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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6DCF5 it is the complementary color #29230A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6DCF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6DCF5 shade: #DBDCF0, #ECEEFF and #FDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6DCF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6DCF5 shade: #D6DCF5, #C5CAE2, #B4B8CF, #A3A6BC and #9294A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6DCF5 shade: #D5DBF5, #D8D5F5, #E0D5F5, #E9D5F5 and #F1D5F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6DCF5 shade: #D5DBF5 and #D5D5F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6DCF5 shade matches the following richer shades: #D5DBF5, #D1D9F9 and #CDD6FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6DCF5 shade: #D5DBF5, #DADEF0, #DEE1EC, #E2E3E8 and #E6E6E4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6DCF5 shade: #D5ECF5, #D5E4F5, #D5DCF5, #D8D5F5 and #E0D5F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6DCF5 shade: #93A3E4, #B4BFED, #D5DBF5 and #F7F8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6DCF5 shade: #D6DCF5, #F5D5F5 and #E8F5D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6DCF5 shade: #D6DCF5, #F5D5DC and #DCF5D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6DCF5 shade: #D6DCF5, #F5D5F5, #F5EED5 and #D5F5D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6DCF5 shade: #D6DCF5, #F5D5EB, #F5EED5 and #D5F5DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 10 / 0 / 4

HEX #D6DCF5

RGB 214 220 245

HSL 228.39, 0.61%, 0.9%

LAB 88, 2.82, -12.87

 

Complementary color

CMYK 0 / 15 / 76 / 84

HEX #29230A

RGB 41 35 10

HSL 48.39, 0.61%, 0.1%

LAB 13.8, -1.1, 16.19

 

CMYK 9 / 8 / 0 / 6

HEX #DBDCF0

RGB 219 220 240

HSL 237.14, 0.41%, 0.9%

LAB 88.23, 3.43, -9.87

 

CMYK 7 / 7 / 0 / 0

HEX #ECEEFF

RGB 236 238 255

HSL 233.68, 1%, 0.96%

LAB 94.4, 2.47, -8.41

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 13 / 10 / 0 / 4

HEX #D6DCF5

RGB 214 220 245

HSL 228.39, 0.61%, 0.9%

LAB 88, 2.82, -12.87

 

CMYK 13 / 11 / 0 / 11

HEX #C5CAE2

RGB 197 202 226

HSL 229.66, 0.33%, 0.83%

LAB 81.62, 3.01, -12.46

 

CMYK 13 / 11 / 0 / 19

HEX #B4B8CF

RGB 180 184 207

HSL 231.11, 0.22%, 0.76%

LAB 75.13, 3.21, -12.05

 

CMYK 13 / 12 / 0 / 26

HEX #A3A6BC

RGB 163 166 188

HSL 232.8, 0.16%, 0.69%

LAB 68.53, 3.42, -11.64

 

CMYK 14 / 12 / 0 / 34

HEX #9294A9

RGB 146 148 169

HSL 234.78, 0.12%, 0.62%

LAB 61.79, 3.64, -11.24

 

CMYK 13 / 11 / 0 / 4

HEX #D5DBF5

RGB 213 219 245

HSL 228.75, 0.62%, 0.9%

LAB 87.68, 3.03, -13.36

 

CMYK 12 / 13 / 0 / 4

HEX #D8D5F5

RGB 216 213 245

HSL 245.63, 0.62%, 0.9%

LAB 86.39, 7.13, -15.27

 

CMYK 9 / 13 / 0 / 4

HEX #E0D5F5

RGB 224 213 245

HSL 260.63, 0.62%, 0.9%

LAB 87.01, 9.7, -14.28

 

CMYK 5 / 13 / 0 / 4

HEX #E9D5F5

RGB 233 213 245

HSL 277.5, 0.62%, 0.9%

LAB 87.73, 12.62, -13.13

 

CMYK 2 / 13 / 0 / 4

HEX #F1D5F5

RGB 241 213 245

HSL 292.5, 0.62%, 0.9%

LAB 88.39, 15.24, -12.07

 

CMYK 13 / 11 / 0 / 4

HEX #D5DBF5

RGB 213 219 245

HSL 228.75, 0.62%, 0.9%

LAB 87.68, 3.03, -13.36

 

CMYK 13 / 13 / 0 / 4

HEX #D5D5F5

RGB 213 213 245

HSL 240, 0.62%, 0.9%

LAB 86.17, 6.18, -15.63

 

CMYK 13 / 11 / 0 / 4

HEX #D5DBF5

RGB 213 219 245

HSL 228.75, 0.62%, 0.9%

LAB 87.68, 3.03, -13.36

 

CMYK 16 / 13 / 0 / 2

HEX #D1D9F9

RGB 209 217 249

HSL 228, 0.77%, 0.9%

LAB 87.01, 3.65, -16.51

 

CMYK 19 / 15 / 0 / 1

HEX #CDD6FD

RGB 205 214 253

HSL 228.75, 0.92%, 0.9%

LAB 86.09, 4.85, -20.03

 

CMYK 13 / 11 / 0 / 4

HEX #D5DBF5

RGB 213 219 245

HSL 228.75, 0.62%, 0.9%

LAB 87.68, 3.03, -13.36

 

CMYK 9 / 8 / 0 / 6

HEX #DADEF0

RGB 218 222 240

HSL 229.09, 0.42%, 0.9%

LAB 88.66, 2.06, -9.24

 

CMYK 6 / 5 / 0 / 7

HEX #DEE1EC

RGB 222 225 236

HSL 227.14, 0.27%, 0.9%

LAB 89.6, 1.03, -5.71

 

CMYK 3 / 2 / 0 / 9

HEX #E2E3E8

RGB 226 227 232

HSL 230, 0.12%, 0.9%

LAB 90.29, 0.58, -2.56

 

CMYK 0 / 0 / 1 / 10

HEX #E6E6E4

RGB 230 230 228

HSL 60, 0.04%, 0.9%

LAB 91.24, -0.35, 0.96

 

CMYK 13 / 4 / 0 / 4

HEX #D5ECF5

RGB 213 236 245

HSL 196.88, 0.62%, 0.9%

LAB 92.01, -5.76, -6.92

 

CMYK 13 / 7 / 0 / 4

HEX #D5E4F5

RGB 213 228 245

HSL 211.88, 0.62%, 0.9%

LAB 89.96, -1.65, -9.96

 

CMYK 13 / 10 / 0 / 4

HEX #D5DCF5

RGB 213 220 245

HSL 226.88, 0.62%, 0.9%

LAB 87.93, 2.5, -12.99

 

CMYK 12 / 13 / 0 / 4

HEX #D8D5F5

RGB 216 213 245

HSL 245.63, 0.62%, 0.9%

LAB 86.39, 7.13, -15.27

 

CMYK 9 / 13 / 0 / 4

HEX #E0D5F5

RGB 224 213 245

HSL 260.63, 0.62%, 0.9%

LAB 87.01, 9.7, -14.28

 

CMYK 36 / 29 / 0 / 11

HEX #93A3E4

RGB 147 163 228

HSL 228.15, 0.6%, 0.74%

LAB 68.02, 9.81, -34.6

 

CMYK 24 / 19 / 0 / 7

HEX #B4BFED

RGB 180 191 237

HSL 228.42, 0.61%, 0.82%

LAB 77.92, 6.03, -24.07

 

CMYK 13 / 11 / 0 / 4

HEX #D5DBF5

RGB 213 219 245

HSL 228.75, 0.62%, 0.9%

LAB 87.68, 3.03, -13.36

 

CMYK 2 / 2 / 0 / 1

HEX #F7F8FD

RGB 247 248 253

HSL 230, 0.6%, 0.98%

LAB 97.63, 0.57, -2.52

 

CMYK 13 / 10 / 0 / 4

HEX #D6DCF5

RGB 214 220 245

HSL 228.39, 0.61%, 0.9%

LAB 88, 2.82, -12.87

 

CMYK 0 / 13 / 0 / 4

HEX #F5D5F5

RGB 245 213 245

HSL 300, 0.62%, 0.9%

LAB 88.73, 16.56, -11.53

 

CMYK 5 / 0 / 13 / 4

HEX #E8F5D5

RGB 232 245 213

HSL 84.38, 0.62%, 0.9%

LAB 94.85, -9.8, 13.95

 

CMYK 13 / 10 / 0 / 4

HEX #D6DCF5

RGB 214 220 245

HSL 228.39, 0.61%, 0.9%

LAB 88, 2.82, -12.87

 

CMYK 0 / 13 / 10 / 4

HEX #F5D5DC

RGB 245 213 220

HSL 346.88, 0.62%, 0.9%

LAB 88.05, 12.25, 0.66

 

CMYK 10 / 0 / 13 / 4

HEX #DCF5D5

RGB 220 245 213

HSL 106.88, 0.62%, 0.9%

LAB 94.02, -13.89, 12.66

 

CMYK 13 / 10 / 0 / 4

HEX #D6DCF5

RGB 214 220 245

HSL 228.39, 0.61%, 0.9%

LAB 88, 2.82, -12.87

 

CMYK 0 / 13 / 0 / 4

HEX #F5D5F5

RGB 245 213 245

HSL 300, 0.62%, 0.9%

LAB 88.73, 16.56, -11.53

 

CMYK 0 / 3 / 13 / 4

HEX #F5EED5

RGB 245 238 213

HSL 46.88, 0.62%, 0.9%

LAB 94.04, -1.75, 12.94

 

CMYK 13 / 0 / 13 / 4

HEX #D5F5D5

RGB 213 245 213

HSL 120, 0.62%, 0.9%

LAB 93.56, -16.24, 11.94

 

CMYK 13 / 10 / 0 / 4

HEX #D6DCF5

RGB 214 220 245

HSL 228.39, 0.61%, 0.9%

LAB 88, 2.82, -12.87

 

CMYK 0 / 13 / 4 / 4

HEX #F5D5EB

RGB 245 213 235

HSL 318.75, 0.62%, 0.9%

LAB 88.45, 14.78, -6.68

 

CMYK 0 / 3 / 13 / 4

HEX #F5EED5

RGB 245 238 213

HSL 46.88, 0.62%, 0.9%

LAB 94.04, -1.75, 12.94

 

CMYK 13 / 0 / 9 / 4

HEX #D5F5DF

RGB 213 245 223

HSL 138.75, 0.62%, 0.9%

LAB 93.79, -14.47, 7.1

 

Description

Color code: HEX #D6DCF5 | qconv.com Color code: HEX #D6DCF5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 220 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 220 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 10 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 10% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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