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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D69228 it is the complementary color #296DD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D69228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D69228 shade: #DB9223, #ECA436, #FDB649, #FFC85C and #FFDA6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D69228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D69228 shade: #D69228, #C58015, #B46E02, #A35C00 and #924A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D69228 shade: #D79227, #D76327, #D73327 and #D72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D69228 shade: #D79227, #D7C227, #BDD727, #8DD727 and #5ED727

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D69228 shade matches the following richer shades: #D79227 and #EC9712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D69228 shade: #D79227, #C28E3C, #AE8950, #998565 and #84807A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D69228 shade: #D73327, #D76227, #D79127, #D7C027 and #C0D727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D69228 shade: #91631A, #B47A21, #D79227, #DDA44A and #E4B56D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D69228 shade: #D69228, #4AD727 and #4A27D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D69228 shade: #D69228, #27D791 and #9127D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D69228 shade: #D69228, #4AD727, #276DD7 and #B427D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D69228 shade: #D69228, #27D739, #276DD7 and #D727C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 81 / 16

HEX #D69228

RGB 214 146 40

HSL 36.55, 0.69%, 0.5%

LAB 65.75, 17.22, 61.84

 

Complementary color

CMYK 81 / 49 / 0 / 16

HEX #296DD7

RGB 41 109 215

HSL 216.55, 0.69%, 0.5%

LAB 47.39, 17.33, -60.37

 

CMYK 0 / 33 / 84 / 14

HEX #DB9223

RGB 219 146 35

HSL 36.2, 0.72%, 0.5%

LAB 66.32, 19.23, 64.21

 

CMYK 0 / 31 / 77 / 7

HEX #ECA436

RGB 236 164 54

HSL 36.26, 0.83%, 0.57%

LAB 72.66, 17.48, 64

 

CMYK 0 / 28 / 71 / 1

HEX #FDB649

RGB 253 182 73

HSL 36.33, 0.98%, 0.64%

LAB 78.94, 15.95, 63.21

 

CMYK 0 / 22 / 64 / 0

HEX #FFC85C

RGB 255 200 92

HSL 39.75, 1%, 0.68%

LAB 83.62, 8.44, 60.02

 

CMYK 0 / 15 / 56 / 0

HEX #FFDA6F

RGB 255 218 111

HSL 44.58, 1%, 0.72%

LAB 88.23, 0.49, 56.6

 

CMYK 0 / 32 / 81 / 16

HEX #D69228

RGB 214 146 40

HSL 36.55, 0.69%, 0.5%

LAB 65.75, 17.22, 61.84

 

CMYK 0 / 35 / 89 / 23

HEX #C58015

RGB 197 128 21

HSL 36.48, 0.81%, 0.43%

LAB 59.31, 19.12, 61.4

 

CMYK 0 / 39 / 99 / 29

HEX #B46E02

RGB 180 110 2

HSL 36.4, 0.98%, 0.36%

LAB 52.8, 21.28, 59.6

 

CMYK 0 / 44 / 100 / 36

HEX #A35C00

RGB 163 92 0

HSL 33.87, 1%, 0.32%

LAB 46.23, 23.76, 54.68

 

CMYK 0 / 49 / 100 / 43

HEX #924A00

RGB 146 74 0

HSL 30.41, 1%, 0.29%

LAB 39.59, 26.32, 49.32

 

CMYK 0 / 32 / 82 / 16

HEX #D79227

RGB 215 146 39

HSL 36.48, 0.69%, 0.5%

LAB 65.87, 17.62, 62.32

 

CMYK 0 / 54 / 82 / 16

HEX #D76327

RGB 215 99 39

HSL 20.45, 0.69%, 0.5%

LAB 55.6, 42.27, 53.16

 

CMYK 0 / 76 / 82 / 16

HEX #D73327

RGB 215 51 39

HSL 4.09, 0.69%, 0.5%

LAB 48.21, 62.04, 46.31

 

CMYK 0 / 82 / 82 / 16

HEX #D72727

RGB 215 39 39

HSL 0, 0.69%, 0.5%

LAB 47.03, 65.36, 45.2

 

CMYK 0 / 32 / 82 / 16

HEX #D79227

RGB 215 146 39

HSL 36.48, 0.69%, 0.5%

LAB 65.87, 17.62, 62.32

 

CMYK 0 / 10 / 82 / 16

HEX #D7C227

RGB 215 194 39

HSL 52.84, 0.69%, 0.5%

LAB 77.98, -7.79, 72.8

 

CMYK 12 / 0 / 82 / 16

HEX #BDD727

RGB 189 215 39

HSL 68.86, 0.69%, 0.5%

LAB 81.6, -29.12, 75.1

 

CMYK 34 / 0 / 82 / 16

HEX #8DD727

RGB 141 215 39

HSL 85.23, 0.69%, 0.5%

LAB 78.7, -47.6, 71.44

 

CMYK 56 / 0 / 82 / 16

HEX #5ED727

RGB 94 215 39

HSL 101.25, 0.69%, 0.5%

LAB 76.76, -62.11, 68.96

 

CMYK 0 / 32 / 82 / 16

HEX #D79227

RGB 215 146 39

HSL 36.48, 0.69%, 0.5%

LAB 65.87, 17.62, 62.32

 

CMYK 0 / 36 / 92 / 7

HEX #EC9712

RGB 236 151 18

HSL 36.61, 0.86%, 0.5%

LAB 69.48, 23.47, 71.77

 

CMYK 0 / 32 / 82 / 16

HEX #D79227

RGB 215 146 39

HSL 36.48, 0.69%, 0.5%

LAB 65.87, 17.62, 62.32

 

CMYK 0 / 27 / 69 / 24

HEX #C28E3C

RGB 194 142 60

HSL 36.72, 0.53%, 0.5%

LAB 62.63, 11.58, 49.88

 

CMYK 0 / 21 / 54 / 32

HEX #AE8950

RGB 174 137 80

HSL 36.38, 0.37%, 0.5%

LAB 59.41, 7.07, 35.68

 

CMYK 0 / 13 / 34 / 40

HEX #998565

RGB 153 133 101

HSL 36.92, 0.2%, 0.5%

LAB 56.57, 2.66, 20.07

 

CMYK 0 / 3 / 8 / 48

HEX #84807A

RGB 132 128 122

HSL 36, 0.04%, 0.5%

LAB 53.76, 0.37, 3.78

 

CMYK 0 / 76 / 82 / 16

HEX #D73327

RGB 215 51 39

HSL 4.09, 0.69%, 0.5%

LAB 48.21, 62.04, 46.31

 

CMYK 0 / 54 / 82 / 16

HEX #D76227

RGB 215 98 39

HSL 20.11, 0.69%, 0.5%

LAB 55.41, 42.76, 52.98

 

CMYK 0 / 33 / 82 / 16

HEX #D79127

RGB 215 145 39

HSL 36.14, 0.69%, 0.5%

LAB 65.63, 18.16, 62.11

 

CMYK 0 / 11 / 82 / 16

HEX #D7C027

RGB 215 192 39

HSL 52.16, 0.69%, 0.5%

LAB 77.46, -6.77, 72.35

 

CMYK 11 / 0 / 82 / 16

HEX #C0D727

RGB 192 215 39

HSL 67.84, 0.69%, 0.5%

LAB 81.81, -27.9, 75.37

 

CMYK 0 / 32 / 82 / 43

HEX #91631A

RGB 145 99 26

HSL 36.81, 0.7%, 0.34%

LAB 45.66, 12.17, 45.8

 

CMYK 0 / 32 / 82 / 29

HEX #B47A21

RGB 180 122 33

HSL 36.33, 0.69%, 0.42%

LAB 55.82, 15.25, 53.94

 

CMYK 0 / 32 / 82 / 16

HEX #D79227

RGB 215 146 39

HSL 36.48, 0.69%, 0.5%

LAB 65.87, 17.62, 62.32

 

CMYK 0 / 26 / 67 / 13

HEX #DDA44A

RGB 221 164 74

HSL 36.73, 0.68%, 0.58%

LAB 71.16, 12.07, 53.51

 

CMYK 0 / 21 / 52 / 11

HEX #E4B56D

RGB 228 181 109

HSL 36.3, 0.69%, 0.66%

LAB 76.46, 8.49, 42.88

 

CMYK 0 / 32 / 81 / 16

HEX #D69228

RGB 214 146 40

HSL 36.55, 0.69%, 0.5%

LAB 65.75, 17.22, 61.84

 

CMYK 66 / 0 / 82 / 16

HEX #4AD727

RGB 74 215 39

HSL 108.07, 0.69%, 0.5%

LAB 76.19, -66.72, 68.24

 

CMYK 66 / 82 / 0 / 16

HEX #4A27D7

RGB 74 39 215

HSL 251.93, 0.69%, 0.5%

LAB 33.59, 61.26, -82.87

 

CMYK 0 / 32 / 81 / 16

HEX #D69228

RGB 214 146 40

HSL 36.55, 0.69%, 0.5%

LAB 65.75, 17.22, 61.84

 

CMYK 82 / 0 / 33 / 16

HEX #27D791

RGB 39 215 145

HSL 156.14, 0.69%, 0.5%

LAB 76.73, -58.31, 22.8

 

CMYK 33 / 82 / 0 / 16

HEX #9127D7

RGB 145 39 215

HSL 276.14, 0.69%, 0.5%

LAB 41.81, 69.76, -69.06

 

CMYK 0 / 32 / 81 / 16

HEX #D69228

RGB 214 146 40

HSL 36.55, 0.69%, 0.5%

LAB 65.75, 17.22, 61.84

 

CMYK 66 / 0 / 82 / 16

HEX #4AD727

RGB 74 215 39

HSL 108.07, 0.69%, 0.5%

LAB 76.19, -66.72, 68.24

 

CMYK 82 / 49 / 0 / 16

HEX #276DD7

RGB 39 109 215

HSL 216.14, 0.69%, 0.5%

LAB 47.33, 17.15, -60.45

 

CMYK 16 / 82 / 0 / 16

HEX #B427D7

RGB 180 39 215

HSL 288.07, 0.69%, 0.5%

LAB 47.05, 75.37, -60.3

 

CMYK 0 / 32 / 81 / 16

HEX #D69228

RGB 214 146 40

HSL 36.55, 0.69%, 0.5%

LAB 65.75, 17.22, 61.84

 

CMYK 82 / 0 / 73 / 16

HEX #27D739

RGB 39 215 57

HSL 126.14, 0.69%, 0.5%

LAB 75.65, -71.01, 62.06

 

CMYK 82 / 49 / 0 / 16

HEX #276DD7

RGB 39 109 215

HSL 216.14, 0.69%, 0.5%

LAB 47.33, 17.15, -60.45

 

CMYK 0 / 82 / 8 / 16

HEX #D727C5

RGB 215 39 197

HSL 306.14, 0.69%, 0.5%

LAB 51.76, 78.94, -42.09

 

Description

Color code: HEX #D69228 | qconv.com Color code: HEX #D69228 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 146 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 146 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 81% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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