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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6976F it is the complementary color #296890. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6976F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6976F shade: #DB976A, #ECA97D, #FDBB90, #FFCDA3 and #FFDFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6976F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6976F shade: #D6976F, #C5855C, #B47349, #A36136 and #924F23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6976F shade: #D6976F, #D67B6F and #D66F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6976F shade: #D6976F, #D6B36F, #D6CF6F, #C2D66F and #A6D66F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6976F shade matches the following richer shades: #D6976F, #E59460 and #F49152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6976F shade: #D6976F, #C79B7E, #B89E8D, #AAA19C and #9BA4AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6976F shade: #D66F7F, #D67B6F, #D6976F, #D6B26F and #D6CE6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6976F shade: #BE6A35, #CD804F, #D6976F, #DFAE8F and #E8C6B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6976F shade: #D6976F, #9AD66F and #6F71D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6976F shade: #D6976F, #6FD697 and #976FD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6976F shade: #D6976F, #9AD66F, #6FAFD6 and #AB6FD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6976F shade: #D6976F, #7BD66F, #6FAFD6 and #CA6FD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

Complementary color

CMYK 72 / 28 / 0 / 44

HEX #296890

RGB 41 104 144

HSL 203.3, 0.56%, 0.36%

LAB 41.82, -6.32, -27.79

 

CMYK 0 / 31 / 52 / 14

HEX #DB976A

RGB 219 151 106

HSL 23.89, 0.61%, 0.64%

LAB 68.19, 20.58, 33.88

 

CMYK 0 / 28 / 47 / 7

HEX #ECA97D

RGB 236 169 125

HSL 23.78, 0.74%, 0.71%

LAB 74.63, 19.56, 32.43

 

CMYK 0 / 26 / 43 / 1

HEX #FDBB90

RGB 253 187 144

HSL 23.67, 0.96%, 0.78%

LAB 80.98, 18.65, 31.09

 

CMYK 0 / 20 / 36 / 0

HEX #FFCDA3

RGB 255 205 163

HSL 27.39, 1%, 0.82%

LAB 85.79, 12.1, 27.61

 

CMYK 0 / 13 / 29 / 0

HEX #FFDFB6

RGB 255 223 182

HSL 33.7, 1%, 0.86%

LAB 90.51, 5.13, 24.18

 

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

CMYK 0 / 32 / 53 / 23

HEX #C5855C

RGB 197 133 92

HSL 23.43, 0.48%, 0.57%

LAB 61.15, 20.1, 31.96

 

CMYK 0 / 36 / 59 / 29

HEX #B47349

RGB 180 115 73

HSL 23.55, 0.42%, 0.5%

LAB 54.5, 21.36, 33.6

 

CMYK 0 / 40 / 67 / 36

HEX #A36136

RGB 163 97 54

HSL 23.67, 0.5%, 0.43%

LAB 47.75, 22.81, 35.38

 

CMYK 0 / 46 / 76 / 43

HEX #924F23

RGB 146 79 35

HSL 23.78, 0.61%, 0.35%

LAB 40.94, 24.51, 37.2

 

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

CMYK 0 / 43 / 48 / 16

HEX #D67B6F

RGB 214 123 111

HSL 6.99, 0.56%, 0.64%

LAB 61.32, 34.06, 22

 

CMYK 0 / 48 / 48 / 16

HEX #D66F6F

RGB 214 111 111

HSL 0, 0.56%, 0.64%

LAB 58.8, 40.3, 18.59

 

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

CMYK 0 / 16 / 48 / 16

HEX #D6B36F

RGB 214 179 111

HSL 39.61, 0.56%, 0.64%

LAB 74.63, 3.98, 39.28

 

CMYK 0 / 3 / 48 / 16

HEX #D6CF6F

RGB 214 207 111

HSL 55.92, 0.56%, 0.64%

LAB 81.88, -10.56, 48.2

 

CMYK 9 / 0 / 48 / 16

HEX #C2D66F

RGB 194 214 111

HSL 71.65, 0.56%, 0.64%

LAB 82.22, -22.01, 48.26

 

CMYK 22 / 0 / 48 / 16

HEX #A6D66F

RGB 166 214 111

HSL 87.96, 0.56%, 0.64%

LAB 80.37, -32.64, 45.58

 

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

CMYK 0 / 35 / 58 / 10

HEX #E59460

RGB 229 148 96

HSL 23.46, 0.72%, 0.64%

LAB 68.52, 25.43, 39.83

 

CMYK 0 / 41 / 66 / 4

HEX #F49152

RGB 244 145 82

HSL 23.33, 0.88%, 0.64%

LAB 69.54, 32.11, 48.64

 

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

CMYK 0 / 22 / 37 / 22

HEX #C79B7E

RGB 199 155 126

HSL 23.84, 0.39%, 0.64%

LAB 67.35, 12.43, 21.49

 

CMYK 0 / 14 / 23 / 28

HEX #B89E8D

RGB 184 158 141

HSL 23.72, 0.23%, 0.64%

LAB 66.95, 6.88, 12.42

 

CMYK 0 / 5 / 8 / 33

HEX #AAA19C

RGB 170 161 156

HSL 21.43, 0.08%, 0.64%

LAB 66.85, 2.36, 3.76

 

CMYK 9 / 4 / 0 / 33

HEX #9BA4AB

RGB 155 164 171

HSL 206.25, 0.09%, 0.64%

LAB 66.87, -1.76, -4.72

 

CMYK 0 / 48 / 41 / 16

HEX #D66F7F

RGB 214 111 127

HSL 350.68, 0.56%, 0.64%

LAB 59.16, 41.94, 9.84

 

CMYK 0 / 43 / 48 / 16

HEX #D67B6F

RGB 214 123 111

HSL 6.99, 0.56%, 0.64%

LAB 61.32, 34.06, 22

 

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

CMYK 0 / 17 / 48 / 16

HEX #D6B26F

RGB 214 178 111

HSL 39.03, 0.56%, 0.64%

LAB 74.37, 4.51, 38.96

 

CMYK 0 / 4 / 48 / 16

HEX #D6CE6F

RGB 214 206 111

HSL 55.34, 0.56%, 0.64%

LAB 81.61, -10.05, 47.88

 

CMYK 0 / 44 / 72 / 25

HEX #BE6A35

RGB 190 106 53

HSL 23.21, 0.56%, 0.48%

LAB 53.51, 29.22, 43.33

 

CMYK 0 / 38 / 61 / 20

HEX #CD804F

RGB 205 128 79

HSL 23.33, 0.56%, 0.56%

LAB 60.77, 25.12, 38.69

 

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

CMYK 0 / 22 / 36 / 13

HEX #DFAE8F

RGB 223 174 143

HSL 23.25, 0.56%, 0.72%

LAB 74.79, 13.7, 22.77

 

CMYK 0 / 15 / 24 / 9

HEX #E8C6B0

RGB 232 198 176

HSL 23.57, 0.55%, 0.8%

LAB 82.21, 8.72, 15.48

 

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

CMYK 28 / 0 / 48 / 16

HEX #9AD66F

RGB 154 214 111

HSL 94.95, 0.56%, 0.64%

LAB 79.68, -36.95, 44.57

 

CMYK 48 / 47 / 0 / 16

HEX #6F71D6

RGB 111 113 214

HSL 238.83, 0.56%, 0.64%

LAB 51.89, 26.01, -52.38

 

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

CMYK 48 / 0 / 29 / 16

HEX #6FD697

RGB 111 214 151

HSL 143.3, 0.56%, 0.64%

LAB 78.29, -44.03, 22.08

 

CMYK 29 / 48 / 0 / 16

HEX #976FD6

RGB 151 111 214

HSL 263.3, 0.56%, 0.64%

LAB 54.87, 37.16, -47.42

 

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

CMYK 28 / 0 / 48 / 16

HEX #9AD66F

RGB 154 214 111

HSL 94.95, 0.56%, 0.64%

LAB 79.68, -36.95, 44.57

 

CMYK 48 / 18 / 0 / 16

HEX #6FAFD6

RGB 111 175 214

HSL 202.72, 0.56%, 0.64%

LAB 68.67, -9.96, -26.07

 

CMYK 20 / 48 / 0 / 16

HEX #AB6FD6

RGB 171 111 214

HSL 274.95, 0.56%, 0.64%

LAB 56.96, 42.59, -43.98

 

CMYK 0 / 29 / 48 / 16

HEX #D6976F

RGB 214 151 111

HSL 23.3, 0.56%, 0.64%

LAB 67.71, 19.02, 30.45

 

CMYK 43 / 0 / 48 / 16

HEX #7BD66F

RGB 123 214 111

HSL 113.01, 0.56%, 0.64%

LAB 78.14, -47.11, 42.33

 

CMYK 48 / 18 / 0 / 16

HEX #6FAFD6

RGB 111 175 214

HSL 202.72, 0.56%, 0.64%

LAB 68.67, -9.96, -26.07

 

CMYK 6 / 48 / 0 / 16

HEX #CA6FD6

RGB 202 111 214

HSL 293.01, 0.56%, 0.64%

LAB 60.59, 51.26, -38.02

 

Description

Color code: HEX #D6976F | qconv.com Color code: HEX #D6976F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 151 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 151 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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