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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6D5B8 it is the complementary color #292A47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6D5B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6D5B8 shade: #DBD5B3, #ECE7C6, #FDF9D9, #FFFFEC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6D5B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6D5B8 shade: #D6D5B8, #C5C3A5, #B4B192, #A39F7F and #928D6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6D5B8 shade: #D6D5B7, #D6CCB7, #D6C4B7, #D6BCB7 and #D6B7B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6D5B8 shade: #D6D5B7, #CED6B7, #C6D6B7, #BED6B7 and #B7D6B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6D5B8 shade matches the following richer shades: #D6D5B7, #DFDDAE, #E8E5A5, #F1EE9C and #FAF693

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6D5B8 shade: #D6D5B7, #CCCCC0, #C3C4C9, #BABBD2 and #B1B3DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6D5B8 shade: #D6C4B7, #D6CCB7, #D6D5B7, #CED6B7 and #C6D6B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6D5B8 shade: #B7B683, #C6C59D, #D6D5B7, #E5E4D1 and #F4F3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6D5B8 shade: #D6D5B8, #B7D6BC and #C8B7D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6D5B8 shade: #D6D5B8, #B7D6D5 and #D5B7D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6D5B8 shade: #D6D5B8, #B7D6BC, #B7B8D6 and #D6B7D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6D5B8 shade: #D6D5B8, #B7D6C5, #B7B8D6 and #D6B7C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 14 / 16

HEX #D6D5B8

RGB 214 213 184

HSL 58, 0.27%, 0.78%

LAB 84.66, -4.54, 14.48

 

Complementary color

CMYK 42 / 41 / 0 / 72

HEX #292A47

RGB 41 42 71

HSL 238, 0.27%, 0.22%

LAB 18.29, 8.09, -18.27

 

CMYK 0 / 3 / 18 / 14

HEX #DBD5B3

RGB 219 213 179

HSL 51, 0.36%, 0.78%

LAB 84.95, -3.49, 17.57

 

CMYK 0 / 2 / 16 / 7

HEX #ECE7C6

RGB 236 231 198

HSL 52.11, 0.5%, 0.85%

LAB 91.26, -3.69, 16.69

 

CMYK 0 / 2 / 14 / 1

HEX #FDF9D9

RGB 253 249 217

HSL 53.33, 0.9%, 0.92%

LAB 97.49, -3.87, 15.85

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B8

RGB 214 213 184

HSL 58, 0.27%, 0.78%

LAB 84.66, -4.54, 14.48

 

CMYK 0 / 1 / 16 / 23

HEX #C5C3A5

RGB 197 195 165

HSL 56.25, 0.22%, 0.71%

LAB 78.24, -4.37, 15.35

 

CMYK 0 / 2 / 19 / 29

HEX #B4B192

RGB 180 177 146

HSL 54.71, 0.18%, 0.64%

LAB 71.71, -4.18, 16.28

 

CMYK 0 / 2 / 22 / 36

HEX #A39F7F

RGB 163 159 127

HSL 53.33, 0.16%, 0.57%

LAB 65.05, -3.97, 17.26

 

CMYK 0 / 3 / 26 / 43

HEX #928D6C

RGB 146 141 108

HSL 52.11, 0.15%, 0.5%

LAB 58.27, -3.71, 18.32

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B7

RGB 214 213 183

HSL 58.06, 0.27%, 0.78%

LAB 84.64, -4.7, 14.97

 

CMYK 0 / 5 / 14 / 16

HEX #D6CCB7

RGB 214 204 183

HSL 40.65, 0.27%, 0.78%

LAB 82.33, -0.03, 11.7

 

CMYK 0 / 8 / 14 / 16

HEX #D6C4B7

RGB 214 196 183

HSL 25.16, 0.27%, 0.78%

LAB 80.29, 4.17, 8.8

 

CMYK 0 / 12 / 14 / 16

HEX #D6BCB7

RGB 214 188 183

HSL 9.68, 0.27%, 0.78%

LAB 78.28, 8.42, 5.91

 

CMYK 0 / 14 / 14 / 16

HEX #D6B7B7

RGB 214 183 183

HSL 0, 0.27%, 0.78%

LAB 77.03, 11.1, 4.11

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B7

RGB 214 213 183

HSL 58.06, 0.27%, 0.78%

LAB 84.64, -4.7, 14.97

 

CMYK 4 / 0 / 14 / 16

HEX #CED6B7

RGB 206 214 183

HSL 75.48, 0.27%, 0.78%

LAB 84.29, -8.09, 14.4

 

CMYK 7 / 0 / 14 / 16

HEX #C6D6B7

RGB 198 214 183

HSL 90.97, 0.27%, 0.78%

LAB 83.71, -10.93, 13.5

 

CMYK 11 / 0 / 14 / 16

HEX #BED6B7

RGB 190 214 183

HSL 106.45, 0.27%, 0.78%

LAB 83.16, -13.72, 12.63

 

CMYK 14 / 0 / 14 / 16

HEX #B7D6B9

RGB 183 214 185

HSL 123.87, 0.27%, 0.78%

LAB 82.73, -15.77, 10.91

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B7

RGB 214 213 183

HSL 58.06, 0.27%, 0.78%

LAB 84.64, -4.7, 14.97

 

CMYK 0 / 1 / 22 / 13

HEX #DFDDAE

RGB 223 221 174

HSL 57.55, 0.43%, 0.78%

LAB 87.22, -6.84, 23.38

 

CMYK 0 / 1 / 29 / 9

HEX #E8E5A5

RGB 232 229 165

HSL 57.31, 0.59%, 0.78%

LAB 89.82, -8.72, 31.66

 

CMYK 0 / 1 / 35 / 5

HEX #F1EE9C

RGB 241 238 156

HSL 57.88, 0.75%, 0.78%

LAB 92.69, -10.89, 40.1

 

CMYK 0 / 2 / 41 / 2

HEX #FAF693

RGB 250 246 147

HSL 57.67, 0.91%, 0.78%

LAB 95.3, -12.35, 48

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B7

RGB 214 213 183

HSL 58.06, 0.27%, 0.78%

LAB 84.64, -4.7, 14.97

 

CMYK 0 / 0 / 6 / 20

HEX #CCCCC0

RGB 204 204 192

HSL 60, 0.11%, 0.78%

LAB 81.75, -2.13, 5.97

 

CMYK 3 / 2 / 0 / 21

HEX #C3C4C9

RGB 195 196 201

HSL 230, 0.05%, 0.78%

LAB 79.21, 0.59, -2.63

 

CMYK 11 / 11 / 0 / 18

HEX #BABBD2

RGB 186 187 210

HSL 237.5, 0.21%, 0.78%

LAB 76.46, 4.17, -11.66

 

CMYK 20 / 19 / 0 / 14

HEX #B1B3DC

RGB 177 179 220

HSL 237.21, 0.38%, 0.78%

LAB 74.03, 7.79, -20.81

 

CMYK 0 / 8 / 14 / 16

HEX #D6C4B7

RGB 214 196 183

HSL 25.16, 0.27%, 0.78%

LAB 80.29, 4.17, 8.8

 

CMYK 0 / 5 / 14 / 16

HEX #D6CCB7

RGB 214 204 183

HSL 40.65, 0.27%, 0.78%

LAB 82.33, -0.03, 11.7

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B7

RGB 214 213 183

HSL 58.06, 0.27%, 0.78%

LAB 84.64, -4.7, 14.97

 

CMYK 4 / 0 / 14 / 16

HEX #CED6B7

RGB 206 214 183

HSL 75.48, 0.27%, 0.78%

LAB 84.29, -8.09, 14.4

 

CMYK 7 / 0 / 14 / 16

HEX #C6D6B7

RGB 198 214 183

HSL 90.97, 0.27%, 0.78%

LAB 83.71, -10.93, 13.5

 

CMYK 0 / 1 / 28 / 28

HEX #B7B683

RGB 183 182 131

HSL 58.85, 0.27%, 0.62%

LAB 73, -7.82, 26.17

 

CMYK 0 / 1 / 21 / 22

HEX #C6C59D

RGB 198 197 157

HSL 58.54, 0.26%, 0.7%

LAB 78.68, -6.25, 20.25

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B7

RGB 214 213 183

HSL 58.06, 0.27%, 0.78%

LAB 84.64, -4.7, 14.97

 

CMYK 0 / 0 / 9 / 10

HEX #E5E4D1

RGB 229 228 209

HSL 57, 0.28%, 0.86%

LAB 90.21, -2.91, 9.39

 

CMYK 0 / 0 / 3 / 4

HEX #F4F3EC

RGB 244 243 236

HSL 52.5, 0.27%, 0.94%

LAB 95.74, -0.88, 3.48

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B8

RGB 214 213 184

HSL 58, 0.27%, 0.78%

LAB 84.66, -4.54, 14.48

 

CMYK 14 / 0 / 12 / 16

HEX #B7D6BC

RGB 183 214 188

HSL 129.68, 0.27%, 0.78%

LAB 82.8, -15.23, 9.42

 

CMYK 7 / 14 / 0 / 16

HEX #C8B7D6

RGB 200 183 214

HSL 272.9, 0.27%, 0.78%

LAB 76.68, 11.78, -13.37

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B8

RGB 214 213 184

HSL 58, 0.27%, 0.78%

LAB 84.66, -4.54, 14.48

 

CMYK 14 / 0 / 0 / 16

HEX #B7D6D5

RGB 183 214 213

HSL 178.06, 0.27%, 0.78%

LAB 83.42, -10.42, -2.96

 

CMYK 0 / 14 / 0 / 16

HEX #D5B7D6

RGB 213 183 214

HSL 298.06, 0.27%, 0.78%

LAB 77.8, 16.14, -11.59

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B8

RGB 214 213 184

HSL 58, 0.27%, 0.78%

LAB 84.66, -4.54, 14.48

 

CMYK 14 / 0 / 12 / 16

HEX #B7D6BC

RGB 183 214 188

HSL 129.68, 0.27%, 0.78%

LAB 82.8, -15.23, 9.42

 

CMYK 14 / 14 / 0 / 16

HEX #B7B8D6

RGB 183 184 214

HSL 238.06, 0.27%, 0.78%

LAB 75.58, 5.66, -15.17

 

CMYK 0 / 14 / 3 / 16

HEX #D6B7D0

RGB 214 183 208

HSL 311.61, 0.27%, 0.78%

LAB 77.71, 15.38, -8.46

 

CMYK 0 / 0 / 14 / 16

HEX #D6D5B8

RGB 214 213 184

HSL 58, 0.27%, 0.78%

LAB 84.66, -4.54, 14.48

 

CMYK 14 / 0 / 8 / 16

HEX #B7D6C5

RGB 183 214 197

HSL 147.1, 0.27%, 0.78%

LAB 83.02, -13.56, 4.95

 

CMYK 14 / 14 / 0 / 16

HEX #B7B8D6

RGB 183 184 214

HSL 238.06, 0.27%, 0.78%

LAB 75.58, 5.66, -15.17

 

CMYK 0 / 14 / 7 / 16

HEX #D6B7C7

RGB 214 183 199

HSL 329.03, 0.27%, 0.78%

LAB 77.45, 13.78, -3.96

 

Description

Color code: HEX #D6D5B8 | qconv.com Color code: HEX #D6D5B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 213 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 213 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 14 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 14% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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