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Color name
HEX #D6D128

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6D128 it is the complementary color #292ED7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6D128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6D128 shade: #DBD123, #ECE336, #FDF549, #FFFF5C and #FFFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6D128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6D128 shade: #D6D128, #C5BF15, #B4AD02, #A39B00 and #928900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6D128 shade: #D7D227, #D7A227, #D77327, #D74427 and #D72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6D128 shade: #D7D227, #ADD727, #7DD727, #4ED727 and #27D730

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6D128 shade matches the following richer shades: #D7D227 and #ECE512

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6D128 shade: #D7D227, #C2BE3C, #AEAB50, #999865 and #84847A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6D128 shade: #D77327, #D7A227, #D7D127, #AED727 and #7FD727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6D128 shade: #918E1A, #B4B021, #D7D227, #DDD94A and #E4E06D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6D128 shade: #D6D128, #27D744 and #8B27D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6D128 shade: #D6D128, #27D7D1 and #D127D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6D128 shade: #D6D128, #27D744, #272DD7 and #D727BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6D128 shade: #D6D128, #27D779, #272DD7 and #D72785

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 81 / 16

HEX #D6D128

RGB 214 209 40

HSL 58.28, 0.69%, 0.5%

LAB 81.87, -15.76, 75.83

 

Complementary color

CMYK 81 / 79 / 0 / 16

HEX #292ED7

RGB 41 46 215

HSL 238.28, 0.69%, 0.5%

LAB 32.55, 55.77, -84.66

 

CMYK 0 / 5 / 84 / 14

HEX #DBD123

RGB 219 209 35

HSL 56.74, 0.72%, 0.5%

LAB 82.26, -13.77, 77.51

 

CMYK 0 / 4 / 77 / 7

HEX #ECE336

RGB 236 227 54

HSL 57.03, 0.83%, 0.57%

LAB 88.47, -14.96, 78.5

 

CMYK 0 / 3 / 71 / 1

HEX #FDF549

RGB 253 245 73

HSL 57.33, 0.98%, 0.64%

LAB 94.6, -15.99, 78.7

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 2 / 81 / 16

HEX #D6D128

RGB 214 209 40

HSL 58.28, 0.69%, 0.5%

LAB 81.87, -15.76, 75.83

 

CMYK 0 / 3 / 89 / 23

HEX #C5BF15

RGB 197 191 21

HSL 57.95, 0.81%, 0.43%

LAB 75.57, -14.48, 74.1

 

CMYK 0 / 4 / 99 / 29

HEX #B4AD02

RGB 180 173 2

HSL 57.64, 0.98%, 0.36%

LAB 69.18, -13, 71.1

 

CMYK 0 / 5 / 100 / 36

HEX #A39B00

RGB 163 155 0

HSL 57.06, 1%, 0.32%

LAB 62.7, -11.25, 65.96

 

CMYK 0 / 6 / 100 / 43

HEX #928900

RGB 146 137 0

HSL 56.3, 1%, 0.29%

LAB 56.09, -9.43, 60.48

 

CMYK 0 / 2 / 82 / 16

HEX #D7D227

RGB 215 210 39

HSL 58.3, 0.69%, 0.5%

LAB 82.21, -15.86, 76.4

 

CMYK 0 / 25 / 82 / 16

HEX #D7A227

RGB 215 162 39

HSL 41.93, 0.69%, 0.5%

LAB 69.78, 9.01, 65.74

 

CMYK 0 / 47 / 82 / 16

HEX #D77327

RGB 215 115 39

HSL 25.91, 0.69%, 0.5%

LAB 58.84, 34.16, 56.09

 

CMYK 0 / 68 / 82 / 16

HEX #D74427

RGB 215 68 39

HSL 9.89, 0.69%, 0.5%

LAB 50.37, 56.09, 48.34

 

CMYK 0 / 82 / 82 / 16

HEX #D72727

RGB 215 39 39

HSL 0, 0.69%, 0.5%

LAB 47.03, 65.36, 45.2

 

CMYK 0 / 2 / 82 / 16

HEX #D7D227

RGB 215 210 39

HSL 58.3, 0.69%, 0.5%

LAB 82.21, -15.86, 76.4

 

CMYK 20 / 0 / 82 / 16

HEX #ADD727

RGB 173 215 39

HSL 74.32, 0.69%, 0.5%

LAB 80.53, -35.56, 73.76

 

CMYK 42 / 0 / 82 / 16

HEX #7DD727

RGB 125 215 39

HSL 90.68, 0.69%, 0.5%

LAB 77.94, -53.04, 70.47

 

CMYK 64 / 0 / 82 / 16

HEX #4ED727

RGB 78 215 39

HSL 106.7, 0.69%, 0.5%

LAB 76.29, -65.89, 68.37

 

CMYK 82 / 0 / 78 / 16

HEX #27D730

RGB 39 215 48

HSL 123.07, 0.69%, 0.5%

LAB 75.6, -71.65, 64.93

 

CMYK 0 / 2 / 82 / 16

HEX #D7D227

RGB 215 210 39

HSL 58.3, 0.69%, 0.5%

LAB 82.21, -15.86, 76.4

 

CMYK 0 / 3 / 92 / 7

HEX #ECE512

RGB 236 229 18

HSL 58.07, 0.86%, 0.5%

LAB 88.88, -16.77, 86.2

 

CMYK 0 / 2 / 82 / 16

HEX #D7D227

RGB 215 210 39

HSL 58.3, 0.69%, 0.5%

LAB 82.21, -15.86, 76.4

 

CMYK 0 / 2 / 69 / 24

HEX #C2BE3C

RGB 194 190 60

HSL 58.21, 0.53%, 0.5%

LAB 75.22, -13.92, 62.8

 

CMYK 0 / 2 / 54 / 32

HEX #AEAB50

RGB 174 171 80

HSL 58.09, 0.37%, 0.5%

LAB 68.54, -11.31, 46.53

 

CMYK 0 / 1 / 34 / 40

HEX #999865

RGB 153 152 101

HSL 58.85, 0.2%, 0.5%

LAB 61.8, -7.82, 27.02

 

CMYK 0 / 0 / 8 / 48

HEX #84847A

RGB 132 132 122

HSL 60, 0.04%, 0.5%

LAB 54.88, -1.91, 5.39

 

CMYK 0 / 47 / 82 / 16

HEX #D77327

RGB 215 115 39

HSL 25.91, 0.69%, 0.5%

LAB 58.84, 34.16, 56.09

 

CMYK 0 / 25 / 82 / 16

HEX #D7A227

RGB 215 162 39

HSL 41.93, 0.69%, 0.5%

LAB 69.78, 9.01, 65.74

 

CMYK 0 / 3 / 82 / 16

HEX #D7D127

RGB 215 209 39

HSL 57.95, 0.69%, 0.5%

LAB 81.94, -15.36, 76.17

 

CMYK 19 / 0 / 82 / 16

HEX #AED727

RGB 174 215 39

HSL 73.98, 0.69%, 0.5%

LAB 80.6, -35.16, 73.84

 

CMYK 41 / 0 / 82 / 16

HEX #7FD727

RGB 127 215 39

HSL 90, 0.69%, 0.5%

LAB 78.03, -52.39, 70.58

 

CMYK 0 / 2 / 82 / 43

HEX #918E1A

RGB 145 142 26

HSL 58.49, 0.7%, 0.34%

LAB 57.5, -11.99, 56.31

 

CMYK 0 / 2 / 82 / 29

HEX #B4B021

RGB 180 176 33

HSL 58.37, 0.69%, 0.42%

LAB 70.08, -13.95, 66.42

 

CMYK 0 / 2 / 82 / 16

HEX #D7D227

RGB 215 210 39

HSL 58.3, 0.69%, 0.5%

LAB 82.21, -15.86, 76.4

 

CMYK 0 / 2 / 67 / 13

HEX #DDD94A

RGB 221 217 74

HSL 58.37, 0.68%, 0.58%

LAB 84.74, -15.37, 67.76

 

CMYK 0 / 2 / 52 / 11

HEX #E4E06D

RGB 228 224 109

HSL 57.98, 0.69%, 0.66%

LAB 87.44, -13.61, 56.01

 

CMYK 0 / 2 / 81 / 16

HEX #D6D128

RGB 214 209 40

HSL 58.28, 0.69%, 0.5%

LAB 81.87, -15.76, 75.83

 

CMYK 82 / 0 / 68 / 16

HEX #27D744

RGB 39 215 68

HSL 129.89, 0.69%, 0.5%

LAB 75.73, -70.06, 58.1

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 0 / 2 / 81 / 16

HEX #D6D128

RGB 214 209 40

HSL 58.28, 0.69%, 0.5%

LAB 81.87, -15.76, 75.83

 

CMYK 82 / 0 / 3 / 16

HEX #27D7D1

RGB 39 215 209

HSL 177.95, 0.69%, 0.5%

LAB 78.25, -42.33, -9.08

 

CMYK 3 / 82 / 0 / 16

HEX #D127D7

RGB 209 39 215

HSL 297.95, 0.69%, 0.5%

LAB 51.74, 80.48, -52.52

 

CMYK 0 / 2 / 81 / 16

HEX #D6D128

RGB 214 209 40

HSL 58.28, 0.69%, 0.5%

LAB 81.87, -15.76, 75.83

 

CMYK 82 / 0 / 68 / 16

HEX #27D744

RGB 39 215 68

HSL 129.89, 0.69%, 0.5%

LAB 75.73, -70.06, 58.1

 

CMYK 82 / 79 / 0 / 16

HEX #272DD7

RGB 39 45 215

HSL 237.95, 0.69%, 0.5%

LAB 32.29, 56.17, -85.09

 

CMYK 0 / 82 / 13 / 16

HEX #D727BA

RGB 215 39 186

HSL 309.89, 0.69%, 0.5%

LAB 51.2, 77.42, -36.59

 

CMYK 0 / 2 / 81 / 16

HEX #D6D128

RGB 214 209 40

HSL 58.28, 0.69%, 0.5%

LAB 81.87, -15.76, 75.83

 

CMYK 82 / 0 / 44 / 16

HEX #27D779

RGB 39 215 121

HSL 147.95, 0.69%, 0.5%

LAB 76.32, -62.93, 34.6

 

CMYK 82 / 79 / 0 / 16

HEX #272DD7

RGB 39 45 215

HSL 237.95, 0.69%, 0.5%

LAB 32.29, 56.17, -85.09

 

CMYK 0 / 82 / 38 / 16

HEX #D72785

RGB 215 39 133

HSL 327.95, 0.69%, 0.5%

LAB 49, 71.2, -8.49

 

Description

Color code: HEX #D6D128 | qconv.com Color code: HEX #D6D128 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 209 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 209 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 81% 16% C M Y K

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Provide designers and agencies with accurate color values.

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