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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6EF1A it is the complementary color #2910E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6EF1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6EF1A shade: #DBEF15, #ECFF28, #FDFF3B, #FFFF4E and #FFFF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6EF1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6EF1A shade: #D6EF1A, #C5DD07, #B4CB00, #A3B900 and #92A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6EF1A shade: #D6EF1A, #EFCE1A, #EF951A, #EF5B1A and #EF221A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6EF1A shade: #D6EF1A, #9CEF1A, #63EF1A, #29EF1A and #1AEF43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6EF1A shade matches the following richer shades: #D6EF1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6EF1A shade: #D6EF1A, #C6DB2D, #B7C741, #A8B355 and #999F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6EF1A shade: #EF961A, #EFCF1A, #D6EF1A, #9DEF1A and #64EF1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6EF1A shade: #98AA0B, #BAD10E, #D6EF1A, #DCF140 and #E3F467

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6EF1A shade: #D6EF1A, #1AEF5D and #B21AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6EF1A shade: #D6EF1A, #1AD6EF and #EF1AD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6EF1A shade: #D6EF1A, #1AEF5D, #321AEF and #EF1AAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6EF1A shade: #D6EF1A, #1AEF9D, #321AEF and #EF1A6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

Complementary color

CMYK 82 / 93 / 0 / 10

HEX #2910E5

RGB 41 16 229

HSL 247.04, 0.87%, 0.48%

LAB 30.64, 70.62, -95.89

 

CMYK 8 / 0 / 91 / 6

HEX #DBEF15

RGB 219 239 21

HSL 65.5, 0.87%, 0.51%

LAB 90.25, -28.55, 86.33

 

CMYK 7 / 0 / 84 / 0

HEX #ECFF28

RGB 236 255 40

HSL 65.3, 1%, 0.58%

LAB 95.79, -28.75, 88.19

 

CMYK 1 / 0 / 77 / 0

HEX #FDFF3B

RGB 253 255 59

HSL 60.61, 1%, 0.62%

LAB 97.11, -21.33, 85.31

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 11 / 0 / 97 / 13

HEX #C5DD07

RGB 197 221 7

HSL 66.73, 0.94%, 0.45%

LAB 83.76, -29.28, 82.07

 

CMYK 11 / 0 / 100 / 20

HEX #B4CB00

RGB 180 203 0

HSL 66.8, 1%, 0.4%

LAB 77.53, -27.89, 77.49

 

CMYK 12 / 0 / 100 / 27

HEX #A3B900

RGB 163 185 0

HSL 67.14, 1%, 0.36%

LAB 71.2, -26.41, 72.23

 

CMYK 13 / 0 / 100 / 35

HEX #92A700

RGB 146 167 0

HSL 67.54, 1%, 0.33%

LAB 64.76, -24.91, 66.87

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 0 / 14 / 89 / 6

HEX #EFCE1A

RGB 239 206 26

HSL 50.7, 0.87%, 0.52%

LAB 83.21, -3.91, 80.81

 

CMYK 0 / 38 / 89 / 6

HEX #EF951A

RGB 239 149 26

HSL 34.65, 0.87%, 0.52%

LAB 69.41, 25.91, 70.19

 

CMYK 0 / 62 / 89 / 6

HEX #EF5B1A

RGB 239 91 26

HSL 18.31, 0.87%, 0.52%

LAB 57.95, 54.46, 61.6

 

CMYK 0 / 86 / 89 / 6

HEX #EF221A

RGB 239 34 26

HSL 2.25, 0.87%, 0.52%

LAB 51.35, 72.66, 56.81

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 35 / 0 / 89 / 6

HEX #9CEF1A

RGB 156 239 26

HSL 83.38, 0.87%, 0.52%

LAB 86.44, -52.55, 80.97

 

CMYK 59 / 0 / 89 / 6

HEX #63EF1A

RGB 99 239 26

HSL 99.44, 0.87%, 0.52%

LAB 84.2, -69.49, 78.2

 

CMYK 83 / 0 / 89 / 6

HEX #29EF1A

RGB 41 239 26

HSL 115.77, 0.87%, 0.52%

LAB 83.06, -79.27, 76.77

 

CMYK 89 / 0 / 72 / 6

HEX #1AEF43

RGB 26 239 67

HSL 131.55, 0.87%, 0.52%

LAB 83.1, -78.23, 66.12

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 10 / 0 / 79 / 14

HEX #C6DB2D

RGB 198 219 45

HSL 67.24, 0.71%, 0.52%

LAB 83.37, -27.14, 75.36

 

CMYK 8 / 0 / 67 / 22

HEX #B7C741

RGB 183 199 65

HSL 67.16, 0.54%, 0.52%

LAB 76.86, -22.75, 62.26

 

CMYK 6 / 0 / 53 / 30

HEX #A8B355

RGB 168 179 85

HSL 67.02, 0.38%, 0.52%

LAB 70.33, -17.5, 46.1

 

CMYK 4 / 0 / 34 / 38

HEX #999F69

RGB 153 159 105

HSL 66.67, 0.22%, 0.52%

LAB 63.83, -11.05, 27.51

 

CMYK 0 / 37 / 89 / 6

HEX #EF961A

RGB 239 150 26

HSL 34.93, 0.87%, 0.52%

LAB 69.64, 25.38, 70.37

 

CMYK 0 / 13 / 89 / 6

HEX #EFCF1A

RGB 239 207 26

HSL 50.99, 0.87%, 0.52%

LAB 83.47, -4.41, 81.01

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 34 / 0 / 89 / 6

HEX #9DEF1A

RGB 157 239 26

HSL 83.1, 0.87%, 0.52%

LAB 86.49, -52.2, 81.03

 

CMYK 58 / 0 / 89 / 6

HEX #64EF1A

RGB 100 239 26

HSL 99.15, 0.87%, 0.52%

LAB 84.23, -69.25, 78.23

 

CMYK 11 / 0 / 94 / 33

HEX #98AA0B

RGB 152 170 11

HSL 66.79, 0.88%, 0.35%

LAB 66.1, -23.63, 66.66

 

CMYK 11 / 0 / 93 / 18

HEX #BAD10E

RGB 186 209 14

HSL 67.08, 0.87%, 0.44%

LAB 79.65, -28.08, 77.91

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 9 / 0 / 73 / 5

HEX #DCF140

RGB 220 241 64

HSL 67.12, 0.86%, 0.6%

LAB 91.01, -27.84, 77.35

 

CMYK 7 / 0 / 58 / 4

HEX #E3F467

RGB 227 244 103

HSL 67.23, 0.87%, 0.68%

LAB 92.58, -24.19, 64.48

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 89 / 0 / 61 / 6

HEX #1AEF5D

RGB 26 239 93

HSL 138.87, 0.87%, 0.52%

LAB 83.31, -75.68, 56.19

 

CMYK 26 / 89 / 0 / 6

HEX #B21AEF

RGB 178 26 239

HSL 282.82, 0.87%, 0.52%

LAB 47.54, 82.13, -73.16

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 89 / 10 / 0 / 6

HEX #1AD6EF

RGB 26 214 239

HSL 187.04, 0.87%, 0.52%

LAB 78.78, -33.67, -24.34

 

CMYK 0 / 89 / 10 / 6

HEX #EF1AD6

RGB 239 26 214

HSL 307.04, 0.87%, 0.52%

LAB 56.03, 87.97, -44.82

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 89 / 0 / 61 / 6

HEX #1AEF5D

RGB 26 239 93

HSL 138.87, 0.87%, 0.52%

LAB 83.31, -75.68, 56.19

 

CMYK 79 / 89 / 0 / 6

HEX #321AEF

RGB 50 26 239

HSL 246.76, 0.87%, 0.52%

LAB 33.24, 70.92, -97.23

 

CMYK 0 / 89 / 28 / 6

HEX #EF1AAB

RGB 239 26 171

HSL 319.15, 0.87%, 0.52%

LAB 54.06, 82.8, -23.04

 

CMYK 10 / 0 / 89 / 6

HEX #D6EF1A

RGB 214 239 26

HSL 67.04, 0.87%, 0.52%

LAB 89.91, -30.5, 85.22

 

CMYK 89 / 0 / 34 / 6

HEX #1AEF9D

RGB 26 239 157

HSL 156.9, 0.87%, 0.52%

LAB 84.17, -65.43, 26.7

 

CMYK 79 / 89 / 0 / 6

HEX #321AEF

RGB 50 26 239

HSL 246.76, 0.87%, 0.52%

LAB 33.24, 70.92, -97.23

 

CMYK 0 / 89 / 55 / 6

HEX #EF1A6B

RGB 239 26 107

HSL 337.18, 0.87%, 0.52%

LAB 52.01, 77.2, 12.24

 

Description

Color code: HEX #D6EF1A | qconv.com Color code: HEX #D6EF1A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 239 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 239 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 89 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 89% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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