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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6DEEB it is the complementary color #292114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6DEEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6DEEB shade: #DBDEE6, #ECF0F9 and #FDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6DEEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6DEEB shade: #D6DEEB, #C5CCD8, #B4BAC5, #A3A8B2 and #92969F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6DEEB shade: #D5DDEA, #D5D8EA, #D9D5EA, #DED5EA and #E4D5EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6DEEB shade: #D5DDEA, #D5D8EA and #D5D5EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6DEEB shade matches the following richer shades: #D5DDEA, #D1DCEF, #CCDBF4, #C7DAF9 and #C2D9FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6DEEB shade: #D5DDEA, #DADFE5, #DFE0E0, #E4E1DB and #E9E2D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6DEEB shade: #D5E9EA, #D5E3EA, #D5DDEA, #D5D8EA and #D9D5EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6DEEB shade: #9EB1CF, #BAC7DD, #D5DDEA and #F1F4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6DEEB shade: #D6DEEB, #E6D5EA and #E6EAD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6DEEB shade: #D6DEEB, #EAD5DD and #DDEAD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6DEEB shade: #D6DEEB, #E6D5EA, #EAE2D5 and #D9EAD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6DEEB shade: #D6DEEB, #EAD5E8, #EAE2D5 and #D5EAD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 6 / 0 / 8

HEX #D6DEEB

RGB 214 222 235

HSL 217.14, 0.34%, 0.88%

LAB 88.23, -0.21, -7.28

 

Complementary color

CMYK 0 / 20 / 51 / 84

HEX #292114

RGB 41 33 20

HSL 37.14, 0.34%, 0.12%

LAB 13.29, 1.49, 10.2

 

CMYK 5 / 3 / 0 / 10

HEX #DBDEE6

RGB 219 222 230

HSL 223.64, 0.18%, 0.88%

LAB 88.46, 0.47, -4.27

 

CMYK 5 / 4 / 0 / 2

HEX #ECF0F9

RGB 236 240 249

HSL 221.54, 0.52%, 0.95%

LAB 94.74, 0.32, -4.8

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 9 / 6 / 0 / 8

HEX #D6DEEB

RGB 214 222 235

HSL 217.14, 0.34%, 0.88%

LAB 88.23, -0.21, -7.28

 

CMYK 9 / 6 / 0 / 15

HEX #C5CCD8

RGB 197 204 216

HSL 217.89, 0.2%, 0.81%

LAB 81.85, -0.07, -6.78

 

CMYK 9 / 6 / 0 / 23

HEX #B4BAC5

RGB 180 186 197

HSL 218.82, 0.13%, 0.74%

LAB 75.36, 0.08, -6.27

 

CMYK 8 / 6 / 0 / 30

HEX #A3A8B2

RGB 163 168 178

HSL 220, 0.09%, 0.67%

LAB 68.76, 0.23, -5.76

 

CMYK 8 / 6 / 0 / 38

HEX #92969F

RGB 146 150 159

HSL 221.54, 0.06%, 0.6%

LAB 62.02, 0.38, -5.23

 

CMYK 9 / 6 / 0 / 8

HEX #D5DDEA

RGB 213 221 234

HSL 217.14, 0.33%, 0.88%

LAB 87.87, -0.21, -7.28

 

CMYK 9 / 8 / 0 / 8

HEX #D5D8EA

RGB 213 216 234

HSL 231.43, 0.33%, 0.88%

LAB 86.6, 2.4, -9.17

 

CMYK 7 / 9 / 0 / 8

HEX #D9D5EA

RGB 217 213 234

HSL 251.43, 0.33%, 0.88%

LAB 86.15, 5.28, -9.81

 

CMYK 5 / 9 / 0 / 8

HEX #DED5EA

RGB 222 213 234

HSL 265.71, 0.33%, 0.88%

LAB 86.53, 6.92, -9.19

 

CMYK 3 / 9 / 0 / 8

HEX #E4D5EA

RGB 228 213 234

HSL 282.86, 0.33%, 0.88%

LAB 87.01, 8.91, -8.44

 

CMYK 9 / 6 / 0 / 8

HEX #D5DDEA

RGB 213 221 234

HSL 217.14, 0.33%, 0.88%

LAB 87.87, -0.21, -7.28

 

CMYK 9 / 8 / 0 / 8

HEX #D5D8EA

RGB 213 216 234

HSL 231.43, 0.33%, 0.88%

LAB 86.6, 2.4, -9.17

 

CMYK 9 / 9 / 0 / 8

HEX #D5D5EA

RGB 213 213 234

HSL 240, 0.33%, 0.88%

LAB 85.84, 3.97, -10.29

 

CMYK 9 / 6 / 0 / 8

HEX #D5DDEA

RGB 213 221 234

HSL 217.14, 0.33%, 0.88%

LAB 87.87, -0.21, -7.28

 

CMYK 13 / 8 / 0 / 6

HEX #D1DCEF

RGB 209 220 239

HSL 218, 0.48%, 0.88%

LAB 87.47, 0.02, -10.54

 

CMYK 16 / 10 / 0 / 4

HEX #CCDBF4

RGB 204 219 244

HSL 217.5, 0.65%, 0.88%

LAB 87.01, -0, -13.9

 

CMYK 20 / 12 / 0 / 2

HEX #C7DAF9

RGB 199 218 249

HSL 217.2, 0.81%, 0.88%

LAB 86.57, 0.05, -17.24

 

CMYK 24 / 15 / 0 / 0

HEX #C2D9FE

RGB 194 217 254

HSL 217, 0.97%, 0.88%

LAB 86.13, 0.18, -20.57

 

CMYK 9 / 6 / 0 / 8

HEX #D5DDEA

RGB 213 221 234

HSL 217.14, 0.33%, 0.88%

LAB 87.87, -0.21, -7.28

 

CMYK 5 / 3 / 0 / 10

HEX #DADFE5

RGB 218 223 229

HSL 212.73, 0.17%, 0.88%

LAB 88.61, -0.56, -3.52

 

CMYK 0 / 0 / 0 / 12

HEX #DFE0E0

RGB 223 224 224

HSL 180, 0.02%, 0.88%

LAB 89.1, -0.33, -0.13

 

CMYK 0 / 1 / 4 / 11

HEX #E4E1DB

RGB 228 225 219

HSL 40, 0.14%, 0.88%

LAB 89.61, -0.03, 3.28

 

CMYK 0 / 3 / 8 / 9

HEX #E9E2D6

RGB 233 226 214

HSL 37.89, 0.3%, 0.88%

LAB 90.12, 0.33, 6.69

 

CMYK 9 / 0 / 0 / 8

HEX #D5E9EA

RGB 213 233 234

HSL 182.86, 0.33%, 0.88%

LAB 90.95, -6.38, -2.75

 

CMYK 9 / 3 / 0 / 8

HEX #D5E3EA

RGB 213 227 234

HSL 200, 0.33%, 0.88%

LAB 89.4, -3.31, -5.02

 

CMYK 9 / 6 / 0 / 8

HEX #D5DDEA

RGB 213 221 234

HSL 217.14, 0.33%, 0.88%

LAB 87.87, -0.21, -7.28

 

CMYK 9 / 8 / 0 / 8

HEX #D5D8EA

RGB 213 216 234

HSL 231.43, 0.33%, 0.88%

LAB 86.6, 2.4, -9.17

 

CMYK 7 / 9 / 0 / 8

HEX #D9D5EA

RGB 217 213 234

HSL 251.43, 0.33%, 0.88%

LAB 86.15, 5.28, -9.81

 

CMYK 24 / 14 / 0 / 19

HEX #9EB1CF

RGB 158 177 207

HSL 216.73, 0.34%, 0.72%

LAB 71.7, 0.02, -17.37

 

CMYK 16 / 10 / 0 / 13

HEX #BAC7DD

RGB 186 199 221

HSL 217.71, 0.34%, 0.8%

LAB 79.9, 0.04, -12.44

 

CMYK 9 / 6 / 0 / 8

HEX #D5DDEA

RGB 213 221 234

HSL 217.14, 0.33%, 0.88%

LAB 87.87, -0.21, -7.28

 

CMYK 3 / 2 / 0 / 3

HEX #F1F4F8

RGB 241 244 248

HSL 214.29, 0.33%, 0.96%

LAB 96.07, -0.27, -2.28

 

CMYK 9 / 6 / 0 / 8

HEX #D6DEEB

RGB 214 222 235

HSL 217.14, 0.34%, 0.88%

LAB 88.23, -0.21, -7.28

 

CMYK 2 / 9 / 0 / 8

HEX #E6D5EA

RGB 230 213 234

HSL 288.57, 0.33%, 0.88%

LAB 87.17, 9.57, -8.18

 

CMYK 2 / 0 / 9 / 8

HEX #E6EAD5

RGB 230 234 213

HSL 71.43, 0.33%, 0.88%

LAB 91.9, -4.96, 9.73

 

CMYK 9 / 6 / 0 / 8

HEX #D6DEEB

RGB 214 222 235

HSL 217.14, 0.34%, 0.88%

LAB 88.23, -0.21, -7.28

 

CMYK 0 / 9 / 6 / 8

HEX #EAD5DD

RGB 234 213 221

HSL 337.14, 0.33%, 0.88%

LAB 87.14, 8.61, -1.31

 

CMYK 6 / 0 / 9 / 8

HEX #DDEAD5

RGB 221 234 213

HSL 97.14, 0.33%, 0.88%

LAB 91.24, -8.05, 8.71

 

CMYK 9 / 6 / 0 / 8

HEX #D6DEEB

RGB 214 222 235

HSL 217.14, 0.34%, 0.88%

LAB 88.23, -0.21, -7.28

 

CMYK 2 / 9 / 0 / 8

HEX #E6D5EA

RGB 230 213 234

HSL 288.57, 0.33%, 0.88%

LAB 87.17, 9.57, -8.18

 

CMYK 0 / 3 / 9 / 8

HEX #EAE2D5

RGB 234 226 213

HSL 37.14, 0.33%, 0.88%

LAB 90.18, 0.52, 7.31

 

CMYK 7 / 0 / 9 / 8

HEX #D9EAD5

RGB 217 234 213

HSL 108.57, 0.33%, 0.88%

LAB 90.96, -9.41, 8.27

 

CMYK 9 / 6 / 0 / 8

HEX #D6DEEB

RGB 214 222 235

HSL 217.14, 0.34%, 0.88%

LAB 88.23, -0.21, -7.28

 

CMYK 0 / 9 / 1 / 8

HEX #EAD5E8

RGB 234 213 232

HSL 305.71, 0.33%, 0.88%

LAB 87.44, 10.55, -6.69

 

CMYK 0 / 3 / 9 / 8

HEX #EAE2D5

RGB 234 226 213

HSL 37.14, 0.33%, 0.88%

LAB 90.18, 0.52, 7.31

 

CMYK 9 / 0 / 8 / 8

HEX #D5EAD8

RGB 213 234 216

HSL 128.57, 0.33%, 0.88%

LAB 90.76, -10.23, 6.37

 

Description

Color code: HEX #D6DEEB | qconv.com Color code: HEX #D6DEEB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 222 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 222 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 6 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 6% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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