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Color name
HEX #D69B04

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D69B04 it is the complementary color #2964FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D69B04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D69B04 shade: #DB9B00, #ECAD12, #FDBF25, #FFD138 and #FFE34B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D69B04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D69B04 shade: #D69B04, #C58900, #B47700, #A36500 and #925300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D69B04 shade: #D69B04, #D66204, #D62A04 and #D60404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D69B04 shade: #D69B04, #D6D404, #A0D604, #67D604 and #2ED604

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D69B04 shade matches the following richer shades: #D69B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D69B04 shade: #D69B04, #C59316, #B38C27, #A18439 and #8F7C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D69B04 shade: #D62A04, #D66304, #D69B04, #D6D304 and #A2D604

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D69B04 shade: #866102, #AE7E03, #D69B04, #FAB60A and #FAC232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D69B04 shade: #D69B04, #15D604 and #4704D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D69B04 shade: #D69B04, #04D69B and #9B04D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D69B04 shade: #D69B04, #15D604, #0440D6 and #C504D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D69B04 shade: #D69B04, #04D632, #0440D6 and #D604A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

Complementary color

CMYK 84 / 60 / 0 / 2

HEX #2964FB

RGB 41 100 251

HSL 223.14, 0.96%, 0.57%

LAB 47.69, 36.53, -80.12

 

CMYK 0 / 29 / 100 / 14

HEX #DB9B00

RGB 219 155 0

HSL 42.47, 1%, 0.43%

LAB 68.39, 13.84, 72.59

 

CMYK 0 / 27 / 92 / 7

HEX #ECAD12

RGB 236 173 18

HSL 42.66, 0.86%, 0.5%

LAB 74.68, 11.83, 75.55

 

CMYK 0 / 25 / 85 / 1

HEX #FDBF25

RGB 253 191 37

HSL 42.78, 0.98%, 0.57%

LAB 80.89, 10.02, 77.23

 

CMYK 0 / 18 / 78 / 0

HEX #FFD138

RGB 255 209 56

HSL 46.13, 1%, 0.61%

LAB 85.58, 2.12, 75.93

 

CMYK 0 / 11 / 71 / 0

HEX #FFE34B

RGB 255 227 75

HSL 50.67, 1%, 0.65%

LAB 90.19, -6.21, 73.77

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 0 / 30 / 100 / 23

HEX #C58900

RGB 197 137 0

HSL 41.73, 1%, 0.39%

LAB 61.45, 13.9, 66.72

 

CMYK 0 / 34 / 100 / 29

HEX #B47700

RGB 180 119 0

HSL 39.67, 1%, 0.35%

LAB 54.97, 16.25, 61.42

 

CMYK 0 / 38 / 100 / 36

HEX #A36500

RGB 163 101 0

HSL 37.18, 1%, 0.32%

LAB 48.38, 18.7, 56.05

 

CMYK 0 / 43 / 100 / 43

HEX #925300

RGB 146 83 0

HSL 34.11, 1%, 0.29%

LAB 41.69, 21.24, 50.61

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 0 / 54 / 98 / 16

HEX #D66204

RGB 214 98 4

HSL 26.86, 0.96%, 0.43%

LAB 55.11, 41.75, 63.1

 

CMYK 0 / 80 / 98 / 16

HEX #D62A04

RGB 214 42 4

HSL 10.86, 0.96%, 0.43%

LAB 46.92, 63.76, 58.61

 

CMYK 0 / 98 / 98 / 16

HEX #D60404

RGB 214 4 4

HSL 0, 0.96%, 0.43%

LAB 44.79, 69.86, 57.65

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 0 / 1 / 98 / 16

HEX #D6D404

RGB 214 212 4

HSL 59.43, 0.96%, 0.43%

LAB 82.59, -17.86, 82.03

 

CMYK 25 / 0 / 98 / 16

HEX #A0D604

RGB 160 214 4

HSL 75.43, 0.96%, 0.43%

LAB 79.37, -40.92, 77.93

 

CMYK 52 / 0 / 98 / 16

HEX #67D604

RGB 103 214 4

HSL 91.71, 0.96%, 0.43%

LAB 76.67, -60.29, 74.66

 

CMYK 79 / 0 / 98 / 16

HEX #2ED604

RGB 46 214 4

HSL 108, 0.96%, 0.43%

LAB 75.25, -72.14, 72.93

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 0 / 25 / 89 / 23

HEX #C59316

RGB 197 147 22

HSL 42.86, 0.8%, 0.43%

LAB 64, 8.75, 64.82

 

CMYK 0 / 22 / 78 / 30

HEX #B38C27

RGB 179 140 39

HSL 43.29, 0.64%, 0.43%

LAB 60.33, 5.02, 55.81

 

CMYK 0 / 18 / 65 / 37

HEX #A18439

RGB 161 132 57

HSL 43.27, 0.48%, 0.43%

LAB 56.46, 2.32, 43.58

 

CMYK 0 / 13 / 48 / 44

HEX #8F7C4B

RGB 143 124 75

HSL 43.24, 0.31%, 0.43%

LAB 52.69, 0.35, 29.35

 

CMYK 0 / 80 / 98 / 16

HEX #D62A04

RGB 214 42 4

HSL 10.86, 0.96%, 0.43%

LAB 46.92, 63.76, 58.61

 

CMYK 0 / 54 / 98 / 16

HEX #D66304

RGB 214 99 4

HSL 27.14, 0.96%, 0.43%

LAB 55.31, 41.26, 63.21

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 0 / 1 / 98 / 16

HEX #D6D304

RGB 214 211 4

HSL 59.14, 0.96%, 0.43%

LAB 82.32, -17.37, 81.83

 

CMYK 24 / 0 / 98 / 16

HEX #A2D604

RGB 162 214 4

HSL 74.86, 0.96%, 0.43%

LAB 79.49, -40.15, 78.07

 

CMYK 0 / 28 / 99 / 47

HEX #866102

RGB 134 97 2

HSL 43.18, 0.97%, 0.27%

LAB 43.69, 7.53, 50.65

 

CMYK 0 / 28 / 98 / 32

HEX #AE7E03

RGB 174 126 3

HSL 43.16, 0.97%, 0.35%

LAB 56.01, 9.66, 61.24

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 0 / 27 / 96 / 2

HEX #FAB60A

RGB 250 182 10

HSL 43, 0.96%, 0.51%

LAB 78.35, 13.02, 79.92

 

CMYK 0 / 22 / 80 / 2

HEX #FAC232

RGB 250 194 50

HSL 43.2, 0.95%, 0.59%

LAB 81.37, 7.54, 73.87

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 90 / 0 / 98 / 16

HEX #15D604

RGB 21 214 4

HSL 115.14, 0.96%, 0.43%

LAB 74.99, -74.52, 72.61

 

CMYK 67 / 98 / 0 / 16

HEX #4704D6

RGB 71 4 214

HSL 259.14, 0.96%, 0.43%

LAB 30.11, 70.11, -88.08

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 98 / 0 / 28 / 16

HEX #04D69B

RGB 4 214 155

HSL 163.14, 0.96%, 0.43%

LAB 76.37, -57.65, 17.01

 

CMYK 28 / 98 / 0 / 16

HEX #9B04D6

RGB 155 4 214

HSL 283.14, 0.96%, 0.43%

LAB 41.07, 77.31, -69.62

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 90 / 0 / 98 / 16

HEX #15D604

RGB 21 214 4

HSL 115.14, 0.96%, 0.43%

LAB 74.99, -74.52, 72.61

 

CMYK 98 / 70 / 0 / 16

HEX #0440D6

RGB 4 64 214

HSL 222.86, 0.96%, 0.43%

LAB 35.1, 43.94, -79.89

 

CMYK 8 / 98 / 0 / 16

HEX #C504D6

RGB 197 4 214

HSL 295.14, 0.96%, 0.43%

LAB 48.02, 83.13, -58.03

 

CMYK 0 / 28 / 98 / 16

HEX #D69B04

RGB 214 155 4

HSL 43.14, 0.96%, 0.43%

LAB 67.83, 11.69, 71.42

 

CMYK 98 / 0 / 77 / 16

HEX #04D632

RGB 4 214 50

HSL 133.14, 0.96%, 0.43%

LAB 75.04, -73.48, 63.69

 

CMYK 98 / 70 / 0 / 16

HEX #0440D6

RGB 4 64 214

HSL 222.86, 0.96%, 0.43%

LAB 35.1, 43.94, -79.89

 

CMYK 0 / 98 / 21 / 16

HEX #D604A9

RGB 214 4 169

HSL 312.86, 0.96%, 0.43%

LAB 48.57, 79.84, -30.74

 

Description

Color code: HEX #D69B04 | qconv.com Color code: HEX #D69B04 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 155 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 155 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 98 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 98% 16% C M Y K

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