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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6DD6D it is the complementary color #292292. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6DD6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6DD6D shade: #DBDD68, #ECEF7B, #FDFF8E, #FFFFA1 and #FFFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6DD6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6DD6D shade: #D6DD6D, #C5CB5A, #B4B947, #A3A734 and #929521

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6DD6D shade: #D6DD6E, #DDC66E, #DDA86E, #DD8A6E and #DD6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6DD6D shade: #D6DD6E, #B8DD6E, #9ADD6E, #7CDD6E and #6EDD7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6DD6D shade matches the following richer shades: #D6DD6E, #E2EB5F and #EFF951

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6DD6D shade: #D6DD6E, #C9CE7C, #BCC08B, #B0B199 and #A3A3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6DD6D shade: #DDA76E, #DDC56E, #D7DD6E, #BADD6E and #9CDD6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6DD6D shade: #C0C92F, #CCD54C, #D6DD6E, #DFE48F and #E9ECB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6DD6D shade: #D6DD6D, #6EDD8A and #B66EDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6DD6D shade: #D6DD6D, #6ED7DD and #DD6ED7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6DD6D shade: #D6DD6D, #6EDD8A, #736EDD and #DD6EC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6DD6D shade: #D6DD6D, #6EDDAB, #736EDD and #DD6EA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 51 / 13

HEX #D6DD6D

RGB 214 221 109

HSL 63.75, 0.62%, 0.65%

LAB 85.56, -17.73, 53.54

 

Complementary color

CMYK 72 / 77 / 0 / 43

HEX #292292

RGB 41 34 146

HSL 243.75, 0.62%, 0.35%

LAB 22.62, 39.81, -59.92

 

CMYK 1 / 0 / 53 / 13

HEX #DBDD68

RGB 219 221 104

HSL 61.03, 0.63%, 0.64%

LAB 85.89, -16.15, 56.32

 

CMYK 1 / 0 / 49 / 6

HEX #ECEF7B

RGB 236 239 123

HSL 61.55, 0.78%, 0.71%

LAB 92.13, -16.63, 55.24

 

CMYK 1 / 0 / 44 / 0

HEX #FDFF8E

RGB 253 255 142

HSL 61.06, 1%, 0.78%

LAB 97.78, -16.07, 53.49

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 3 / 0 / 51 / 13

HEX #D6DD6D

RGB 214 221 109

HSL 63.75, 0.62%, 0.65%

LAB 85.56, -17.73, 53.54

 

CMYK 3 / 0 / 56 / 20

HEX #C5CB5A

RGB 197 203 90

HSL 63.19, 0.52%, 0.57%

LAB 79.23, -17.25, 54.59

 

CMYK 3 / 0 / 62 / 27

HEX #B4B947

RGB 180 185 71

HSL 62.63, 0.45%, 0.5%

LAB 72.8, -16.65, 55.5

 

CMYK 2 / 0 / 69 / 35

HEX #A3A734

RGB 163 167 52

HSL 62.09, 0.53%, 0.43%

LAB 66.27, -15.91, 56.11

 

CMYK 2 / 0 / 78 / 42

HEX #929521

RGB 146 149 33

HSL 61.55, 0.64%, 0.36%

LAB 59.63, -14.98, 56.1

 

CMYK 3 / 0 / 50 / 13

HEX #D6DD6E

RGB 214 221 110

HSL 63.78, 0.62%, 0.65%

LAB 85.57, -17.64, 53.09

 

CMYK 0 / 10 / 50 / 13

HEX #DDC66E

RGB 221 198 110

HSL 47.57, 0.62%, 0.65%

LAB 80.12, -3.19, 46.7

 

CMYK 0 / 24 / 50 / 13

HEX #DDA86E

RGB 221 168 110

HSL 31.35, 0.62%, 0.65%

LAB 72.56, 12.62, 37.36

 

CMYK 0 / 38 / 50 / 13

HEX #DD8A6E

RGB 221 138 110

HSL 15.14, 0.62%, 0.65%

LAB 65.49, 28.72, 28.27

 

CMYK 0 / 50 / 50 / 13

HEX #DD6E6E

RGB 221 110 110

HSL 0, 0.62%, 0.65%

LAB 59.57, 43.28, 20.38

 

CMYK 3 / 0 / 50 / 13

HEX #D6DD6E

RGB 214 221 110

HSL 63.78, 0.62%, 0.65%

LAB 85.57, -17.64, 53.09

 

CMYK 17 / 0 / 50 / 13

HEX #B8DD6E

RGB 184 221 110

HSL 80, 0.62%, 0.65%

LAB 83.46, -29.32, 50.06

 

CMYK 30 / 0 / 50 / 13

HEX #9ADD6E

RGB 154 221 110

HSL 96.22, 0.62%, 0.65%

LAB 81.68, -40.2, 47.49

 

CMYK 44 / 0 / 50 / 13

HEX #7CDD6E

RGB 124 221 110

HSL 112.43, 0.62%, 0.65%

LAB 80.25, -49.84, 45.42

 

CMYK 50 / 0 / 43 / 13

HEX #6EDD7E

RGB 110 221 126

HSL 128.65, 0.62%, 0.65%

LAB 79.92, -51.49, 37.06

 

CMYK 3 / 0 / 50 / 13

HEX #D6DD6E

RGB 214 221 110

HSL 63.78, 0.62%, 0.65%

LAB 85.57, -17.64, 53.09

 

CMYK 4 / 0 / 60 / 8

HEX #E2EB5F

RGB 226 235 95

HSL 63.86, 0.78%, 0.65%

LAB 90.05, -20.84, 65.05

 

CMYK 4 / 0 / 67 / 2

HEX #EFF951

RGB 239 249 81

HSL 63.57, 0.93%, 0.65%

LAB 94.61, -23.18, 75.56

 

CMYK 3 / 0 / 50 / 13

HEX #D6DD6E

RGB 214 221 110

HSL 63.78, 0.62%, 0.65%

LAB 85.57, -17.64, 53.09

 

CMYK 2 / 0 / 40 / 19

HEX #C9CE7C

RGB 201 206 124

HSL 63.66, 0.46%, 0.65%

LAB 80.75, -13.93, 40.17

 

CMYK 2 / 0 / 28 / 25

HEX #BCC08B

RGB 188 192 139

HSL 64.53, 0.3%, 0.65%

LAB 76.23, -10.01, 26.32

 

CMYK 1 / 0 / 14 / 31

HEX #B0B199

RGB 176 177 153

HSL 62.5, 0.13%, 0.65%

LAB 71.54, -4.58, 12.18

 

CMYK 3 / 3 / 0 / 34

HEX #A3A3A8

RGB 163 163 168

HSL 240, 0.03%, 0.65%

LAB 67.13, 0.97, -2.59

 

CMYK 0 / 24 / 50 / 13

HEX #DDA76E

RGB 221 167 110

HSL 30.81, 0.62%, 0.65%

LAB 72.32, 13.16, 37.05

 

CMYK 0 / 11 / 50 / 13

HEX #DDC56E

RGB 221 197 110

HSL 47.03, 0.62%, 0.65%

LAB 79.86, -2.68, 46.38

 

CMYK 3 / 0 / 50 / 13

HEX #D7DD6E

RGB 215 221 110

HSL 63.24, 0.62%, 0.65%

LAB 85.65, -17.24, 53.19

 

CMYK 16 / 0 / 50 / 13

HEX #BADD6E

RGB 186 221 110

HSL 78.92, 0.62%, 0.65%

LAB 83.59, -28.56, 50.24

 

CMYK 29 / 0 / 50 / 13

HEX #9CDD6E

RGB 156 221 110

HSL 95.14, 0.62%, 0.65%

LAB 81.79, -39.51, 47.65

 

CMYK 4 / 0 / 77 / 21

HEX #C0C92F

RGB 192 201 47

HSL 63.51, 0.62%, 0.49%

LAB 77.98, -20.86, 69.8

 

CMYK 4 / 0 / 64 / 16

HEX #CCD54C

RGB 204 213 76

HSL 63.94, 0.62%, 0.57%

LAB 82.35, -20.3, 64.1

 

CMYK 3 / 0 / 50 / 13

HEX #D6DD6E

RGB 214 221 110

HSL 63.78, 0.62%, 0.65%

LAB 85.57, -17.64, 53.09

 

CMYK 2 / 0 / 37 / 11

HEX #DFE48F

RGB 223 228 143

HSL 63.53, 0.61%, 0.73%

LAB 88.52, -14.27, 40.92

 

CMYK 1 / 0 / 25 / 7

HEX #E9ECB1

RGB 233 236 177

HSL 63.05, 0.61%, 0.81%

LAB 91.9, -10.29, 28.36

 

CMYK 3 / 0 / 51 / 13

HEX #D6DD6D

RGB 214 221 109

HSL 63.75, 0.62%, 0.65%

LAB 85.56, -17.73, 53.54

 

CMYK 50 / 0 / 38 / 13

HEX #6EDD8A

RGB 110 221 138

HSL 135.14, 0.62%, 0.65%

LAB 80.1, -49.57, 31.25

 

CMYK 18 / 50 / 0 / 13

HEX #B66EDD

RGB 182 110 221

HSL 278.92, 0.62%, 0.65%

LAB 58.34, 47.66, -45.66

 

CMYK 3 / 0 / 51 / 13

HEX #D6DD6D

RGB 214 221 109

HSL 63.75, 0.62%, 0.65%

LAB 85.56, -17.73, 53.54

 

CMYK 50 / 3 / 0 / 13

HEX #6ED7DD

RGB 110 215 221

HSL 183.24, 0.62%, 0.65%

LAB 80.26, -28.75, -12.33

 

CMYK 0 / 50 / 3 / 13

HEX #DD6ED7

RGB 221 110 215

HSL 303.24, 0.62%, 0.65%

LAB 62.87, 57.28, -34.84

 

CMYK 3 / 0 / 51 / 13

HEX #D6DD6D

RGB 214 221 109

HSL 63.75, 0.62%, 0.65%

LAB 85.56, -17.73, 53.54

 

CMYK 50 / 0 / 38 / 13

HEX #6EDD8A

RGB 110 221 138

HSL 135.14, 0.62%, 0.65%

LAB 80.1, -49.57, 31.25

 

CMYK 48 / 50 / 0 / 13

HEX #736EDD

RGB 115 110 221

HSL 242.7, 0.62%, 0.65%

LAB 51.86, 30.83, -56.37

 

CMYK 0 / 50 / 13 / 13

HEX #DD6EC1

RGB 221 110 193

HSL 315.14, 0.62%, 0.65%

LAB 61.98, 53.65, -23.81

 

CMYK 3 / 0 / 51 / 13

HEX #D6DD6D

RGB 214 221 109

HSL 63.75, 0.62%, 0.65%

LAB 85.56, -17.73, 53.54

 

CMYK 50 / 0 / 23 / 13

HEX #6EDDAB

RGB 110 221 171

HSL 152.97, 0.62%, 0.65%

LAB 80.72, -43.34, 14.94

 

CMYK 48 / 50 / 0 / 13

HEX #736EDD

RGB 115 110 221

HSL 242.7, 0.62%, 0.65%

LAB 51.86, 30.83, -56.37

 

CMYK 0 / 50 / 28 / 13

HEX #DD6EA0

RGB 221 110 160

HSL 332.97, 0.62%, 0.65%

LAB 60.84, 48.86, -6.67

 

Description

Color code: HEX #D6DD6D | qconv.com Color code: HEX #D6DD6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 221 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 221 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 51% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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