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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D655EC it is the complementary color #29AA13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D655EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D655EC shade: #DB55E7, #EC67FA, #FD79FF, #FF8BFF and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D655EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D655EC shade: #D655EC, #C543D9, #B431C6, #A31FB3 and #920DA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D655EC shade: #D655EC, #EC55D9, #EC55B0, #EC5587 and #EC555F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D655EC shade: #D655EC, #AD55EC, #8455EC, #5C55EC and #5555EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D655EC shade matches the following richer shades: #D655EC and #E045FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D655EC shade: #D655EC, #CB64DC, #C073CD, #B582BE and #AA92AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D655EC shade: #8455EC, #AD55EC, #D555EC, #EC55DA and #EC55B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D655EC shade: #BB17D6, #CD30E8, #D655EC, #DF7AF0 and #E89FF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D655EC shade: #D655EC, #EC5C55 and #55EC99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D655EC shade: #D655EC, #ECD555 and #55ECD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D655EC shade: #D655EC, #EC5C55, #6BEC55 and #55E4EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D655EC shade: #D655EC, #EC8A55, #6BEC55 and #55B7EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 64 / 0 / 7

HEX #D655EC

RGB 214 85 236

HSL 291.26, 0.8%, 0.63%

LAB 58.83, 70.34, -53.02

 

Complementary color

CMYK 76 / 0 / 89 / 33

HEX #29AA13

RGB 41 170 19

HSL 111.26, 0.8%, 0.37%

LAB 61.02, -59.35, 59.07

 

CMYK 5 / 63 / 0 / 9

HEX #DB55E7

RGB 219 85 231

HSL 295.07, 0.75%, 0.62%

LAB 59.28, 70.6, -49.48

 

CMYK 6 / 59 / 0 / 2

HEX #EC67FA

RGB 236 103 250

HSL 294.29, 0.94%, 0.69%

LAB 65.31, 70.44, -50.32

 

CMYK 1 / 53 / 0 / 0

HEX #FD79FF

RGB 253 121 255

HSL 299.1, 1%, 0.74%

LAB 70.72, 67.63, -44.39

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 9 / 64 / 0 / 7

HEX #D655EC

RGB 214 85 236

HSL 291.26, 0.8%, 0.63%

LAB 58.83, 70.34, -53.02

 

CMYK 9 / 69 / 0 / 15

HEX #C543D9

RGB 197 67 217

HSL 292, 0.66%, 0.56%

LAB 52.83, 70.21, -52.02

 

CMYK 9 / 75 / 0 / 22

HEX #B431C6

RGB 180 49 198

HSL 292.75, 0.6%, 0.48%

LAB 46.94, 69.55, -50.68

 

CMYK 9 / 83 / 0 / 30

HEX #A31FB3

RGB 163 31 179

HSL 293.51, 0.7%, 0.41%

LAB 41.25, 68.08, -48.84

 

CMYK 9 / 92 / 0 / 37

HEX #920DA0

RGB 146 13 160

HSL 294.29, 0.85%, 0.34%

LAB 35.86, 65.4, -46.29

 

CMYK 9 / 64 / 0 / 7

HEX #D655EC

RGB 214 85 236

HSL 291.26, 0.8%, 0.63%

LAB 58.83, 70.34, -53.02

 

CMYK 0 / 64 / 8 / 7

HEX #EC55D9

RGB 236 85 217

HSL 307.55, 0.8%, 0.63%

LAB 61.08, 72.36, -38.6

 

CMYK 0 / 64 / 25 / 7

HEX #EC55B0

RGB 236 85 176

HSL 323.84, 0.8%, 0.63%

LAB 59.4, 66.63, -17.82

 

CMYK 0 / 64 / 43 / 7

HEX #EC5587

RGB 236 85 135

HSL 340.13, 0.8%, 0.63%

LAB 58.11, 62.03, 4.13

 

CMYK 0 / 64 / 60 / 7

HEX #EC555F

RGB 236 85 95

HSL 356.03, 0.8%, 0.63%

LAB 57.23, 58.77, 26.33

 

CMYK 9 / 64 / 0 / 7

HEX #D655EC

RGB 214 85 236

HSL 291.26, 0.8%, 0.63%

LAB 58.83, 70.34, -53.02

 

CMYK 27 / 64 / 0 / 7

HEX #AD55EC

RGB 173 85 236

HSL 274.97, 0.8%, 0.63%

LAB 53.42, 61.25, -61.98

 

CMYK 44 / 64 / 0 / 7

HEX #8455EC

RGB 132 85 236

HSL 258.68, 0.8%, 0.63%

LAB 48.83, 52.86, -69.63

 

CMYK 61 / 64 / 0 / 7

HEX #5C55EC

RGB 92 85 236

HSL 242.78, 0.8%, 0.63%

LAB 45.4, 46.04, -75.37

 

CMYK 64 / 64 / 0 / 7

HEX #5555EC

RGB 85 85 236

HSL 240, 0.8%, 0.63%

LAB 44.92, 45.04, -76.17

 

CMYK 9 / 64 / 0 / 7

HEX #D655EC

RGB 214 85 236

HSL 291.26, 0.8%, 0.63%

LAB 58.83, 70.34, -53.02

 

CMYK 11 / 73 / 0 / 2

HEX #E045FB

RGB 224 69 251

HSL 291.1, 0.96%, 0.63%

LAB 59.04, 80.94, -60.95

 

CMYK 9 / 64 / 0 / 7

HEX #D655EC

RGB 214 85 236

HSL 291.26, 0.8%, 0.63%

LAB 58.83, 70.34, -53.02

 

CMYK 8 / 55 / 0 / 14

HEX #CB64DC

RGB 203 100 220

HSL 291.5, 0.63%, 0.63%

LAB 58.95, 58.07, -43.95

 

CMYK 6 / 44 / 0 / 20

HEX #C073CD

RGB 192 115 205

HSL 291.33, 0.47%, 0.63%

LAB 59.78, 44.57, -34.31

 

CMYK 5 / 32 / 0 / 25

HEX #B582BE

RGB 181 130 190

HSL 291, 0.32%, 0.63%

LAB 61.23, 30, -23.68

 

CMYK 3 / 17 / 0 / 31

HEX #AA92AF

RGB 170 146 175

HSL 289.66, 0.15%, 0.63%

LAB 63.51, 14.29, -11.84

 

CMYK 44 / 64 / 0 / 7

HEX #8455EC

RGB 132 85 236

HSL 258.68, 0.8%, 0.63%

LAB 48.83, 52.86, -69.63

 

CMYK 27 / 64 / 0 / 7

HEX #AD55EC

RGB 173 85 236

HSL 274.97, 0.8%, 0.63%

LAB 53.42, 61.25, -61.98

 

CMYK 10 / 64 / 0 / 7

HEX #D555EC

RGB 213 85 236

HSL 290.86, 0.8%, 0.63%

LAB 58.69, 70.12, -53.25

 

CMYK 0 / 64 / 8 / 7

HEX #EC55DA

RGB 236 85 218

HSL 307.15, 0.8%, 0.63%

LAB 61.13, 72.52, -39.1

 

CMYK 0 / 64 / 25 / 7

HEX #EC55B2

RGB 236 85 178

HSL 323.05, 0.8%, 0.63%

LAB 59.47, 66.89, -18.87

 

CMYK 13 / 89 / 0 / 16

HEX #BB17D6

RGB 187 23 214

HSL 291.52, 0.81%, 0.46%

LAB 47.02, 79.57, -59.73

 

CMYK 12 / 79 / 0 / 9

HEX #CD30E8

RGB 205 48 232

HSL 291.2, 0.8%, 0.55%

LAB 52.86, 80.36, -60.4

 

CMYK 9 / 64 / 0 / 7

HEX #D655EC

RGB 214 85 236

HSL 291.26, 0.8%, 0.63%

LAB 58.83, 70.34, -53.02

 

CMYK 7 / 49 / 0 / 6

HEX #DF7AF0

RGB 223 122 240

HSL 291.36, 0.8%, 0.71%

LAB 66.44, 56.5, -43.14

 

CMYK 5 / 35 / 0 / 4

HEX #E89FF4

RGB 232 159 244

HSL 291.53, 0.79%, 0.79%

LAB 75.13, 40.85, -31.74

 

CMYK 9 / 64 / 0 / 7

HEX #D655EC

RGB 214 85 236

HSL 291.26, 0.8%, 0.63%

LAB 58.83, 70.34, -53.02

 

CMYK 0 / 61 / 64 / 7

HEX #EC5C55

RGB 236 92 85

HSL 2.78, 0.8%, 0.63%

LAB 58.17, 55.17, 33.27

 

CMYK 64 / 0 / 35 / 7

HEX #55EC99

RGB 85 236 153

HSL 147.02, 0.8%, 0.63%

LAB 84.08, -58.28, 28.78

 

CMYK 9 / 64 / 0 / 7

HEX #D655EC

RGB 214 85 236

HSL 291.26, 0.8%, 0.63%

LAB 58.83, 70.34, -53.02

 

CMYK 0 / 10 / 64 / 7

HEX #ECD555

RGB 236 213 85

HSL 50.86, 0.8%, 0.63%

LAB 85.04, -6.52, 64.06

 

CMYK 64 / 0 / 10 / 7

HEX #55ECD5

RGB 85 236 213

HSL 170.86, 0.8%, 0.63%

LAB 85.37, -45.06, -0.61

 

CMYK 9 / 64 / 0 / 7

HEX #D655EC

RGB 214 85 236

HSL 291.26, 0.8%, 0.63%

LAB 58.83, 70.34, -53.02

 

CMYK 0 / 61 / 64 / 7

HEX #EC5C55

RGB 236 92 85

HSL 2.78, 0.8%, 0.63%

LAB 58.17, 55.17, 33.27

 

CMYK 55 / 0 / 64 / 7

HEX #6BEC55

RGB 107 236 85

HSL 111.26, 0.8%, 0.63%

LAB 83.85, -63.01, 60.55

 

CMYK 64 / 3 / 0 / 7

HEX #55E4EC

RGB 85 228 236

HSL 183.18, 0.8%, 0.63%

LAB 83.69, -35.36, -15.22

 

CMYK 9 / 64 / 0 / 7

HEX #D655EC

RGB 214 85 236

HSL 291.26, 0.8%, 0.63%

LAB 58.83, 70.34, -53.02

 

CMYK 0 / 42 / 64 / 7

HEX #EC8A55

RGB 236 138 85

HSL 21.06, 0.8%, 0.63%

LAB 67.03, 32.75, 43.96

 

CMYK 55 / 0 / 64 / 7

HEX #6BEC55

RGB 107 236 85

HSL 111.26, 0.8%, 0.63%

LAB 83.85, -63.01, 60.55

 

CMYK 64 / 22 / 0 / 7

HEX #55B7EC

RGB 85 183 236

HSL 201.06, 0.8%, 0.63%

LAB 70.77, -12.85, -34.95

 

Description

Color code: HEX #D655EC | qconv.com Color code: HEX #D655EC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 85 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 85 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 64 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 64% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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