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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6D5C1 it is the complementary color #292A3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6D5C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6D5C1 shade: #DBD5BC, #ECE7CF, #FDF9E2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6D5C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6D5C1 shade: #D6D5C1, #C5C3AE, #B4B19B, #A39F88 and #928D75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6D5C1 shade: #D6D5C1, #D6CFC1, #D6CAC1, #D6C4C1 and #D6C1C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6D5C1 shade: #D6D5C1, #D1D6C1, #CCD6C1, #C6D6C1 and #C1D6C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6D5C1 shade matches the following richer shades: #D6D5C1, #DEDCB9, #E6E4B1, #EEEBA9 and #F7F3A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6D5C1 shade: #D6D5C1, #CDCDCA, #C5C6D2, #BDBEDA and #B5B7E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6D5C1 shade: #D6CAC1, #D6CFC1, #D6D5C1, #D1D6C1 and #CCD6C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6D5C1 shade: #B5B390, #C5C4A9, #D6D5C1, #E6E6DA and #F7F7F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6D5C1 shade: #D6D5C1, #C1D6C4 and #CDC1D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6D5C1 shade: #D6D5C1, #C1D6D5 and #D5C1D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6D5C1 shade: #D6D5C1, #C1D6C4, #C1C2D6 and #D6C1D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6D5C1 shade: #D6D5C1, #C1D6CA, #C1C2D6 and #D6C1CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

Complementary color

CMYK 34 / 32 / 0 / 76

HEX #292A3E

RGB 41 42 62

HSL 237.14, 0.2%, 0.2%

LAB 17.81, 5.17, -12.84

 

CMYK 0 / 3 / 14 / 14

HEX #DBD5BC

RGB 219 213 188

HSL 48.39, 0.3%, 0.8%

LAB 85.14, -2.11, 13.1

 

CMYK 0 / 2 / 12 / 7

HEX #ECE7CF

RGB 236 231 207

HSL 49.66, 0.43%, 0.87%

LAB 91.46, -2.3, 12.28

 

CMYK 0 / 2 / 11 / 1

HEX #FDF9E2

RGB 253 249 226

HSL 51.11, 0.87%, 0.94%

LAB 97.68, -2.48, 11.51

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

CMYK 0 / 1 / 12 / 23

HEX #C5C3AE

RGB 197 195 174

HSL 54.78, 0.17%, 0.73%

LAB 78.44, -2.94, 10.8

 

CMYK 0 / 2 / 14 / 29

HEX #B4B19B

RGB 180 177 155

HSL 52.8, 0.14%, 0.66%

LAB 71.9, -2.76, 11.64

 

CMYK 0 / 2 / 17 / 36

HEX #A39F88

RGB 163 159 136

HSL 51.11, 0.13%, 0.59%

LAB 65.25, -2.56, 12.54

 

CMYK 0 / 3 / 20 / 43

HEX #928D75

RGB 146 141 117

HSL 49.66, 0.12%, 0.52%

LAB 58.46, -2.34, 13.49

 

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

CMYK 0 / 3 / 10 / 16

HEX #D6CFC1

RGB 214 207 193

HSL 40, 0.2%, 0.8%

LAB 83.32, 0.02, 7.8

 

CMYK 0 / 6 / 10 / 16

HEX #D6CAC1

RGB 214 202 193

HSL 25.71, 0.2%, 0.8%

LAB 82.05, 2.64, 5.97

 

CMYK 0 / 8 / 10 / 16

HEX #D6C4C1

RGB 214 196 193

HSL 8.57, 0.2%, 0.8%

LAB 80.53, 5.81, 3.78

 

CMYK 0 / 10 / 10 / 16

HEX #D6C1C1

RGB 214 193 193

HSL 0, 0.2%, 0.8%

LAB 79.78, 7.4, 2.69

 

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

CMYK 2 / 0 / 10 / 16

HEX #D1D6C1

RGB 209 214 193

HSL 74.29, 0.2%, 0.8%

LAB 84.74, -5.39, 9.78

 

CMYK 5 / 0 / 10 / 16

HEX #CCD6C1

RGB 204 214 193

HSL 88.57, 0.2%, 0.8%

LAB 84.37, -7.14, 9.2

 

CMYK 7 / 0 / 10 / 16

HEX #C6D6C1

RGB 198 214 193

HSL 105.71, 0.2%, 0.8%

LAB 83.94, -9.22, 8.53

 

CMYK 10 / 0 / 9 / 16

HEX #C1D6C2

RGB 193 214 194

HSL 122.86, 0.2%, 0.8%

LAB 83.61, -10.76, 7.49

 

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

CMYK 0 / 1 / 17 / 13

HEX #DEDCB9

RGB 222 220 185

HSL 56.76, 0.36%, 0.8%

LAB 87.1, -5.09, 17.47

 

CMYK 0 / 1 / 23 / 10

HEX #E6E4B1

RGB 230 228 177

HSL 57.74, 0.51%, 0.8%

LAB 89.62, -7.38, 25.21

 

CMYK 0 / 1 / 29 / 7

HEX #EEEBA9

RGB 238 235 169

HSL 57.39, 0.67%, 0.8%

LAB 91.89, -8.98, 32.48

 

CMYK 0 / 2 / 35 / 3

HEX #F7F3A0

RGB 247 243 160

HSL 57.24, 0.84%, 0.8%

LAB 94.49, -10.63, 40.55

 

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

CMYK 0 / 0 / 1 / 20

HEX #CDCDCA

RGB 205 205 202

HSL 60, 0.03%, 0.8%

LAB 82.33, -0.54, 1.48

 

CMYK 6 / 6 / 0 / 18

HEX #C5C6D2

RGB 197 198 210

HSL 235.38, 0.13%, 0.8%

LAB 80.13, 1.93, -6.1

 

CMYK 13 / 13 / 0 / 15

HEX #BDBEDA

RGB 189 190 218

HSL 237.93, 0.28%, 0.8%

LAB 77.7, 5.19, -14.1

 

CMYK 20 / 19 / 0 / 11

HEX #B5B7E2

RGB 181 183 226

HSL 237.33, 0.44%, 0.8%

LAB 75.56, 8.19, -21.71

 

CMYK 0 / 6 / 10 / 16

HEX #D6CAC1

RGB 214 202 193

HSL 25.71, 0.2%, 0.8%

LAB 82.05, 2.64, 5.97

 

CMYK 0 / 3 / 10 / 16

HEX #D6CFC1

RGB 214 207 193

HSL 40, 0.2%, 0.8%

LAB 83.32, 0.02, 7.8

 

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

CMYK 2 / 0 / 10 / 16

HEX #D1D6C1

RGB 209 214 193

HSL 74.29, 0.2%, 0.8%

LAB 84.74, -5.39, 9.78

 

CMYK 5 / 0 / 10 / 16

HEX #CCD6C1

RGB 204 214 193

HSL 88.57, 0.2%, 0.8%

LAB 84.37, -7.14, 9.2

 

CMYK 0 / 1 / 20 / 29

HEX #B5B390

RGB 181 179 144

HSL 56.76, 0.2%, 0.64%

LAB 72.28, -5.17, 18.17

 

CMYK 0 / 1 / 14 / 23

HEX #C5C4A9

RGB 197 196 169

HSL 57.86, 0.19%, 0.72%

LAB 78.59, -4.27, 13.7

 

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

CMYK 0 / 0 / 5 / 10

HEX #E6E6DA

RGB 230 230 218

HSL 60, 0.19%, 0.88%

LAB 91, -2.08, 5.83

 

CMYK 0 / 0 / 2 / 3

HEX #F7F7F3

RGB 247 247 243

HSL 60, 0.2%, 0.96%

LAB 97.13, -0.69, 1.91

 

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

CMYK 10 / 0 / 8 / 16

HEX #C1D6C4

RGB 193 214 196

HSL 128.57, 0.2%, 0.8%

LAB 83.66, -10.4, 6.49

 

CMYK 4 / 10 / 0 / 16

HEX #CDC1D6

RGB 205 193 214

HSL 274.29, 0.2%, 0.8%

LAB 79.6, 8.06, -8.97

 

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

CMYK 10 / 0 / 0 / 16

HEX #C1D6D5

RGB 193 214 213

HSL 177.14, 0.2%, 0.8%

LAB 84.09, -7.19, -1.91

 

CMYK 0 / 10 / 0 / 16

HEX #D5C1D6

RGB 213 193 214

HSL 297.14, 0.2%, 0.8%

LAB 80.26, 10.76, -7.92

 

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

CMYK 10 / 0 / 8 / 16

HEX #C1D6C4

RGB 193 214 196

HSL 128.57, 0.2%, 0.8%

LAB 83.66, -10.4, 6.49

 

CMYK 10 / 9 / 0 / 16

HEX #C1C2D6

RGB 193 194 214

HSL 237.14, 0.2%, 0.8%

LAB 78.91, 3.53, -10.1

 

CMYK 0 / 10 / 1 / 16

HEX #D6C1D3

RGB 214 193 211

HSL 308.57, 0.2%, 0.8%

LAB 80.26, 10.55, -6.3

 

CMYK 0 / 0 / 10 / 16

HEX #D6D5C1

RGB 214 213 193

HSL 57.14, 0.2%, 0.8%

LAB 84.86, -3.1, 10.01

 

CMYK 10 / 0 / 6 / 16

HEX #C1D6CA

RGB 193 214 202

HSL 145.71, 0.2%, 0.8%

LAB 83.81, -9.3, 3.52

 

CMYK 10 / 9 / 0 / 16

HEX #C1C2D6

RGB 193 194 214

HSL 237.14, 0.2%, 0.8%

LAB 78.91, 3.53, -10.1

 

CMYK 0 / 10 / 4 / 16

HEX #D6C1CD

RGB 214 193 205

HSL 325.71, 0.2%, 0.8%

LAB 80.09, 9.47, -3.31

 

Description

Color code: HEX #D6D5C1 | qconv.com Color code: HEX #D6D5C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 213 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 213 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 10 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 10% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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