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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D69961 it is the complementary color #29669E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D69961. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D69961 shade: #DB995C, #ECAB6F, #FDBD82, #FFCF95 and #FFE1A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D69961. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D69961 shade: #D69961, #C5874E, #B4753B, #A36328 and #925115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D69961 shade: #D69960, #D67960 and #D66060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D69961 shade: #D69960, #D6B860, #D4D660, #B4D660 and #94D660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D69961 shade matches the following richer shades: #D69960, #E69850 and #F69740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D69961 shade: #D69960, #C69970, #B69A81, #A59B91 and #959BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D69961 shade: #D66068, #D67860, #D69760, #D6B660 and #D6D660

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D69961 shade: #B56F2E, #CD8340, #D69960, #DEAE81 and #E7C3A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D69961 shade: #D69961, #87D660 and #6860D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D69961 shade: #D69961, #60D697 and #9760D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D69961 shade: #D69961, #87D660, #609FD6 and #AF60D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D69961 shade: #D69961, #64D660, #609FD6 and #D260D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 55 / 16

HEX #D69961

RGB 214 153 97

HSL 28.72, 0.59%, 0.61%

LAB 67.98, 16.68, 38.25

 

Complementary color

CMYK 74 / 35 / 0 / 38

HEX #29669E

RGB 41 102 158

HSL 208.72, 0.59%, 0.39%

LAB 41.91, 0.08, -36.01

 

CMYK 0 / 30 / 58 / 14

HEX #DB995C

RGB 219 153 92

HSL 28.82, 0.64%, 0.61%

LAB 68.47, 18.35, 41.58

 

CMYK 0 / 28 / 53 / 7

HEX #ECAB6F

RGB 236 171 111

HSL 28.8, 0.77%, 0.68%

LAB 74.89, 17.23, 40.1

 

CMYK 0 / 25 / 49 / 1

HEX #FDBD82

RGB 253 189 130

HSL 28.78, 0.97%, 0.75%

LAB 81.23, 16.24, 38.7

 

CMYK 0 / 19 / 42 / 0

HEX #FFCF95

RGB 255 207 149

HSL 32.83, 1%, 0.79%

LAB 86.03, 9.52, 35.19

 

CMYK 0 / 12 / 34 / 0

HEX #FFE1A8

RGB 255 225 168

HSL 39.31, 1%, 0.83%

LAB 90.75, 2.38, 31.71

 

CMYK 0 / 29 / 55 / 16

HEX #D69961

RGB 214 153 97

HSL 28.72, 0.59%, 0.61%

LAB 67.98, 16.68, 38.25

 

CMYK 0 / 31 / 60 / 23

HEX #C5874E

RGB 197 135 78

HSL 28.74, 0.51%, 0.54%

LAB 61.44, 17.87, 39.78

 

CMYK 0 / 35 / 67 / 29

HEX #B4753B

RGB 180 117 59

HSL 28.76, 0.51%, 0.47%

LAB 54.81, 19.27, 41.36

 

CMYK 0 / 39 / 75 / 36

HEX #A36328

RGB 163 99 40

HSL 28.78, 0.61%, 0.4%

LAB 48.09, 20.9, 42.86

 

CMYK 0 / 45 / 86 / 43

HEX #925115

RGB 146 81 21

HSL 28.8, 0.75%, 0.33%

LAB 41.3, 22.83, 43.92

 

CMYK 0 / 29 / 55 / 16

HEX #D69960

RGB 214 153 96

HSL 28.98, 0.59%, 0.61%

LAB 67.96, 16.6, 38.76

 

CMYK 0 / 43 / 55 / 16

HEX #D67960

RGB 214 121 96

HSL 12.71, 0.59%, 0.61%

LAB 60.62, 33.78, 29.51

 

CMYK 0 / 55 / 55 / 16

HEX #D66060

RGB 214 96 96

HSL 0, 0.59%, 0.61%

LAB 55.59, 46.45, 22.94

 

CMYK 0 / 29 / 55 / 16

HEX #D69960

RGB 214 153 96

HSL 28.98, 0.59%, 0.61%

LAB 67.96, 16.6, 38.76

 

CMYK 0 / 14 / 55 / 16

HEX #D6B860

RGB 214 184 96

HSL 44.75, 0.59%, 0.61%

LAB 75.71, 0.03, 48.1

 

CMYK 1 / 0 / 55 / 16

HEX #D4D660

RGB 212 214 96

HSL 61.02, 0.59%, 0.61%

LAB 83.41, -16.14, 56.94

 

CMYK 16 / 0 / 55 / 16

HEX #B4D660

RGB 180 214 96

HSL 77.29, 0.59%, 0.61%

LAB 81.09, -28.87, 53.69

 

CMYK 31 / 0 / 55 / 16

HEX #94D660

RGB 148 214 96

HSL 93.56, 0.59%, 0.61%

LAB 79.18, -40.7, 50.97

 

CMYK 0 / 29 / 55 / 16

HEX #D69960

RGB 214 153 96

HSL 28.98, 0.59%, 0.61%

LAB 67.96, 16.6, 38.76

 

CMYK 0 / 34 / 65 / 10

HEX #E69850

RGB 230 152 80

HSL 28.8, 0.75%, 0.61%

LAB 69.37, 22.62, 48.97

 

CMYK 0 / 39 / 74 / 4

HEX #F69740

RGB 246 151 64

HSL 28.68, 0.91%, 0.61%

LAB 70.94, 28.89, 58.64

 

CMYK 0 / 29 / 55 / 16

HEX #D69960

RGB 214 153 96

HSL 28.98, 0.59%, 0.61%

LAB 67.96, 16.6, 38.76

 

CMYK 0 / 23 / 43 / 22

HEX #C69970

RGB 198 153 112

HSL 28.6, 0.43%, 0.61%

LAB 66.49, 11.51, 27.99

 

CMYK 0 / 15 / 29 / 29

HEX #B69A81

RGB 182 154 129

HSL 28.3, 0.27%, 0.61%

LAB 65.47, 6.57, 16.99

 

CMYK 0 / 6 / 12 / 35

HEX #A59B91

RGB 165 155 145

HSL 30, 0.1%, 0.61%

LAB 64.55, 1.89, 6.54

 

CMYK 7 / 4 / 0 / 37

HEX #959BA1

RGB 149 155 161

HSL 210, 0.06%, 0.61%

LAB 63.68, -0.94, -3.88

 

CMYK 0 / 55 / 51 / 16

HEX #D66068

RGB 214 96 104

HSL 355.93, 0.59%, 0.61%

LAB 55.75, 47.11, 18.49

 

CMYK 0 / 44 / 55 / 16

HEX #D67860

RGB 214 120 96

HSL 12.2, 0.59%, 0.61%

LAB 60.4, 34.3, 29.24

 

CMYK 0 / 29 / 55 / 16

HEX #D69760

RGB 214 151 96

HSL 27.97, 0.59%, 0.61%

LAB 67.48, 17.68, 38.16

 

CMYK 0 / 15 / 55 / 16

HEX #D6B660

RGB 214 182 96

HSL 43.73, 0.59%, 0.61%

LAB 75.2, 1.08, 47.49

 

CMYK 0 / 0 / 55 / 16

HEX #D6D660

RGB 214 214 96

HSL 60, 0.59%, 0.61%

LAB 83.57, -15.33, 57.16

 

CMYK 0 / 39 / 75 / 29

HEX #B56F2E

RGB 181 111 46

HSL 28.89, 0.59%, 0.45%

LAB 53.37, 22.33, 46.2

 

CMYK 0 / 36 / 69 / 20

HEX #CD8340

RGB 205 131 64

HSL 28.51, 0.59%, 0.53%

LAB 61.29, 22.54, 46.93

 

CMYK 0 / 29 / 55 / 16

HEX #D69960

RGB 214 153 96

HSL 28.98, 0.59%, 0.61%

LAB 67.96, 16.6, 38.76

 

CMYK 0 / 22 / 42 / 13

HEX #DEAE81

RGB 222 174 129

HSL 29.03, 0.58%, 0.69%

LAB 74.44, 11.71, 29.78

 

CMYK 0 / 16 / 30 / 9

HEX #E7C3A2

RGB 231 195 162

HSL 28.7, 0.59%, 0.77%

LAB 81.09, 8.03, 21.35

 

CMYK 0 / 29 / 55 / 16

HEX #D69961

RGB 214 153 97

HSL 28.72, 0.59%, 0.61%

LAB 67.98, 16.68, 38.25

 

CMYK 37 / 0 / 55 / 16

HEX #87D660

RGB 135 214 96

HSL 100.17, 0.59%, 0.61%

LAB 78.51, -45.12, 50.03

 

CMYK 51 / 55 / 0 / 16

HEX #6860D6

RGB 104 96 214

HSL 244.07, 0.59%, 0.61%

LAB 47.19, 34.77, -59.95

 

CMYK 0 / 29 / 55 / 16

HEX #D69961

RGB 214 153 97

HSL 28.72, 0.59%, 0.61%

LAB 67.98, 16.68, 38.25

 

CMYK 55 / 0 / 29 / 16

HEX #60D697

RGB 96 214 151

HSL 147.97, 0.59%, 0.61%

LAB 77.77, -47.64, 21.28

 

CMYK 29 / 55 / 0 / 16

HEX #9760D6

RGB 151 96 214

HSL 267.97, 0.59%, 0.61%

LAB 51.61, 45.5, -52.61

 

CMYK 0 / 29 / 55 / 16

HEX #D69961

RGB 214 153 97

HSL 28.72, 0.59%, 0.61%

LAB 67.98, 16.68, 38.25

 

CMYK 37 / 0 / 55 / 16

HEX #87D660

RGB 135 214 96

HSL 100.17, 0.59%, 0.61%

LAB 78.51, -45.12, 50.03

 

CMYK 55 / 26 / 0 / 16

HEX #609FD6

RGB 96 159 214

HSL 207.97, 0.59%, 0.61%

LAB 63.46, -4.49, -34.19

 

CMYK 18 / 55 / 0 / 16

HEX #AF60D6

RGB 175 96 214

HSL 280.17, 0.59%, 0.61%

LAB 54.38, 51.57, -48.03

 

CMYK 0 / 29 / 55 / 16

HEX #D69961

RGB 214 153 97

HSL 28.72, 0.59%, 0.61%

LAB 67.98, 16.68, 38.25

 

CMYK 53 / 0 / 55 / 16

HEX #64D660

RGB 100 214 96

HSL 117.97, 0.59%, 0.61%

LAB 77.07, -55.46, 47.96

 

CMYK 55 / 26 / 0 / 16

HEX #609FD6

RGB 96 159 214

HSL 207.97, 0.59%, 0.61%

LAB 63.46, -4.49, -34.19

 

CMYK 2 / 55 / 0 / 16

HEX #D260D6

RGB 210 96 214

HSL 297.97, 0.59%, 0.61%

LAB 58.9, 60.68, -40.59

 

Description

Color code: HEX #D69961 | qconv.com Color code: HEX #D69961 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 153 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 153 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 55 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 55% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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