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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D67BEF it is the complementary color #298410. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D67BEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D67BEF shade: #DB7BEA, #EC8DFD, #FD9FFF, #FFB1FF and #FFC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D67BEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D67BEF shade: #D67BEF, #C569DC, #B457C9, #A345B6 and #9233A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D67BEF shade: #D57BEE, #EE7BE8, #EE7BC9, #EE7BAA and #EE7B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D67BEF shade: #D57BEE, #B67BEE, #977BEE and #7B7BEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D67BEF shade matches the following richer shades: #D57BEE and #DC6FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D67BEF shade: #D57BEE, #CF87E2, #C893D6, #C19FCA and #BAABBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D67BEF shade: #987BEE, #B67BEE, #D57BEE, #EE7BE8 and #EE7BCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D67BEF shade: #BE31E5, #CA56EA, #D57BEE, #E1A0F3 and #ECC4F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D67BEF shade: #D67BEF, #EE7B7D and #7BEEA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D67BEF shade: #D67BEF, #EED57B and #7BEED5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D67BEF shade: #D67BEF, #EE7B7D, #94EE7B and #7BEEEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D67BEF shade: #D67BEF, #EE9C7B, #94EE7B and #7BCEEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 49 / 0 / 6

HEX #D67BEF

RGB 214 123 239

HSL 287.07, 0.78%, 0.71%

LAB 65.51, 53.35, -44.13

 

Complementary color

CMYK 69 / 0 / 88 / 48

HEX #298410

RGB 41 132 16

HSL 107.07, 0.78%, 0.29%

LAB 48.27, -46.98, 48.55

 

CMYK 6 / 47 / 0 / 8

HEX #DB7BEA

RGB 219 123 234

HSL 291.89, 0.73%, 0.7%

LAB 65.88, 53.77, -40.74

 

CMYK 7 / 44 / 0 / 1

HEX #EC8DFD

RGB 236 141 253

HSL 290.89, 0.97%, 0.77%

LAB 72.21, 53.05, -41.12

 

CMYK 1 / 38 / 0 / 0

HEX #FD9FFF

RGB 253 159 255

HSL 298.75, 1%, 0.81%

LAB 77.82, 49.2, -33.35

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 10 / 49 / 0 / 6

HEX #D67BEF

RGB 214 123 239

HSL 287.07, 0.78%, 0.71%

LAB 65.51, 53.35, -44.13

 

CMYK 10 / 52 / 0 / 14

HEX #C569DC

RGB 197 105 220

HSL 288, 0.62%, 0.64%

LAB 59.1, 54.05, -43.77

 

CMYK 10 / 57 / 0 / 21

HEX #B457C9

RGB 180 87 201

HSL 288.95, 0.51%, 0.56%

LAB 52.66, 54.67, -43.31

 

CMYK 10 / 62 / 0 / 29

HEX #A345B6

RGB 163 69 182

HSL 289.91, 0.45%, 0.49%

LAB 46.2, 55.1, -42.69

 

CMYK 10 / 69 / 0 / 36

HEX #9233A3

RGB 146 51 163

HSL 290.89, 0.52%, 0.42%

LAB 39.79, 55.18, -41.81

 

CMYK 11 / 48 / 0 / 7

HEX #D57BEE

RGB 213 123 238

HSL 286.96, 0.77%, 0.71%

LAB 65.35, 52.88, -43.84

 

CMYK 0 / 48 / 3 / 7

HEX #EE7BE8

RGB 238 123 232

HSL 303.13, 0.77%, 0.71%

LAB 68.15, 58.73, -35.93

 

CMYK 0 / 48 / 16 / 7

HEX #EE7BC9

RGB 238 123 201

HSL 319.3, 0.77%, 0.71%

LAB 66.95, 53.72, -20.53

 

CMYK 0 / 48 / 29 / 7

HEX #EE7BAA

RGB 238 123 170

HSL 335.48, 0.77%, 0.71%

LAB 65.94, 49.36, -4.57

 

CMYK 0 / 48 / 42 / 7

HEX #EE7B8B

RGB 238 123 139

HSL 351.65, 0.77%, 0.71%

LAB 65.13, 45.71, 11.86

 

CMYK 11 / 48 / 0 / 7

HEX #D57BEE

RGB 213 123 238

HSL 286.96, 0.77%, 0.71%

LAB 65.35, 52.88, -43.84

 

CMYK 24 / 48 / 0 / 7

HEX #B67BEE

RGB 182 123 238

HSL 270.78, 0.77%, 0.71%

LAB 61.9, 44.48, -49.51

 

CMYK 37 / 48 / 0 / 7

HEX #977BEE

RGB 151 123 238

HSL 254.61, 0.77%, 0.71%

LAB 58.9, 36.49, -54.46

 

CMYK 48 / 48 / 0 / 7

HEX #7B7BEE

RGB 123 123 238

HSL 240, 0.77%, 0.71%

LAB 56.63, 29.92, -58.21

 

CMYK 11 / 48 / 0 / 7

HEX #D57BEE

RGB 213 123 238

HSL 286.96, 0.77%, 0.71%

LAB 65.35, 52.88, -43.84

 

CMYK 12 / 56 / 0 / 2

HEX #DC6FFA

RGB 220 111 250

HSL 287.05, 0.93%, 0.71%

LAB 64.55, 62.92, -51.65

 

CMYK 11 / 48 / 0 / 7

HEX #D57BEE

RGB 213 123 238

HSL 286.96, 0.77%, 0.71%

LAB 65.35, 52.88, -43.84

 

CMYK 8 / 40 / 0 / 11

HEX #CF87E2

RGB 207 135 226

HSL 287.47, 0.61%, 0.71%

LAB 66.58, 42.55, -35.32

 

CMYK 7 / 31 / 0 / 16

HEX #C893D6

RGB 200 147 214

HSL 287.46, 0.45%, 0.71%

LAB 68.02, 31.51, -26.51

 

CMYK 4 / 21 / 0 / 21

HEX #C19FCA

RGB 193 159 202

HSL 287.44, 0.29%, 0.71%

LAB 69.75, 20.22, -17.3

 

CMYK 2 / 10 / 0 / 25

HEX #BAABBE

RGB 186 171 190

HSL 287.37, 0.13%, 0.71%

LAB 71.75, 8.89, -7.75

 

CMYK 36 / 48 / 0 / 7

HEX #987BEE

RGB 152 123 238

HSL 255.13, 0.77%, 0.71%

LAB 58.99, 36.74, -54.31

 

CMYK 24 / 48 / 0 / 7

HEX #B67BEE

RGB 182 123 238

HSL 270.78, 0.77%, 0.71%

LAB 61.9, 44.48, -49.51

 

CMYK 11 / 48 / 0 / 7

HEX #D57BEE

RGB 213 123 238

HSL 286.96, 0.77%, 0.71%

LAB 65.35, 52.88, -43.84

 

CMYK 0 / 48 / 3 / 7

HEX #EE7BE8

RGB 238 123 232

HSL 303.13, 0.77%, 0.71%

LAB 68.15, 58.73, -35.93

 

CMYK 0 / 48 / 15 / 7

HEX #EE7BCA

RGB 238 123 202

HSL 318.78, 0.77%, 0.71%

LAB 66.98, 53.87, -21.03

 

CMYK 17 / 79 / 0 / 10

HEX #BE31E5

RGB 190 49 229

HSL 287, 0.78%, 0.55%

LAB 50.45, 76.91, -62.71

 

CMYK 14 / 63 / 0 / 8

HEX #CA56EA

RGB 202 86 234

HSL 287.03, 0.78%, 0.63%

LAB 57.22, 66.83, -54.56

 

CMYK 11 / 48 / 0 / 7

HEX #D57BEE

RGB 213 123 238

HSL 286.96, 0.77%, 0.71%

LAB 65.35, 52.88, -43.84

 

CMYK 7 / 34 / 0 / 5

HEX #E1A0F3

RGB 225 160 243

HSL 286.99, 0.78%, 0.79%

LAB 74.58, 37.99, -32.09

 

CMYK 4 / 21 / 0 / 3

HEX #ECC4F7

RGB 236 196 247

HSL 287.06, 0.76%, 0.87%

LAB 83.98, 22.98, -19.8

 

CMYK 10 / 49 / 0 / 6

HEX #D67BEF

RGB 214 123 239

HSL 287.07, 0.78%, 0.71%

LAB 65.51, 53.35, -44.13

 

CMYK 0 / 48 / 47 / 7

HEX #EE7B7D

RGB 238 123 125

HSL 358.96, 0.77%, 0.71%

LAB 64.82, 44.32, 19.37

 

CMYK 48 / 0 / 30 / 7

HEX #7BEEA7

RGB 123 238 167

HSL 142.96, 0.77%, 0.71%

LAB 86.08, -48.25, 24.53

 

CMYK 10 / 49 / 0 / 6

HEX #D67BEF

RGB 214 123 239

HSL 287.07, 0.78%, 0.71%

LAB 65.51, 53.35, -44.13

 

CMYK 0 / 11 / 48 / 7

HEX #EED57B

RGB 238 213 123

HSL 46.96, 0.77%, 0.71%

LAB 85.6, -2.85, 47.38

 

CMYK 48 / 0 / 11 / 7

HEX #7BEED5

RGB 123 238 213

HSL 166.96, 0.77%, 0.71%

LAB 87.08, -38.65, 2.02

 

CMYK 10 / 49 / 0 / 6

HEX #D67BEF

RGB 214 123 239

HSL 287.07, 0.78%, 0.71%

LAB 65.51, 53.35, -44.13

 

CMYK 0 / 48 / 47 / 7

HEX #EE7B7D

RGB 238 123 125

HSL 358.96, 0.77%, 0.71%

LAB 64.82, 44.32, 19.37

 

CMYK 38 / 0 / 48 / 7

HEX #94EE7B

RGB 148 238 123

HSL 106.96, 0.77%, 0.71%

LAB 86.44, -47.97, 47.08

 

CMYK 48 / 0 / 1 / 7

HEX #7BEEEC

RGB 123 238 236

HSL 178.96, 0.77%, 0.71%

LAB 87.69, -33.11, -9.14

 

CMYK 10 / 49 / 0 / 6

HEX #D67BEF

RGB 214 123 239

HSL 287.07, 0.78%, 0.71%

LAB 65.51, 53.35, -44.13

 

CMYK 0 / 34 / 48 / 7

HEX #EE9C7B

RGB 238 156 123

HSL 17.22, 0.77%, 0.71%

LAB 71.81, 27.05, 29.86

 

CMYK 38 / 0 / 48 / 7

HEX #94EE7B

RGB 148 238 123

HSL 106.96, 0.77%, 0.71%

LAB 86.44, -47.97, 47.08

 

CMYK 48 / 13 / 0 / 7

HEX #7BCEEE

RGB 123 206 238

HSL 196.7, 0.77%, 0.71%

LAB 78.77, -16.85, -23.61

 

Description

Color code: HEX #D67BEF | qconv.com Color code: HEX #D67BEF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 123 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 123 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 49 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 49% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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