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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6C893 it is the complementary color #29376C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6C893. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6C893 shade: #DBC88E, #ECDAA1, #FDECB4, #FFFEC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6C893. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6C893 shade: #D6C893, #C5B680, #B4A46D, #A3925A and #928047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6C893 shade: #D6C893, #D6B693, #D6A493 and #D69393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6C893 shade: #D6C893, #D2D693, #C0D693, #AED693 and #9CD693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6C893 shade matches the following richer shades: #D6C893, #E2CF87, #EED67B and #FADD6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6C893 shade: #D6C893, #CAC19F, #BEBAAB, #B2B3B7 and #A6ACC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6C893 shade: #D6A493, #D6B693, #D6C793, #D2D693 and #C1D693

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6C893 shade: #BFA957, #CAB975, #D6C893, #E1D7B1 and #EDE6CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6C893 shade: #D6C893, #94D693 and #AD93D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6C893 shade: #D6C893, #93D6C7 and #C793D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6C893 shade: #D6C893, #94D693, #93A2D6 and #D593D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6C893 shade: #D6C893, #93D6A6, #93A2D6 and #D693C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 31 / 16

HEX #D6C893

RGB 214 200 147

HSL 47.46, 0.45%, 0.71%

LAB 80.58, -3.06, 28.33

 

Complementary color

CMYK 62 / 49 / 0 / 58

HEX #29376C

RGB 41 55 108

HSL 227.46, 0.45%, 0.29%

LAB 24.6, 12.2, -32.73

 

CMYK 0 / 9 / 35 / 14

HEX #DBC88E

RGB 219 200 142

HSL 45.19, 0.52%, 0.71%

LAB 80.92, -1.72, 31.46

 

CMYK 0 / 8 / 32 / 7

HEX #ECDAA1

RGB 236 218 161

HSL 45.6, 0.66%, 0.78%

LAB 87.27, -2.13, 30.35

 

CMYK 0 / 7 / 29 / 1

HEX #FDECB4

RGB 253 236 180

HSL 46.03, 0.95%, 0.85%

LAB 93.52, -2.49, 29.29

 

CMYK 0 / 0 / 22 / 0

HEX #FFFEC7

RGB 255 254 199

HSL 58.93, 1%, 0.89%

LAB 98.54, -8.25, 26.5

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 7 / 31 / 16

HEX #D6C893

RGB 214 200 147

HSL 47.46, 0.45%, 0.71%

LAB 80.58, -3.06, 28.33

 

CMYK 0 / 8 / 35 / 23

HEX #C5B680

RGB 197 182 128

HSL 46.96, 0.37%, 0.64%

LAB 74.12, -2.67, 29.46

 

CMYK 0 / 9 / 39 / 29

HEX #B4A46D

RGB 180 164 109

HSL 46.48, 0.32%, 0.57%

LAB 67.55, -2.21, 30.65

 

CMYK 0 / 10 / 45 / 36

HEX #A3925A

RGB 163 146 90

HSL 46.03, 0.29%, 0.5%

LAB 60.85, -1.66, 31.92

 

CMYK 0 / 12 / 51 / 43

HEX #928047

RGB 146 128 71

HSL 45.6, 0.35%, 0.43%

LAB 54.03, -0.98, 33.25

 

CMYK 0 / 7 / 31 / 16

HEX #D6C893

RGB 214 200 147

HSL 47.46, 0.45%, 0.71%

LAB 80.58, -3.06, 28.33

 

CMYK 0 / 15 / 31 / 16

HEX #D6B693

RGB 214 182 147

HSL 31.34, 0.45%, 0.71%

LAB 75.98, 6.41, 22.1

 

CMYK 0 / 23 / 31 / 16

HEX #D6A493

RGB 214 164 147

HSL 15.22, 0.45%, 0.71%

LAB 71.52, 16.08, 15.94

 

CMYK 0 / 31 / 31 / 16

HEX #D69393

RGB 214 147 147

HSL 0, 0.45%, 0.71%

LAB 67.48, 25.29, 10.26

 

CMYK 0 / 7 / 31 / 16

HEX #D6C893

RGB 214 200 147

HSL 47.46, 0.45%, 0.71%

LAB 80.58, -3.06, 28.33

 

CMYK 2 / 0 / 31 / 16

HEX #D2D693

RGB 210 214 147

HSL 63.58, 0.45%, 0.71%

LAB 83.91, -11.77, 32.71

 

CMYK 10 / 0 / 31 / 16

HEX #C0D693

RGB 192 214 147

HSL 79.7, 0.45%, 0.71%

LAB 82.6, -18.55, 30.72

 

CMYK 19 / 0 / 31 / 16

HEX #AED693

RGB 174 214 147

HSL 95.82, 0.45%, 0.71%

LAB 81.4, -25.09, 28.92

 

CMYK 27 / 0 / 31 / 16

HEX #9CD693

RGB 156 214 147

HSL 111.94, 0.45%, 0.71%

LAB 80.33, -31.31, 27.29

 

CMYK 0 / 7 / 31 / 16

HEX #D6C893

RGB 214 200 147

HSL 47.46, 0.45%, 0.71%

LAB 80.58, -3.06, 28.33

 

CMYK 0 / 8 / 40 / 11

HEX #E2CF87

RGB 226 207 135

HSL 47.47, 0.61%, 0.71%

LAB 83.2, -3.37, 38.16

 

CMYK 0 / 10 / 48 / 7

HEX #EED67B

RGB 238 214 123

HSL 47.48, 0.77%, 0.71%

LAB 85.86, -3.36, 47.69

 

CMYK 0 / 12 / 56 / 2

HEX #FADD6F

RGB 250 221 111

HSL 47.48, 0.93%, 0.71%

LAB 88.54, -3.06, 56.84

 

CMYK 0 / 7 / 31 / 16

HEX #D6C893

RGB 214 200 147

HSL 47.46, 0.45%, 0.71%

LAB 80.58, -3.06, 28.33

 

CMYK 0 / 4 / 21 / 21

HEX #CAC19F

RGB 202 193 159

HSL 47.44, 0.29%, 0.71%

LAB 77.99, -2.36, 18.28

 

CMYK 0 / 2 / 10 / 25

HEX #BEBAAB

RGB 190 186 171

HSL 47.37, 0.13%, 0.71%

LAB 75.45, -1.23, 8.1

 

CMYK 3 / 2 / 0 / 28

HEX #B2B3B7

RGB 178 179 183

HSL 228, 0.03%, 0.71%

LAB 72.97, 0.41, -2.16

 

CMYK 15 / 12 / 0 / 24

HEX #A6ACC3

RGB 166 172 195

HSL 227.59, 0.19%, 0.71%

LAB 70.56, 2.61, -12.44

 

CMYK 0 / 23 / 31 / 16

HEX #D6A493

RGB 214 164 147

HSL 15.22, 0.45%, 0.71%

LAB 71.52, 16.08, 15.94

 

CMYK 0 / 15 / 31 / 16

HEX #D6B693

RGB 214 182 147

HSL 31.34, 0.45%, 0.71%

LAB 75.98, 6.41, 22.1

 

CMYK 0 / 7 / 31 / 16

HEX #D6C793

RGB 214 199 147

HSL 46.57, 0.45%, 0.71%

LAB 80.32, -2.54, 27.98

 

CMYK 2 / 0 / 31 / 16

HEX #D2D693

RGB 210 214 147

HSL 63.58, 0.45%, 0.71%

LAB 83.91, -11.77, 32.71

 

CMYK 10 / 0 / 31 / 16

HEX #C1D693

RGB 193 214 147

HSL 78.81, 0.45%, 0.71%

LAB 82.67, -18.18, 30.83

 

CMYK 0 / 12 / 54 / 25

HEX #BFA957

RGB 191 169 87

HSL 47.31, 0.45%, 0.55%

LAB 69.57, -2.46, 44.72

 

CMYK 0 / 8 / 42 / 21

HEX #CAB975

RGB 202 185 117

HSL 48, 0.45%, 0.63%

LAB 75.16, -3.49, 36.65

 

CMYK 0 / 7 / 31 / 16

HEX #D6C893

RGB 214 200 147

HSL 47.46, 0.45%, 0.71%

LAB 80.58, -3.06, 28.33

 

CMYK 0 / 4 / 21 / 12

HEX #E1D7B1

RGB 225 215 177

HSL 47.5, 0.44%, 0.79%

LAB 85.9, -2.6, 20.02

 

CMYK 0 / 3 / 13 / 7

HEX #EDE6CF

RGB 237 230 207

HSL 46, 0.45%, 0.87%

LAB 91.28, -1.44, 12.05

 

CMYK 0 / 7 / 31 / 16

HEX #D6C893

RGB 214 200 147

HSL 47.46, 0.45%, 0.71%

LAB 80.58, -3.06, 28.33

 

CMYK 31 / 0 / 31 / 16

HEX #94D693

RGB 148 214 147

HSL 119.1, 0.45%, 0.71%

LAB 79.9, -33.94, 26.63

 

CMYK 19 / 31 / 0 / 16

HEX #AD93D6

RGB 173 147 214

HSL 263.28, 0.45%, 0.71%

LAB 65.44, 23.04, -30.71

 

CMYK 0 / 7 / 31 / 16

HEX #D6C893

RGB 214 200 147

HSL 47.46, 0.45%, 0.71%

LAB 80.58, -3.06, 28.33

 

CMYK 31 / 0 / 7 / 16

HEX #93D6C7

RGB 147 214 199

HSL 166.57, 0.45%, 0.71%

LAB 80.97, -24.32, 0.66

 

CMYK 7 / 31 / 0 / 16

HEX #C793D6

RGB 199 147 214

HSL 286.57, 0.45%, 0.71%

LAB 67.92, 31.19, -26.68

 

CMYK 0 / 7 / 31 / 16

HEX #D6C893

RGB 214 200 147

HSL 47.46, 0.45%, 0.71%

LAB 80.58, -3.06, 28.33

 

CMYK 31 / 0 / 31 / 16

HEX #94D693

RGB 148 214 147

HSL 119.1, 0.45%, 0.71%

LAB 79.9, -33.94, 26.63

 

CMYK 31 / 24 / 0 / 16

HEX #93A2D6

RGB 147 162 214

HSL 226.57, 0.45%, 0.71%

LAB 67.2, 6.76, -28.16

 

CMYK 0 / 31 / 0 / 16

HEX #D593D6

RGB 213 147 214

HSL 299.1, 0.45%, 0.71%

LAB 69.38, 35.66, -24.32

 

CMYK 0 / 7 / 31 / 16

HEX #D6C893

RGB 214 200 147

HSL 47.46, 0.45%, 0.71%

LAB 80.58, -3.06, 28.33

 

CMYK 31 / 0 / 22 / 16

HEX #93D6A6

RGB 147 214 166

HSL 137.01, 0.45%, 0.71%

LAB 80.21, -30.96, 17.09

 

CMYK 31 / 24 / 0 / 16

HEX #93A2D6

RGB 147 162 214

HSL 226.57, 0.45%, 0.71%

LAB 67.2, 6.76, -28.16

 

CMYK 0 / 31 / 9 / 16

HEX #D693C3

RGB 214 147 195

HSL 317.01, 0.45%, 0.71%

LAB 68.83, 32.58, -14.6

 

Description

Color code: HEX #D6C893 | qconv.com Color code: HEX #D6C893 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 200 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 200 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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