%, 0.49%

LAB 46.39, 66.12, 47.1

 

CMYK 0 / 84 / 14 / 16

HEX #D622B7

RGB 214 34 183

HSL 310.33, 0.73%, 0.49%

LAB 50.52, 77.86, -35.92

 

CMYK 8 / 84 / 0 / 16

HEX #C522D6

RGB 197 34 214

HSL 294.33, 0.73%, 0.49%

LAB 49.34, 79.25, -55.91

 

CMYK 30 / 84 / 0 / 16

HEX #9522D6

RGB 149 34 214

HSL 278.33, 0.73%, 0.49%

LAB 41.83, 71.55, -68.43

 

CMYK 53 / 84 / 0 / 16

HEX #6422D6

RGB 100 34 214

HSL 262, 0.73%, 0.49%

LAB 35.42, 65.32, -79.19

 

CMYK 76 / 84 / 0 / 16

HEX #3322D6

RGB 51 34 214

HSL 245.67, 0.73%, 0.49%

LAB 31.12, 61.42, -86.44

 

CMYK 0 / 84 / 14 / 16

HEX #D622B7

RGB 214 34 183

HSL 310.33, 0.73%, 0.49%

LAB 50.52, 77.86, -35.92

 

CMYK 0 / 94 / 17 / 8

HEX #EB0EC4

RGB 235 14 196

HSL 310.59, 0.89%, 0.49%

LAB 53.99, 86.24, -37.77

 

CMYK 0 / 84 / 14 / 16

HEX #D622B7

RGB 214 34 183

HSL 310.33, 0.73%, 0.49%

LAB 50.52, 77.86, -35.92

 

CMYK 0 / 72 / 12 / 24

HEX #C237AA

RGB 194 55 170

HSL 310.36, 0.56%, 0.49%

LAB 48.39, 66.15, -31.87

 

CMYK 0 / 57 / 10 / 32

HEX #AE4B9D

RGB 174 75 157

HSL 310.3, 0.4%, 0.49%

LAB 47.58, 50.77, -25.67

 

CMYK 0 / 38 / 6 / 40

HEX #9A5F90

RGB 154 95 144

HSL 310.17, 0.24%, 0.49%

LAB 48.35, 31.73, -16.99

 

CMYK 0 / 14 / 3 / 47

HEX #867382

RGB 134 115 130

HSL 312.63, 0.08%, 0.49%

LAB 50.62, 10.2, -5.48

 

CMYK 31 / 84 / 0 / 16

HEX #9422D6

RGB 148 34 214

HSL 278, 0.73%, 0.49%

LAB 41.68, 71.4, -68.67

 

CMYK 8 / 84 / 0 / 16

HEX #C422D6

RGB 196 34 214

HSL 294, 0.73%, 0.49%

LAB 49.17, 79.08, -56.18

 

CMYK 0 / 84 / 14 / 16

HEX #D622B8

RGB 214 34 184

HSL 310, 0.73%, 0.49%

LAB 50.57, 77.99, -36.42

 

CMYK 0 / 84 / 36 / 16

HEX #D62288

RGB 214 34 136

HSL 326, 0.73%, 0.49%

LAB 48.53, 72.36, -11.02

 

CMYK 0 / 84 / 59 / 16

HEX #D62258

RGB 214 34 88

HSL 342, 0.73%, 0.49%

LAB 47.16, 68.42, 16.43

 

CMYK 0 / 84 / 14 / 44

HEX #8F177B

RGB 143 23 123

HSL 310, 0.72%, 0.33%

LAB 33.74, 57.07, -26.9

 

CMYK 0 / 84 / 15 / 30

HEX #B31D99

RGB 179 29 153

HSL 310.4, 0.72%, 0.41%

LAB 42.4, 67.68, -31.29

 

CMYK 0 / 84 / 14 / 16

HEX #D622B7

RGB 214 34 183

HSL 310.33, 0.73%, 0.49%

LAB 50.52, 77.86, -35.92

 

CMYK 0 / 71 / 12 / 12

HEX #E042C5

RGB 224 66 197

HSL 310.25, 0.72%, 0.57%

LAB 55.86, 73.39, -35.53

 

CMYK 0 / 56 / 10 / 10

HEX #E666CF

RGB 230 102 207

HSL 310.78, 0.72%, 0.65%

LAB 62.36, 62.18, -31.03

 

CMYK 0 / 84 / 14 / 16

HEX #D623B7

RGB 214 35 183

HSL 310.39, 0.72%, 0.49%

LAB 50.59, 77.66, -35.81

 

CMYK 0 / 53 / 84 / 16

HEX #D66422

RGB 214 100 34

HSL 22, 0.73%, 0.49%

LAB 55.61, 41.25, 55.16

 

CMYK 84 / 0 / 20 / 16

HEX #22D6AC

RGB 34 214 172

HSL 166, 0.73%, 0.49%

LAB 76.93, -52.16, 8.79

 

CMYK 0 / 84 / 14 / 16

HEX #D623B7

RGB 214 35 183

HSL 310.39, 0.72%, 0.49%

LAB 50.59, 77.66, -35.81

 

CMYK 14 / 0 / 84 / 16

HEX #B8D622

RGB 184 214 34

HSL 70, 0.73%, 0.49%

LAB 80.96, -30.84, 75.57

 

CMYK 84 / 14 / 0 / 16

HEX #22B8D6

RGB 34 184 214

HSL 190, 0.73%, 0.49%

LAB 69.09, -26.59, -25.62

 

CMYK 0 / 84 / 14 / 16

HEX #D623B7

RGB 214 35 183

HSL 310.39, 0.72%, 0.49%

LAB 50.59, 77.66, -35.81

 

CMYK 0 / 53 / 84 / 16

HEX #D66422

RGB 214 100 34

HSL 22, 0.73%, 0.49%

LAB 55.61, 41.25, 55.16

 

CMYK 84 / 0 / 70 / 16

HEX #22D640

RGB 34 214 64

HSL 130, 0.73%, 0.49%

LAB 75.33, -70.62, 59.18

 

CMYK 84 / 31 / 0 / 16

HEX #2294D6

RGB 34 148 214

HSL 202, 0.73%, 0.49%

LAB 58.39, -7.34, -42.25

 

CMYK 0 / 84 / 14 / 16

HEX #D623B7

RGB 214 35 183

HSL 310.39, 0.72%, 0.49%

LAB 50.59, 77.66, -35.81

 

CMYK 0 / 28 / 84 / 16

HEX #D69A22

RGB 214 154 34

HSL 40, 0.73%, 0.49%

LAB 67.67, 12.73, 65.41

 

CMYK 84 / 0 / 70 / 16

HEX #22D640

RGB 34 214 64

HSL 130, 0.73%, 0.49%

LAB 75.33, -70.62, 59.18

 

CMYK 84 / 56 / 0 / 16

HEX #225ED6

RGB 34 94 214

HSL 220, 0.73%, 0.49%

LAB 43.06, 26.02, -66.81

 

Description

Color code: HEX #D623B7 | qconv.com Color code: HEX #D623B7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 35 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 35 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 14 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 14% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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