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Color name
HEX #D65A56

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D65A56 it is the complementary color #29A5A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D65A56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D65A56 shade: #DB5A51, #EC6C64, #FD7E77, #FF908A and #FFA29D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D65A56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D65A56 shade: #D65A56, #C54843, #B43630, #A3241D and #92120A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D65A56 shade: #D65A56 and #D65656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D65A56 shade: #D65A56, #D67D56, #D69F56, #D6C156 and #C8D656

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D65A56 shade matches the following richer shades: #D65A56, #E74A45 and #F83A34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D65A56 shade: #D65A56, #C56A67, #B47A78, #A38A89 and #929A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D65A56 shade: #D65698, #D65676, #D65856, #D67A56 and #D69C56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D65A56 shade: #AF2E2A, #CE3A35, #D65A56, #DE7B77 and #E69B99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D65A56 shade: #D65A56, #BAD656 and #5687D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D65A56 shade: #D65A56, #56D658 and #5856D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D65A56 shade: #D65A56, #BAD656, #56D4D6 and #7256D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D65A56 shade: #D65A56, #94D656, #56D4D6 and #9856D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 60 / 16

HEX #D65A56

RGB 214 90 86

HSL 1.88, 0.61%, 0.59%

LAB 54.32, 48.54, 27.09

 

Complementary color

CMYK 76 / 2 / 0 / 34

HEX #29A5A9

RGB 41 165 169

HSL 181.88, 0.61%, 0.41%

LAB 61.87, -30.83, -11.61

 

CMYK 0 / 59 / 63 / 14

HEX #DB5A51

RGB 219 90 81

HSL 3.91, 0.66%, 0.59%

LAB 55.04, 49.97, 31.04

 

CMYK 0 / 54 / 58 / 7

HEX #EC6C64

RGB 236 108 100

HSL 3.53, 0.78%, 0.66%

LAB 61.2, 48.84, 28.63

 

CMYK 0 / 50 / 53 / 1

HEX #FD7E77

RGB 253 126 119

HSL 3.13, 0.97%, 0.73%

LAB 67.38, 47.7, 26.55

 

CMYK 0 / 44 / 46 / 0

HEX #FF908A

RGB 255 144 138

HSL 3.08, 1%, 0.77%

LAB 71.58, 41.16, 21.72

 

CMYK 0 / 36 / 38 / 0

HEX #FFA29D

RGB 255 162 157

HSL 3.06, 1%, 0.81%

LAB 75.78, 33.89, 17.08

 

CMYK 0 / 58 / 60 / 16

HEX #D65A56

RGB 214 90 86

HSL 1.88, 0.61%, 0.59%

LAB 54.32, 48.54, 27.09

 

CMYK 0 / 63 / 66 / 23

HEX #C54843

RGB 197 72 67

HSL 2.31, 0.53%, 0.52%

LAB 48.15, 49.56, 29.78

 

CMYK 0 / 70 / 73 / 29

HEX #B43630

RGB 180 54 48

HSL 2.73, 0.58%, 0.45%

LAB 42.08, 50.34, 32.95

 

CMYK 0 / 78 / 82 / 36

HEX #A3241D

RGB 163 36 29

HSL 3.13, 0.7%, 0.38%

LAB 36.25, 50.63, 36.57

 

CMYK 0 / 88 / 93 / 43

HEX #92120A

RGB 146 18 10

HSL 3.53, 0.87%, 0.31%

LAB 30.8, 49.99, 40

 

CMYK 0 / 58 / 60 / 16

HEX #D65A56

RGB 214 90 86

HSL 1.88, 0.61%, 0.59%

LAB 54.32, 48.54, 27.09

 

CMYK 0 / 60 / 60 / 16

HEX #D65656

RGB 214 86 86

HSL 0, 0.61%, 0.59%

LAB 53.63, 50.38, 26.19

 

CMYK 0 / 58 / 60 / 16

HEX #D65A56

RGB 214 90 86

HSL 1.88, 0.61%, 0.59%

LAB 54.32, 48.54, 27.09

 

CMYK 0 / 42 / 60 / 16

HEX #D67D56

RGB 214 125 86

HSL 18.28, 0.61%, 0.59%

LAB 61.34, 30.89, 35.91

 

CMYK 0 / 26 / 60 / 16

HEX #D69F56

RGB 214 159 86

HSL 34.22, 0.61%, 0.59%

LAB 69.3, 12.58, 45.47

 

CMYK 0 / 10 / 60 / 16

HEX #D6C156

RGB 214 193 86

HSL 50.16, 0.61%, 0.59%

LAB 77.94, -5.41, 55.34

 

CMYK 7 / 0 / 60 / 16

HEX #C8D656

RGB 200 214 86

HSL 66.56, 0.61%, 0.59%

LAB 82.4, -21.75, 59.94

 

CMYK 0 / 58 / 60 / 16

HEX #D65A56

RGB 214 90 86

HSL 1.88, 0.61%, 0.59%

LAB 54.32, 48.54, 27.09

 

CMYK 0 / 68 / 70 / 9

HEX #E74A45

RGB 231 74 69

HSL 1.85, 0.77%, 0.59%

LAB 54.36, 60.08, 37.49

 

CMYK 0 / 77 / 79 / 3

HEX #F83A34

RGB 248 58 52

HSL 1.84, 0.93%, 0.59%

LAB 55.31, 69.95, 48.66

 

CMYK 0 / 58 / 60 / 16

HEX #D65A56

RGB 214 90 86

HSL 1.88, 0.61%, 0.59%

LAB 54.32, 48.54, 27.09

 

CMYK 0 / 46 / 48 / 23

HEX #C56A67

RGB 197 106 103

HSL 1.91, 0.45%, 0.59%

LAB 55.23, 35.75, 17.97

 

CMYK 0 / 32 / 33 / 29

HEX #B47A78

RGB 180 122 120

HSL 2, 0.29%, 0.59%

LAB 57.05, 22.38, 10.31

 

CMYK 0 / 15 / 16 / 36

HEX #A38A89

RGB 163 138 137

HSL 2.31, 0.12%, 0.59%

LAB 59.68, 9.27, 4.04

 

CMYK 5 / 0 / 0 / 40

HEX #929A9A

RGB 146 154 154

HSL 180, 0.04%, 0.59%

LAB 62.97, -2.86, -1

 

CMYK 0 / 60 / 29 / 16

HEX #D65698

RGB 214 86 152

HSL 329.06, 0.61%, 0.59%

LAB 55.3, 56.87, -10.39

 

CMYK 0 / 60 / 45 / 16

HEX #D65676

RGB 214 86 118

HSL 345, 0.61%, 0.59%

LAB 54.3, 53.05, 8.23

 

CMYK 0 / 59 / 60 / 16

HEX #D65856

RGB 214 88 86

HSL 0.94, 0.61%, 0.59%

LAB 53.97, 49.47, 26.64

 

CMYK 0 / 43 / 60 / 16

HEX #D67A56

RGB 214 122 86

HSL 16.88, 0.61%, 0.59%

LAB 60.68, 32.48, 35.1

 

CMYK 0 / 27 / 60 / 16

HEX #D69C56

RGB 214 156 86

HSL 32.81, 0.61%, 0.59%

LAB 68.57, 14.2, 44.6

 

CMYK 0 / 74 / 76 / 31

HEX #AF2E2A

RGB 175 46 42

HSL 1.8, 0.61%, 0.43%

LAB 39.97, 51.47, 33.81

 

CMYK 0 / 72 / 74 / 19

HEX #CE3A35

RGB 206 58 53

HSL 1.96, 0.61%, 0.51%

LAB 47.5, 57.43, 37.49

 

CMYK 0 / 58 / 60 / 16

HEX #D65A56

RGB 214 90 86

HSL 1.88, 0.61%, 0.59%

LAB 54.32, 48.54, 27.09

 

CMYK 0 / 45 / 46 / 13

HEX #DE7B77

RGB 222 123 119

HSL 2.33, 0.61%, 0.67%

LAB 62.53, 37.87, 19.29

 

CMYK 0 / 33 / 33 / 10

HEX #E69B99

RGB 230 155 153

HSL 1.56, 0.61%, 0.75%

LAB 71.26, 27.79, 12.52

 

CMYK 0 / 58 / 60 / 16

HEX #D65A56

RGB 214 90 86

HSL 1.88, 0.61%, 0.59%

LAB 54.32, 48.54, 27.09

 

CMYK 13 / 0 / 60 / 16

HEX #BAD656

RGB 186 214 86

HSL 73.13, 0.61%, 0.59%

LAB 81.4, -27.35, 58.56

 

CMYK 60 / 37 / 0 / 16

HEX #5687D6

RGB 86 135 214

HSL 217.03, 0.61%, 0.59%

LAB 56.25, 7.39, -45.53

 

CMYK 0 / 58 / 60 / 16

HEX #D65A56

RGB 214 90 86

HSL 1.88, 0.61%, 0.59%

LAB 54.32, 48.54, 27.09

 

CMYK 60 / 0 / 59 / 16

HEX #56D658

RGB 86 214 88

HSL 120.94, 0.61%, 0.59%

LAB 76.54, -59.81, 50.88

 

CMYK 59 / 60 / 0 / 16

HEX #5856D6

RGB 88 86 214

HSL 240.94, 0.61%, 0.59%

LAB 43.63, 37.81, -65.77

 

CMYK 0 / 58 / 60 / 16

HEX #D65A56

RGB 214 90 86

HSL 1.88, 0.61%, 0.59%

LAB 54.32, 48.54, 27.09

 

CMYK 13 / 0 / 60 / 16

HEX #BAD656

RGB 186 214 86

HSL 73.13, 0.61%, 0.59%

LAB 81.4, -27.35, 58.56

 

CMYK 60 / 1 / 0 / 16

HEX #56D4D6

RGB 86 212 214

HSL 180.94, 0.61%, 0.59%

LAB 78.42, -33.78, -11.41

 

CMYK 47 / 60 / 0 / 16

HEX #7256D6

RGB 114 86 214

HSL 253.13, 0.61%, 0.59%

LAB 45.75, 42.68, -62.23

 

CMYK 0 / 58 / 60 / 16

HEX #D65A56

RGB 214 90 86

HSL 1.88, 0.61%, 0.59%

LAB 54.32, 48.54, 27.09

 

CMYK 31 / 0 / 60 / 16

HEX #94D656

RGB 148 214 86

HSL 90.94, 0.61%, 0.59%

LAB 79.08, -41.67, 55.33

 

CMYK 60 / 1 / 0 / 16

HEX #56D4D6

RGB 86 212 214

HSL 180.94, 0.61%, 0.59%

LAB 78.42, -33.78, -11.41

 

CMYK 29 / 60 / 0 / 16

HEX #9856D6

RGB 152 86 214

HSL 270.94, 0.61%, 0.59%

LAB 49.72, 51.05, -55.63

 

Description

Color code: HEX #D65A56 | qconv.com Color code: HEX #D65A56 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 90 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 90 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 60% 16% C M Y K

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Provide designers and agencies with accurate color values.

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