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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D64697 it is the complementary color #29B968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D64697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D64697 shade: #DB4692, #EC58A5, #FD6AB8, #FF7CCB and #FF8EDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D64697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D64697 shade: #D64697, #C53484, #B42271, #A3105E and #92004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D64697 shade: #D64697, #D64671, #D6464A and #D64646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D64697 shade: #D64697, #D646BE, #C746D6, #A146D6 and #7A46D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D64697 shade matches the following richer shades: #D64697, #E8349A and #FA229C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D64697 shade: #D64697, #C45995, #B26B93, #A07D90 and #8D8F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D64697 shade: #C846D6, #D646BE, #D64698, #D64672 and #D6464B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D64697 shade: #A6246D, #C82B83, #D64697, #DE68AA and #E58ABD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D64697 shade: #D64697, #D6A146 and #46D1D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D64697 shade: #D64697, #98D646 and #4698D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D64697 shade: #D64697, #D6A146, #46D685 and #467BD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D64697 shade: #D64697, #D6CD46, #46D685 and #4650D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 29 / 16

HEX #D64697

RGB 214 70 151

HSL 326.25, 0.64%, 0.56%

LAB 52.85, 63.33, -13.49

 

Complementary color

CMYK 78 / 0 / 44 / 27

HEX #29B968

RGB 41 185 104

HSL 146.25, 0.64%, 0.44%

LAB 66.65, -55.12, 30.77

 

CMYK 0 / 68 / 33 / 14

HEX #DB4692

RGB 219 70 146

HSL 329.4, 0.67%, 0.57%

LAB 53.51, 64.13, -9.45

 

CMYK 0 / 63 / 30 / 7

HEX #EC58A5

RGB 236 88 165

HSL 328.78, 0.8%, 0.64%

LAB 59.46, 64.07, -11.38

 

CMYK 0 / 58 / 27 / 1

HEX #FD6AB8

RGB 253 106 184

HSL 328.16, 0.97%, 0.7%

LAB 65.48, 63.73, -12.97

 

CMYK 0 / 51 / 20 / 0

HEX #FF7CCB

RGB 255 124 203

HSL 323.82, 1%, 0.74%

LAB 69.46, 58.7, -17.62

 

CMYK 0 / 44 / 13 / 0

HEX #FF8EDE

RGB 255 142 222

HSL 317.52, 1%, 0.78%

LAB 73.47, 52.83, -22.05

 

CMYK 0 / 67 / 29 / 16

HEX #D64697

RGB 214 70 151

HSL 326.25, 0.64%, 0.56%

LAB 52.85, 63.33, -13.49

 

CMYK 0 / 74 / 33 / 23

HEX #C53484

RGB 197 52 132

HSL 326.9, 0.58%, 0.49%

LAB 46.96, 62.95, -11.27

 

CMYK 0 / 81 / 37 / 29

HEX #B42271

RGB 180 34 113

HSL 327.53, 0.68%, 0.42%

LAB 41.28, 61.84, -8.44

 

CMYK 0 / 90 / 42 / 36

HEX #A3105E

RGB 163 16 94

HSL 328.16, 0.82%, 0.35%

LAB 35.92, 59.63, -4.77

 

CMYK 0 / 100 / 49 / 43

HEX #92004B

RGB 146 0 75

HSL 329.18, 1%, 0.29%

LAB 30.92, 56.18, -0.13

 

CMYK 0 / 67 / 29 / 16

HEX #D64697

RGB 214 70 151

HSL 326.25, 0.64%, 0.56%

LAB 52.85, 63.33, -13.49

 

CMYK 0 / 67 / 47 / 16

HEX #D64671

RGB 214 70 113

HSL 342.08, 0.64%, 0.56%

LAB 51.69, 59.31, 7.5

 

CMYK 0 / 67 / 65 / 16

HEX #D6464A

RGB 214 70 74

HSL 358.33, 0.64%, 0.56%

LAB 50.89, 56.45, 29.72

 

CMYK 0 / 67 / 67 / 16

HEX #D64646

RGB 214 70 70

HSL 0, 0.64%, 0.56%

LAB 50.83, 56.23, 31.98

 

CMYK 0 / 67 / 29 / 16

HEX #D64697

RGB 214 70 151

HSL 326.25, 0.64%, 0.56%

LAB 52.85, 63.33, -13.49

 

CMYK 0 / 67 / 11 / 16

HEX #D646BE

RGB 214 70 190

HSL 310, 0.64%, 0.56%

LAB 54.44, 68.6, -33.84

 

CMYK 7 / 67 / 0 / 16

HEX #C746D6

RGB 199 70 214

HSL 293.75, 0.64%, 0.56%

LAB 53.36, 68.99, -49.46

 

CMYK 25 / 67 / 0 / 16

HEX #A146D6

RGB 161 70 214

HSL 277.92, 0.64%, 0.56%

LAB 48.02, 60.75, -58.31

 

CMYK 43 / 67 / 0 / 16

HEX #7A46D6

RGB 122 70 214

HSL 261.67, 0.64%, 0.56%

LAB 43.32, 52.94, -66.15

 

CMYK 0 / 67 / 29 / 16

HEX #D64697

RGB 214 70 151

HSL 326.25, 0.64%, 0.56%

LAB 52.85, 63.33, -13.49

 

CMYK 0 / 78 / 34 / 9

HEX #E8349A

RGB 232 52 154

HSL 326, 0.8%, 0.56%

LAB 53.97, 74.16, -13.27

 

CMYK 0 / 86 / 38 / 2

HEX #FA229C

RGB 250 34 156

HSL 326.11, 0.96%, 0.56%

LAB 55.96, 82.4, -11.14

 

CMYK 0 / 67 / 29 / 16

HEX #D64697

RGB 214 70 151

HSL 326.25, 0.64%, 0.56%

LAB 52.85, 63.33, -13.49

 

CMYK 0 / 55 / 24 / 23

HEX #C45995

RGB 196 89 149

HSL 326.36, 0.48%, 0.56%

LAB 53, 49.54, -12.35

 

CMYK 0 / 40 / 17 / 30

HEX #B26B93

RGB 178 107 147

HSL 326.2, 0.32%, 0.56%

LAB 54.12, 33.92, -9.74

 

CMYK 0 / 22 / 10 / 37

HEX #A07D90

RGB 160 125 144

HSL 327.43, 0.16%, 0.56%

LAB 56.24, 16.75, -5.05

 

CMYK 1 / 0 / 1 / 44

HEX #8D8F8E

RGB 141 143 142

HSL 150, 0.01%, 0.56%

LAB 59.21, -0.92, 0.27

 

CMYK 7 / 67 / 0 / 16

HEX #C846D6

RGB 200 70 214

HSL 294.17, 0.64%, 0.56%

LAB 53.51, 69.21, -49.21

 

CMYK 0 / 67 / 11 / 16

HEX #D646BE

RGB 214 70 190

HSL 310, 0.64%, 0.56%

LAB 54.44, 68.6, -33.84

 

CMYK 0 / 67 / 29 / 16

HEX #D64698

RGB 214 70 152

HSL 325.83, 0.64%, 0.56%

LAB 52.89, 63.45, -14.02

 

CMYK 0 / 67 / 47 / 16

HEX #D64672

RGB 214 70 114

HSL 341.67, 0.64%, 0.56%

LAB 51.71, 59.4, 6.94

 

CMYK 0 / 67 / 65 / 16

HEX #D6464B

RGB 214 70 75

HSL 357.92, 0.64%, 0.56%

LAB 50.9, 56.51, 29.16

 

CMYK 0 / 78 / 34 / 35

HEX #A6246D

RGB 166 36 109

HSL 326.31, 0.64%, 0.4%

LAB 38.68, 57.27, -10.12

 

CMYK 0 / 79 / 35 / 22

HEX #C82B83

RGB 200 43 131

HSL 326.37, 0.65%, 0.48%

LAB 46.51, 66.33, -11.3

 

CMYK 0 / 67 / 29 / 16

HEX #D64697

RGB 214 70 151

HSL 326.25, 0.64%, 0.56%

LAB 52.85, 63.33, -13.49

 

CMYK 0 / 53 / 23 / 13

HEX #DE68AA

RGB 222 104 170

HSL 326.44, 0.64%, 0.64%

LAB 60.19, 53.44, -13.38

 

CMYK 0 / 40 / 17 / 10

HEX #E58ABD

RGB 229 138 189

HSL 326.37, 0.64%, 0.72%

LAB 68.39, 41.43, -11.73

 

CMYK 0 / 67 / 29 / 16

HEX #D64697

RGB 214 70 151

HSL 326.25, 0.64%, 0.56%

LAB 52.85, 63.33, -13.49

 

CMYK 0 / 25 / 67 / 16

HEX #D6A146

RGB 214 161 70

HSL 37.92, 0.64%, 0.56%

LAB 69.63, 10.47, 53.47

 

CMYK 67 / 2 / 0 / 16

HEX #46D1D6

RGB 70 209 214

HSL 182.08, 0.64%, 0.56%

LAB 77.14, -34.85, -13.37

 

CMYK 0 / 67 / 29 / 16

HEX #D64697

RGB 214 70 151

HSL 326.25, 0.64%, 0.56%

LAB 52.85, 63.33, -13.49

 

CMYK 29 / 0 / 67 / 16

HEX #98D646

RGB 152 214 70

HSL 85.83, 0.64%, 0.56%

LAB 79.16, -41.51, 62.07

 

CMYK 67 / 29 / 0 / 16

HEX #4698D6

RGB 70 152 214

HSL 205.83, 0.64%, 0.56%

LAB 60.44, -5.36, -38.98

 

CMYK 0 / 67 / 29 / 16

HEX #D64697

RGB 214 70 151

HSL 326.25, 0.64%, 0.56%

LAB 52.85, 63.33, -13.49

 

CMYK 0 / 25 / 67 / 16

HEX #D6A146

RGB 214 161 70

HSL 37.92, 0.64%, 0.56%

LAB 69.63, 10.47, 53.47

 

CMYK 67 / 0 / 38 / 16

HEX #46D685

RGB 70 214 133

HSL 146.25, 0.64%, 0.56%

LAB 76.73, -56.26, 29.13

 

CMYK 67 / 43 / 0 / 16

HEX #467BD6

RGB 70 123 214

HSL 217.92, 0.64%, 0.56%

LAB 52.2, 11.84, -52.01

 

CMYK 0 / 67 / 29 / 16

HEX #D64697

RGB 214 70 151

HSL 326.25, 0.64%, 0.56%

LAB 52.85, 63.33, -13.49

 

CMYK 0 / 4 / 67 / 16

HEX #D6CD46

RGB 214 205 70

HSL 56.25, 0.64%, 0.56%

LAB 80.96, -12.52, 65.29

 

CMYK 67 / 0 / 38 / 16

HEX #46D685

RGB 70 214 133

HSL 146.25, 0.64%, 0.56%

LAB 76.73, -56.26, 29.13

 

CMYK 67 / 63 / 0 / 16

HEX #4650D6

RGB 70 80 214

HSL 235.83, 0.64%, 0.56%

LAB 41.05, 38.73, -70.04

 

Description

Color code: HEX #D64697 | qconv.com Color code: HEX #D64697 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 70 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 70 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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