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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D65BE6 it is the complementary color #29A419. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D65BE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D65BE6 shade: #DB5BE1, #EC6DF4, #FD7FFF, #FF91FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D65BE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D65BE6 shade: #D65BE6, #C549D3, #B437C0, #A325AD and #92139A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D65BE6 shade: #D65AE6, #E65AD0, #E65AAB, #E65A85 and #E65A5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D65BE6 shade: #D65AE6, #B05AE6, #8B5AE6, #655AE6 and #5A5AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D65BE6 shade matches the following richer shades: #D65AE6 and #E24BF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D65BE6 shade: #D65AE6, #CA6AD7, #BE79C7, #B388B8 and #A797A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D65BE6 shade: #8B5AE6, #B05AE6, #D65AE6, #E65AD1 and #E65AAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D65BE6 shade: #BB1FCF, #CD36E1, #D65AE6, #DF7EEB and #E8A2F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D65BE6 shade: #D65BE6, #E6665A and #5AE69E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D65BE6 shade: #D65BE6, #E6D65A and #5AE6D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D65BE6 shade: #D65BE6, #E6665A, #6BE65A and #5ADAE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D65BE6 shade: #D65BE6, #E6905A, #6BE65A and #5AB0E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 60 / 0 / 10

HEX #D65BE6

RGB 214 91 230

HSL 293.09, 0.74%, 0.63%

LAB 59.43, 66.75, -48.72

 

Complementary color

CMYK 75 / 0 / 85 / 36

HEX #29A419

RGB 41 164 25

HSL 113.09, 0.74%, 0.37%

LAB 59.06, -57.2, 55.97

 

CMYK 3 / 60 / 0 / 12

HEX #DB5BE1

RGB 219 91 225

HSL 297.31, 0.69%, 0.62%

LAB 59.87, 67.09, -45.18

 

CMYK 3 / 55 / 0 / 4

HEX #EC6DF4

RGB 236 109 244

HSL 296.44, 0.86%, 0.69%

LAB 65.98, 66.76, -45.95

 

CMYK 1 / 50 / 0 / 0

HEX #FD7FFF

RGB 253 127 255

HSL 299.06, 1%, 0.75%

LAB 71.75, 64.88, -42.78

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 7 / 60 / 0 / 10

HEX #D65BE6

RGB 214 91 230

HSL 293.09, 0.74%, 0.63%

LAB 59.43, 66.75, -48.72

 

CMYK 7 / 65 / 0 / 17

HEX #C549D3

RGB 197 73 211

HSL 293.91, 0.61%, 0.56%

LAB 53.32, 66.84, -47.83

 

CMYK 6 / 71 / 0 / 25

HEX #B437C0

RGB 180 55 192

HSL 294.74, 0.55%, 0.48%

LAB 47.29, 66.5, -46.65

 

CMYK 6 / 79 / 0 / 32

HEX #A325AD

RGB 163 37 173

HSL 295.59, 0.65%, 0.41%

LAB 41.42, 65.48, -45.01

 

CMYK 5 / 88 / 0 / 40

HEX #92139A

RGB 146 19 154

HSL 296.44, 0.78%, 0.34%

LAB 35.81, 63.38, -42.73

 

CMYK 7 / 61 / 0 / 10

HEX #D65AE6

RGB 214 90 230

HSL 293.14, 0.74%, 0.63%

LAB 59.27, 67.18, -48.97

 

CMYK 0 / 61 / 10 / 10

HEX #E65AD0

RGB 230 90 208

HSL 309.43, 0.74%, 0.63%

LAB 60.51, 67.5, -34.48

 

CMYK 0 / 61 / 26 / 10

HEX #E65AAB

RGB 230 90 171

HSL 325.29, 0.74%, 0.63%

LAB 59.04, 62.27, -15.57

 

CMYK 0 / 61 / 42 / 10

HEX #E65A85

RGB 230 90 133

HSL 341.57, 0.74%, 0.63%

LAB 57.87, 57.9, 4.84

 

CMYK 0 / 61 / 59 / 10

HEX #E65A5F

RGB 230 90 95

HSL 357.86, 0.74%, 0.63%

LAB 57.04, 54.67, 25.9

 

CMYK 7 / 61 / 0 / 10

HEX #D65AE6

RGB 214 90 230

HSL 293.14, 0.74%, 0.63%

LAB 59.27, 67.18, -48.97

 

CMYK 23 / 61 / 0 / 10

HEX #B05AE6

RGB 176 90 230

HSL 276.86, 0.74%, 0.63%

LAB 54.3, 58.23, -57.19

 

CMYK 40 / 61 / 0 / 10

HEX #8B5AE6

RGB 139 90 230

HSL 261, 0.74%, 0.63%

LAB 50.11, 50.02, -64.14

 

CMYK 56 / 61 / 0 / 10

HEX #655AE6

RGB 101 90 230

HSL 244.71, 0.74%, 0.63%

LAB 46.7, 42.69, -69.84

 

CMYK 61 / 61 / 0 / 10

HEX #5A5AE6

RGB 90 90 230

HSL 240, 0.74%, 0.63%

LAB 45.91, 40.88, -71.17

 

CMYK 7 / 61 / 0 / 10

HEX #D65AE6

RGB 214 90 230

HSL 293.14, 0.74%, 0.63%

LAB 59.27, 67.18, -48.97

 

CMYK 8 / 69 / 0 / 4

HEX #E24BF5

RGB 226 75 245

HSL 293.29, 0.89%, 0.63%

LAB 59.7, 78.3, -56.55

 

CMYK 7 / 61 / 0 / 10

HEX #D65AE6

RGB 214 90 230

HSL 293.14, 0.74%, 0.63%

LAB 59.27, 67.18, -48.97

 

CMYK 6 / 51 / 0 / 16

HEX #CA6AD7

RGB 202 106 215

HSL 292.84, 0.58%, 0.63%

LAB 59.68, 53.95, -40.01

 

CMYK 5 / 39 / 0 / 22

HEX #BE79C7

RGB 190 121 199

HSL 293.08, 0.41%, 0.63%

LAB 60.56, 39.59, -29.72

 

CMYK 3 / 26 / 0 / 28

HEX #B388B8

RGB 179 136 184

HSL 293.75, 0.25%, 0.63%

LAB 62.21, 24.79, -18.79

 

CMYK 1 / 11 / 0 / 34

HEX #A797A9

RGB 167 151 169

HSL 293.33, 0.09%, 0.63%

LAB 64.33, 9.24, -7.25

 

CMYK 40 / 61 / 0 / 10

HEX #8B5AE6

RGB 139 90 230

HSL 261, 0.74%, 0.63%

LAB 50.11, 50.02, -64.14

 

CMYK 23 / 61 / 0 / 10

HEX #B05AE6

RGB 176 90 230

HSL 276.86, 0.74%, 0.63%

LAB 54.3, 58.23, -57.19

 

CMYK 7 / 61 / 0 / 10

HEX #D65AE6

RGB 214 90 230

HSL 293.14, 0.74%, 0.63%

LAB 59.27, 67.18, -48.97

 

CMYK 0 / 61 / 9 / 10

HEX #E65AD1

RGB 230 90 209

HSL 309, 0.74%, 0.63%

LAB 60.55, 67.65, -34.98

 

CMYK 0 / 61 / 25 / 10

HEX #E65AAC

RGB 230 90 172

HSL 324.86, 0.74%, 0.63%

LAB 59.08, 62.39, -16.09

 

CMYK 10 / 85 / 0 / 19

HEX #BB1FCF

RGB 187 31 207

HSL 293.18, 0.74%, 0.47%

LAB 47.04, 77, -55.67

 

CMYK 9 / 76 / 0 / 12

HEX #CD36E1

RGB 205 54 225

HSL 292.98, 0.74%, 0.55%

LAB 53.01, 77.52, -56.21

 

CMYK 7 / 61 / 0 / 10

HEX #D65AE6

RGB 214 90 230

HSL 293.14, 0.74%, 0.63%

LAB 59.27, 67.18, -48.97

 

CMYK 5 / 46 / 0 / 8

HEX #DF7EEB

RGB 223 126 235

HSL 293.39, 0.73%, 0.71%

LAB 66.98, 53.57, -39.54

 

CMYK 4 / 33 / 0 / 5

HEX #E8A2F1

RGB 232 162 241

HSL 293.16, 0.74%, 0.79%

LAB 75.67, 38.69, -29.28

 

CMYK 7 / 60 / 0 / 10

HEX #D65BE6

RGB 214 91 230

HSL 293.09, 0.74%, 0.63%

LAB 59.43, 66.75, -48.72

 

CMYK 0 / 56 / 61 / 10

HEX #E6665A

RGB 230 102 90

HSL 5.14, 0.74%, 0.63%

LAB 59.03, 48.85, 31.32

 

CMYK 61 / 0 / 31 / 10

HEX #5AE69E

RGB 90 230 158

HSL 149.14, 0.74%, 0.63%

LAB 82.51, -54.05, 24.1

 

CMYK 7 / 60 / 0 / 10

HEX #D65BE6

RGB 214 91 230

HSL 293.09, 0.74%, 0.63%

LAB 59.43, 66.75, -48.72

 

CMYK 0 / 7 / 61 / 10

HEX #E6D65A

RGB 230 214 90

HSL 53.14, 0.74%, 0.63%

LAB 84.82, -9.19, 61.56

 

CMYK 61 / 0 / 7 / 10

HEX #5AE6D6

RGB 90 230 214

HSL 173.14, 0.74%, 0.63%

LAB 83.77, -41.35, -3.47

 

CMYK 7 / 60 / 0 / 10

HEX #D65BE6

RGB 214 91 230

HSL 293.09, 0.74%, 0.63%

LAB 59.43, 66.75, -48.72

 

CMYK 0 / 56 / 61 / 10

HEX #E6665A

RGB 230 102 90

HSL 5.14, 0.74%, 0.63%

LAB 59.03, 48.85, 31.32

 

CMYK 53 / 0 / 61 / 10

HEX #6BE65A

RGB 107 230 90

HSL 112.71, 0.74%, 0.63%

LAB 82.09, -60.33, 56.51

 

CMYK 61 / 5 / 0 / 10

HEX #5ADAE6

RGB 90 218 230

HSL 185.14, 0.74%, 0.63%

LAB 80.76, -31.52, -16.44

 

CMYK 7 / 60 / 0 / 10

HEX #D65BE6

RGB 214 91 230

HSL 293.09, 0.74%, 0.63%

LAB 59.43, 66.75, -48.72

 

CMYK 0 / 37 / 61 / 10

HEX #E6905A

RGB 230 144 90

HSL 23.14, 0.74%, 0.63%

LAB 67.66, 27.52, 41.94

 

CMYK 53 / 0 / 61 / 10

HEX #6BE65A

RGB 107 230 90

HSL 112.71, 0.74%, 0.63%

LAB 82.09, -60.33, 56.51

 

CMYK 61 / 23 / 0 / 10

HEX #5AB0E6

RGB 90 176 230

HSL 203.14, 0.74%, 0.63%

LAB 68.71, -10.09, -34.86

 

Description

Color code: HEX #D65BE6 | qconv.com Color code: HEX #D65BE6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 91 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 91 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 60 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 60% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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