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Color name
HEX #D65C4A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D65C4A it is the complementary color #29A3B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D65C4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D65C4A shade: #DB5C45, #EC6E58, #FD806B, #FF927E and #FFA491

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D65C4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D65C4A shade: #D65C4A, #C54A37, #B43824, #A32611 and #921400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D65C4A shade: #D55A48 and #D54848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D65C4A shade: #D55A48, #D58048, #D5A648, #D5CC48 and #B8D548

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D65C4A shade matches the following richer shades: #D55A48, #E74C35 and #F93F23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D65C4A shade: #D55A48, #C3675A, #B1756C, #9F827E and #8C9090

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D65C4A shade: #D54883, #D5485D, #D55848, #D57E48 and #D5A448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D65C4A shade: #A53625, #C7402D, #D55A48, #DD7869 and #E4968B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D65C4A shade: #D65C4A, #A8D548 and #4870D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D65C4A shade: #D65C4A, #48D558 and #5848D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D65C4A shade: #D65C4A, #A8D548, #48C4D5 and #7448D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D65C4A shade: #D65C4A, #7ED548, #48C4D5 and #9F48D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 65 / 16

HEX #D65C4A

RGB 214 92 74

HSL 7.71, 0.63%, 0.56%

LAB 54.5, 46.83, 34.16

 

Complementary color

CMYK 77 / 10 / 0 / 29

HEX #29A3B5

RGB 41 163 181

HSL 187.71, 0.63%, 0.44%

LAB 61.66, -26.1, -18.67

 

CMYK 0 / 58 / 68 / 14

HEX #DB5C45

RGB 219 92 69

HSL 9.2, 0.68%, 0.56%

LAB 55.22, 48.35, 37.99

 

CMYK 0 / 53 / 63 / 7

HEX #EC6E58

RGB 236 110 88

HSL 8.92, 0.8%, 0.64%

LAB 61.39, 47.07, 35.57

 

CMYK 0 / 49 / 58 / 1

HEX #FD806B

RGB 253 128 107

HSL 8.63, 0.97%, 0.71%

LAB 67.56, 45.8, 33.41

 

CMYK 0 / 43 / 51 / 0

HEX #FF927E

RGB 255 146 126

HSL 9.3, 1%, 0.75%

LAB 71.77, 39.04, 28.56

 

CMYK 0 / 36 / 43 / 0

HEX #FFA491

RGB 255 164 145

HSL 10.36, 1%, 0.78%

LAB 75.98, 31.56, 23.88

 

CMYK 0 / 57 / 65 / 16

HEX #D65C4A

RGB 214 92 74

HSL 7.71, 0.63%, 0.56%

LAB 54.5, 46.83, 34.16

 

CMYK 0 / 62 / 72 / 23

HEX #C54A37

RGB 197 74 55

HSL 8.03, 0.56%, 0.49%

LAB 48.32, 48.04, 36.84

 

CMYK 0 / 69 / 80 / 29

HEX #B43824

RGB 180 56 36

HSL 8.33, 0.67%, 0.42%

LAB 42.24, 49.07, 39.82

 

CMYK 0 / 77 / 90 / 36

HEX #A32611

RGB 163 38 17

HSL 8.63, 0.81%, 0.35%

LAB 36.39, 49.67, 42.7

 

CMYK 0 / 86 / 100 / 43

HEX #921400

RGB 146 20 0

HSL 8.22, 1%, 0.29%

LAB 30.91, 49.38, 44.16

 

CMYK 0 / 58 / 66 / 16

HEX #D55A48

RGB 213 90 72

HSL 7.66, 0.63%, 0.56%

LAB 53.95, 47.29, 34.58

 

CMYK 0 / 66 / 66 / 16

HEX #D54848

RGB 213 72 72

HSL 0, 0.63%, 0.56%

LAB 50.98, 55.21, 30.96

 

CMYK 0 / 58 / 66 / 16

HEX #D55A48

RGB 213 90 72

HSL 7.66, 0.63%, 0.56%

LAB 53.95, 47.29, 34.58

 

CMYK 0 / 40 / 66 / 16

HEX #D58048

RGB 213 128 72

HSL 23.83, 0.63%, 0.56%

LAB 61.7, 27.95, 43.68

 

CMYK 0 / 22 / 66 / 16

HEX #D5A648

RGB 213 166 72

HSL 40, 0.63%, 0.56%

LAB 70.79, 7.48, 53.78

 

CMYK 0 / 4 / 66 / 16

HEX #D5CC48

RGB 213 204 72

HSL 56.17, 0.63%, 0.56%

LAB 80.63, -12.32, 64.14

 

CMYK 14 / 0 / 66 / 16

HEX #B8D548

RGB 184 213 72

HSL 72.34, 0.63%, 0.56%

LAB 80.88, -28.65, 63.7

 

CMYK 0 / 58 / 66 / 16

HEX #D55A48

RGB 213 90 72

HSL 7.66, 0.63%, 0.56%

LAB 53.95, 47.29, 34.58

 

CMYK 0 / 67 / 77 / 9

HEX #E74C35

RGB 231 76 53

HSL 7.75, 0.79%, 0.56%

LAB 54.46, 58.65, 46.29

 

CMYK 0 / 75 / 86 / 2

HEX #F93F23

RGB 249 63 35

HSL 7.85, 0.95%, 0.56%

LAB 55.9, 68.32, 57.38

 

CMYK 0 / 58 / 66 / 16

HEX #D55A48

RGB 213 90 72

HSL 7.66, 0.63%, 0.56%

LAB 53.95, 47.29, 34.58

 

CMYK 0 / 47 / 54 / 24

HEX #C3675A

RGB 195 103 90

HSL 7.43, 0.47%, 0.56%

LAB 54.07, 35.36, 23.9

 

CMYK 0 / 34 / 39 / 31

HEX #B1756C

RGB 177 117 108

HSL 7.83, 0.31%, 0.56%

LAB 55.23, 22.47, 14.65

 

CMYK 0 / 18 / 21 / 38

HEX #9F827E

RGB 159 130 126

HSL 7.27, 0.15%, 0.56%

LAB 56.92, 10.45, 6.34

 

CMYK 3 / 0 / 0 / 44

HEX #8C9090

RGB 140 144 144

HSL 180, 0.02%, 0.56%

LAB 59.47, -1.45, -0.52

 

CMYK 0 / 66 / 38 / 16

HEX #D54883

RGB 213 72 131

HSL 334.89, 0.63%, 0.56%

LAB 52.31, 60, -2.42

 

CMYK 0 / 66 / 56 / 16

HEX #D5485D

RGB 213 72 93

HSL 351.06, 0.63%, 0.56%

LAB 51.35, 56.57, 19.02

 

CMYK 0 / 59 / 66 / 16

HEX #D55848

RGB 213 88 72

HSL 6.81, 0.63%, 0.56%

LAB 53.59, 48.23, 34.15

 

CMYK 0 / 41 / 66 / 16

HEX #D57E48

RGB 213 126 72

HSL 22.98, 0.63%, 0.56%

LAB 61.25, 29.02, 43.17

 

CMYK 0 / 23 / 66 / 16

HEX #D5A448

RGB 213 164 72

HSL 39.15, 0.63%, 0.56%

LAB 70.29, 8.55, 53.24

 

CMYK 0 / 67 / 78 / 35

HEX #A53625

RGB 165 54 37

HSL 7.97, 0.63%, 0.4%

LAB 39.19, 44.75, 35.26

 

CMYK 0 / 68 / 77 / 22

HEX #C7402D

RGB 199 64 45

HSL 7.4, 0.63%, 0.48%

LAB 46.97, 52.56, 40.96

 

CMYK 0 / 58 / 66 / 16

HEX #D55A48

RGB 213 90 72

HSL 7.66, 0.63%, 0.56%

LAB 53.95, 47.29, 34.58

 

CMYK 0 / 46 / 52 / 13

HEX #DD7869

RGB 221 120 105

HSL 7.76, 0.63%, 0.64%

LAB 61.5, 37.75, 25.8

 

CMYK 0 / 34 / 39 / 11

HEX #E4968B

RGB 228 150 139

HSL 7.42, 0.62%, 0.72%

LAB 69.59, 28.03, 17.9

 

CMYK 0 / 57 / 65 / 16

HEX #D65C4A

RGB 214 92 74

HSL 7.71, 0.63%, 0.56%

LAB 54.5, 46.83, 34.16

 

CMYK 21 / 0 / 66 / 16

HEX #A8D548

RGB 168 213 72

HSL 79.15, 0.63%, 0.56%

LAB 79.83, -34.93, 62.28

 

CMYK 66 / 47 / 0 / 16

HEX #4870D5

RGB 72 112 213

HSL 222.98, 0.63%, 0.56%

LAB 49.22, 18.64, -56.22

 

CMYK 0 / 57 / 65 / 16

HEX #D65C4A

RGB 214 92 74

HSL 7.71, 0.63%, 0.56%

LAB 54.5, 46.83, 34.16

 

CMYK 66 / 0 / 59 / 16

HEX #48D558

RGB 72 213 88

HSL 126.81, 0.63%, 0.56%

LAB 75.87, -62.38, 50

 

CMYK 59 / 66 / 0 / 16

HEX #5848D5

RGB 88 72 213

HSL 246.81, 0.63%, 0.56%

LAB 40.43, 45.75, -70.42

 

CMYK 0 / 57 / 65 / 16

HEX #D65C4A

RGB 214 92 74

HSL 7.71, 0.63%, 0.56%

LAB 54.5, 46.83, 34.16

 

CMYK 21 / 0 / 66 / 16

HEX #A8D548

RGB 168 213 72

HSL 79.15, 0.63%, 0.56%

LAB 79.83, -34.93, 62.28

 

CMYK 66 / 8 / 0 / 16

HEX #48C4D5

RGB 72 196 213

HSL 187.23, 0.63%, 0.56%

LAB 73.33, -28.62, -18.56

 

CMYK 46 / 66 / 0 / 16

HEX #7448D5

RGB 116 72 213

HSL 258.72, 0.63%, 0.56%

LAB 42.99, 50.52, -66.13

 

CMYK 0 / 57 / 65 / 16

HEX #D65C4A

RGB 214 92 74

HSL 7.71, 0.63%, 0.56%

LAB 54.5, 46.83, 34.16

 

CMYK 41 / 0 / 66 / 16

HEX #7ED548

RGB 126 213 72

HSL 97.02, 0.63%, 0.56%

LAB 77.57, -49.91, 59.22

 

CMYK 66 / 8 / 0 / 16

HEX #48C4D5

RGB 72 196 213

HSL 187.23, 0.63%, 0.56%

LAB 73.33, -28.62, -18.56

 

CMYK 25 / 66 / 0 / 16

HEX #9F48D5

RGB 159 72 213

HSL 277.02, 0.63%, 0.56%

LAB 48.02, 59.21, -57.75

 

Description

Color code: HEX #D65C4A | qconv.com Color code: HEX #D65C4A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 92 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 92 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 65 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 65% 16% C M Y K

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Provide designers and agencies with accurate color values.

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