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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D69B60 it is the complementary color #29649F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D69B60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D69B60 shade: #DB9B5B, #ECAD6E, #FDBF81, #FFD194 and #FFE3A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D69B60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D69B60 shade: #D69B60, #C5894D, #B4773A, #A36527 and #925314

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D69B60 shade: #D69B60, #D67B60 and #D66060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D69B60 shade: #D69B60, #D6BB60, #D1D660, #B1D660 and #92D660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D69B60 shade matches the following richer shades: #D69B60, #E69B50 and #F69B40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D69B60 shade: #D69B60, #C69B70, #B69B81, #A59B91 and #959BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D69B60 shade: #D66064, #D67C60, #D69B60, #D6BA60 and #D2D660

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D69B60 shade: #B5722E, #CD8640, #D69B60, #DEB081 and #E7C4A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D69B60 shade: #D69B60, #84D660 and #6C60D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D69B60 shade: #D69B60, #60D69B and #9B60D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D69B60 shade: #D69B60, #84D660, #609BD6 and #B360D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D69B60 shade: #D69B60, #60D660, #609BD6 and #D660D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

Complementary color

CMYK 74 / 37 / 0 / 38

HEX #29649F

RGB 41 100 159

HSL 210, 0.59%, 0.39%

LAB 41.36, 1.71, -37.48

 

CMYK 0 / 29 / 58 / 14

HEX #DB9B5B

RGB 219 155 91

HSL 30, 0.64%, 0.61%

LAB 68.94, 17.2, 42.65

 

CMYK 0 / 27 / 53 / 7

HEX #ECAD6E

RGB 236 173 110

HSL 30, 0.77%, 0.68%

LAB 75.36, 16.08, 41.19

 

CMYK 0 / 25 / 49 / 1

HEX #FDBF81

RGB 253 191 129

HSL 30, 0.97%, 0.75%

LAB 81.69, 15.1, 39.79

 

CMYK 0 / 18 / 42 / 0

HEX #FFD194

RGB 255 209 148

HSL 34.21, 1%, 0.79%

LAB 86.5, 8.38, 36.32

 

CMYK 0 / 11 / 35 / 0

HEX #FFE3A7

RGB 255 227 167

HSL 40.91, 1%, 0.83%

LAB 91.23, 1.24, 32.86

 

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

CMYK 0 / 30 / 61 / 23

HEX #C5894D

RGB 197 137 77

HSL 30, 0.51%, 0.54%

LAB 61.91, 16.7, 40.86

 

CMYK 0 / 34 / 68 / 29

HEX #B4773A

RGB 180 119 58

HSL 30, 0.51%, 0.47%

LAB 55.28, 18.09, 42.39

 

CMYK 0 / 38 / 76 / 36

HEX #A36527

RGB 163 101 39

HSL 30, 0.61%, 0.4%

LAB 48.56, 19.73, 43.81

 

CMYK 0 / 43 / 86 / 43

HEX #925314

RGB 146 83 20

HSL 30, 0.76%, 0.33%

LAB 41.76, 21.66, 44.7

 

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

CMYK 0 / 43 / 55 / 16

HEX #D67B60

RGB 214 123 96

HSL 13.73, 0.59%, 0.61%

LAB 61.05, 32.72, 30.07

 

CMYK 0 / 55 / 55 / 16

HEX #D66060

RGB 214 96 96

HSL 0, 0.59%, 0.61%

LAB 55.59, 46.45, 22.94

 

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

CMYK 0 / 13 / 55 / 16

HEX #D6BB60

RGB 214 187 96

HSL 46.27, 0.59%, 0.61%

LAB 76.49, -1.54, 49.01

 

CMYK 2 / 0 / 55 / 16

HEX #D1D660

RGB 209 214 96

HSL 62.54, 0.59%, 0.61%

LAB 83.17, -17.36, 56.62

 

CMYK 17 / 0 / 55 / 16

HEX #B1D660

RGB 177 214 96

HSL 78.81, 0.59%, 0.61%

LAB 80.9, -30.02, 53.41

 

CMYK 32 / 0 / 55 / 16

HEX #92D660

RGB 146 214 96

HSL 94.58, 0.59%, 0.61%

LAB 79.07, -41.4, 50.82

 

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

CMYK 0 / 33 / 65 / 10

HEX #E69B50

RGB 230 155 80

HSL 30, 0.75%, 0.61%

LAB 70.07, 21.02, 49.76

 

CMYK 0 / 37 / 74 / 4

HEX #F69B40

RGB 246 155 64

HSL 30, 0.91%, 0.61%

LAB 71.83, 26.8, 59.54

 

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

CMYK 0 / 15 / 29 / 29

HEX #B69B81

RGB 182 155 129

HSL 29.43, 0.27%, 0.61%

LAB 65.73, 6.02, 17.35

 

CMYK 0 / 6 / 12 / 35

HEX #A59B91

RGB 165 155 145

HSL 30, 0.1%, 0.61%

LAB 64.55, 1.89, 6.54

 

CMYK 7 / 4 / 0 / 37

HEX #959BA1

RGB 149 155 161

HSL 210, 0.06%, 0.61%

LAB 63.68, -0.94, -3.88

 

CMYK 0 / 55 / 53 / 16

HEX #D66064

RGB 214 96 100

HSL 357.97, 0.59%, 0.61%

LAB 55.67, 46.77, 20.72

 

CMYK 0 / 42 / 55 / 16

HEX #D67C60

RGB 214 124 96

HSL 14.24, 0.59%, 0.61%

LAB 61.27, 32.19, 30.35

 

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

CMYK 0 / 13 / 55 / 16

HEX #D6BA60

RGB 214 186 96

HSL 45.76, 0.59%, 0.61%

LAB 76.23, -1.02, 48.7

 

CMYK 2 / 0 / 55 / 16

HEX #D2D660

RGB 210 214 96

HSL 62.03, 0.59%, 0.61%

LAB 83.25, -16.95, 56.72

 

CMYK 0 / 37 / 75 / 29

HEX #B5722E

RGB 181 114 46

HSL 30.22, 0.59%, 0.45%

LAB 54.09, 20.67, 46.93

 

CMYK 0 / 35 / 69 / 20

HEX #CD8640

RGB 205 134 64

HSL 29.79, 0.59%, 0.53%

LAB 62, 20.91, 47.7

 

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

CMYK 0 / 21 / 42 / 13

HEX #DEB081

RGB 222 176 129

HSL 30.32, 0.58%, 0.69%

LAB 74.93, 10.65, 30.43

 

CMYK 0 / 15 / 30 / 9

HEX #E7C4A2

RGB 231 196 162

HSL 29.57, 0.59%, 0.77%

LAB 81.33, 7.5, 21.69

 

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

CMYK 38 / 0 / 55 / 16

HEX #84D660

RGB 132 214 96

HSL 101.69, 0.59%, 0.61%

LAB 78.37, -46.1, 49.82

 

CMYK 50 / 55 / 0 / 16

HEX #6C60D6

RGB 108 96 214

HSL 246.1, 0.59%, 0.61%

LAB 47.51, 35.59, -59.42

 

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

CMYK 55 / 0 / 28 / 16

HEX #60D69B

RGB 96 214 155

HSL 150, 0.59%, 0.61%

LAB 77.84, -46.84, 19.28

 

CMYK 28 / 55 / 0 / 16

HEX #9B60D6

RGB 155 96 214

HSL 270, 0.59%, 0.61%

LAB 52.05, 46.5, -51.88

 

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

CMYK 38 / 0 / 55 / 16

HEX #84D660

RGB 132 214 96

HSL 101.69, 0.59%, 0.61%

LAB 78.37, -46.1, 49.82

 

CMYK 55 / 28 / 0 / 16

HEX #609BD6

RGB 96 155 214

HSL 210, 0.59%, 0.61%

LAB 62.33, -2.23, -35.95

 

CMYK 16 / 55 / 0 / 16

HEX #B360D6

RGB 179 96 214

HSL 282.2, 0.59%, 0.61%

LAB 54.87, 52.6, -47.22

 

CMYK 0 / 28 / 55 / 16

HEX #D69B60

RGB 214 155 96

HSL 30, 0.59%, 0.61%

LAB 68.45, 15.51, 39.36

 

CMYK 55 / 0 / 55 / 16

HEX #60D660

RGB 96 214 96

HSL 120, 0.59%, 0.61%

LAB 76.94, -56.48, 47.77

 

CMYK 55 / 28 / 0 / 16

HEX #609BD6

RGB 96 155 214

HSL 210, 0.59%, 0.61%

LAB 62.33, -2.23, -35.95

 

CMYK 0 / 55 / 0 / 16

HEX #D660D6

RGB 214 96 214

HSL 300, 0.59%, 0.61%

LAB 59.45, 61.73, -39.69

 

Description

Color code: HEX #D69B60 | qconv.com Color code: HEX #D69B60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 155 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 155 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 55 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 55% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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