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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D654BD it is the complementary color #29AB42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D654BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D654BD shade: #DB54B8, #EC66CB, #FD78DE, #FF8AF1 and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D654BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D654BD shade: #D654BD, #C542AA, #B43097, #A31E84 and #920C71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D654BD shade: #D552BC, #D55298, #D55275 and #D55252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D654BD shade: #D552BC, #CB52D5, #A752D5, #8452D5 and #6152D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D654BD shade matches the following richer shades: #D552BC, #E641C6 and #F72FD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D654BD shade: #D552BC, #C363B1, #B275A6, #A1869C and #8F9791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D654BD shade: #A752D5, #CA52D5, #D552BD, #D5529A and #D55277

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D654BD shade: #AB2992, #CC31AF, #D552BC, #DD73C8 and #E594D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D654BD shade: #D654BD, #D58452 and #52D5B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D654BD shade: #D654BD, #BDD552 and #52BDD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D654BD shade: #D654BD, #D58452, #52D56A and #52A3D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D654BD shade: #D654BD, #D5AB52, #52D56A and #527BD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 12 / 16

HEX #D654BD

RGB 214 84 189

HSL 311.54, 0.61%, 0.58%

LAB 56.4, 62.91, -30.22

 

Complementary color

CMYK 76 / 0 / 61 / 33

HEX #29AB42

RGB 41 171 66

HSL 131.54, 0.61%, 0.42%

LAB 61.65, -55.98, 43.41

 

CMYK 0 / 62 / 16 / 14

HEX #DB54B8

RGB 219 84 184

HSL 315.56, 0.65%, 0.59%

LAB 56.94, 63.5, -26.44

 

CMYK 0 / 57 / 14 / 7

HEX #EC66CB

RGB 236 102 203

HSL 314.78, 0.78%, 0.66%

LAB 63.05, 63.22, -27.64

 

CMYK 0 / 53 / 12 / 1

HEX #FD78DE

RGB 253 120 222

HSL 313.98, 0.97%, 0.73%

LAB 69.18, 62.75, -28.64

 

CMYK 0 / 46 / 5 / 0

HEX #FF8AF1

RGB 255 138 241

HSL 307.18, 1%, 0.77%

LAB 73.41, 57.85, -32.54

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 61 / 12 / 16

HEX #D654BD

RGB 214 84 189

HSL 311.54, 0.61%, 0.58%

LAB 56.4, 62.91, -30.22

 

CMYK 0 / 66 / 14 / 23

HEX #C542AA

RGB 197 66 170

HSL 312.37, 0.53%, 0.52%

LAB 50.3, 62.9, -28.86

 

CMYK 0 / 73 / 16 / 29

HEX #B43097

RGB 180 48 151

HSL 313.18, 0.58%, 0.45%

LAB 44.31, 62.39, -27.1

 

CMYK 0 / 82 / 19 / 36

HEX #A31E84

RGB 163 30 132

HSL 313.98, 0.69%, 0.38%

LAB 38.52, 61.08, -24.76

 

CMYK 0 / 92 / 23 / 43

HEX #920C71

RGB 146 12 113

HSL 314.78, 0.85%, 0.31%

LAB 33.06, 58.52, -21.59

 

CMYK 0 / 62 / 12 / 16

HEX #D552BC

RGB 213 82 188

HSL 311.45, 0.61%, 0.58%

LAB 55.9, 63.33, -30.43

 

CMYK 0 / 62 / 29 / 16

HEX #D55298

RGB 213 82 152

HSL 327.94, 0.61%, 0.58%

LAB 54.5, 58.31, -11.61

 

CMYK 0 / 62 / 45 / 16

HEX #D55275

RGB 213 82 117

HSL 343.97, 0.61%, 0.58%

LAB 53.45, 54.41, 7.6

 

CMYK 0 / 62 / 62 / 16

HEX #D55252

RGB 213 82 82

HSL 0, 0.61%, 0.58%

LAB 52.72, 51.56, 27.32

 

CMYK 0 / 62 / 12 / 16

HEX #D552BC

RGB 213 82 188

HSL 311.45, 0.61%, 0.58%

LAB 55.9, 63.33, -30.43

 

CMYK 5 / 62 / 0 / 16

HEX #CB52D5

RGB 203 82 213

HSL 295.42, 0.61%, 0.58%

LAB 55.62, 64.91, -45.27

 

CMYK 22 / 62 / 0 / 16

HEX #A752D5

RGB 167 82 213

HSL 278.93, 0.61%, 0.58%

LAB 50.75, 56.32, -53.31

 

CMYK 38 / 62 / 0 / 16

HEX #8452D5

RGB 132 82 213

HSL 262.9, 0.61%, 0.58%

LAB 46.64, 48.41, -60.14

 

CMYK 54 / 62 / 0 / 16

HEX #6152D5

RGB 97 82 213

HSL 246.87, 0.61%, 0.58%

LAB 43.33, 41.45, -65.66

 

CMYK 0 / 62 / 12 / 16

HEX #D552BC

RGB 213 82 188

HSL 311.45, 0.61%, 0.58%

LAB 55.9, 63.33, -30.43

 

CMYK 0 / 72 / 14 / 10

HEX #E641C6

RGB 230 65 198

HSL 311.64, 0.77%, 0.58%

LAB 56.76, 75.24, -34.63

 

CMYK 0 / 81 / 15 / 3

HEX #F72FD1

RGB 247 47 209

HSL 311.4, 0.93%, 0.58%

LAB 58.42, 85.19, -38.11

 

CMYK 0 / 62 / 12 / 16

HEX #D552BC

RGB 213 82 188

HSL 311.45, 0.61%, 0.58%

LAB 55.9, 63.33, -30.43

 

CMYK 0 / 49 / 9 / 24

HEX #C363B1

RGB 195 99 177

HSL 311.25, 0.44%, 0.58%

LAB 55.79, 48.63, -24.46

 

CMYK 0 / 34 / 7 / 30

HEX #B275A6

RGB 178 117 166

HSL 311.8, 0.28%, 0.58%

LAB 57.02, 31.66, -16.42

 

CMYK 0 / 17 / 3 / 37

HEX #A1869C

RGB 161 134 156

HSL 311.11, 0.13%, 0.58%

LAB 59, 14.2, -7.86

 

CMYK 5 / 0 / 4 / 41

HEX #8F9791

RGB 143 151 145

HSL 135, 0.04%, 0.58%

LAB 61.67, -4.06, 2.15

 

CMYK 22 / 62 / 0 / 16

HEX #A752D5

RGB 167 82 213

HSL 278.93, 0.61%, 0.58%

LAB 50.75, 56.32, -53.31

 

CMYK 5 / 62 / 0 / 16

HEX #CA52D5

RGB 202 82 213

HSL 294.96, 0.61%, 0.58%

LAB 55.48, 64.67, -45.5

 

CMYK 0 / 62 / 11 / 16

HEX #D552BD

RGB 213 82 189

HSL 310.99, 0.61%, 0.58%

LAB 55.94, 63.48, -30.94

 

CMYK 0 / 62 / 28 / 16

HEX #D5529A

RGB 213 82 154

HSL 327.02, 0.61%, 0.58%

LAB 54.57, 58.56, -12.68

 

CMYK 0 / 62 / 44 / 16

HEX #D55277

RGB 213 82 119

HSL 343.05, 0.61%, 0.58%

LAB 53.51, 54.6, 6.48

 

CMYK 0 / 76 / 15 / 33

HEX #AB2992

RGB 171 41 146

HSL 311.54, 0.61%, 0.42%

LAB 41.72, 61.77, -28.23

 

CMYK 0 / 76 / 14 / 20

HEX #CC31AF

RGB 204 49 175

HSL 311.23, 0.61%, 0.5%

LAB 49.65, 71.04, -32.72

 

CMYK 0 / 62 / 12 / 16

HEX #D552BC

RGB 213 82 188

HSL 311.45, 0.61%, 0.58%

LAB 55.9, 63.33, -30.43

 

CMYK 0 / 48 / 10 / 13

HEX #DD73C8

RGB 221 115 200

HSL 311.89, 0.61%, 0.66%

LAB 63.18, 52.33, -25.92

 

CMYK 0 / 35 / 7 / 10

HEX #E594D5

RGB 229 148 213

HSL 311.85, 0.61%, 0.74%

LAB 71.31, 40.1, -20.66

 

CMYK 0 / 61 / 12 / 16

HEX #D654BD

RGB 214 84 189

HSL 311.54, 0.61%, 0.58%

LAB 56.4, 62.91, -30.22

 

CMYK 0 / 38 / 62 / 16

HEX #D58452

RGB 213 132 82

HSL 22.9, 0.61%, 0.58%

LAB 62.72, 26.46, 39.7

 

CMYK 62 / 0 / 14 / 16

HEX #52D5B8

RGB 82 213 184

HSL 166.72, 0.61%, 0.58%

LAB 77.78, -42.72, 3.72

 

CMYK 0 / 61 / 12 / 16

HEX #D654BD

RGB 214 84 189

HSL 311.54, 0.61%, 0.58%

LAB 56.4, 62.91, -30.22

 

CMYK 11 / 0 / 62 / 16

HEX #BDD552

RGB 189 213 82

HSL 70.99, 0.61%, 0.58%

LAB 81.3, -25.97, 60.21

 

CMYK 62 / 11 / 0 / 16

HEX #52BDD5

RGB 82 189 213

HSL 190.99, 0.61%, 0.58%

LAB 71.55, -23.53, -21.23

 

CMYK 0 / 61 / 12 / 16

HEX #D654BD

RGB 214 84 189

HSL 311.54, 0.61%, 0.58%

LAB 56.4, 62.91, -30.22

 

CMYK 0 / 38 / 62 / 16

HEX #D58452

RGB 213 132 82

HSL 22.9, 0.61%, 0.58%

LAB 62.72, 26.46, 39.7

 

CMYK 62 / 0 / 50 / 16

HEX #52D56A

RGB 82 213 106

HSL 130.99, 0.61%, 0.58%

LAB 76.33, -58.01, 42.2

 

CMYK 62 / 23 / 0 / 16

HEX #52A3D5

RGB 82 163 213

HSL 202.9, 0.61%, 0.58%

LAB 63.99, -9.79, -32.85

 

CMYK 0 / 61 / 12 / 16

HEX #D654BD

RGB 214 84 189

HSL 311.54, 0.61%, 0.58%

LAB 56.4, 62.91, -30.22

 

CMYK 0 / 20 / 62 / 16

HEX #D5AB52

RGB 213 171 82

HSL 40.76, 0.61%, 0.58%

LAB 72.15, 5.44, 50.66

 

CMYK 62 / 0 / 50 / 16

HEX #52D56A

RGB 82 213 106

HSL 130.99, 0.61%, 0.58%

LAB 76.33, -58.01, 42.2

 

CMYK 62 / 42 / 0 / 16

HEX #527BD5

RGB 82 123 213

HSL 221.22, 0.61%, 0.58%

LAB 52.69, 13.56, -50.63

 

Description

Color code: HEX #D654BD | qconv.com Color code: HEX #D654BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 84 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 84 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 12 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 12% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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