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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6EF61 it is the complementary color #29109E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6EF61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6EF61 shade: #DBEF5C, #ECFF6F, #FDFF82, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6EF61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6EF61 shade: #D6EF61, #C5DD4E, #B4CB3B, #A3B928 and #92A715

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6EF61 shade: #D6EF61, #EFE261, #EFBB61, #EF9561 and #EF6F61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6EF61 shade: #D6EF61, #B0EF61, #89EF61, #63EF61 and #61EF85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6EF61 shade matches the following richer shades: #D6EF61 and #DFFD53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6EF61 shade: #D6EF61, #CDE16F, #C4D37D, #BBC58B and #B2B799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6EF61 shade: #EFBB61, #EFE161, #D7EF61, #B1EF61 and #8BEF61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6EF61 shade: #C2E716, #CCEB3B, #D6EF61, #E0F386 and #E9F6AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6EF61 shade: #D6EF61, #61EF95 and #CE61EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6EF61 shade: #D6EF61, #61D7EF and #EF61D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6EF61 shade: #D6EF61, #61EF95, #7861EF and #EF61BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6EF61 shade: #D6EF61, #61EFBF, #7861EF and #EF6190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 59 / 6

HEX #D6EF61

RGB 214 239 97

HSL 70.56, 0.82%, 0.66%

LAB 90.27, -27.36, 64.2

 

Complementary color

CMYK 74 / 90 / 0 / 38

HEX #29109E

RGB 41 16 158

HSL 250.56, 0.82%, 0.34%

LAB 21.25, 51.71, -69.58

 

CMYK 8 / 0 / 62 / 6

HEX #DBEF5C

RGB 219 239 92

HSL 68.16, 0.82%, 0.65%

LAB 90.58, -25.74, 66.71

 

CMYK 7 / 0 / 56 / 0

HEX #ECFF6F

RGB 236 255 111

HSL 67.92, 1%, 0.72%

LAB 96.2, -25.28, 65.3

 

CMYK 1 / 0 / 49 / 0

HEX #FDFF82

RGB 253 255 130

HSL 60.96, 1%, 0.75%

LAB 97.64, -17.15, 58.88

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 10 / 0 / 59 / 6

HEX #D6EF61

RGB 214 239 97

HSL 70.56, 0.82%, 0.66%

LAB 90.27, -27.36, 64.2

 

CMYK 11 / 0 / 65 / 13

HEX #C5DD4E

RGB 197 221 78

HSL 70.07, 0.68%, 0.59%

LAB 84.04, -26.87, 64.91

 

CMYK 11 / 0 / 71 / 20

HEX #B4CB3B

RGB 180 203 59

HSL 69.58, 0.58%, 0.51%

LAB 77.72, -26.26, 65.27

 

CMYK 12 / 0 / 78 / 27

HEX #A3B928

RGB 163 185 40

HSL 69.1, 0.64%, 0.44%

LAB 71.31, -25.49, 65.03

 

CMYK 13 / 0 / 87 / 35

HEX #92A715

RGB 146 167 21

HSL 68.63, 0.78%, 0.37%

LAB 64.81, -24.53, 63.75

 

CMYK 10 / 0 / 59 / 6

HEX #D6EF61

RGB 214 239 97

HSL 70.56, 0.82%, 0.66%

LAB 90.27, -27.36, 64.2

 

CMYK 0 / 5 / 59 / 6

HEX #EFE261

RGB 239 226 97

HSL 54.51, 0.82%, 0.66%

LAB 88.74, -11.04, 63.05

 

CMYK 0 / 22 / 59 / 6

HEX #EFBB61

RGB 239 187 97

HSL 38.03, 0.82%, 0.66%

LAB 78.9, 8.93, 51.95

 

CMYK 0 / 38 / 59 / 6

HEX #EF9561

RGB 239 149 97

HSL 21.97, 0.82%, 0.66%

LAB 69.97, 28.99, 41.36

 

CMYK 0 / 54 / 59 / 6

HEX #EF6F61

RGB 239 111 97

HSL 5.92, 0.82%, 0.66%

LAB 62.15, 48.27, 31.63

 

CMYK 10 / 0 / 59 / 6

HEX #D6EF61

RGB 214 239 97

HSL 70.56, 0.82%, 0.66%

LAB 90.27, -27.36, 64.2

 

CMYK 26 / 0 / 59 / 6

HEX #B0EF61

RGB 176 239 97

HSL 86.62, 0.82%, 0.66%

LAB 87.88, -41.67, 60.89

 

CMYK 43 / 0 / 59 / 6

HEX #89EF61

RGB 137 239 97

HSL 103.1, 0.82%, 0.66%

LAB 85.96, -54.65, 58.2

 

CMYK 59 / 0 / 59 / 6

HEX #63EF61

RGB 99 239 97

HSL 119.15, 0.82%, 0.66%

LAB 84.61, -64.78, 56.3

 

CMYK 59 / 0 / 44 / 6

HEX #61EF85

RGB 97 239 133

HSL 135.21, 0.82%, 0.66%

LAB 84.98, -60.47, 40.01

 

CMYK 10 / 0 / 59 / 6

HEX #D6EF61

RGB 214 239 97

HSL 70.56, 0.82%, 0.66%

LAB 90.27, -27.36, 64.2

 

CMYK 12 / 0 / 67 / 1

HEX #DFFD53

RGB 223 253 83

HSL 70.59, 0.98%, 0.66%

LAB 94.55, -31.27, 74.41

 

CMYK 10 / 0 / 59 / 6

HEX #D6EF61

RGB 214 239 97

HSL 70.56, 0.82%, 0.66%

LAB 90.27, -27.36, 64.2

 

CMYK 9 / 0 / 51 / 12

HEX #CDE16F

RGB 205 225 111

HSL 70.53, 0.66%, 0.66%

LAB 86, -23.05, 52.96

 

CMYK 7 / 0 / 41 / 17

HEX #C4D37D

RGB 196 211 125

HSL 70.47, 0.49%, 0.66%

LAB 81.73, -18.28, 40.83

 

CMYK 5 / 0 / 29 / 23

HEX #BBC58B

RGB 187 197 139

HSL 70.34, 0.33%, 0.66%

LAB 77.5, -12.96, 28.01

 

CMYK 3 / 0 / 16 / 28

HEX #B2B799

RGB 178 183 153

HSL 70, 0.17%, 0.66%

LAB 73.31, -7.02, 14.69

 

CMYK 0 / 22 / 59 / 6

HEX #EFBB61

RGB 239 187 97

HSL 38.03, 0.82%, 0.66%

LAB 78.9, 8.93, 51.95

 

CMYK 0 / 6 / 59 / 6

HEX #EFE161

RGB 239 225 97

HSL 54.08, 0.82%, 0.66%

LAB 88.48, -10.55, 62.77

 

CMYK 10 / 0 / 59 / 6

HEX #D7EF61

RGB 215 239 97

HSL 70.14, 0.82%, 0.66%

LAB 90.34, -26.97, 64.3

 

CMYK 26 / 0 / 59 / 6

HEX #B1EF61

RGB 177 239 97

HSL 86.2, 0.82%, 0.66%

LAB 87.94, -41.31, 60.97

 

CMYK 42 / 0 / 59 / 6

HEX #8BEF61

RGB 139 239 97

HSL 102.25, 0.82%, 0.66%

LAB 86.05, -54.04, 58.32

 

CMYK 16 / 0 / 90 / 9

HEX #C2E716

RGB 194 231 22

HSL 70.62, 0.83%, 0.5%

LAB 86.34, -34.92, 82.39

 

CMYK 13 / 0 / 75 / 8

HEX #CCEB3B

RGB 204 235 59

HSL 70.57, 0.81%, 0.58%

LAB 88.24, -31.66, 75.92

 

CMYK 10 / 0 / 59 / 6

HEX #D6EF61

RGB 214 239 97

HSL 70.56, 0.82%, 0.66%

LAB 90.27, -27.36, 64.2

 

CMYK 8 / 0 / 45 / 5

HEX #E0F386

RGB 224 243 134

HSL 70.46, 0.82%, 0.74%

LAB 92.43, -22.17, 50.23

 

CMYK 5 / 0 / 30 / 4

HEX #E9F6AC

RGB 233 246 172

HSL 70.54, 0.8%, 0.82%

LAB 94.4, -15.89, 34.25

 

CMYK 10 / 0 / 59 / 6

HEX #D6EF61

RGB 214 239 97

HSL 70.56, 0.82%, 0.66%

LAB 90.27, -27.36, 64.2

 

CMYK 59 / 0 / 38 / 6

HEX #61EF95

RGB 97 239 149

HSL 141.97, 0.82%, 0.66%

LAB 85.22, -57.84, 32.38

 

CMYK 14 / 59 / 0 / 6

HEX #CE61EF

RGB 206 97 239

HSL 286.06, 0.82%, 0.66%

LAB 59.8, 63.86, -53.22

 

CMYK 10 / 0 / 59 / 6

HEX #D6EF61

RGB 214 239 97

HSL 70.56, 0.82%, 0.66%

LAB 90.27, -27.36, 64.2

 

CMYK 59 / 10 / 0 / 6

HEX #61D7EF

RGB 97 215 239

HSL 190.14, 0.82%, 0.66%

LAB 80.39, -26.32, -21.77

 

CMYK 0 / 59 / 10 / 6

HEX #EF61D7

RGB 239 97 215

HSL 310.14, 0.82%, 0.66%

LAB 63.18, 67.99, -34.16

 

CMYK 10 / 0 / 59 / 6

HEX #D6EF61

RGB 214 239 97

HSL 70.56, 0.82%, 0.66%

LAB 90.27, -27.36, 64.2

 

CMYK 59 / 0 / 38 / 6

HEX #61EF95

RGB 97 239 149

HSL 141.97, 0.82%, 0.66%

LAB 85.22, -57.84, 32.38

 

CMYK 50 / 59 / 0 / 6

HEX #7861EF

RGB 120 97 239

HSL 249.72, 0.82%, 0.66%

LAB 50.42, 44.8, -68.79

 

CMYK 0 / 59 / 22 / 6

HEX #EF61BB

RGB 239 97 187

HSL 321.97, 0.82%, 0.66%

LAB 62.07, 63.96, -20.02

 

CMYK 10 / 0 / 59 / 6

HEX #D6EF61

RGB 214 239 97

HSL 70.56, 0.82%, 0.66%

LAB 90.27, -27.36, 64.2

 

CMYK 59 / 0 / 20 / 6

HEX #61EFBF

RGB 97 239 191

HSL 159.72, 0.82%, 0.66%

LAB 86.02, -49.49, 11.9

 

CMYK 50 / 59 / 0 / 6

HEX #7861EF

RGB 120 97 239

HSL 249.72, 0.82%, 0.66%

LAB 50.42, 44.8, -68.79

 

CMYK 0 / 59 / 40 / 6

HEX #EF6190

RGB 239 97 144

HSL 340.14, 0.82%, 0.66%

LAB 60.71, 58.8, 2.69

 

Description

Color code: HEX #D6EF61 | qconv.com Color code: HEX #D6EF61 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 239 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 239 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 59 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 59% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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