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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6AD8F it is the complementary color #295270. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6AD8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6AD8F shade: #DBAD8A, #ECBF9D, #FDD1B0, #FFE3C3 and #FFF5D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6AD8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6AD8F shade: #D6AD8F, #C59B7C, #B48969, #A37756 and #926543

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6AD8F shade: #D5AD8F, #D59A8F and #D58F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6AD8F shade: #D5AD8F, #D5C08F, #D5D38F, #C5D58F and #B2D58F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6AD8F shade matches the following richer shades: #D5AD8F, #E2AB82, #EEA976 and #FAA76A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6AD8F shade: #D5AD8F, #C9AE9B, #BCB0A8, #B0B2B4 and #A4B4C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6AD8F shade: #D58F97, #D5998F, #D5AC8F, #D5BF8F and #D5D28F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6AD8F shade: #BF8053, #CA9671, #D5AD8F, #E0C3AD and #EBD9CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6AD8F shade: #D6AD8F, #AAD58F and #908FD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6AD8F shade: #D6AD8F, #8FD5AC and #AC8FD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6AD8F shade: #D6AD8F, #AAD58F, #8FB8D5 and #BA8FD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6AD8F shade: #D6AD8F, #95D58F, #8FB8D5 and #CF8FD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 33 / 16

HEX #D6AD8F

RGB 214 173 143

HSL 25.35, 0.46%, 0.7%

LAB 73.65, 10.72, 21.07

 

Complementary color

CMYK 63 / 27 / 0 / 56

HEX #295270

RGB 41 82 112

HSL 205.35, 0.46%, 0.3%

LAB 33.3, -4.35, -21.52

 

CMYK 0 / 21 / 37 / 14

HEX #DBAD8A

RGB 219 173 138

HSL 25.93, 0.53%, 0.7%

LAB 74.05, 12.07, 24.39

 

CMYK 0 / 19 / 33 / 7

HEX #ECBF9D

RGB 236 191 157

HSL 25.82, 0.68%, 0.77%

LAB 80.48, 11.42, 23.25

 

CMYK 0 / 17 / 30 / 1

HEX #FDD1B0

RGB 253 209 176

HSL 25.71, 0.95%, 0.84%

LAB 86.81, 10.84, 22.18

 

CMYK 0 / 11 / 24 / 0

HEX #FFE3C3

RGB 255 227 195

HSL 32, 1%, 0.88%

LAB 91.75, 4.81, 19.15

 

CMYK 0 / 4 / 16 / 0

HEX #FFF5D6

RGB 255 245 214

HSL 45.37, 1%, 0.92%

LAB 96.58, -1.61, 16.13

 

CMYK 0 / 19 / 33 / 16

HEX #D6AD8F

RGB 214 173 143

HSL 25.35, 0.46%, 0.7%

LAB 73.65, 10.72, 21.07

 

CMYK 0 / 21 / 37 / 23

HEX #C59B7C

RGB 197 155 124

HSL 25.48, 0.39%, 0.63%

LAB 67.1, 11.38, 22.23

 

CMYK 0 / 24 / 42 / 29

HEX #B48969

RGB 180 137 105

HSL 25.6, 0.33%, 0.56%

LAB 60.44, 12.15, 23.49

 

CMYK 0 / 27 / 47 / 36

HEX #A37756

RGB 163 119 86

HSL 25.71, 0.31%, 0.49%

LAB 53.66, 13.05, 24.87

 

CMYK 0 / 31 / 54 / 43

HEX #926543

RGB 146 101 67

HSL 25.82, 0.37%, 0.42%

LAB 46.74, 14.12, 26.41

 

CMYK 0 / 19 / 33 / 16

HEX #D5AD8F

RGB 213 173 143

HSL 25.71, 0.45%, 0.7%

LAB 73.56, 10.33, 20.92

 

CMYK 0 / 28 / 33 / 16

HEX #D59A8F

RGB 213 154 143

HSL 9.43, 0.45%, 0.7%

LAB 68.93, 20.6, 14.51

 

CMYK 0 / 33 / 33 / 16

HEX #D58F8F

RGB 213 143 143

HSL 0, 0.45%, 0.7%

LAB 66.35, 26.56, 10.88

 

CMYK 0 / 19 / 33 / 16

HEX #D5AD8F

RGB 213 173 143

HSL 25.71, 0.45%, 0.7%

LAB 73.56, 10.33, 20.92

 

CMYK 0 / 10 / 33 / 16

HEX #D5C08F

RGB 213 192 143

HSL 42, 0.45%, 0.7%

LAB 78.36, 0.23, 27.44

 

CMYK 0 / 1 / 33 / 16

HEX #D5D38F

RGB 213 211 143

HSL 58.29, 0.45%, 0.7%

LAB 83.29, -9.59, 33.99

 

CMYK 8 / 0 / 33 / 16

HEX #C5D58F

RGB 197 213 143

HSL 73.71, 0.45%, 0.7%

LAB 82.62, -16.71, 32.87

 

CMYK 16 / 0 / 33 / 16

HEX #B2D58F

RGB 178 213 143

HSL 90, 0.45%, 0.7%

LAB 81.31, -23.74, 30.91

 

CMYK 0 / 19 / 33 / 16

HEX #D5AD8F

RGB 213 173 143

HSL 25.71, 0.45%, 0.7%

LAB 73.56, 10.33, 20.92

 

CMYK 0 / 24 / 42 / 11

HEX #E2AB82

RGB 226 171 130

HSL 25.63, 0.62%, 0.7%

LAB 74.13, 15.02, 28.91

 

CMYK 0 / 29 / 50 / 7

HEX #EEA976

RGB 238 169 118

HSL 25.5, 0.78%, 0.7%

LAB 74.74, 19.7, 36.31

 

CMYK 0 / 33 / 58 / 2

HEX #FAA76A

RGB 250 167 106

HSL 25.42, 0.94%, 0.7%

LAB 75.45, 24.59, 43.7

 

CMYK 0 / 19 / 33 / 16

HEX #D5AD8F

RGB 213 173 143

HSL 25.71, 0.45%, 0.7%

LAB 73.56, 10.33, 20.92

 

CMYK 0 / 13 / 23 / 21

HEX #C9AE9B

RGB 201 174 155

HSL 24.78, 0.3%, 0.7%

LAB 72.93, 6.79, 13.35

 

CMYK 0 / 6 / 11 / 26

HEX #BCB0A8

RGB 188 176 168

HSL 24, 0.13%, 0.7%

LAB 72.61, 2.89, 5.62

 

CMYK 2 / 1 / 0 / 29

HEX #B0B2B4

RGB 176 178 180

HSL 210, 0.03%, 0.7%

LAB 72.47, -0.32, -1.27

 

CMYK 15 / 6 / 0 / 25

HEX #A4B4C0

RGB 164 180 192

HSL 205.71, 0.18%, 0.7%

LAB 72.46, -3.04, -7.98

 

CMYK 0 / 33 / 29 / 16

HEX #D58F97

RGB 213 143 151

HSL 353.14, 0.45%, 0.7%

LAB 66.54, 27.61, 6.66

 

CMYK 0 / 28 / 33 / 16

HEX #D5998F

RGB 213 153 143

HSL 8.57, 0.45%, 0.7%

LAB 68.69, 21.14, 14.17

 

CMYK 0 / 19 / 33 / 16

HEX #D5AC8F

RGB 213 172 143

HSL 24.86, 0.45%, 0.7%

LAB 73.31, 10.86, 20.58

 

CMYK 0 / 10 / 33 / 16

HEX #D5BF8F

RGB 213 191 143

HSL 41.14, 0.45%, 0.7%

LAB 78.11, 0.75, 27.09

 

CMYK 0 / 1 / 33 / 16

HEX #D5D28F

RGB 213 210 143

HSL 57.43, 0.45%, 0.7%

LAB 83.03, -9.08, 33.64

 

CMYK 0 / 33 / 57 / 25

HEX #BF8053

RGB 191 128 83

HSL 25, 0.46%, 0.54%

LAB 59.1, 19.59, 34.13

 

CMYK 0 / 26 / 44 / 21

HEX #CA9671

RGB 202 150 113

HSL 24.94, 0.46%, 0.62%

LAB 66.18, 14.89, 27.12

 

CMYK 0 / 19 / 33 / 16

HEX #D5AD8F

RGB 213 173 143

HSL 25.71, 0.45%, 0.7%

LAB 73.56, 10.33, 20.92

 

CMYK 0 / 13 / 23 / 12

HEX #E0C3AD

RGB 224 195 173

HSL 25.88, 0.45%, 0.78%

LAB 80.68, 6.88, 14.83

 

CMYK 0 / 8 / 14 / 8

HEX #EBD9CB

RGB 235 217 203

HSL 26.25, 0.44%, 0.86%

LAB 87.78, 3.91, 9.12

 

CMYK 0 / 19 / 33 / 16

HEX #D6AD8F

RGB 214 173 143

HSL 25.35, 0.46%, 0.7%

LAB 73.65, 10.72, 21.07

 

CMYK 20 / 0 / 33 / 16

HEX #AAD58F

RGB 170 213 143

HSL 96.86, 0.45%, 0.7%

LAB 80.8, -26.61, 30.14

 

CMYK 32 / 33 / 0 / 16

HEX #908FD5

RGB 144 143 213

HSL 240.86, 0.45%, 0.7%

LAB 61.98, 16.49, -35.71

 

CMYK 0 / 19 / 33 / 16

HEX #D6AD8F

RGB 214 173 143

HSL 25.35, 0.46%, 0.7%

LAB 73.65, 10.72, 21.07

 

CMYK 33 / 0 / 19 / 16

HEX #8FD5AC

RGB 143 213 172

HSL 144.86, 0.45%, 0.7%

LAB 79.84, -30.58, 13.38

 

CMYK 19 / 33 / 0 / 16

HEX #AC8FD5

RGB 172 143 213

HSL 264.86, 0.45%, 0.7%

LAB 64.34, 24.77, -31.86

 

CMYK 0 / 19 / 33 / 16

HEX #D6AD8F

RGB 214 173 143

HSL 25.35, 0.46%, 0.7%

LAB 73.65, 10.72, 21.07

 

CMYK 20 / 0 / 33 / 16

HEX #AAD58F

RGB 170 213 143

HSL 96.86, 0.45%, 0.7%

LAB 80.8, -26.61, 30.14

 

CMYK 33 / 14 / 0 / 16

HEX #8FB8D5

RGB 143 184 213

HSL 204.86, 0.45%, 0.7%

LAB 72.84, -6.76, -19.02

 

CMYK 13 / 33 / 0 / 16

HEX #BA8FD5

RGB 186 143 213

HSL 276.86, 0.45%, 0.7%

LAB 65.66, 29.1, -29.71

 

CMYK 0 / 19 / 33 / 16

HEX #D6AD8F

RGB 214 173 143

HSL 25.35, 0.46%, 0.7%

LAB 73.65, 10.72, 21.07

 

CMYK 30 / 0 / 33 / 16

HEX #95D58F

RGB 149 213 143

HSL 114.86, 0.45%, 0.7%

LAB 79.59, -33.79, 28.31

 

CMYK 33 / 14 / 0 / 16

HEX #8FB8D5

RGB 143 184 213

HSL 204.86, 0.45%, 0.7%

LAB 72.84, -6.76, -19.02

 

CMYK 3 / 33 / 0 / 16

HEX #CF8FD5

RGB 207 143 213

HSL 294.86, 0.45%, 0.7%

LAB 67.81, 35.72, -26.22

 

Description

Color code: HEX #D6AD8F | qconv.com Color code: HEX #D6AD8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 173 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 173 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 33 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 33% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - 伊藤ハム | 採用情報
Link: http://www.itoham.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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