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Color name
HEX #D6AD65

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6AD65 it is the complementary color #29529A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6AD65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6AD65 shade: #DBAD60, #ECBF73, #FDD186, #FFE399 and #FFF5AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6AD65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6AD65 shade: #D6AD65, #C59B52, #B4893F, #A3772C and #926519

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6AD65 shade: #D6AD65, #D68F65, #D67065 and #D66565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6AD65 shade: #D6AD65, #D6CB65, #C2D665, #A4D665 and #85D665

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6AD65 shade matches the following richer shades: #D6AD65, #E5B156 and #F5B646

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6AD65 shade: #D6AD65, #C6A975, #B6A485, #A7A094 and #979CA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6AD65 shade: #D67165, #D68F65, #D6AD65, #D6CB65 and #C3D665

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6AD65 shade: #B88731, #CD9C45, #D6AD65, #DEBE86 and #E7D0A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6AD65 shade: #D6AD65, #78D665 and #8065D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6AD65 shade: #D6AD65, #65D6AD and #AD65D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6AD65 shade: #D6AD65, #78D665, #658FD6 and #C365D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6AD65 shade: #D6AD65, #65D674, #658FD6 and #D665C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

Complementary color

CMYK 73 / 47 / 0 / 40

HEX #29529A

RGB 41 82 154

HSL 218.23, 0.58%, 0.38%

LAB 35.67, 11.45, -43.55

 

CMYK 0 / 21 / 56 / 14

HEX #DBAD60

RGB 219 173 96

HSL 37.56, 0.63%, 0.62%

LAB 73.41, 7.94, 45.49

 

CMYK 0 / 19 / 51 / 7

HEX #ECBF73

RGB 236 191 115

HSL 37.69, 0.76%, 0.69%

LAB 79.8, 7.01, 44.16

 

CMYK 0 / 17 / 47 / 1

HEX #FDD186

RGB 253 209 134

HSL 37.82, 0.97%, 0.76%

LAB 86.11, 6.21, 42.86

 

CMYK 0 / 11 / 40 / 0

HEX #FFE399

RGB 255 227 153

HSL 43.53, 1%, 0.8%

LAB 91.01, -0.31, 39.64

 

CMYK 0 / 4 / 33 / 0

HEX #FFF5AC

RGB 255 245 172

HSL 52.77, 1%, 0.84%

LAB 95.81, -7.22, 36.41

 

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

CMYK 0 / 21 / 58 / 23

HEX #C59B52

RGB 197 155 82

HSL 38.09, 0.5%, 0.55%

LAB 66.46, 7.23, 43.68

 

CMYK 0 / 24 / 65 / 29

HEX #B4893F

RGB 180 137 63

HSL 37.95, 0.48%, 0.48%

LAB 59.85, 8.38, 45

 

CMYK 0 / 27 / 73 / 36

HEX #A3772C

RGB 163 119 44

HSL 37.82, 0.57%, 0.41%

LAB 53.13, 9.76, 46.16

 

CMYK 0 / 31 / 83 / 43

HEX #926519

RGB 146 101 25

HSL 37.69, 0.71%, 0.34%

LAB 46.3, 11.43, 46.8

 

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

CMYK 0 / 33 / 53 / 16

HEX #D68F65

RGB 214 143 101

HSL 22.3, 0.58%, 0.62%

LAB 65.66, 22.43, 33.22

 

CMYK 0 / 48 / 53 / 16

HEX #D67065

RGB 214 112 101

HSL 5.84, 0.58%, 0.62%

LAB 58.81, 38.88, 24.33

 

CMYK 0 / 53 / 53 / 16

HEX #D66565

RGB 214 101 101

HSL 0, 0.58%, 0.62%

LAB 56.63, 44.42, 21.43

 

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

CMYK 0 / 5 / 53 / 16

HEX #D6CB65

RGB 214 203 101

HSL 54.16, 0.58%, 0.62%

LAB 80.71, -9.4, 51.58

 

CMYK 9 / 0 / 53 / 16

HEX #C2D665

RGB 194 214 101

HSL 70.62, 0.58%, 0.62%

LAB 82.11, -22.95, 52.83

 

CMYK 23 / 0 / 53 / 16

HEX #A4D665

RGB 164 214 101

HSL 86.55, 0.58%, 0.62%

LAB 80.14, -34.44, 50.02

 

CMYK 38 / 0 / 53 / 16

HEX #85D665

RGB 133 214 101

HSL 103.01, 0.58%, 0.62%

LAB 78.47, -45.22, 47.63

 

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

CMYK 0 / 23 / 62 / 10

HEX #E5B156

RGB 229 177 86

HSL 38.18, 0.73%, 0.62%

LAB 75.31, 9.28, 52.78

 

CMYK 0 / 26 / 71 / 4

HEX #F5B646

RGB 245 182 70

HSL 38.4, 0.9%, 0.62%

LAB 78.06, 12.47, 63.29

 

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

CMYK 0 / 15 / 41 / 22

HEX #C6A975

RGB 198 169 117

HSL 38.52, 0.42%, 0.62%

LAB 70.64, 3.38, 30.74

 

CMYK 0 / 10 / 27 / 29

HEX #B6A485

RGB 182 164 133

HSL 37.96, 0.25%, 0.62%

LAB 68.16, 1.67, 18.5

 

CMYK 0 / 4 / 11 / 35

HEX #A7A094

RGB 167 160 148

HSL 37.89, 0.1%, 0.62%

LAB 66.13, 0.4, 7.15

HEX #A7A094

CMYK 8 / 5 / 0 / 36

HEX #979CA4

RGB 151 156 164

HSL 216.92, 0.07%, 0.62%

LAB 64.19, -0.18, -4.8

HEX #979CA4

CMYK 0 / 47 / 53 / 16

HEX #D67165

RGB 214 113 101

HSL 6.37, 0.58%, 0.62%

LAB 59.02, 38.37, 24.61

 

CMYK 0 / 33 / 53 / 16

HEX #D68F65

RGB 214 143 101

HSL 22.3, 0.58%, 0.62%

LAB 65.66, 22.43, 33.22

 

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

CMYK 0 / 5 / 53 / 16

HEX #D6CB65

RGB 214 203 101

HSL 54.16, 0.58%, 0.62%

LAB 80.71, -9.4, 51.58

 

CMYK 9 / 0 / 53 / 16

HEX #C3D665

RGB 195 214 101

HSL 70.09, 0.58%, 0.62%

LAB 82.18, -22.55, 52.93

 

CMYK 0 / 27 / 73 / 28

HEX #B88731

RGB 184 135 49

HSL 38.22, 0.58%, 0.46%

LAB 59.65, 10.46, 51.35

 

CMYK 0 / 24 / 66 / 20

HEX #CD9C45

RGB 205 156 69

HSL 38.38, 0.58%, 0.54%

LAB 67.42, 9.24, 51.25

 

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

CMYK 0 / 14 / 40 / 13

HEX #DEBE86

RGB 222 190 134

HSL 38.18, 0.57%, 0.7%

LAB 78.51, 3.77, 32.5

 

CMYK 0 / 10 / 28 / 9

HEX #E7D0A7

RGB 231 208 167

HSL 38.44, 0.57%, 0.78%

LAB 84.43, 1.89, 23.31

 

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

CMYK 44 / 0 / 53 / 16

HEX #78D665

RGB 120 214 101

HSL 109.91, 0.58%, 0.62%

LAB 77.89, -49.27, 46.79

 

CMYK 40 / 53 / 0 / 16

HEX #8065D6

RGB 128 101 214

HSL 254.34, 0.58%, 0.62%

LAB 50.4, 37.11, -54.69

 

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

CMYK 53 / 0 / 19 / 16

HEX #65D6AD

RGB 101 214 173

HSL 158.23, 0.58%, 0.62%

LAB 78.39, -41.91, 10.54

 

CMYK 19 / 53 / 0 / 16

HEX #AD65D6

RGB 173 101 214

HSL 278.23, 0.58%, 0.62%

LAB 55.12, 48.47, -46.87

 

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

CMYK 44 / 0 / 53 / 16

HEX #78D665

RGB 120 214 101

HSL 109.91, 0.58%, 0.62%

LAB 77.89, -49.27, 46.79

 

CMYK 53 / 33 / 0 / 16

HEX #658FD6

RGB 101 143 214

HSL 217.7, 0.58%, 0.62%

LAB 59.22, 5.78, -40.79

 

CMYK 9 / 53 / 0 / 16

HEX #C365D6

RGB 195 101 214

HSL 289.91, 0.58%, 0.62%

LAB 57.81, 54.33, -42.44

 

CMYK 0 / 19 / 53 / 16

HEX #D6AD65

RGB 214 173 101

HSL 38.23, 0.58%, 0.62%

LAB 72.97, 6.26, 42.33

 

CMYK 53 / 0 / 46 / 16

HEX #65D674

RGB 101 214 116

HSL 127.96, 0.58%, 0.62%

LAB 77.35, -52.51, 38.7

 

CMYK 53 / 33 / 0 / 16

HEX #658FD6

RGB 101 143 214

HSL 217.7, 0.58%, 0.62%

LAB 59.22, 5.78, -40.79

 

CMYK 0 / 53 / 7 / 16

HEX #D665C7

RGB 214 101 199

HSL 307.96, 0.58%, 0.62%

LAB 59.64, 56.88, -30.9

 

Description

Color code: HEX #D6AD65 | qconv.com Color code: HEX #D6AD65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 173 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 173 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 53 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 53% 16% C M Y K

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Provide designers and agencies with accurate color values.

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