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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6EBC8 it is the complementary color #291437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6EBC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6EBC8 shade: #DBEBC3, #ECFDD6, #FDFFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6EBC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6EBC8 shade: #D6EBC8, #C5D9B5, #B4C7A2, #A3B58F and #92A37C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6EBC8 shade: #D5EAC6, #DEEAC6, #E8EAC6, #EAE3C6 and #EAD9C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6EBC8 shade: #D5EAC6, #CBEAC6, #C6EACB, #C6EAD5 and #C6EADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6EBC8 shade matches the following richer shades: #D5EAC6, #D3F0C0, #D2F7BA and #D1FDB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6EBC8 shade: #D5EAC6, #D6E4CC, #D7DED3, #D8D8D9 and #DAD1DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6EBC8 shade: #E8EAC6, #DEEAC6, #D5EAC6, #CBEAC6 and #C6EACB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6EBC8 shade: #A8D48A, #BEDFA8, #D5EAC6 and #EBF5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6EBC8 shade: #D6EBC8, #C6EAE3 and #EAC6E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6EBC8 shade: #D6EBC8, #C6D5EA and #EAC6D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6EBC8 shade: #D6EBC8, #C6EAE3, #DCC6EA and #EAC6CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6EBC8 shade: #D6EBC8, #C6E7EA, #DCC6EA and #EACAC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 15 / 8

HEX #D6EBC8

RGB 214 235 200

HSL 96, 0.47%, 0.85%

LAB 90.73, -13.13, 14.66

 

Complementary color

CMYK 25 / 64 / 0 / 78

HEX #291437

RGB 41 20 55

HSL 276, 0.47%, 0.15%

LAB 10.9, 18.63, -18.73

 

CMYK 7 / 0 / 17 / 8

HEX #DBEBC3

RGB 219 235 195

HSL 84, 0.5%, 0.84%

LAB 90.97, -12.2, 17.65

 

CMYK 7 / 0 / 15 / 1

HEX #ECFDD6

RGB 236 253 214

HSL 86.15, 0.91%, 0.92%

LAB 97.2, -12.24, 16.8

 

CMYK 1 / 0 / 9 / 0

HEX #FDFFE9

RGB 253 255 233

HSL 65.45, 1%, 0.96%

LAB 99.33, -4.37, 10.28

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 9 / 0 / 15 / 8

HEX #D6EBC8

RGB 214 235 200

HSL 96, 0.47%, 0.85%

LAB 90.73, -13.13, 14.66

 

CMYK 9 / 0 / 17 / 15

HEX #C5D9B5

RGB 197 217 181

HSL 93.33, 0.32%, 0.78%

LAB 84.4, -13.13, 15.51

 

CMYK 10 / 0 / 19 / 22

HEX #B4C7A2

RGB 180 199 162

HSL 90.81, 0.25%, 0.71%

LAB 77.97, -13.14, 16.39

 

CMYK 10 / 0 / 21 / 29

HEX #A3B58F

RGB 163 181 143

HSL 88.42, 0.2%, 0.64%

LAB 71.43, -13.14, 17.33

 

CMYK 10 / 0 / 24 / 36

HEX #92A37C

RGB 146 163 124

HSL 86.15, 0.17%, 0.56%

LAB 64.77, -13.15, 18.32

 

CMYK 9 / 0 / 15 / 8

HEX #D5EAC6

RGB 213 234 198

HSL 95, 0.46%, 0.85%

LAB 90.35, -13.31, 15.17

 

CMYK 5 / 0 / 15 / 8

HEX #DEEAC6

RGB 222 234 198

HSL 80, 0.46%, 0.85%

LAB 90.99, -10.17, 16.15

 

CMYK 1 / 0 / 15 / 8

HEX #E8EAC6

RGB 232 234 198

HSL 63.33, 0.46%, 0.85%

LAB 91.72, -6.64, 17.29

 

CMYK 0 / 3 / 15 / 8

HEX #EAE3C6

RGB 234 227 198

HSL 48.33, 0.46%, 0.85%

LAB 90.09, -2.37, 15.02

 

CMYK 0 / 7 / 15 / 8

HEX #EAD9C6

RGB 234 217 198

HSL 31.67, 0.46%, 0.85%

LAB 87.58, 2.77, 11.46

 

CMYK 9 / 0 / 15 / 8

HEX #D5EAC6

RGB 213 234 198

HSL 95, 0.46%, 0.85%

LAB 90.35, -13.31, 15.17

 

CMYK 13 / 0 / 15 / 8

HEX #CBEAC6

RGB 203 234 198

HSL 111.67, 0.46%, 0.85%

LAB 89.68, -16.72, 14.12

 

CMYK 15 / 0 / 13 / 8

HEX #C6EACB

RGB 198 234 203

HSL 128.33, 0.46%, 0.85%

LAB 89.47, -17.53, 11.17

 

CMYK 15 / 0 / 9 / 8

HEX #C6EAD5

RGB 198 234 213

HSL 145, 0.46%, 0.85%

LAB 89.7, -15.71, 6.29

 

CMYK 15 / 0 / 5 / 8

HEX #C6EADF

RGB 198 234 223

HSL 161.67, 0.46%, 0.85%

LAB 89.94, -13.82, 1.41

 

CMYK 9 / 0 / 15 / 8

HEX #D5EAC6

RGB 213 234 198

HSL 95, 0.46%, 0.85%

LAB 90.35, -13.31, 15.17

 

CMYK 12 / 0 / 20 / 6

HEX #D3F0C0

RGB 211 240 192

HSL 96.25, 0.62%, 0.85%

LAB 91.67, -17.93, 20.1

 

CMYK 15 / 0 / 25 / 3

HEX #D2F7BA

RGB 210 247 186

HSL 96.39, 0.79%, 0.85%

LAB 93.35, -22.61, 25.48

 

CMYK 17 / 0 / 29 / 1

HEX #D1FDB4

RGB 209 253 180

HSL 96.16, 0.95%, 0.85%

LAB 94.78, -26.71, 30.46

 

CMYK 9 / 0 / 15 / 8

HEX #D5EAC6

RGB 213 234 198

HSL 95, 0.46%, 0.85%

LAB 90.35, -13.31, 15.17

 

CMYK 6 / 0 / 11 / 11

HEX #D6E4CC

RGB 214 228 204

HSL 95, 0.31%, 0.85%

LAB 88.99, -8.94, 10.11

 

CMYK 3 / 0 / 5 / 13

HEX #D7DED3

RGB 215 222 211

HSL 98.18, 0.14%, 0.85%

LAB 87.68, -4.33, 4.56

 

CMYK 0 / 0 / 0 / 15

HEX #D8D8D9

RGB 216 216 217

HSL 240, 0.01%, 0.85%

LAB 86.37, 0.19, -0.5

 

CMYK 2 / 6 / 0 / 13

HEX #DAD1DF

RGB 218 209 223

HSL 278.57, 0.18%, 0.85%

LAB 84.91, 5.63, -5.8

 

CMYK 1 / 0 / 15 / 8

HEX #E8EAC6

RGB 232 234 198

HSL 63.33, 0.46%, 0.85%

LAB 91.72, -6.64, 17.29

 

CMYK 5 / 0 / 15 / 8

HEX #DEEAC6

RGB 222 234 198

HSL 80, 0.46%, 0.85%

LAB 90.99, -10.17, 16.15

 

CMYK 9 / 0 / 15 / 8

HEX #D5EAC6

RGB 213 234 198

HSL 95, 0.46%, 0.85%

LAB 90.35, -13.31, 15.17

 

CMYK 13 / 0 / 15 / 8

HEX #CBEAC6

RGB 203 234 198

HSL 111.67, 0.46%, 0.85%

LAB 89.68, -16.72, 14.12

 

CMYK 15 / 0 / 13 / 8

HEX #C6EACB

RGB 198 234 203

HSL 128.33, 0.46%, 0.85%

LAB 89.47, -17.53, 11.17

 

CMYK 21 / 0 / 35 / 17

HEX #A8D48A

RGB 168 212 138

HSL 95.68, 0.46%, 0.69%

LAB 80.32, -27.56, 32.05

 

CMYK 15 / 0 / 25 / 13

HEX #BEDFA8

RGB 190 223 168

HSL 96, 0.46%, 0.77%

LAB 85.28, -20.66, 23.45

 

CMYK 9 / 0 / 15 / 8

HEX #D5EAC6

RGB 213 234 198

HSL 95, 0.46%, 0.85%

LAB 90.35, -13.31, 15.17

 

CMYK 4 / 0 / 7 / 4

HEX #EBF5E5

RGB 235 245 229

HSL 97.5, 0.44%, 0.93%

LAB 95.42, -6.12, 6.55

 

CMYK 9 / 0 / 15 / 8

HEX #D6EBC8

RGB 214 235 200

HSL 96, 0.47%, 0.85%

LAB 90.73, -13.13, 14.66

 

CMYK 15 / 0 / 3 / 8

HEX #C6EAE3

RGB 198 234 227

HSL 168.33, 0.46%, 0.85%

LAB 90.04, -13.04, -0.53

 

CMYK 0 / 15 / 3 / 8

HEX #EAC6E3

RGB 234 198 227

HSL 311.67, 0.46%, 0.85%

LAB 83.67, 17.58, -9.63

 

CMYK 9 / 0 / 15 / 8

HEX #D6EBC8

RGB 214 235 200

HSL 96, 0.47%, 0.85%

LAB 90.73, -13.13, 14.66

 

CMYK 15 / 9 / 0 / 8

HEX #C6D5EA

RGB 198 213 234

HSL 215, 0.46%, 0.85%

LAB 84.76, -0.83, -12.03

 

CMYK 0 / 15 / 9 / 8

HEX #EAC6D5

RGB 234 198 213

HSL 335, 0.46%, 0.85%

LAB 83.28, 15.15, -2.72

 

CMYK 9 / 0 / 15 / 8

HEX #D6EBC8

RGB 214 235 200

HSL 96, 0.47%, 0.85%

LAB 90.73, -13.13, 14.66

 

CMYK 15 / 0 / 3 / 8

HEX #C6EAE3

RGB 198 234 227

HSL 168.33, 0.46%, 0.85%

LAB 90.04, -13.04, -0.53

 

CMYK 6 / 15 / 0 / 8

HEX #DCC6EA

RGB 220 198 234

HSL 276.67, 0.46%, 0.85%

LAB 82.67, 14.22, -14.98

 

CMYK 0 / 15 / 12 / 8

HEX #EAC6CD

RGB 234 198 205

HSL 348.33, 0.46%, 0.85%

LAB 83.07, 13.83, 1.25

 

CMYK 9 / 0 / 15 / 8

HEX #D6EBC8

RGB 214 235 200

HSL 96, 0.47%, 0.85%

LAB 90.73, -13.13, 14.66

 

CMYK 15 / 1 / 0 / 8

HEX #C6E7EA

RGB 198 231 234

HSL 185, 0.46%, 0.85%

LAB 89.44, -10.12, -5.08

 

CMYK 6 / 15 / 0 / 8

HEX #DCC6EA

RGB 220 198 234

HSL 276.67, 0.46%, 0.85%

LAB 82.67, 14.22, -14.98

 

CMYK 0 / 14 / 15 / 8

HEX #EACAC6

RGB 234 202 198

HSL 6.67, 0.46%, 0.85%

LAB 83.87, 10.61, 6.14

 

Description

Color code: HEX #D6EBC8 | qconv.com Color code: HEX #D6EBC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 235 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 235 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 15 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 15% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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