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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6BC6F it is the complementary color #294390. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6BC6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6BC6F shade: #DBBC6A, #ECCE7D, #FDE090, #FFF2A3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6BC6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6BC6F shade: #D6BC6F, #C5AA5C, #B49849, #A38636 and #927423

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6BC6F shade: #D6BC6F, #D6A06F, #D6856F and #D66F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6BC6F shade: #D6BC6F, #D4D66F, #B9D66F, #9DD66F and #81D66F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6BC6F shade matches the following richer shades: #D6BC6F, #E5C360 and #F4CB52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6BC6F shade: #D6BC6F, #C7B57E, #B8AD8D, #AAA69C and #9B9FAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6BC6F shade: #D6846F, #D69F6F, #D6BB6F, #D6D66F and #BBD66F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6BC6F shade: #BE9B35, #CDAD4F, #D6BC6F, #DFCB8F and #E8DAB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6BC6F shade: #D6BC6F, #76D66F and #926FD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6BC6F shade: #D6BC6F, #6FD6BB and #BB6FD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6BC6F shade: #D6BC6F, #76D66F, #6F8BD6 and #CF6FD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6BC6F shade: #D6BC6F, #6FD687, #6F8BD6 and #D66FBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

Complementary color

CMYK 72 / 53 / 0 / 44

HEX #294390

RGB 41 67 144

HSL 224.85, 0.56%, 0.36%

LAB 30.64, 17.69, -45.58

 

CMYK 0 / 14 / 52 / 14

HEX #DBBC6A

RGB 219 188 106

HSL 43.54, 0.61%, 0.64%

LAB 77.32, 0.84, 45.23

 

CMYK 0 / 13 / 47 / 7

HEX #ECCE7D

RGB 236 206 125

HSL 43.78, 0.74%, 0.71%

LAB 83.68, 0.12, 43.98

 

CMYK 0 / 11 / 43 / 1

HEX #FDE090

RGB 253 224 144

HSL 44.04, 0.96%, 0.78%

LAB 89.96, -0.5, 42.75

 

CMYK 0 / 5 / 36 / 0

HEX #FFF2A3

RGB 255 242 163

HSL 51.52, 1%, 0.82%

LAB 94.91, -6.76, 39.73

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

CMYK 0 / 14 / 53 / 23

HEX #C5AA5C

RGB 197 170 92

HSL 44.57, 0.48%, 0.57%

LAB 70.45, -0.03, 43.42

 

CMYK 0 / 16 / 59 / 29

HEX #B49849

RGB 180 152 73

HSL 44.3, 0.42%, 0.5%

LAB 63.87, 0.85, 44.68

 

CMYK 0 / 18 / 67 / 36

HEX #A38636

RGB 163 134 54

HSL 44.04, 0.5%, 0.43%

LAB 57.18, 1.91, 45.84

 

CMYK 0 / 21 / 76 / 43

HEX #927423

RGB 146 116 35

HSL 43.78, 0.61%, 0.35%

LAB 50.36, 3.22, 46.66

 

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

CMYK 0 / 25 / 48 / 16

HEX #D6A06F

RGB 214 160 111

HSL 28.54, 0.56%, 0.64%

LAB 69.88, 14.15, 33.27

 

CMYK 0 / 38 / 48 / 16

HEX #D6856F

RGB 214 133 111

HSL 12.82, 0.56%, 0.64%

LAB 63.52, 28.74, 24.95

 

CMYK 0 / 48 / 48 / 16

HEX #D66F6F

RGB 214 111 111

HSL 0, 0.56%, 0.64%

LAB 58.8, 40.3, 18.59

 

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

CMYK 1 / 0 / 48 / 16

HEX #D4D66F

RGB 212 214 111

HSL 61.17, 0.56%, 0.64%

LAB 83.57, -14.88, 50.2

 

CMYK 14 / 0 / 48 / 16

HEX #B9D66F

RGB 185 214 111

HSL 76.89, 0.56%, 0.64%

LAB 81.6, -25.5, 47.35

 

CMYK 27 / 0 / 48 / 16

HEX #9DD66F

RGB 157 214 111

HSL 93.2, 0.56%, 0.64%

LAB 79.85, -35.89, 44.82

 

CMYK 40 / 0 / 48 / 16

HEX #81D66F

RGB 129 214 111

HSL 109.51, 0.56%, 0.64%

LAB 78.41, -45.27, 42.72

 

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

CMYK 0 / 15 / 58 / 10

HEX #E5C360

RGB 229 195 96

HSL 44.66, 0.72%, 0.64%

LAB 79.92, 0.53, 53.35

 

CMYK 0 / 17 / 66 / 4

HEX #F4CB52

RGB 244 203 82

HSL 44.81, 0.88%, 0.64%

LAB 83.21, 1.75, 63.6

 

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

CMYK 0 / 9 / 37 / 22

HEX #C7B57E

RGB 199 181 126

HSL 45.21, 0.39%, 0.64%

LAB 74, -1.58, 30.39

 

CMYK 0 / 6 / 23 / 28

HEX #B8AD8D

RGB 184 173 141

HSL 44.65, 0.23%, 0.64%

LAB 70.87, -1.26, 17.89

 

CMYK 0 / 2 / 8 / 33

HEX #AAA69C

RGB 170 166 156

HSL 42.86, 0.08%, 0.64%

LAB 68.18, -0.37, 5.68

 

CMYK 9 / 7 / 0 / 33

HEX #9B9FAB

RGB 155 159 171

HSL 225, 0.09%, 0.64%

LAB 65.52, 0.99, -6.72

 

CMYK 0 / 38 / 48 / 16

HEX #D6846F

RGB 214 132 111

HSL 12.23, 0.56%, 0.64%

LAB 63.3, 29.27, 24.65

 

CMYK 0 / 26 / 48 / 16

HEX #D69F6F

RGB 214 159 111

HSL 27.96, 0.56%, 0.64%

LAB 69.64, 14.69, 32.95

 

CMYK 0 / 13 / 48 / 16

HEX #D6BB6F

RGB 214 187 111

HSL 44.27, 0.56%, 0.64%

LAB 76.67, -0.24, 41.83

 

CMYK 0 / 0 / 48 / 16

HEX #D6D66F

RGB 214 214 111

HSL 60, 0.56%, 0.64%

LAB 83.72, -14.08, 50.42

 

CMYK 13 / 0 / 48 / 16

HEX #BBD66F

RGB 187 214 111

HSL 75.73, 0.56%, 0.64%

LAB 81.73, -24.73, 47.55

 

CMYK 0 / 18 / 72 / 25

HEX #BE9B35

RGB 190 155 53

HSL 44.67, 0.56%, 0.48%

LAB 65.47, 2.36, 55.72

 

CMYK 0 / 16 / 61 / 20

HEX #CDAD4F

RGB 205 173 79

HSL 44.76, 0.56%, 0.56%

LAB 71.85, 0.77, 51.51

 

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

CMYK 0 / 9 / 36 / 13

HEX #DFCB8F

RGB 223 203 143

HSL 45, 0.56%, 0.72%

LAB 82.05, -1.59, 32.5

 

CMYK 0 / 6 / 24 / 9

HEX #E8DAB0

RGB 232 218 176

HSL 45, 0.55%, 0.8%

LAB 87.21, -1.69, 22.44

 

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

CMYK 45 / 0 / 48 / 16

HEX #76D66F

RGB 118 214 111

HSL 115.92, 0.56%, 0.64%

LAB 77.93, -48.59, 42.02

 

CMYK 32 / 48 / 0 / 16

HEX #926FD6

RGB 146 111 214

HSL 260.39, 0.56%, 0.64%

LAB 54.38, 35.84, -48.23

 

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

CMYK 48 / 0 / 13 / 16

HEX #6FD6BB

RGB 111 214 187

HSL 164.27, 0.56%, 0.64%

LAB 79.08, -36.46, 4.11

 

CMYK 13 / 48 / 0 / 16

HEX #BB6FD6

RGB 187 111 214

HSL 284.27, 0.56%, 0.64%

LAB 58.78, 47.04, -40.99

 

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

CMYK 45 / 0 / 48 / 16

HEX #76D66F

RGB 118 214 111

HSL 115.92, 0.56%, 0.64%

LAB 77.93, -48.59, 42.02

 

CMYK 48 / 35 / 0 / 16

HEX #6F8BD6

RGB 111 139 214

HSL 223.69, 0.56%, 0.64%

LAB 58.7, 10.44, -41.58

 

CMYK 3 / 48 / 0 / 16

HEX #CF6FD6

RGB 207 111 214

HSL 295.92, 0.56%, 0.64%

LAB 61.21, 52.67, -37

 

CMYK 0 / 12 / 48 / 16

HEX #D6BC6F

RGB 214 188 111

HSL 44.85, 0.56%, 0.64%

LAB 76.93, -0.77, 42.15

 

CMYK 48 / 0 / 37 / 16

HEX #6FD687

RGB 111 214 135

HSL 133.98, 0.56%, 0.64%

LAB 78.01, -46.9, 30.01

 

CMYK 48 / 35 / 0 / 16

HEX #6F8BD6

RGB 111 139 214

HSL 223.69, 0.56%, 0.64%

LAB 58.7, 10.44, -41.58

 

CMYK 0 / 48 / 11 / 16

HEX #D66FBE

RGB 214 111 190

HSL 313.98, 0.56%, 0.64%

LAB 61.12, 50.57, -23.5

 

Description

Color code: HEX #D6BC6F | qconv.com Color code: HEX #D6BC6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 188 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 188 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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