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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D63CE5 it is the complementary color #29C31A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D63CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D63CE5 shade: #DB3CE0, #EC4EF3, #FD60FF, #FF72FF and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D63CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D63CE5 shade: #D63CE5, #C52AD2, #B418BF, #A306AC and #920099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D63CE5 shade: #D53EE4, #E43EC6, #E43E99, #E43E6C and #E43E3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D63CE5 shade: #D53EE4, #A83EE4, #7B3EE4, #4F3EE4 and #3E3EE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D63CE5 shade matches the following richer shades: #D53EE4 and #E42CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D63CE5 shade: #D53EE4, #C74FD2, #B861C1, #AA73AF and #9B849D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D63CE5 shade: #7B3EE4, #A73EE4, #D43EE4, #E43EC8 and #E43E9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D63CE5 shade: #A918B7, #CA1DDB, #D53EE4, #DD62E9 and #E586EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D63CE5 shade: #D63CE5, #E44E3E and #3EE491

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D63CE5 shade: #D63CE5, #E4D43E and #3EE4D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D63CE5 shade: #D63CE5, #E44E3E, #4EE43E and #3ED4E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D63CE5 shade: #D63CE5, #E4803E, #4EE43E and #3EA2E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 74 / 0 / 10

HEX #D63CE5

RGB 214 60 229

HSL 294.67, 0.76%, 0.57%

LAB 55.26, 78.12, -54.79

 

Complementary color

CMYK 79 / 0 / 87 / 24

HEX #29C31A

RGB 41 195 26

HSL 114.67, 0.76%, 0.43%

LAB 69.17, -66.68, 64.75

 

CMYK 2 / 73 / 0 / 12

HEX #DB3CE0

RGB 219 60 224

HSL 298.17, 0.73%, 0.56%

LAB 55.76, 78.31, -51.13

 

CMYK 3 / 68 / 0 / 5

HEX #EC4EF3

RGB 236 78 243

HSL 297.45, 0.87%, 0.63%

LAB 61.44, 79.02, -52.58

 

CMYK 1 / 62 / 0 / 0

HEX #FD60FF

RGB 253 96 255

HSL 299.25, 1%, 0.69%

LAB 66.88, 78.13, -50.43

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 7 / 74 / 0 / 10

HEX #D63CE5

RGB 214 60 229

HSL 294.67, 0.76%, 0.57%

LAB 55.26, 78.12, -54.79

 

CMYK 6 / 80 / 0 / 18

HEX #C52AD2

RGB 197 42 210

HSL 295.36, 0.67%, 0.49%

LAB 49.71, 76.79, -53.02

 

CMYK 6 / 87 / 0 / 25

HEX #B418BF

RGB 180 24 191

HSL 296.05, 0.78%, 0.42%

LAB 44.4, 74.52, -50.68

 

CMYK 5 / 97 / 0 / 33

HEX #A306AC

RGB 163 6 172

HSL 296.75, 0.93%, 0.35%

LAB 39.4, 71.02, -47.65

 

CMYK 5 / 100 / 0 / 40

HEX #920099

RGB 146 0 153

HSL 297.25, 1%, 0.3%

LAB 34.82, 65.94, -43.71

 

CMYK 7 / 73 / 0 / 11

HEX #D53EE4

RGB 213 62 228

HSL 294.58, 0.75%, 0.57%

LAB 55.27, 77.13, -54.22

 

CMYK 0 / 73 / 13 / 11

HEX #E43EC6

RGB 228 62 198

HSL 310.84, 0.75%, 0.57%

LAB 56.1, 75.73, -35.68

 

CMYK 0 / 73 / 33 / 11

HEX #E43E99

RGB 228 62 153

HSL 327.11, 0.75%, 0.57%

LAB 54.28, 70.09, -12.28

 

CMYK 0 / 73 / 53 / 11

HEX #E43E6C

RGB 228 62 108

HSL 343.37, 0.75%, 0.57%

LAB 52.97, 65.88, 12.67

 

CMYK 0 / 73 / 72 / 11

HEX #E43E3F

RGB 228 62 63

HSL 359.64, 0.75%, 0.57%

LAB 52.17, 63.22, 38.2

 

CMYK 7 / 73 / 0 / 11

HEX #D53EE4

RGB 213 62 228

HSL 294.58, 0.75%, 0.57%

LAB 55.27, 77.13, -54.22

 

CMYK 26 / 73 / 0 / 11

HEX #A83EE4

RGB 168 62 228

HSL 278.31, 0.75%, 0.57%

LAB 48.72, 68.39, -65.09

 

CMYK 46 / 73 / 0 / 11

HEX #7B3EE4

RGB 123 62 228

HSL 262.05, 0.75%, 0.57%

LAB 43.15, 60.61, -74.41

 

CMYK 65 / 73 / 0 / 11

HEX #4F3EE4

RGB 79 62 228

HSL 246.14, 0.75%, 0.57%

LAB 39.09, 54.66, -81.23

 

CMYK 73 / 73 / 0 / 11

HEX #3E3EE4

RGB 62 62 228

HSL 240, 0.75%, 0.57%

LAB 37.97, 52.97, -83.11

 

CMYK 7 / 73 / 0 / 11

HEX #D53EE4

RGB 213 62 228

HSL 294.58, 0.75%, 0.57%

LAB 55.27, 77.13, -54.22

 

CMYK 7 / 82 / 0 / 4

HEX #E42CF6

RGB 228 44 246

HSL 294.65, 0.92%, 0.57%

LAB 57.03, 87.59, -61.37

 

CMYK 7 / 73 / 0 / 11

HEX #D53EE4

RGB 213 62 228

HSL 294.58, 0.75%, 0.57%

LAB 55.27, 77.13, -54.22

 

CMYK 5 / 62 / 0 / 18

HEX #C74FD2

RGB 199 79 210

HSL 294.96, 0.59%, 0.57%

LAB 54.44, 64.68, -45.47

 

CMYK 5 / 50 / 0 / 24

HEX #B861C1

RGB 184 97 193

HSL 294.38, 0.44%, 0.57%

LAB 54.65, 49.26, -35.56

 

CMYK 3 / 34 / 0 / 31

HEX #AA73AF

RGB 170 115 175

HSL 295, 0.27%, 0.57%

LAB 55.99, 31.81, -23.26

 

CMYK 1 / 16 / 0 / 38

HEX #9B849D

RGB 155 132 157

HSL 295.2, 0.11%, 0.57%

LAB 57.95, 13.38, -10.07

 

CMYK 46 / 73 / 0 / 11

HEX #7B3EE4

RGB 123 62 228

HSL 262.05, 0.75%, 0.57%

LAB 43.15, 60.61, -74.41

 

CMYK 27 / 73 / 0 / 11

HEX #A73EE4

RGB 167 62 228

HSL 277.95, 0.75%, 0.57%

LAB 48.59, 68.21, -65.32

 

CMYK 7 / 73 / 0 / 11

HEX #D43EE4

RGB 212 62 228

HSL 294.22, 0.75%, 0.57%

LAB 55.12, 76.93, -54.47

 

CMYK 0 / 73 / 12 / 11

HEX #E43EC8

RGB 228 62 200

HSL 310.12, 0.75%, 0.57%

LAB 56.2, 76.01, -36.68

 

CMYK 0 / 73 / 32 / 11

HEX #E43E9C

RGB 228 62 156

HSL 326.02, 0.75%, 0.57%

LAB 54.39, 70.43, -13.89

 

CMYK 8 / 87 / 0 / 28

HEX #A918B7

RGB 169 24 183

HSL 294.72, 0.77%, 0.41%

LAB 42.01, 71.32, -49.93

 

CMYK 8 / 87 / 0 / 14

HEX #CA1DDB

RGB 202 29 219

HSL 294.63, 0.77%, 0.49%

LAB 50.16, 81.83, -57.41

 

CMYK 7 / 73 / 0 / 11

HEX #D53EE4

RGB 213 62 228

HSL 294.58, 0.75%, 0.57%

LAB 55.27, 77.13, -54.22

 

CMYK 5 / 58 / 0 / 9

HEX #DD62E9

RGB 221 98 233

HSL 294.67, 0.75%, 0.65%

LAB 61.65, 65.95, -46.83

 

CMYK 4 / 44 / 0 / 7

HEX #E586EE

RGB 229 134 238

HSL 294.81, 0.75%, 0.73%

LAB 69.38, 51.8, -37.39

 

CMYK 7 / 74 / 0 / 10

HEX #D63CE5

RGB 214 60 229

HSL 294.67, 0.76%, 0.57%

LAB 55.26, 78.12, -54.79

 

CMYK 0 / 66 / 73 / 11

HEX #E44E3E

RGB 228 78 62

HSL 5.78, 0.75%, 0.57%

LAB 54.33, 57.22, 41.21

 

CMYK 73 / 0 / 36 / 11

HEX #3EE491

RGB 62 228 145

HSL 150, 0.75%, 0.57%

LAB 81.05, -60.47, 28.7

 

CMYK 7 / 74 / 0 / 10

HEX #D63CE5

RGB 214 60 229

HSL 294.67, 0.76%, 0.57%

LAB 55.26, 78.12, -54.79

 

CMYK 0 / 7 / 73 / 11

HEX #E4D43E

RGB 228 212 62

HSL 54.22, 0.75%, 0.57%

LAB 83.93, -10.55, 71.53

 

CMYK 73 / 0 / 7 / 11

HEX #3EE4D4

RGB 62 228 212

HSL 174.22, 0.75%, 0.57%

LAB 82.52, -44.99, -4.31

 

CMYK 7 / 74 / 0 / 10

HEX #D63CE5

RGB 214 60 229

HSL 294.67, 0.76%, 0.57%

LAB 55.26, 78.12, -54.79

 

CMYK 0 / 66 / 73 / 11

HEX #E44E3E

RGB 228 78 62

HSL 5.78, 0.75%, 0.57%

LAB 54.33, 57.22, 41.21

 

CMYK 66 / 0 / 73 / 11

HEX #4EE43E

RGB 78 228 62

HSL 114.22, 0.75%, 0.57%

LAB 80.43, -68.72, 65.38

 

CMYK 73 / 7 / 0 / 11

HEX #3ED4E4

RGB 62 212 228

HSL 185.78, 0.75%, 0.57%

LAB 78.29, -33.21, -19.15

 

CMYK 7 / 74 / 0 / 10

HEX #D63CE5

RGB 214 60 229

HSL 294.67, 0.76%, 0.57%

LAB 55.26, 78.12, -54.79

 

CMYK 0 / 44 / 73 / 11

HEX #E4803E

RGB 228 128 62

HSL 23.86, 0.75%, 0.57%

LAB 63.57, 33.52, 51.22

 

CMYK 66 / 0 / 73 / 11

HEX #4EE43E

RGB 78 228 62

HSL 114.22, 0.75%, 0.57%

LAB 80.43, -68.72, 65.38

 

CMYK 73 / 29 / 0 / 11

HEX #3EA2E4

RGB 62 162 228

HSL 203.86, 0.75%, 0.57%

LAB 63.73, -7.39, -41.6

 

Description

Color code: HEX #D63CE5 | qconv.com Color code: HEX #D63CE5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 60 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 60 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 74 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 74% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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