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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6ED9A it is the complementary color #291265. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6ED9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6ED9A shade: #DBED95, #ECFFA8, #FDFFBB, #FFFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6ED9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6ED9A shade: #D6ED9A, #C5DB87, #B4C974, #A3B761 and #92A54E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6ED9A shade: #D6ED9B, #ECED9B, #EDD79B, #EDC19B and #EDAB9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6ED9A shade: #D6ED9B, #C0ED9B, #AAED9B, #9BEDA2 and #9BEDB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6ED9A shade matches the following richer shades: #D6ED9B and #DAF691

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6ED9A shade: #D6ED9B, #D2E3A4, #CEDAAE, #C9D0B7 and #C5C7C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6ED9A shade: #EDD79B, #EDED9B, #D7ED9B, #C1ED9B and #ABED9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6ED9A shade: #BAE155, #C8E778, #D6ED9B, #E4F3BE and #F3F9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6ED9A shade: #D6ED9A, #9BEDC1 and #E29BED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6ED9A shade: #D6ED9A, #9BD7ED and #ED9BD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6ED9A shade: #D6ED9A, #9BEDC1, #B19BED and #ED9BC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6ED9A shade: #D6ED9A, #9BEDDA, #B19BED and #ED9BAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 35 / 7

HEX #D6ED9A

RGB 214 237 154

HSL 76.63, 0.7%, 0.77%

LAB 90.41, -20.78, 37.76

 

Complementary color

CMYK 59 / 82 / 0 / 60

HEX #291265

RGB 41 18 101

HSL 256.63, 0.7%, 0.23%

LAB 14.64, 33.94, -44.33

 

CMYK 8 / 0 / 37 / 7

HEX #DBED95

RGB 219 237 149

HSL 72.27, 0.71%, 0.76%

LAB 90.69, -19.52, 40.67

 

CMYK 7 / 0 / 34 / 0

HEX #ECFFA8

RGB 236 255 168

HSL 73.1, 1%, 0.83%

LAB 96.89, -19.66, 39.57

 

CMYK 1 / 0 / 27 / 0

HEX #FDFFBB

RGB 253 255 187

HSL 61.76, 1%, 0.87%

LAB 98.43, -11.06, 32.37

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 10 / 0 / 35 / 7

HEX #D6ED9A

RGB 214 237 154

HSL 76.63, 0.7%, 0.77%

LAB 90.41, -20.78, 37.76

 

CMYK 10 / 0 / 38 / 14

HEX #C5DB87

RGB 197 219 135

HSL 75.71, 0.54%, 0.69%

LAB 84.11, -20.68, 38.88

 

CMYK 10 / 0 / 42 / 21

HEX #B4C974

RGB 180 201 116

HSL 74.82, 0.44%, 0.62%

LAB 77.72, -20.54, 40.03

 

CMYK 11 / 0 / 47 / 28

HEX #A3B761

RGB 163 183 97

HSL 73.95, 0.37%, 0.55%

LAB 71.23, -20.36, 41.21

 

CMYK 12 / 0 / 53 / 35

HEX #92A54E

RGB 146 165 78

HSL 73.1, 0.36%, 0.48%

LAB 64.62, -20.11, 42.37

 

CMYK 10 / 0 / 35 / 7

HEX #D6ED9B

RGB 214 237 155

HSL 76.83, 0.69%, 0.77%

LAB 90.43, -20.65, 37.28

 

CMYK 0 / 0 / 35 / 7

HEX #ECED9B

RGB 236 237 155

HSL 60.73, 0.69%, 0.77%

LAB 92.03, -12.41, 39.67

 

CMYK 0 / 9 / 35 / 7

HEX #EDD79B

RGB 237 215 155

HSL 43.9, 0.69%, 0.77%

LAB 86.49, -0.93, 32.41

 

CMYK 0 / 19 / 35 / 7

HEX #EDC19B

RGB 237 193 155

HSL 27.8, 0.69%, 0.77%

LAB 81.02, 10.51, 25.07

 

CMYK 0 / 28 / 35 / 7

HEX #EDAB9B

RGB 237 171 155

HSL 11.71, 0.69%, 0.77%

LAB 75.76, 22.16, 17.84

 

CMYK 10 / 0 / 35 / 7

HEX #D6ED9B

RGB 214 237 155

HSL 76.83, 0.69%, 0.77%

LAB 90.43, -20.65, 37.28

 

CMYK 19 / 0 / 35 / 7

HEX #C0ED9B

RGB 192 237 155

HSL 92.93, 0.69%, 0.77%

LAB 88.99, -28.59, 35.12

 

CMYK 28 / 0 / 35 / 7

HEX #AAED9B

RGB 170 237 155

HSL 109.02, 0.69%, 0.77%

LAB 87.72, -36.09, 33.21

 

CMYK 35 / 0 / 32 / 7

HEX #9BEDA2

RGB 155 237 162

HSL 125.12, 0.69%, 0.77%

LAB 87.07, -39.76, 28.65

 

CMYK 35 / 0 / 22 / 7

HEX #9BEDB8

RGB 155 237 184

HSL 141.22, 0.69%, 0.77%

LAB 87.48, -35.93, 17.91

 

CMYK 10 / 0 / 35 / 7

HEX #D6ED9B

RGB 214 237 155

HSL 76.83, 0.69%, 0.77%

LAB 90.43, -20.65, 37.28

 

CMYK 11 / 0 / 41 / 4

HEX #DAF691

RGB 218 246 145

HSL 76.63, 0.85%, 0.77%

LAB 92.95, -24.68, 45.51

 

CMYK 10 / 0 / 35 / 7

HEX #D6ED9B

RGB 214 237 155

HSL 76.83, 0.69%, 0.77%

LAB 90.43, -20.65, 37.28

 

CMYK 7 / 0 / 28 / 11

HEX #D2E3A4

RGB 210 227 164

HSL 76.19, 0.53%, 0.77%

LAB 87.64, -16.03, 28.96

 

CMYK 6 / 0 / 20 / 15

HEX #CEDAAE

RGB 206 218 174

HSL 76.36, 0.37%, 0.77%

LAB 85.16, -11.53, 20.34

 

CMYK 3 / 0 / 12 / 18

HEX #C9D0B7

RGB 201 208 183

HSL 76.8, 0.21%, 0.77%

LAB 82.35, -6.79, 11.6

 

CMYK 1 / 0 / 3 / 22

HEX #C5C7C1

RGB 197 199 193

HSL 80, 0.05%, 0.77%

LAB 79.94, -1.78, 2.75

 

CMYK 0 / 9 / 35 / 7

HEX #EDD79B

RGB 237 215 155

HSL 43.9, 0.69%, 0.77%

LAB 86.49, -0.93, 32.41

 

CMYK 0 / 0 / 35 / 7

HEX #EDED9B

RGB 237 237 155

HSL 60, 0.69%, 0.77%

LAB 92.1, -12.03, 39.78

 

CMYK 9 / 0 / 35 / 7

HEX #D7ED9B

RGB 215 237 155

HSL 76.1, 0.69%, 0.77%

LAB 90.5, -20.28, 37.38

 

CMYK 19 / 0 / 35 / 7

HEX #C1ED9B

RGB 193 237 155

HSL 92.2, 0.69%, 0.77%

LAB 89.05, -28.24, 35.21

 

CMYK 28 / 0 / 35 / 7

HEX #ABED9B

RGB 171 237 155

HSL 108.29, 0.69%, 0.77%

LAB 87.77, -35.76, 33.29

 

CMYK 17 / 0 / 62 / 12

HEX #BAE155

RGB 186 225 85

HSL 76.71, 0.7%, 0.61%

LAB 84.46, -32.59, 62.31

 

CMYK 13 / 0 / 48 / 9

HEX #C8E778

RGB 200 231 120

HSL 76.76, 0.7%, 0.69%

LAB 87.38, -26.98, 50.32

 

CMYK 10 / 0 / 35 / 7

HEX #D6ED9B

RGB 214 237 155

HSL 76.83, 0.69%, 0.77%

LAB 90.43, -20.65, 37.28

 

CMYK 6 / 0 / 22 / 5

HEX #E4F3BE

RGB 228 243 190

HSL 76.98, 0.69%, 0.85%

LAB 93.59, -13.75, 23.96

 

CMYK 2 / 0 / 10 / 2

HEX #F3F9E1

RGB 243 249 225

HSL 75, 0.67%, 0.93%

LAB 96.92, -6.08, 10.83

 

CMYK 10 / 0 / 35 / 7

HEX #D6ED9A

RGB 214 237 154

HSL 76.63, 0.7%, 0.77%

LAB 90.41, -20.78, 37.76

 

CMYK 35 / 0 / 19 / 7

HEX #9BEDC1

RGB 155 237 193

HSL 147.8, 0.69%, 0.77%

LAB 87.67, -34.22, 13.5

 

CMYK 5 / 35 / 0 / 7

HEX #E29BED

RGB 226 155 237

HSL 291.95, 0.69%, 0.77%

LAB 73.37, 39.8, -30.7

 

CMYK 10 / 0 / 35 / 7

HEX #D6ED9A

RGB 214 237 154

HSL 76.63, 0.7%, 0.77%

LAB 90.41, -20.78, 37.76

 

CMYK 35 / 9 / 0 / 7

HEX #9BD7ED

RGB 155 215 237

HSL 196.1, 0.69%, 0.77%

LAB 82.75, -13.81, -16.91

 

CMYK 0 / 35 / 9 / 7

HEX #ED9BD7

RGB 237 155 215

HSL 316.1, 0.69%, 0.77%

LAB 73.77, 39.35, -17.94

 

CMYK 10 / 0 / 35 / 7

HEX #D6ED9A

RGB 214 237 154

HSL 76.63, 0.7%, 0.77%

LAB 90.41, -20.78, 37.76

 

CMYK 35 / 0 / 19 / 7

HEX #9BEDC1

RGB 155 237 193

HSL 147.8, 0.69%, 0.77%

LAB 87.67, -34.22, 13.5

 

CMYK 25 / 35 / 0 / 7

HEX #B19BED

RGB 177 155 237

HSL 256.1, 0.69%, 0.77%

LAB 68.68, 25.09, -38.33

 

CMYK 0 / 35 / 16 / 7

HEX #ED9BC7

RGB 237 155 199

HSL 327.8, 0.69%, 0.77%

LAB 73.27, 36.77, -9.9

 

CMYK 10 / 0 / 35 / 7

HEX #D6ED9A

RGB 214 237 154

HSL 76.63, 0.7%, 0.77%

LAB 90.41, -20.78, 37.76

 

CMYK 35 / 0 / 8 / 7

HEX #9BEDDA

RGB 155 237 218

HSL 166.1, 0.69%, 0.77%

LAB 88.26, -29.08, 1.28

 

CMYK 25 / 35 / 0 / 7

HEX #B19BED

RGB 177 155 237

HSL 256.1, 0.69%, 0.77%

LAB 68.68, 25.09, -38.33

 

CMYK 0 / 35 / 27 / 7

HEX #ED9BAE

RGB 237 155 174

HSL 346.1, 0.69%, 0.77%

LAB 72.56, 33.11, 2.87

 

Description

Color code: HEX #D6ED9A | qconv.com Color code: HEX #D6ED9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 237 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 237 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 35 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 35% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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