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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6324E it is the complementary color #29CDB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6324E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6324E shade: #DB3249, #EC445C, #FD566F, #FF6882 and #FF7A95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6324E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6324E shade: #D6324E, #C5203B, #B40E28, #A30015 and #920002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6324E shade: #D6324E and #D63232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6324E shade: #D6324E, #D6327A, #D632A7, #D632D3 and #AD32D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6324E shade matches the following richer shades: #D6324E, #EA1E41 and #FE0A34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6324E shade: #D6324E, #C2465B, #AE5A68, #9B6E75 and #878182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6324E shade: #D632A8, #D6327C, #D63250, #D64032 and #D66B32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6324E shade: #981E33, #BA243E, #D6324E, #DD556C and #E4778A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6324E shade: #D6324E, #D3D632 and #3292D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6324E shade: #D6324E, #50D632 and #3250D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6324E shade: #D6324E, #D3D632, #32D6B8 and #3532D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6324E shade: #D6324E, #A2D632, #32D6B8 and #6632D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 64 / 16

HEX #D6324E

RGB 214 50 78

HSL 349.76, 0.67%, 0.52%

LAB 48.42, 63.69, 24.21

 

Complementary color

CMYK 80 / 0 / 14 / 20

HEX #29CDB1

RGB 41 205 177

HSL 169.76, 0.67%, 0.48%

LAB 74.39, -46.61, 2.46

 

CMYK 0 / 77 / 67 / 14

HEX #DB3249

RGB 219 50 73

HSL 351.83, 0.7%, 0.53%

LAB 49.28, 64.84, 28.51

 

CMYK 0 / 71 / 61 / 7

HEX #EC445C

RGB 236 68 92

HSL 351.43, 0.82%, 0.6%

LAB 54.8, 65.06, 24.92

 

CMYK 0 / 66 / 56 / 1

HEX #FD566F

RGB 253 86 111

HSL 351.02, 0.98%, 0.66%

LAB 60.5, 64.8, 21.9

 

CMYK 0 / 59 / 49 / 0

HEX #FF6882

RGB 255 104 130

HSL 349.67, 1%, 0.7%

LAB 63.98, 59.49, 15.75

 

CMYK 0 / 52 / 42 / 0

HEX #FF7A95

RGB 255 122 149

HSL 347.82, 1%, 0.74%

LAB 67.54, 53.08, 9.94

 

CMYK 0 / 77 / 64 / 16

HEX #D6324E

RGB 214 50 78

HSL 349.76, 0.67%, 0.52%

LAB 48.42, 63.69, 24.21

 

CMYK 0 / 84 / 70 / 23

HEX #C5203B

RGB 197 32 59

HSL 350.18, 0.72%, 0.45%

LAB 43.09, 62.77, 28.37

 

CMYK 0 / 92 / 78 / 29

HEX #B40E28

RGB 180 14 40

HSL 350.6, 0.86%, 0.38%

LAB 38.15, 60.81, 33.29

 

CMYK 0 / 100 / 87 / 36

HEX #A30015

RGB 163 0 21

HSL 352.27, 1%, 0.32%

LAB 33.65, 57.63, 38.53

 

CMYK 0 / 100 / 99 / 43

HEX #920002

RGB 146 0 2

HSL 359.18, 1%, 0.29%

LAB 29.7, 52.9, 42.45

 

CMYK 0 / 77 / 64 / 16

HEX #D6324E

RGB 214 50 78

HSL 349.76, 0.67%, 0.52%

LAB 48.42, 63.69, 24.21

 

CMYK 0 / 77 / 77 / 16

HEX #D63232

RGB 214 50 50

HSL 0, 0.67%, 0.52%

LAB 48.02, 62.4, 40.17

 

CMYK 0 / 77 / 64 / 16

HEX #D6324E

RGB 214 50 78

HSL 349.76, 0.67%, 0.52%

LAB 48.42, 63.69, 24.21

 

CMYK 0 / 77 / 43 / 16

HEX #D6327A

RGB 214 50 122

HSL 333.66, 0.67%, 0.52%

LAB 49.47, 67.01, -1.14

 

CMYK 0 / 77 / 22 / 16

HEX #D632A7

RGB 214 50 167

HSL 317.2, 0.67%, 0.52%

LAB 51.11, 71.97, -25.6

 

CMYK 0 / 77 / 1 / 16

HEX #D632D3

RGB 214 50 211

HSL 301.1, 0.67%, 0.52%

LAB 53.26, 78.14, -47.77

 

CMYK 19 / 77 / 0 / 16

HEX #AD32D6

RGB 173 50 214

HSL 285, 0.67%, 0.52%

LAB 47, 70.8, -59.87

 

CMYK 0 / 77 / 64 / 16

HEX #D6324E

RGB 214 50 78

HSL 349.76, 0.67%, 0.52%

LAB 48.42, 63.69, 24.21

 

CMYK 0 / 87 / 72 / 8

HEX #EA1E41

RGB 234 30 65

HSL 349.71, 0.83%, 0.52%

LAB 50.46, 73.13, 35.36

 

CMYK 0 / 96 / 80 / 0

HEX #FE0A34

RGB 254 10 52

HSL 349.67, 0.99%, 0.52%

LAB 53.53, 79.93, 47.26

 

CMYK 0 / 77 / 64 / 16

HEX #D6324E

RGB 214 50 78

HSL 349.76, 0.67%, 0.52%

LAB 48.42, 63.69, 24.21

 

CMYK 0 / 64 / 53 / 24

HEX #C2465B

RGB 194 70 91

HSL 349.84, 0.5%, 0.52%

LAB 47.76, 51.11, 14.8

 

CMYK 0 / 48 / 40 / 32

HEX #AE5A68

RGB 174 90 104

HSL 350, 0.34%, 0.52%

LAB 48.65, 35.65, 7.73

 

CMYK 0 / 29 / 25 / 39

HEX #9B6E75

RGB 155 110 117

HSL 350.67, 0.18%, 0.52%

LAB 51.16, 18.93, 3.25

 

CMYK 0 / 4 / 4 / 47

HEX #878182

RGB 135 129 130

HSL 350, 0.02%, 0.52%

LAB 54.51, 2.45, 0.26

 

CMYK 0 / 77 / 21 / 16

HEX #D632A8

RGB 214 50 168

HSL 316.83, 0.67%, 0.52%

LAB 51.16, 72.09, -26.12

 

CMYK 0 / 77 / 42 / 16

HEX #D6327C

RGB 214 50 124

HSL 332.93, 0.67%, 0.52%

LAB 49.54, 67.19, -2.26

 

CMYK 0 / 77 / 63 / 16

HEX #D63250

RGB 214 50 80

HSL 349.02, 0.67%, 0.52%

LAB 48.46, 63.81, 23.04

 

CMYK 0 / 70 / 77 / 16

HEX #D64032

RGB 214 64 50

HSL 5.12, 0.67%, 0.52%

LAB 49.73, 57.65, 41.99

 

CMYK 0 / 50 / 77 / 16

HEX #D66B32

RGB 214 107 50

HSL 20.85, 0.67%, 0.52%

LAB 57.12, 38.26, 49.61

 

CMYK 0 / 80 / 66 / 40

HEX #981E33

RGB 152 30 51

HSL 349.67, 0.67%, 0.36%

LAB 33.65, 50.1, 19.64

 

CMYK 0 / 81 / 67 / 27

HEX #BA243E

RGB 186 36 62

HSL 349.6, 0.68%, 0.44%

LAB 41.29, 58.87, 23.8

 

CMYK 0 / 77 / 64 / 16

HEX #D6324E

RGB 214 50 78

HSL 349.76, 0.67%, 0.52%

LAB 48.42, 63.69, 24.21

 

CMYK 0 / 62 / 51 / 13

HEX #DD556C

RGB 221 85 108

HSL 349.85, 0.67%, 0.6%

LAB 55.02, 54.87, 15.33

 

CMYK 0 / 48 / 39 / 11

HEX #E4778A

RGB 228 119 138

HSL 349.54, 0.67%, 0.68%

LAB 62.95, 44.08, 9.15

 

CMYK 0 / 77 / 64 / 16

HEX #D6324E

RGB 214 50 78

HSL 349.76, 0.67%, 0.52%

LAB 48.42, 63.69, 24.21

 

CMYK 1 / 0 / 77 / 16

HEX #D3D632

RGB 211 214 50

HSL 61.1, 0.67%, 0.52%

LAB 83, -19.16, 74

 

CMYK 77 / 32 / 0 / 16

HEX #3292D6

RGB 50 146 214

HSL 204.88, 0.67%, 0.52%

LAB 58.12, -4.65, -42.65

 

CMYK 0 / 77 / 64 / 16

HEX #D6324E

RGB 214 50 78

HSL 349.76, 0.67%, 0.52%

LAB 48.42, 63.69, 24.21

 

CMYK 63 / 0 / 77 / 16

HEX #50D632

RGB 80 214 50

HSL 109.02, 0.67%, 0.52%

LAB 76.09, -64.51, 65.06

 

CMYK 77 / 63 / 0 / 16

HEX #3250D6

RGB 50 80 214

HSL 229.02, 0.67%, 0.52%

LAB 40.03, 36.4, -71.74

 

CMYK 0 / 77 / 64 / 16

HEX #D6324E

RGB 214 50 78

HSL 349.76, 0.67%, 0.52%

LAB 48.42, 63.69, 24.21

 

CMYK 1 / 0 / 77 / 16

HEX #D3D632

RGB 211 214 50

HSL 61.1, 0.67%, 0.52%

LAB 83, -19.16, 74

 

CMYK 77 / 0 / 14 / 16

HEX #32D6B8

RGB 50 214 184

HSL 169.02, 0.67%, 0.52%

LAB 77.42, -47.69, 3.11

 

CMYK 75 / 77 / 0 / 16

HEX #3532D6

RGB 53 50 214

HSL 241.1, 0.67%, 0.52%

LAB 33.76, 54.19, -82.06

 

CMYK 0 / 77 / 64 / 16

HEX #D6324E

RGB 214 50 78

HSL 349.76, 0.67%, 0.52%

LAB 48.42, 63.69, 24.21

 

CMYK 24 / 0 / 77 / 16

HEX #A2D632

RGB 162 214 50

HSL 79.02, 0.67%, 0.52%

LAB 79.62, -38.94, 69.65

 

CMYK 77 / 0 / 14 / 16

HEX #32D6B8

RGB 50 214 184

HSL 169.02, 0.67%, 0.52%

LAB 77.42, -47.69, 3.11

 

CMYK 52 / 77 / 0 / 16

HEX #6632D6

RGB 102 50 214

HSL 259.02, 0.67%, 0.52%

LAB 37.77, 59.33, -75.3

 

Description

Color code: HEX #D6324E | qconv.com Color code: HEX #D6324E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 50 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 50 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 64 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 64% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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