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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6C10B it is the complementary color #293EF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6C10B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6C10B shade: #DBC106, #ECD319, #FDE52C, #FFF73F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6C10B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6C10B shade: #D6C10B, #C5AF00, #B49D00, #A38B00 and #927900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6C10B shade: #D5C00B, #D5890B, #D5530B, #D51C0B and #D50B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6C10B shade: #D5C00B, #B3D50B, #7DD50B, #46D50B and #10D50B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6C10B shade matches the following richer shades: #D5C00B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6C10B shade: #D5C00B, #C3B11D, #B0A32F, #9E9541 and #8C8653

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6C10B shade: #D5510B, #D5870B, #D5BD0B, #B6D50B and #81D50B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6C10B shade: #867907, #AD9C09, #D5C00B, #F2DC16 and #F4E13E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6C10B shade: #D6C10B, #0BD51C and #6C0BD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6C10B shade: #D6C10B, #0BD5BD and #BD0BD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6C10B shade: #D6C10B, #0BD51C, #0B22D5 and #D50BC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6C10B shade: #D6C10B, #0BD558, #0B22D5 and #D50B87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 95 / 16

HEX #D6C10B

RGB 214 193 11

HSL 53.79, 0.9%, 0.44%

LAB 77.56, -8.26, 77.63

 

Complementary color

CMYK 83 / 75 / 0 / 4

HEX #293EF4

RGB 41 62 244

HSL 233.79, 0.9%, 0.56%

LAB 38.64, 56.68, -91.11

 

CMYK 0 / 12 / 97 / 14

HEX #DBC106

RGB 219 193 6

HSL 52.68, 0.95%, 0.44%

LAB 78, -6.13, 78.66

 

CMYK 0 / 11 / 89 / 7

HEX #ECD319

RGB 236 211 25

HSL 52.89, 0.85%, 0.51%

LAB 84.22, -7.74, 81.64

 

CMYK 0 / 9 / 83 / 1

HEX #FDE52C

RGB 253 229 44

HSL 53.11, 0.98%, 0.58%

LAB 90.37, -9.15, 83.35

 

CMYK 0 / 3 / 75 / 0

HEX #FFF73F

RGB 255 247 63

HSL 57.5, 1%, 0.62%

LAB 95.22, -16.54, 82.52

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 10 / 95 / 16

HEX #D6C10B

RGB 214 193 11

HSL 53.79, 0.9%, 0.44%

LAB 77.56, -8.26, 77.63

 

CMYK 0 / 11 / 100 / 23

HEX #C5AF00

RGB 197 175 0

HSL 53.3, 1%, 0.39%

LAB 71.23, -6.52, 73.51

 

CMYK 0 / 13 / 100 / 29

HEX #B49D00

RGB 180 157 0

HSL 52.33, 1%, 0.35%

LAB 64.82, -4.62, 68.2

 

CMYK 0 / 15 / 100 / 36

HEX #A38B00

RGB 163 139 0

HSL 51.17, 1%, 0.32%

LAB 58.28, -2.65, 62.79

 

CMYK 0 / 17 / 100 / 43

HEX #927900

RGB 146 121 0

HSL 49.73, 1%, 0.29%

LAB 51.59, -0.59, 57.27

 

CMYK 0 / 10 / 95 / 16

HEX #D5C00B

RGB 213 192 11

HSL 53.76, 0.9%, 0.44%

LAB 77.2, -8.18, 77.33

 

CMYK 0 / 36 / 95 / 16

HEX #D5890B

RGB 213 137 11

HSL 37.43, 0.9%, 0.44%

LAB 63.39, 21.04, 67.31

 

CMYK 0 / 61 / 95 / 16

HEX #D5530B

RGB 213 83 11

HSL 21.39, 0.9%, 0.44%

LAB 52.24, 48.54, 59.81

 

CMYK 0 / 87 / 95 / 16

HEX #D51C0B

RGB 213 28 11

HSL 5.05, 0.9%, 0.44%

LAB 45.64, 66.69, 55.88

 

CMYK 0 / 95 / 95 / 16

HEX #D50B0B

RGB 213 11 11

HSL 0, 0.9%, 0.44%

LAB 44.81, 69.05, 55.44

 

CMYK 0 / 10 / 95 / 16

HEX #D5C00B

RGB 213 192 11

HSL 53.76, 0.9%, 0.44%

LAB 77.2, -8.18, 77.33

 

CMYK 16 / 0 / 95 / 16

HEX #B3D50B

RGB 179 213 11

HSL 70.1, 0.9%, 0.44%

LAB 80.29, -32.86, 78.51

 

CMYK 41 / 0 / 95 / 16

HEX #7DD50B

RGB 125 213 11

HSL 86.14, 0.9%, 0.44%

LAB 77.26, -53.04, 74.84

 

CMYK 67 / 0 / 95 / 16

HEX #46D50B

RGB 70 213 11

HSL 102.48, 0.9%, 0.44%

LAB 75.4, -67.81, 72.55

 

CMYK 92 / 0 / 95 / 16

HEX #10D50B

RGB 16 213 11

HSL 118.51, 0.9%, 0.44%

LAB 74.65, -74.4, 71.63

 

CMYK 0 / 10 / 95 / 16

HEX #D5C00B

RGB 213 192 11

HSL 53.76, 0.9%, 0.44%

LAB 77.2, -8.18, 77.33

 

CMYK 0 / 10 / 95 / 16

HEX #D5C00B

RGB 213 192 11

HSL 53.76, 0.9%, 0.44%

LAB 77.2, -8.18, 77.33

 

CMYK 0 / 9 / 85 / 24

HEX #C3B11D

RGB 195 177 29

HSL 53.49, 0.74%, 0.44%

LAB 71.65, -8, 69.27

 

CMYK 0 / 7 / 73 / 31

HEX #B0A32F

RGB 176 163 47

HSL 53.95, 0.58%, 0.44%

LAB 66.24, -8.4, 58.35

 

CMYK 0 / 6 / 59 / 38

HEX #9E9541

RGB 158 149 65

HSL 54.19, 0.42%, 0.44%

LAB 60.91, -7.76, 44.63

 

CMYK 0 / 4 / 41 / 45

HEX #8C8653

RGB 140 134 83

HSL 53.68, 0.26%, 0.44%

LAB 55.33, -5.65, 28.25

 

CMYK 0 / 62 / 95 / 16

HEX #D5510B

RGB 213 81 11

HSL 20.79, 0.9%, 0.44%

LAB 51.9, 49.43, 59.6

 

CMYK 0 / 37 / 95 / 16

HEX #D5870B

RGB 213 135 11

HSL 36.83, 0.9%, 0.44%

LAB 62.93, 22.12, 66.98

 

CMYK 0 / 11 / 95 / 16

HEX #D5BD0B

RGB 213 189 11

HSL 52.87, 0.9%, 0.44%

LAB 76.42, -6.64, 76.74

 

CMYK 15 / 0 / 95 / 16

HEX #B6D50B

RGB 182 213 11

HSL 69.21, 0.9%, 0.44%

LAB 80.49, -31.64, 78.76

 

CMYK 39 / 0 / 95 / 16

HEX #81D50B

RGB 129 213 11

HSL 84.95, 0.9%, 0.44%

LAB 77.45, -51.7, 75.06

 

CMYK 0 / 10 / 95 / 47

HEX #867907

RGB 134 121 7

HSL 53.86, 0.9%, 0.28%

LAB 50.4, -6.13, 54.48

 

CMYK 0 / 10 / 95 / 32

HEX #AD9C09

RGB 173 156 9

HSL 53.78, 0.9%, 0.36%

LAB 63.9, -7.14, 66

 

CMYK 0 / 10 / 95 / 16

HEX #D5C00B

RGB 213 192 11

HSL 53.76, 0.9%, 0.44%

LAB 77.2, -8.18, 77.33

 

CMYK 0 / 9 / 91 / 5

HEX #F2DC16

RGB 242 220 22

HSL 54, 0.89%, 0.52%

LAB 87.06, -9.75, 84.51

 

CMYK 0 / 8 / 75 / 4

HEX #F4E13E

RGB 244 225 62

HSL 53.74, 0.89%, 0.6%

LAB 88.65, -10.34, 76.46

 

CMYK 0 / 10 / 95 / 16

HEX #D6C10B

RGB 214 193 11

HSL 53.79, 0.9%, 0.44%

LAB 77.56, -8.26, 77.63

 

CMYK 95 / 0 / 87 / 16

HEX #0BD51C

RGB 11 213 28

HSL 125.05, 0.9%, 0.44%

LAB 74.66, -74.14, 69.06

 

CMYK 49 / 95 / 0 / 16

HEX #6C0BD5

RGB 108 11 213

HSL 268.81, 0.9%, 0.44%

LAB 34.46, 71.29, -80.16

 

CMYK 0 / 10 / 95 / 16

HEX #D6C10B

RGB 214 193 11

HSL 53.79, 0.9%, 0.44%

LAB 77.56, -8.26, 77.63

 

CMYK 95 / 0 / 11 / 16

HEX #0BD5BD

RGB 11 213 189

HSL 172.87, 0.9%, 0.44%

LAB 76.88, -48.51, -0.39

 

CMYK 11 / 95 / 0 / 16

HEX #BD0BD5

RGB 189 11 213

HSL 292.87, 0.9%, 0.44%

LAB 46.79, 81.17, -59.5

 

CMYK 0 / 10 / 95 / 16

HEX #D6C10B

RGB 214 193 11

HSL 53.79, 0.9%, 0.44%

LAB 77.56, -8.26, 77.63

 

CMYK 95 / 0 / 87 / 16

HEX #0BD51C

RGB 11 213 28

HSL 125.05, 0.9%, 0.44%

LAB 74.66, -74.14, 69.06

 

CMYK 95 / 84 / 0 / 16

HEX #0B22D5

RGB 11 34 213

HSL 233.17, 0.9%, 0.44%

LAB 29.46, 59.8, -88.66

 

CMYK 0 / 95 / 8 / 16

HEX #D50BC4

RGB 213 11 196

HSL 305.05, 0.9%, 0.44%

LAB 49.94, 82.56, -44.41

 

CMYK 0 / 10 / 95 / 16

HEX #D6C10B

RGB 214 193 11

HSL 53.79, 0.9%, 0.44%

LAB 77.56, -8.26, 77.63

 

CMYK 95 / 0 / 59 / 16

HEX #0BD558

RGB 11 213 88

HSL 142.87, 0.9%, 0.44%

LAB 75.05, -69.18, 48.85

 

CMYK 95 / 84 / 0 / 16

HEX #0B22D5

RGB 11 34 213

HSL 233.17, 0.9%, 0.44%

LAB 29.46, 59.8, -88.66

 

CMYK 0 / 95 / 37 / 16

HEX #D50B87

RGB 213 11 135

HSL 323.17, 0.9%, 0.44%

LAB 47.15, 75.39, -12.52

 

Description

Color code: HEX #D6C10B | qconv.com Color code: HEX #D6C10B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 193 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 193 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 95 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 95% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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