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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D68F04 it is the complementary color #2970FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D68F04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D68F04 shade: #DB8F00, #ECA112, #FDB325, #FFC538 and #FFD74B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D68F04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D68F04 shade: #D68F04, #C57D00, #B46B00, #A35900 and #924700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D68F04 shade: #D68F04, #D65604, #D61E04 and #D60404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D68F04 shade: #D68F04, #D6C804, #ACD604, #73D604 and #3BD604

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D68F04 shade matches the following richer shades: #D68F04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D68F04 shade: #D68F04, #C58916, #B38427, #A17E39 and #8F784B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D68F04 shade: #D61C04, #D65504, #D68D04, #D6C504 and #B0D604

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D68F04 shade: #865902, #AE7403, #D68F04, #FAA90A and #FAB732

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D68F04 shade: #D68F04, #23D604 and #3904D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D68F04 shade: #D68F04, #04D68D and #8D04D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D68F04 shade: #D68F04, #23D604, #044ED6 and #B704D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D68F04 shade: #D68F04, #04D623, #044ED6 and #D604B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 98 / 16

HEX #D68F04

RGB 214 143 4

HSL 39.71, 0.96%, 0.43%

LAB 64.92, 18.16, 69.43

 

Complementary color

CMYK 84 / 55 / 0 / 2

HEX #2970FB

RGB 41 112 251

HSL 219.71, 0.96%, 0.57%

LAB 50.72, 28.99, -75.18

 

CMYK 0 / 35 / 100 / 14

HEX #DB8F00

RGB 219 143 0

HSL 39.18, 1%, 0.43%

LAB 65.52, 20.29, 70.68

 

CMYK 0 / 32 / 92 / 7

HEX #ECA112

RGB 236 161 18

HSL 39.36, 0.86%, 0.5%

LAB 71.8, 18.17, 73.45

 

CMYK 0 / 29 / 85 / 1

HEX #FDB325

RGB 253 179 37

HSL 39.44, 0.98%, 0.57%

LAB 78.03, 16.27, 74.9

 

CMYK 0 / 23 / 78 / 0

HEX #FFC538

RGB 255 197 56

HSL 42.51, 1%, 0.61%

LAB 82.64, 8.29, 73.26

 

CMYK 0 / 16 / 71 / 0

HEX #FFD74B

RGB 255 215 75

HSL 46.67, 1%, 0.65%

LAB 87.18, -0.16, 70.8

 

CMYK 0 / 33 / 98 / 16

HEX #D68F04

RGB 214 143 4

HSL 39.71, 0.96%, 0.43%

LAB 64.92, 18.16, 69.43

 

CMYK 0 / 37 / 100 / 23

HEX #C57D00

RGB 197 125 0

HSL 38.07, 1%, 0.39%

LAB 58.54, 20.48, 64.8

 

CMYK 0 / 41 / 100 / 29

HEX #B46B00

RGB 180 107 0

HSL 35.67, 1%, 0.35%

LAB 52.08, 22.92, 59.55

 

CMYK 0 / 45 / 100 / 36

HEX #A35900

RGB 163 89 0

HSL 32.76, 1%, 0.32%

LAB 45.54, 25.43, 54.25

 

CMYK 0 / 51 / 100 / 43

HEX #924700

RGB 146 71 0

HSL 29.18, 1%, 0.29%

LAB 38.93, 27.97, 48.92

 

CMYK 0 / 33 / 98 / 16

HEX #D68F04

RGB 214 143 4

HSL 39.71, 0.96%, 0.43%

LAB 64.92, 18.16, 69.43

 

CMYK 0 / 60 / 98 / 16

HEX #D65604

RGB 214 86 4

HSL 23.43, 0.96%, 0.43%

LAB 52.91, 47.46, 61.79

 

CMYK 0 / 86 / 98 / 16

HEX #D61E04

RGB 214 30 4

HSL 7.43, 0.96%, 0.43%

LAB 45.95, 66.52, 58.16

 

CMYK 0 / 98 / 98 / 16

HEX #D60404

RGB 214 4 4

HSL 0, 0.96%, 0.43%

LAB 44.79, 69.86, 57.65

 

CMYK 0 / 33 / 98 / 16

HEX #D68F04

RGB 214 143 4

HSL 39.71, 0.96%, 0.43%

LAB 64.92, 18.16, 69.43

 

CMYK 0 / 7 / 98 / 16

HEX #D6C804

RGB 214 200 4

HSL 56, 0.96%, 0.43%

LAB 79.39, -11.88, 79.68

 

CMYK 20 / 0 / 98 / 16

HEX #ACD604

RGB 172 214 4

HSL 72, 0.96%, 0.43%

LAB 80.11, -36.22, 78.82

 

CMYK 46 / 0 / 98 / 16

HEX #73D604

RGB 115 214 4

HSL 88.29, 0.96%, 0.43%

LAB 77.13, -56.73, 75.22

 

CMYK 72 / 0 / 98 / 16

HEX #3BD604

RGB 59 214 4

HSL 104.29, 0.96%, 0.43%

LAB 75.47, -70.23, 73.2

 

CMYK 0 / 33 / 98 / 16

HEX #D68F04

RGB 214 143 4

HSL 39.71, 0.96%, 0.43%

LAB 64.92, 18.16, 69.43

 

CMYK 0 / 33 / 98 / 16

HEX #D68F04

RGB 214 143 4

HSL 39.71, 0.96%, 0.43%

LAB 64.92, 18.16, 69.43

 

CMYK 0 / 30 / 89 / 23

HEX #C58916

RGB 197 137 22

HSL 39.43, 0.8%, 0.43%

LAB 61.5, 14.21, 62.86

 

CMYK 0 / 26 / 78 / 30

HEX #B38427

RGB 179 132 39

HSL 39.86, 0.64%, 0.43%

LAB 58.26, 9.45, 53.88

 

CMYK 0 / 22 / 65 / 37

HEX #A17E39

RGB 161 126 57

HSL 39.81, 0.48%, 0.43%

LAB 54.86, 5.68, 41.81

 

CMYK 0 / 16 / 48 / 44

HEX #8F784B

RGB 143 120 75

HSL 39.71, 0.31%, 0.43%

LAB 51.59, 2.63, 27.96

 

CMYK 0 / 87 / 98 / 16

HEX #D61C04

RGB 214 28 4

HSL 6.86, 0.96%, 0.43%

LAB 45.82, 66.9, 58.1

 

CMYK 0 / 60 / 98 / 16

HEX #D65504

RGB 214 85 4

HSL 23.14, 0.96%, 0.43%

LAB 52.73, 47.92, 61.69

 

CMYK 0 / 34 / 98 / 16

HEX #D68D04

RGB 214 141 4

HSL 39.14, 0.96%, 0.43%

LAB 64.45, 19.24, 69.1

 

CMYK 0 / 8 / 98 / 16

HEX #D6C504

RGB 214 197 4

HSL 55.14, 0.96%, 0.43%

LAB 78.6, -10.36, 79.1

 

CMYK 18 / 0 / 98 / 16

HEX #B0D604

RGB 176 214 4

HSL 70.86, 0.96%, 0.43%

LAB 80.37, -34.61, 79.13

 

CMYK 0 / 34 / 99 / 47

HEX #865902

RGB 134 89 2

HSL 39.55, 0.97%, 0.27%

LAB 41.56, 12.22, 49.17

 

CMYK 0 / 33 / 98 / 32

HEX #AE7403

RGB 174 116 3

HSL 39.65, 0.97%, 0.35%

LAB 53.49, 15.27, 59.5

 

CMYK 0 / 33 / 98 / 16

HEX #D68F04

RGB 214 143 4

HSL 39.71, 0.96%, 0.43%

LAB 64.92, 18.16, 69.43

 

CMYK 0 / 32 / 96 / 2

HEX #FAA90A

RGB 250 169 10

HSL 39.75, 0.96%, 0.51%

LAB 75.28, 19.82, 77.78

 

CMYK 0 / 27 / 80 / 2

HEX #FAB732

RGB 250 183 50

HSL 39.9, 0.95%, 0.59%

LAB 78.71, 13.26, 71.51

 

CMYK 0 / 33 / 98 / 16

HEX #D68F04

RGB 214 143 4

HSL 39.71, 0.96%, 0.43%

LAB 64.92, 18.16, 69.43

 

CMYK 84 / 0 / 98 / 16

HEX #23D604

RGB 35 214 4

HSL 111.14, 0.96%, 0.43%

LAB 75.11, -73.39, 72.76

 

CMYK 73 / 98 / 0 / 16

HEX #3904D6

RGB 57 4 214

HSL 255.14, 0.96%, 0.43%

LAB 28.93, 69.55, -90.07

 

CMYK 0 / 33 / 98 / 16

HEX #D68F04

RGB 214 143 4

HSL 39.71, 0.96%, 0.43%

LAB 64.92, 18.16, 69.43

 

CMYK 98 / 0 / 34 / 16

HEX #04D68D

RGB 4 214 141

HSL 159.14, 0.96%, 0.43%

LAB 76.1, -60.72, 23.99

 

CMYK 34 / 98 / 0 / 16

HEX #8D04D6

RGB 141 4 214

HSL 279.14, 0.96%, 0.43%

LAB 38.91, 75.66, -73.25

 

CMYK 0 / 33 / 98 / 16

HEX #D68F04

RGB 214 143 4

HSL 39.71, 0.96%, 0.43%

LAB 64.92, 18.16, 69.43

 

CMYK 84 / 0 / 98 / 16

HEX #23D604

RGB 35 214 4

HSL 111.14, 0.96%, 0.43%

LAB 75.11, -73.39, 72.76

 

CMYK 98 / 64 / 0 / 16

HEX #044ED6

RGB 4 78 214

HSL 218.86, 0.96%, 0.43%

LAB 38.43, 35.07, -74.41

 

CMYK 14 / 98 / 0 / 16

HEX #B704D6

RGB 183 4 214

HSL 291.14, 0.96%, 0.43%

LAB 45.65, 81.06, -61.98

 

CMYK 0 / 33 / 98 / 16

HEX #D68F04

RGB 214 143 4

HSL 39.71, 0.96%, 0.43%

LAB 64.92, 18.16, 69.43

 

CMYK 98 / 0 / 84 / 16

HEX #04D623

RGB 4 214 35

HSL 128.86, 0.96%, 0.43%

LAB 74.98, -74.36, 67.79

 

CMYK 98 / 64 / 0 / 16

HEX #044ED6

RGB 4 78 214

HSL 218.86, 0.96%, 0.43%

LAB 38.43, 35.07, -74.41

 

CMYK 0 / 98 / 14 / 16

HEX #D604B7

RGB 214 4 183

HSL 308.86, 0.96%, 0.43%

LAB 49.25, 81.57, -37.91

 

Description

Color code: HEX #D68F04 | qconv.com Color code: HEX #D68F04 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 143 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 143 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 98 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 98% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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