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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D69EDB it is the complementary color #296124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D69EDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D69EDB shade: #DB9ED6, #ECB0E9, #FDC2FC, #FFD4FF and #FFE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D69EDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D69EDB shade: #D69EDB, #C58CC8, #B47AB5, #A368A2 and #92568F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D69EDB shade: #D69EDB, #DB9ECF, #DB9EBF, #DB9EAE and #DB9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D69EDB shade: #D69EDB, #C59EDB, #B59EDB, #A49EDB and #9E9EDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D69EDB shade matches the following richer shades: #D69EDB, #DF93E5, #E888F0 and #F17EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D69EDB shade: #D69EDB, #CDA8D0, #C4B3C5, #BBBEBB and #B2C9B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D69EDB shade: #B59EDB, #C59EDB, #D69EDB, #DB9ED0 and #DB9EBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D69EDB shade: #BC61C4, #C980D0, #D69EDB, #E2BCE6 and #EFDAF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D69EDB shade: #D69EDB, #DBA59E and #9EDBBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D69EDB shade: #D69EDB, #DBD69E and #9EDBD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D69EDB shade: #D69EDB, #DBA59E, #A3DB9E and #9ED4DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D69EDB shade: #D69EDB, #DBB79E, #A3DB9E and #9EC1DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

Complementary color

CMYK 58 / 0 / 63 / 62

HEX #296124

RGB 41 97 36

HSL 115.08, 0.46%, 0.26%

LAB 36.27, -31.81, 28.76

 

CMYK 0 / 28 / 2 / 14

HEX #DB9ED6

RGB 219 158 214

HSL 304.92, 0.46%, 0.74%

LAB 72.47, 31.68, -19.54

 

CMYK 0 / 25 / 1 / 7

HEX #ECB0E9

RGB 236 176 233

HSL 303, 0.61%, 0.81%

LAB 78.91, 31.04, -19.98

 

CMYK 0 / 23 / 0 / 1

HEX #FDC2FC

RGB 253 194 252

HSL 301.02, 0.94%, 0.88%

LAB 85.25, 30.44, -20.39

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

CMYK 1 / 30 / 0 / 22

HEX #C58CC8

RGB 197 140 200

HSL 297, 0.35%, 0.67%

LAB 65.59, 31.65, -22.47

 

CMYK 1 / 33 / 0 / 29

HEX #B47AB5

RGB 180 122 181

HSL 298.98, 0.29%, 0.59%

LAB 58.94, 32.36, -22.08

 

CMYK 0 / 36 / 1 / 36

HEX #A368A2

RGB 163 104 162

HSL 301.02, 0.24%, 0.52%

LAB 52.17, 33.12, -21.65

 

CMYK 0 / 41 / 2 / 43

HEX #92568F

RGB 146 86 143

HSL 303, 0.26%, 0.45%

LAB 45.29, 33.91, -21.17

 

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

CMYK 0 / 28 / 5 / 14

HEX #DB9ECF

RGB 219 158 207

HSL 311.8, 0.46%, 0.74%

LAB 72.24, 30.42, -16.05

 

CMYK 0 / 28 / 13 / 14

HEX #DB9EBF

RGB 219 158 191

HSL 327.54, 0.46%, 0.74%

LAB 71.74, 27.69, -7.97

 

CMYK 0 / 28 / 21 / 14

HEX #DB9EAE

RGB 219 158 174

HSL 344.26, 0.46%, 0.74%

LAB 71.26, 25.01, 0.74

 

CMYK 0 / 28 / 28 / 14

HEX #DB9E9E

RGB 219 158 158

HSL 0, 0.46%, 0.74%

LAB 70.86, 22.7, 9.02

 

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

CMYK 10 / 28 / 0 / 14

HEX #C59EDB

RGB 197 158 219

HSL 278.36, 0.46%, 0.74%

LAB 70.48, 25.51, -25.53

 

CMYK 17 / 28 / 0 / 14

HEX #B59EDB

RGB 181 158 219

HSL 262.62, 0.46%, 0.74%

LAB 69.03, 20.47, -27.87

 

CMYK 25 / 28 / 0 / 14

HEX #A49EDB

RGB 164 158 219

HSL 245.9, 0.46%, 0.74%

LAB 67.62, 15.26, -30.17

 

CMYK 28 / 28 / 0 / 14

HEX #9E9EDB

RGB 158 158 219

HSL 240, 0.46%, 0.74%

LAB 67.15, 13.48, -30.93

 

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

CMYK 3 / 36 / 0 / 10

HEX #DF93E5

RGB 223 147 229

HSL 295.61, 0.61%, 0.74%

LAB 71.02, 41.6, -29.97

 

CMYK 3 / 43 / 0 / 6

HEX #E888F0

RGB 232 136 240

HSL 295.38, 0.78%, 0.74%

LAB 70.21, 52.02, -37.17

 

CMYK 4 / 50 / 0 / 2

HEX #F17EFB

RGB 241 126 251

HSL 295.2, 0.94%, 0.74%

LAB 69.89, 61.44, -43.62

 

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

CMYK 1 / 19 / 0 / 18

HEX #CDA8D0

RGB 205 168 208

HSL 295.5, 0.3%, 0.74%

LAB 73.25, 20.46, -15.22

 

CMYK 1 / 9 / 0 / 23

HEX #C4B3C5

RGB 196 179 197

HSL 296.67, 0.13%, 0.74%

LAB 74.83, 9.31, -6.92

 

CMYK 2 / 0 / 2 / 25

HEX #BBBEBB

RGB 187 190 187

HSL 120, 0.02%, 0.74%

LAB 76.67, -1.59, 1.14

 

CMYK 11 / 0 / 12 / 21

HEX #B2C9B0

RGB 178 201 176

HSL 115.2, 0.19%, 0.74%

LAB 78.68, -12.48, 9.88

 

CMYK 17 / 28 / 0 / 14

HEX #B59EDB

RGB 181 158 219

HSL 262.62, 0.46%, 0.74%

LAB 69.03, 20.47, -27.87

 

CMYK 10 / 28 / 0 / 14

HEX #C59EDB

RGB 197 158 219

HSL 278.36, 0.46%, 0.74%

LAB 70.48, 25.51, -25.53

 

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

CMYK 0 / 28 / 5 / 14

HEX #DB9ED0

RGB 219 158 208

HSL 310.82, 0.46%, 0.74%

LAB 72.27, 30.6, -16.55

 

CMYK 0 / 28 / 13 / 14

HEX #DB9EBF

RGB 219 158 191

HSL 327.54, 0.46%, 0.74%

LAB 71.74, 27.69, -7.97

 

CMYK 4 / 51 / 0 / 23

HEX #BC61C4

RGB 188 97 196

HSL 295.15, 0.46%, 0.57%

LAB 55.3, 50.96, -36.21

 

CMYK 3 / 38 / 0 / 18

HEX #C980D0

RGB 201 128 208

HSL 294.75, 0.46%, 0.66%

LAB 63.68, 40.96, -29.85

 

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

CMYK 2 / 18 / 0 / 10

HEX #E2BCE6

RGB 226 188 230

HSL 294.29, 0.46%, 0.82%

LAB 80.65, 20.79, -15.81

 

CMYK 1 / 10 / 0 / 5

HEX #EFDAF1

RGB 239 218 241

HSL 294.78, 0.45%, 0.9%

LAB 89.32, 11.22, -8.6

 

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

CMYK 0 / 25 / 28 / 14

HEX #DBA59E

RGB 219 165 158

HSL 6.89, 0.46%, 0.74%

LAB 72.52, 18.93, 11.38

 

CMYK 28 / 0 / 14 / 14

HEX #9EDBBD

RGB 158 219 189

HSL 150.49, 0.46%, 0.74%

LAB 82.7, -25.57, 8.55

 

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

CMYK 0 / 2 / 28 / 14

HEX #DBD69E

RGB 219 214 158

HSL 55.08, 0.46%, 0.74%

LAB 84.8, -6.94, 28.35

 

CMYK 28 / 0 / 2 / 14

HEX #9EDBD6

RGB 158 219 214

HSL 175.08, 0.46%, 0.74%

LAB 83.33, -20.34, -3.8

 

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

CMYK 0 / 25 / 28 / 14

HEX #DBA59E

RGB 219 165 158

HSL 6.89, 0.46%, 0.74%

LAB 72.52, 18.93, 11.38

 

CMYK 26 / 0 / 28 / 14

HEX #A3DB9E

RGB 163 219 158

HSL 115.08, 0.46%, 0.74%

LAB 82.33, -29.57, 24.36

 

CMYK 28 / 3 / 0 / 14

HEX #9ED4DB

RGB 158 212 219

HSL 186.89, 0.46%, 0.74%

LAB 81.55, -15.69, -9.1

 

CMYK 2 / 28 / 0 / 14

HEX #D69EDB

RGB 214 158 219

HSL 295.08, 0.46%, 0.74%

LAB 72.14, 30.98, -22.85

 

CMYK 0 / 16 / 28 / 14

HEX #DBB79E

RGB 219 183 158

HSL 24.59, 0.46%, 0.74%

LAB 76.92, 9.26, 17.55

 

CMYK 26 / 0 / 28 / 14

HEX #A3DB9E

RGB 163 219 158

HSL 115.08, 0.46%, 0.74%

LAB 82.33, -29.57, 24.36

 

CMYK 28 / 12 / 0 / 14

HEX #9EC1DB

RGB 158 193 219

HSL 205.57, 0.46%, 0.74%

LAB 76.39, -5.79, -16.82

 

Description

Color code: HEX #D69EDB | qconv.com Color code: HEX #D69EDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 158 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 158 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 28 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 28% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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