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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6AD93 it is the complementary color #29526C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6AD93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6AD93 shade: #DBAD8E, #ECBFA1, #FDD1B4, #FFE3C7 and #FFF5DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6AD93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6AD93 shade: #D6AD93, #C59B80, #B4896D, #A3775A and #926547

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6AD93 shade: #D6AD93, #D69B93 and #D69393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6AD93 shade: #D6AD93, #D6BF93, #D6D193, #C9D693 and #B7D693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6AD93 shade matches the following richer shades: #D6AD93, #E2AA87, #EEA87B and #FAA56F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6AD93 shade: #D6AD93, #CAB09F, #BEB2AB, #B2B5B7 and #A6B8C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6AD93 shade: #D6939D, #D69B93, #D6AD93, #D6BF93 and #D6D093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6AD93 shade: #BF8057, #CA9675, #D6AD93, #E1C4B1 and #EDDBCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6AD93 shade: #D6AD93, #AFD693 and #9394D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6AD93 shade: #D6AD93, #93D6AD and #AD93D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6AD93 shade: #D6AD93, #AFD693, #93BCD6 and #BA93D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6AD93 shade: #D6AD93, #9BD693, #93BCD6 and #CE93D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

Complementary color

CMYK 62 / 24 / 0 / 58

HEX #29526C

RGB 41 82 108

HSL 203.28, 0.45%, 0.29%

LAB 33.11, -5.77, -19.31

 

CMYK 0 / 21 / 35 / 14

HEX #DBAD8E

RGB 219 173 142

HSL 24.16, 0.52%, 0.71%

LAB 74.13, 12.55, 22.34

 

CMYK 0 / 19 / 32 / 7

HEX #ECBFA1

RGB 236 191 161

HSL 24, 0.66%, 0.78%

LAB 80.55, 11.92, 21.23

 

CMYK 0 / 17 / 29 / 1

HEX #FDD1B4

RGB 253 209 180

HSL 23.84, 0.95%, 0.85%

LAB 86.89, 11.35, 20.19

 

CMYK 0 / 11 / 22 / 0

HEX #FFE3C7

RGB 255 227 199

HSL 30, 1%, 0.89%

LAB 91.83, 5.37, 17.19

 

CMYK 0 / 4 / 15 / 0

HEX #FFF5DA

RGB 255 245 218

HSL 43.78, 1%, 0.93%

LAB 96.67, -1.01, 14.2

 

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

CMYK 0 / 21 / 35 / 23

HEX #C59B80

RGB 197 155 128

HSL 23.48, 0.37%, 0.64%

LAB 67.18, 11.87, 20.13

 

CMYK 0 / 24 / 39 / 29

HEX #B4896D

RGB 180 137 109

HSL 23.66, 0.32%, 0.57%

LAB 60.51, 12.61, 21.35

 

CMYK 0 / 27 / 45 / 36

HEX #A3775A

RGB 163 119 90

HSL 23.84, 0.29%, 0.5%

LAB 53.73, 13.48, 22.7

 

CMYK 0 / 31 / 51 / 43

HEX #926547

RGB 146 101 71

HSL 24, 0.35%, 0.43%

LAB 46.81, 14.51, 24.19

 

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

CMYK 0 / 28 / 31 / 16

HEX #D69B93

RGB 214 155 147

HSL 7.16, 0.45%, 0.71%

LAB 69.36, 20.96, 12.91

 

CMYK 0 / 31 / 31 / 16

HEX #D69393

RGB 214 147 147

HSL 0, 0.45%, 0.71%

LAB 67.48, 25.29, 10.26

 

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

CMYK 0 / 11 / 31 / 16

HEX #D6BF93

RGB 214 191 147

HSL 39.4, 0.45%, 0.71%

LAB 78.27, 1.65, 25.21

 

CMYK 0 / 2 / 31 / 16

HEX #D6D193

RGB 214 209 147

HSL 55.52, 0.45%, 0.71%

LAB 82.92, -7.7, 31.44

 

CMYK 6 / 0 / 31 / 16

HEX #C9D693

RGB 201 214 147

HSL 71.64, 0.45%, 0.71%

LAB 83.24, -15.18, 31.7

 

CMYK 14 / 0 / 31 / 16

HEX #B7D693

RGB 183 214 147

HSL 87.76, 0.45%, 0.71%

LAB 81.98, -21.86, 29.8

 

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

CMYK 0 / 25 / 40 / 11

HEX #E2AA87

RGB 226 170 135

HSL 23.08, 0.61%, 0.71%

LAB 73.98, 16.1, 26.03

 

CMYK 0 / 29 / 48 / 7

HEX #EEA87B

RGB 238 168 123

HSL 23.48, 0.77%, 0.71%

LAB 74.58, 20.69, 33.47

 

CMYK 0 / 34 / 56 / 2

HEX #FAA56F

RGB 250 165 111

HSL 23.31, 0.93%, 0.71%

LAB 75.07, 26.02, 40.66

 

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

CMYK 0 / 13 / 21 / 21

HEX #CAB09F

RGB 202 176 159

HSL 23.72, 0.29%, 0.71%

LAB 73.62, 6.68, 12.15

 

CMYK 0 / 6 / 10 / 25

HEX #BEB2AB

RGB 190 178 171

HSL 22.11, 0.13%, 0.71%

LAB 73.37, 3.06, 5.1

 

CMYK 3 / 1 / 0 / 28

HEX #B2B5B7

RGB 178 181 183

HSL 204, 0.03%, 0.71%

LAB 73.5, -0.67, -1.39

 

CMYK 15 / 6 / 0 / 24

HEX #A6B8C3

RGB 166 184 195

HSL 202.76, 0.19%, 0.71%

LAB 73.76, -3.9, -7.67

 

CMYK 0 / 31 / 27 / 16

HEX #D6939D

RGB 214 147 157

HSL 351.04, 0.45%, 0.71%

LAB 67.72, 26.65, 5.01

 

CMYK 0 / 28 / 31 / 16

HEX #D69B93

RGB 214 155 147

HSL 7.16, 0.45%, 0.71%

LAB 69.36, 20.96, 12.91

 

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

CMYK 0 / 11 / 31 / 16

HEX #D6BF93

RGB 214 191 147

HSL 39.4, 0.45%, 0.71%

LAB 78.27, 1.65, 25.21

 

CMYK 0 / 3 / 31 / 16

HEX #D6D093

RGB 214 208 147

HSL 54.63, 0.45%, 0.71%

LAB 82.65, -7.18, 31.1

 

CMYK 0 / 33 / 54 / 25

HEX #BF8057

RGB 191 128 87

HSL 23.65, 0.45%, 0.55%

LAB 59.16, 19.92, 32.03

 

CMYK 0 / 26 / 42 / 21

HEX #CA9675

RGB 202 150 117

HSL 23.29, 0.45%, 0.63%

LAB 66.25, 15.32, 25.02

 

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

CMYK 0 / 13 / 21 / 12

HEX #E1C4B1

RGB 225 196 177

HSL 23.75, 0.44%, 0.79%

LAB 81.11, 7.31, 13.31

 

CMYK 0 / 8 / 13 / 7

HEX #EDDBCF

RGB 237 219 207

HSL 24, 0.45%, 0.87%

LAB 88.53, 4.22, 8.12

 

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

CMYK 18 / 0 / 31 / 16

HEX #AFD693

RGB 175 214 147

HSL 94.93, 0.45%, 0.71%

LAB 81.46, -24.74, 29.01

 

CMYK 31 / 31 / 0 / 16

HEX #9394D6

RGB 147 148 214

HSL 239.1, 0.45%, 0.71%

LAB 63.54, 14.72, -33.83

 

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

CMYK 31 / 0 / 19 / 16

HEX #93D6AD

RGB 147 214 173

HSL 143.28, 0.45%, 0.71%

LAB 80.36, -29.65, 13.6

 

CMYK 19 / 31 / 0 / 16

HEX #AD93D6

RGB 173 147 214

HSL 263.28, 0.45%, 0.71%

LAB 65.44, 23.04, -30.71

 

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

CMYK 18 / 0 / 31 / 16

HEX #AFD693

RGB 175 214 147

HSL 94.93, 0.45%, 0.71%

LAB 81.46, -24.74, 29.01

 

CMYK 31 / 12 / 0 / 16

HEX #93BCD6

RGB 147 188 214

HSL 203.28, 0.45%, 0.71%

LAB 74.21, -7.52, -17.48

 

CMYK 13 / 31 / 0 / 16

HEX #BA93D6

RGB 186 147 214

HSL 274.93, 0.45%, 0.71%

LAB 66.64, 27.08, -28.75

 

CMYK 0 / 19 / 31 / 16

HEX #D6AD93

RGB 214 173 147

HSL 23.28, 0.45%, 0.71%

LAB 73.73, 11.23, 19.01

 

CMYK 28 / 0 / 31 / 16

HEX #9BD693

RGB 155 214 147

HSL 112.84, 0.45%, 0.71%

LAB 80.27, -31.64, 27.21

 

CMYK 31 / 12 / 0 / 16

HEX #93BCD6

RGB 147 188 214

HSL 203.28, 0.45%, 0.71%

LAB 74.21, -7.52, -17.48

 

CMYK 4 / 31 / 0 / 16

HEX #CE93D6

RGB 206 147 214

HSL 292.84, 0.45%, 0.71%

LAB 68.64, 33.42, -25.51

 

Description

Color code: HEX #D6AD93 | qconv.com Color code: HEX #D6AD93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 173 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 173 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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