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Color name
HEX #D6EAD8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6EAD8 it is the complementary color #291527. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6EAD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6EAD8 shade: #DBEAD3, #ECFCE6 and #FDFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6EAD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6EAD8 shade: #D6EAD8, #C5D8C5, #B4C6B2, #A3B49F and #92A28C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6EAD8 shade: #D6EAD8, #D9EAD6, #DFEAD6, #E4EAD6 and #E9EAD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6EAD8 shade: #D6EAD8, #D6EADD, #D6EAE3, #D6EAE8 and #D6E6EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6EAD8 shade matches the following richer shades: #D6EAD8, #D1EFD4, #CCF4D0, #C7F9CC and #C2FDC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6EAD8 shade: #D6EAD8, #DBE5DC, #E0E0E0, #E5DBE4 and #EAD6E8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6EAD8 shade: #DFEAD6, #D9EAD6, #D6EAD8, #D6EADD and #D6EAE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6EAD8 shade: #A0CEA4, #BBDCBE, #D6EAD8 and #F1F8F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6EAD8 shade: #D6EAD8, #D6E4EA and #EAD6DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6EAD8 shade: #D6EAD8, #D8D6EA and #EAD8D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6EAD8 shade: #D6EAD8, #D6E4EA, #EAD6E8 and #EADCD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6EAD8 shade: #D6EAD8, #D6DEEA, #EAD6E8 and #EAE2D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

Complementary color

CMYK 0 / 49 / 5 / 84

HEX #291527

RGB 41 21 39

HSL 306, 0.32%, 0.12%

LAB 10.22, 13.77, -8.1

 

CMYK 6 / 0 / 10 / 8

HEX #DBEAD3

RGB 219 234 211

HSL 99.13, 0.35%, 0.87%

LAB 91.06, -9.07, 9.46

 

CMYK 6 / 0 / 9 / 1

HEX #ECFCE6

RGB 236 252 230

HSL 103.64, 0.79%, 0.95%

LAB 97.3, -9.12, 8.73

 

CMYK 1 / 0 / 2 / 0

HEX #FDFFF9

RGB 253 255 249

HSL 80, 1%, 0.99%

LAB 99.71, -1.7, 2.62

 

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

CMYK 9 / 0 / 9 / 15

HEX #C5D8C5

RGB 197 216 197

HSL 120, 0.2%, 0.81%

LAB 84.49, -9.88, 7.19

 

CMYK 9 / 0 / 10 / 22

HEX #B4C6B2

RGB 180 198 178

HSL 114, 0.15%, 0.74%

LAB 78.06, -9.88, 7.94

 

CMYK 9 / 0 / 12 / 29

HEX #A3B49F

RGB 163 180 159

HSL 108.57, 0.12%, 0.66%

LAB 71.51, -9.88, 8.72

 

CMYK 10 / 0 / 14 / 36

HEX #92A28C

RGB 146 162 140

HSL 103.64, 0.11%, 0.59%

LAB 64.84, -9.88, 9.54

 

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

CMYK 7 / 0 / 9 / 8

HEX #D9EAD6

RGB 217 234 214

HSL 111, 0.32%, 0.88%

LAB 90.99, -9.24, 7.78

 

CMYK 5 / 0 / 9 / 8

HEX #DFEAD6

RGB 223 234 214

HSL 93, 0.32%, 0.88%

LAB 91.41, -7.2, 8.44

 

CMYK 3 / 0 / 9 / 8

HEX #E4EAD6

RGB 228 234 214

HSL 78, 0.32%, 0.88%

LAB 91.77, -5.48, 9.01

 

CMYK 0 / 0 / 9 / 8

HEX #E9EAD6

RGB 233 234 214

HSL 63, 0.32%, 0.88%

LAB 92.14, -3.76, 9.59

 

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

CMYK 9 / 0 / 6 / 8

HEX #D6EADD

RGB 214 234 221

HSL 141, 0.32%, 0.88%

LAB 90.94, -8.99, 4.04

 

CMYK 9 / 0 / 3 / 8

HEX #D6EAE3

RGB 214 234 227

HSL 159, 0.32%, 0.88%

LAB 91.09, -7.89, 1.13

 

CMYK 9 / 0 / 1 / 8

HEX #D6EAE8

RGB 214 234 232

HSL 174, 0.32%, 0.88%

LAB 91.22, -6.95, -1.3

 

CMYK 9 / 2 / 0 / 8

HEX #D6E6EA

RGB 214 230 234

HSL 192, 0.32%, 0.88%

LAB 90.24, -4.53, -3.78

 

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

CMYK 13 / 0 / 11 / 6

HEX #D1EFD4

RGB 209 239 212

HSL 126, 0.48%, 0.88%

LAB 91.7, -14.77, 9.78

 

CMYK 16 / 0 / 15 / 4

HEX #CCF4D0

RGB 204 244 208

HSL 126, 0.65%, 0.88%

LAB 92.62, -19.59, 13.1

 

CMYK 20 / 0 / 18 / 2

HEX #C7F9CC

RGB 199 249 204

HSL 126, 0.81%, 0.88%

LAB 93.56, -24.33, 16.46

 

CMYK 23 / 0 / 21 / 1

HEX #C2FDC8

RGB 194 253 200

HSL 126.1, 0.94%, 0.88%

LAB 94.27, -28.53, 19.45

 

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

CMYK 4 / 0 / 4 / 10

HEX #DBE5DC

RGB 219 229 220

HSL 126, 0.16%, 0.88%

LAB 89.98, -4.96, 3.22

 

CMYK 0 / 0 / 0 / 12

HEX #E0E0E0

RGB 224 224 224

HSL 0, 0%, 0.88%

LAB 89.18, 0, -0.01

 

CMYK 0 / 4 / 0 / 10

HEX #E5DBE4

RGB 229 219 228

HSL 306, 0.16%, 0.88%

LAB 88.41, 5, -3.19

 

CMYK 0 / 9 / 1 / 8

HEX #EAD6E8

RGB 234 214 232

HSL 306, 0.32%, 0.88%

LAB 87.68, 10.02, -6.33

 

CMYK 5 / 0 / 9 / 8

HEX #DFEAD6

RGB 223 234 214

HSL 93, 0.32%, 0.88%

LAB 91.41, -7.2, 8.44

 

CMYK 7 / 0 / 9 / 8

HEX #D9EAD6

RGB 217 234 214

HSL 111, 0.32%, 0.88%

LAB 90.99, -9.24, 7.78

 

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

CMYK 9 / 0 / 6 / 8

HEX #D6EADD

RGB 214 234 221

HSL 141, 0.32%, 0.88%

LAB 90.94, -8.99, 4.04

 

CMYK 9 / 0 / 3 / 8

HEX #D6EAE3

RGB 214 234 227

HSL 159, 0.32%, 0.88%

LAB 91.09, -7.89, 1.13

 

CMYK 22 / 0 / 20 / 19

HEX #A0CEA4

RGB 160 206 164

HSL 125.22, 0.32%, 0.72%

LAB 78.63, -23.27, 16.06

 

CMYK 15 / 0 / 14 / 14

HEX #BBDCBE

RGB 187 220 190

HSL 125.45, 0.32%, 0.8%

LAB 84.72, -16.54, 11.13

 

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

CMYK 3 / 0 / 2 / 3

HEX #F1F8F2

RGB 241 248 242

HSL 128.57, 0.33%, 0.96%

LAB 96.92, -3.37, 2.06

 

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

CMYK 9 / 3 / 0 / 8

HEX #D6E4EA

RGB 214 228 234

HSL 198, 0.32%, 0.88%

LAB 89.73, -3.5, -4.53

 

CMYK 0 / 9 / 6 / 8

HEX #EAD6DC

RGB 234 214 220

HSL 342, 0.32%, 0.88%

LAB 87.36, 7.91, -0.46

 

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

CMYK 8 / 9 / 0 / 8

HEX #D8D6EA

RGB 216 214 234

HSL 246, 0.32%, 0.88%

LAB 86.32, 4.43, -9.56

 

CMYK 0 / 8 / 9 / 8

HEX #EAD8D6

RGB 234 216 214

HSL 6, 0.32%, 0.88%

LAB 87.71, 5.86, 3.21

 

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

CMYK 9 / 3 / 0 / 8

HEX #D6E4EA

RGB 214 228 234

HSL 198, 0.32%, 0.88%

LAB 89.73, -3.5, -4.53

 

CMYK 0 / 9 / 1 / 8

HEX #EAD6E8

RGB 234 214 232

HSL 306, 0.32%, 0.88%

LAB 87.68, 10.02, -6.33

 

CMYK 0 / 6 / 9 / 8

HEX #EADCD6

RGB 234 220 214

HSL 18, 0.32%, 0.88%

LAB 88.7, 3.78, 4.65

 

CMYK 9 / 0 / 8 / 8

HEX #D6EAD8

RGB 214 234 216

HSL 126, 0.32%, 0.88%

LAB 90.83, -9.89, 6.48

 

CMYK 9 / 5 / 0 / 8

HEX #D6DEEA

RGB 214 222 234

HSL 216, 0.32%, 0.88%

LAB 88.2, -0.4, -6.79

 

CMYK 0 / 9 / 1 / 8

HEX #EAD6E8

RGB 234 214 232

HSL 306, 0.32%, 0.88%

LAB 87.68, 10.02, -6.33

 

CMYK 0 / 3 / 9 / 8

HEX #EAE2D6

RGB 234 226 214

HSL 36, 0.32%, 0.88%

LAB 90.2, 0.68, 6.82

 

Description

Color code: HEX #D6EAD8 | qconv.com Color code: HEX #D6EAD8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 234 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 234 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 8 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 8% 8% C M Y K

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Provide designers and agencies with accurate color values.

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