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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D651B3 it is the complementary color #29AE4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D651B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D651B3 shade: #DB51AE, #EC63C1, #FD75D4, #FF87E7 and #FF99FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D651B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D651B3 shade: #D651B3, #C53FA0, #B42D8D, #A31B7A and #920967

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D651B3 shade: #D651B3, #D6518F, #D6516B and #D65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D651B3 shade: #D651B3, #D551D6, #B151D6, #8D51D6 and #6A51D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D651B3 shade matches the following richer shades: #D651B3, #E740BB and #F82EC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D651B3 shade: #D651B3, #C462AB, #B374A2, #A2859A and #909692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D651B3 shade: #B051D6, #D451D6, #D651B5, #D65191 and #D6516E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D651B3 shade: #AC2889, #CE30A4, #D651B3, #DE72C1 and #E594D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D651B3 shade: #D651B3, #D68D51 and #51D6C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D651B3 shade: #D651B3, #B5D651 and #51B5D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D651B3 shade: #D651B3, #D68D51, #51D672 and #519AD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D651B3 shade: #D651B3, #D6B551, #51D672 and #5172D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 16 / 16

HEX #D651B3

RGB 214 81 179

HSL 315.79, 0.62%, 0.58%

LAB 55.52, 62.67, -25.81

 

Complementary color

CMYK 76 / 0 / 56 / 32

HEX #29AE4C

RGB 41 174 76

HSL 135.79, 0.62%, 0.42%

LAB 62.73, -55.7, 39.97

 

CMYK 0 / 63 / 21 / 14

HEX #DB51AE

RGB 219 81 174

HSL 319.57, 0.66%, 0.59%

LAB 56.09, 63.33, -21.96

 

CMYK 0 / 58 / 18 / 7

HEX #EC63C1

RGB 236 99 193

HSL 318.83, 0.78%, 0.66%

LAB 62.17, 63.08, -23.33

 

CMYK 0 / 54 / 16 / 1

HEX #FD75D4

RGB 253 117 212

HSL 318.09, 0.97%, 0.73%

LAB 68.28, 62.63, -24.45

 

CMYK 0 / 47 / 9 / 0

HEX #FF87E7

RGB 255 135 231

HSL 312, 1%, 0.76%

LAB 72.47, 57.67, -28.52

 

CMYK 0 / 40 / 2 / 0

HEX #FF99FA

RGB 255 153 250

HSL 302.94, 1%, 0.8%

LAB 76.65, 51.96, -32.44

 

CMYK 0 / 62 / 16 / 16

HEX #D651B3

RGB 214 81 179

HSL 315.79, 0.62%, 0.58%

LAB 55.52, 62.67, -25.81

 

CMYK 0 / 68 / 19 / 23

HEX #C53FA0

RGB 197 63 160

HSL 316.57, 0.54%, 0.51%

LAB 49.45, 62.6, -24.26

 

CMYK 0 / 75 / 22 / 29

HEX #B42D8D

RGB 180 45 141

HSL 317.33, 0.6%, 0.44%

LAB 43.51, 61.99, -22.28

 

CMYK 0 / 83 / 25 / 36

HEX #A31B7A

RGB 163 27 122

HSL 318.09, 0.72%, 0.37%

LAB 37.8, 60.51, -19.66

 

CMYK 0 / 94 / 29 / 43

HEX #920967

RGB 146 9 103

HSL 318.83, 0.88%, 0.3%

LAB 32.45, 57.72, -16.15

 

CMYK 0 / 62 / 16 / 16

HEX #D651B3

RGB 214 81 179

HSL 315.79, 0.62%, 0.58%

LAB 55.52, 62.67, -25.81

 

CMYK 0 / 62 / 33 / 16

HEX #D6518F

RGB 214 81 143

HSL 332.03, 0.62%, 0.58%

LAB 54.2, 57.94, -6.73

 

CMYK 0 / 62 / 50 / 16

HEX #D6516B

RGB 214 81 107

HSL 348.27, 0.62%, 0.58%

LAB 53.21, 54.25, 13.24

 

CMYK 0 / 62 / 62 / 16

HEX #D65151

RGB 214 81 81

HSL 0, 0.62%, 0.58%

LAB 52.7, 52.28, 27.92

 

CMYK 0 / 62 / 16 / 16

HEX #D651B3

RGB 214 81 179

HSL 315.79, 0.62%, 0.58%

LAB 55.52, 62.67, -25.81

 

CMYK 0 / 62 / 0 / 16

HEX #D551D6

RGB 213 81 214

HSL 299.55, 0.62%, 0.58%

LAB 56.96, 67.9, -43.62

 

CMYK 17 / 62 / 0 / 16

HEX #B151D6

RGB 177 81 214

HSL 283.31, 0.62%, 0.58%

LAB 51.94, 59.35, -51.91

 

CMYK 34 / 62 / 0 / 16

HEX #8D51D6

RGB 141 81 214

HSL 267.07, 0.62%, 0.58%

LAB 47.5, 51.14, -59.28

 

CMYK 50 / 62 / 0 / 16

HEX #6A51D6

RGB 106 81 214

HSL 251.28, 0.62%, 0.58%

LAB 43.95, 43.98, -65.19

 

CMYK 0 / 62 / 16 / 16

HEX #D651B3

RGB 214 81 179

HSL 315.79, 0.62%, 0.58%

LAB 55.52, 62.67, -25.81

 

CMYK 0 / 72 / 19 / 9

HEX #E740BB

RGB 231 64 187

HSL 315.81, 0.78%, 0.58%

LAB 56.33, 74.31, -28.96

 

CMYK 0 / 81 / 21 / 3

HEX #F82EC3

RGB 248 46 195

HSL 315.74, 0.94%, 0.58%

LAB 57.89, 83.87, -30.91

 

CMYK 0 / 62 / 16 / 16

HEX #D651B3

RGB 214 81 179

HSL 315.79, 0.62%, 0.58%

LAB 55.52, 62.67, -25.81

 

CMYK 0 / 50 / 13 / 23

HEX #C462AB

RGB 196 98 171

HSL 315.31, 0.45%, 0.58%

LAB 55.49, 48.45, -21.43

 

CMYK 0 / 35 / 9 / 30

HEX #B374A2

RGB 179 116 162

HSL 316.19, 0.29%, 0.58%

LAB 56.77, 31.85, -14.48

 

CMYK 0 / 18 / 5 / 36

HEX #A2859A

RGB 162 133 154

HSL 316.55, 0.13%, 0.58%

LAB 58.78, 14.75, -7.03

 

CMYK 4 / 0 / 3 / 41

HEX #909692

RGB 144 150 146

HSL 140, 0.03%, 0.58%

LAB 61.5, -2.95, 1.35

 

CMYK 18 / 62 / 0 / 16

HEX #B051D6

RGB 176 81 214

HSL 282.86, 0.62%, 0.58%

LAB 51.8, 59.11, -52.13

 

CMYK 1 / 62 / 0 / 16

HEX #D451D6

RGB 212 81 214

HSL 299.1, 0.62%, 0.58%

LAB 56.82, 67.66, -43.86

 

CMYK 0 / 62 / 15 / 16

HEX #D651B5

RGB 214 81 181

HSL 314.89, 0.62%, 0.58%

LAB 55.6, 62.97, -26.84

 

CMYK 0 / 62 / 32 / 16

HEX #D65191

RGB 214 81 145

HSL 331.13, 0.62%, 0.58%

LAB 54.27, 58.17, -7.82

 

CMYK 0 / 62 / 49 / 16

HEX #D6516E

RGB 214 81 110

HSL 346.92, 0.62%, 0.58%

LAB 53.28, 54.51, 11.55

 

CMYK 0 / 77 / 20 / 33

HEX #AC2889

RGB 172 40 137

HSL 315.91, 0.62%, 0.42%

LAB 41.37, 61.06, -23.28

 

CMYK 0 / 77 / 20 / 19

HEX #CE30A4

RGB 206 48 164

HSL 315.95, 0.62%, 0.5%

LAB 49.39, 70.3, -26.6

 

CMYK 0 / 62 / 16 / 16

HEX #D651B3

RGB 214 81 179

HSL 315.79, 0.62%, 0.58%

LAB 55.52, 62.67, -25.81

 

CMYK 0 / 49 / 13 / 13

HEX #DE72C1

RGB 222 114 193

HSL 316.11, 0.62%, 0.66%

LAB 62.86, 52, -22.45

 

CMYK 0 / 35 / 9 / 10

HEX #E594D0

RGB 229 148 208

HSL 315.56, 0.61%, 0.74%

LAB 71.14, 39.25, -18.16

 

CMYK 0 / 62 / 16 / 16

HEX #D651B3

RGB 214 81 179

HSL 315.79, 0.62%, 0.58%

LAB 55.52, 62.67, -25.81

 

CMYK 0 / 34 / 62 / 16

HEX #D68D51

RGB 214 141 81

HSL 27.07, 0.62%, 0.58%

LAB 64.91, 21.95, 42.84

 

CMYK 62 / 0 / 9 / 16

HEX #51D6C2

RGB 81 214 194

HSL 170.98, 0.62%, 0.58%

LAB 78.31, -40.84, -0.87

 

CMYK 0 / 62 / 16 / 16

HEX #D651B3

RGB 214 81 179

HSL 315.79, 0.62%, 0.58%

LAB 55.52, 62.67, -25.81

 

CMYK 15 / 0 / 62 / 16

HEX #B5D651

RGB 181 214 81

HSL 74.89, 0.62%, 0.58%

LAB 81.02, -29.69, 60.16

 

CMYK 62 / 15 / 0 / 16

HEX #51B5D6

RGB 81 181 214

HSL 194.89, 0.62%, 0.58%

LAB 69.22, -19.3, -25.34

 

CMYK 0 / 62 / 16 / 16

HEX #D651B3

RGB 214 81 179

HSL 315.79, 0.62%, 0.58%

LAB 55.52, 62.67, -25.81

 

CMYK 0 / 34 / 62 / 16

HEX #D68D51

RGB 214 141 81

HSL 27.07, 0.62%, 0.58%

LAB 64.91, 21.95, 42.84

 

CMYK 62 / 0 / 47 / 16

HEX #51D672

RGB 81 214 114

HSL 134.89, 0.62%, 0.58%

LAB 76.71, -57.4, 38.76

 

CMYK 62 / 28 / 0 / 16

HEX #519AD6

RGB 81 154 214

HSL 207.07, 0.62%, 0.58%

LAB 61.41, -4.62, -37.43

 

CMYK 0 / 62 / 16 / 16

HEX #D651B3

RGB 214 81 179

HSL 315.79, 0.62%, 0.58%

LAB 55.52, 62.67, -25.81

 

CMYK 0 / 15 / 62 / 16

HEX #D6B551

RGB 214 181 81

HSL 45.11, 0.62%, 0.58%

LAB 74.79, 0.51, 54.1

 

CMYK 62 / 0 / 47 / 16

HEX #51D672

RGB 81 214 114

HSL 134.89, 0.62%, 0.58%

LAB 76.71, -57.4, 38.76

 

CMYK 62 / 47 / 0 / 16

HEX #5172D6

RGB 81 114 214

HSL 225.11, 0.62%, 0.58%

LAB 50.26, 19.27, -55.08

 

Description

Color code: HEX #D651B3 | qconv.com Color code: HEX #D651B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 81 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 81 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 16 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 16% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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