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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6F945 it is the complementary color #2906BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6F945. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6F945 shade: #DBF940, #ECFF53, #FDFF66, #FFFF79 and #FFFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6F945. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6F945 shade: #D6F945, #C5E732, #B4D51F, #A3C30C and #92B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6F945 shade: #D5F943, #F9EB43, #F9BA43, #F98943 and #F95843

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6F945 shade: #D5F943, #A4F943, #73F943, #43F943 and #43F974

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6F945 shade matches the following richer shades: #D5F943

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6F945 shade: #D5F943, #CCE952, #C2D962, #B9CA72 and #AFBA81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6F945 shade: #F9B943, #F9EA43, #D7F943, #A7F943 and #76F943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6F945 shade: #B7E207, #CCF71A, #D5F943, #DEFA6B and #E7FB93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6F945 shade: #D6F945, #43F988 and #D143F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6F945 shade: #D6F945, #43D7F9 and #F943D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6F945 shade: #D6F945, #43F988, #6443F9 and #F943B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6F945 shade: #D6F945, #43F9BF, #6443F9 and #F9437C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 72 / 2

HEX #D6F945

RGB 214 249 69

HSL 71.67, 0.94%, 0.62%

LAB 92.79, -33.69, 77.3

 

Complementary color

CMYK 78 / 97 / 0 / 27

HEX #2906BA

RGB 41 6 186

HSL 251.67, 0.94%, 0.38%

LAB 24.15, 61.73, -81.64

 

CMYK 12 / 0 / 74 / 2

HEX #DBF940

RGB 219 249 64

HSL 69.73, 0.94%, 0.61%

LAB 93.09, -31.95, 79.29

 

CMYK 7 / 0 / 67 / 0

HEX #ECFF53

RGB 236 255 83

HSL 66.63, 1%, 0.66%

LAB 95.99, -27.09, 76.15

 

CMYK 1 / 0 / 60 / 0

HEX #FDFF66

RGB 253 255 102

HSL 60.78, 1%, 0.7%

LAB 97.37, -19.24, 70.69

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 14 / 0 / 72 / 2

HEX #D6F945

RGB 214 249 69

HSL 71.67, 0.94%, 0.62%

LAB 92.79, -33.69, 77.3

 

CMYK 15 / 0 / 78 / 9

HEX #C5E732

RGB 197 231 50

HSL 71.27, 0.79%, 0.55%

LAB 86.63, -32.96, 76.89

 

CMYK 15 / 0 / 85 / 16

HEX #B4D51F

RGB 180 213 31

HSL 70.88, 0.75%, 0.48%

LAB 80.4, -32.08, 75.63

 

CMYK 16 / 0 / 94 / 24

HEX #A3C30C

RGB 163 195 12

HSL 70.49, 0.88%, 0.41%

LAB 74.09, -31.01, 73.12

 

CMYK 18 / 0 / 100 / 31

HEX #92B100

RGB 146 177 0

HSL 70.51, 1%, 0.35%

LAB 67.69, -29.73, 69.06

 

CMYK 14 / 0 / 73 / 2

HEX #D5F943

RGB 213 249 67

HSL 71.87, 0.94%, 0.62%

LAB 92.71, -34.17, 77.84

 

CMYK 0 / 6 / 73 / 2

HEX #F9EB43

RGB 249 235 67

HSL 55.38, 0.94%, 0.62%

LAB 91.67, -13.01, 77.8

 

CMYK 0 / 25 / 73 / 2

HEX #F9BA43

RGB 249 186 67

HSL 39.23, 0.94%, 0.62%

LAB 79.42, 11.92, 66

 

CMYK 0 / 45 / 73 / 2

HEX #F98943

RGB 249 137 67

HSL 23.08, 0.94%, 0.62%

LAB 68.34, 37.45, 54.75

 

CMYK 0 / 65 / 73 / 2

HEX #F95843

RGB 249 88 67

HSL 6.92, 0.94%, 0.62%

LAB 59.46, 60.28, 45.21

 

CMYK 14 / 0 / 73 / 2

HEX #D5F943

RGB 213 249 67

HSL 71.87, 0.94%, 0.62%

LAB 92.71, -34.17, 77.84

 

CMYK 34 / 0 / 73 / 2

HEX #A4F943

RGB 164 249 67

HSL 88.02, 0.94%, 0.62%

LAB 89.88, -52.23, 74.14

 

CMYK 54 / 0 / 73 / 2

HEX #73F943

RGB 115 249 67

HSL 104.18, 0.94%, 0.62%

LAB 87.87, -67.01, 71.49

 

CMYK 73 / 0 / 73 / 2

HEX #43F943

RGB 67 249 67

HSL 120, 0.94%, 0.62%

LAB 86.68, -76.82, 69.9

 

CMYK 73 / 0 / 53 / 2

HEX #43F974

RGB 67 249 116

HSL 136.15, 0.94%, 0.62%

LAB 87.1, -71.76, 50.57

 

CMYK 14 / 0 / 73 / 2

HEX #D5F943

RGB 213 249 67

HSL 71.87, 0.94%, 0.62%

LAB 92.71, -34.17, 77.84

 

CMYK 14 / 0 / 73 / 2

HEX #D5F943

RGB 213 249 67

HSL 71.87, 0.94%, 0.62%

LAB 92.71, -34.17, 77.84

 

CMYK 12 / 0 / 65 / 9

HEX #CCE952

RGB 204 233 82

HSL 71.52, 0.77%, 0.62%

LAB 87.84, -29.49, 67.46

 

CMYK 11 / 0 / 55 / 15

HEX #C2D962

RGB 194 217 98

HSL 71.6, 0.61%, 0.62%

LAB 82.9, -24.66, 55.11

 

CMYK 8 / 0 / 44 / 21

HEX #B9CA72

RGB 185 202 114

HSL 71.59, 0.45%, 0.62%

LAB 78.33, -19.31, 41.87

 

CMYK 6 / 0 / 31 / 27

HEX #AFBA81

RGB 175 186 129

HSL 71.58, 0.29%, 0.62%

LAB 73.43, -13.28, 27.69

 

CMYK 0 / 26 / 73 / 2

HEX #F9B943

RGB 249 185 67

HSL 38.9, 0.94%, 0.62%

LAB 79.18, 12.44, 65.76

 

CMYK 0 / 6 / 73 / 2

HEX #F9EA43

RGB 249 234 67

HSL 55.05, 0.94%, 0.62%

LAB 91.41, -12.52, 77.56

 

CMYK 14 / 0 / 73 / 2

HEX #D7F943

RGB 215 249 67

HSL 71.21, 0.94%, 0.62%

LAB 92.84, -33.39, 78.02

 

CMYK 33 / 0 / 73 / 2

HEX #A7F943

RGB 167 249 67

HSL 87.03, 0.94%, 0.62%

LAB 90.03, -51.2, 74.34

 

CMYK 53 / 0 / 73 / 2

HEX #76F943

RGB 118 249 67

HSL 103.19, 0.94%, 0.62%

LAB 87.97, -66.23, 71.62

 

CMYK 19 / 0 / 97 / 11

HEX #B7E207

RGB 183 226 7

HSL 71.78, 0.94%, 0.46%

LAB 84.21, -37.23, 82

 

CMYK 17 / 0 / 89 / 3

HEX #CCF71A

RGB 204 247 26

HSL 71.67, 0.93%, 0.54%

LAB 91.43, -38.11, 86.15

 

CMYK 14 / 0 / 73 / 2

HEX #D5F943

RGB 213 249 67

HSL 71.87, 0.94%, 0.62%

LAB 92.71, -34.17, 77.84

 

CMYK 11 / 0 / 57 / 2

HEX #DEFA6B

RGB 222 250 107

HSL 71.75, 0.93%, 0.7%

LAB 93.87, -28.66, 64.12

 

CMYK 8 / 0 / 41 / 2

HEX #E7FB93

RGB 231 251 147

HSL 71.54, 0.93%, 0.78%

LAB 95.2, -22, 47.56

 

CMYK 14 / 0 / 72 / 2

HEX #D6F945

RGB 214 249 69

HSL 71.67, 0.94%, 0.62%

LAB 92.79, -33.69, 77.3

 

CMYK 73 / 0 / 45 / 2

HEX #43F988

RGB 67 249 136

HSL 142.75, 0.94%, 0.62%

LAB 87.35, -68.81, 41.44

 

CMYK 16 / 73 / 0 / 2

HEX #D143F9

RGB 209 67 249

HSL 286.81, 0.94%, 0.62%

LAB 56.5, 78.37, -64.05

 

CMYK 14 / 0 / 72 / 2

HEX #D6F945

RGB 214 249 69

HSL 71.67, 0.94%, 0.62%

LAB 92.79, -33.69, 77.3

 

CMYK 73 / 14 / 0 / 2

HEX #43D7F9

RGB 67 215 249

HSL 191.21, 0.94%, 0.62%

LAB 79.97, -27.73, -27.79

 

CMYK 0 / 73 / 14 / 2

HEX #F943D7

RGB 249 67 215

HSL 311.21, 0.94%, 0.62%

LAB 60.83, 81.24, -37.71

 

CMYK 14 / 0 / 72 / 2

HEX #D6F945

RGB 214 249 69

HSL 71.67, 0.94%, 0.62%

LAB 92.79, -33.69, 77.3

 

CMYK 73 / 0 / 45 / 2

HEX #43F988

RGB 67 249 136

HSL 142.75, 0.94%, 0.62%

LAB 87.35, -68.81, 41.44

 

CMYK 60 / 73 / 0 / 2

HEX #6443F9

RGB 100 67 249

HSL 250.88, 0.94%, 0.62%

LAB 43.6, 60.71, -85.6

 

CMYK 0 / 73 / 28 / 2

HEX #F943B3

RGB 249 67 179

HSL 323.08, 0.94%, 0.62%

LAB 59.35, 76.7, -19.44

 

CMYK 14 / 0 / 72 / 2

HEX #D6F945

RGB 214 249 69

HSL 71.67, 0.94%, 0.62%

LAB 92.79, -33.69, 77.3

 

CMYK 73 / 0 / 23 / 2

HEX #43F9BF

RGB 67 249 191

HSL 160.88, 0.94%, 0.62%

LAB 88.31, -58.19, 15.04

 

CMYK 60 / 73 / 0 / 2

HEX #6443F9

RGB 100 67 249

HSL 250.88, 0.94%, 0.62%

LAB 43.6, 60.71, -85.6

 

CMYK 0 / 73 / 50 / 2

HEX #F9437C

RGB 249 67 124

HSL 341.21, 0.94%, 0.62%

LAB 57.66, 71.35, 10.26

 

Description

Color code: HEX #D6F945 | qconv.com Color code: HEX #D6F945 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 249 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 249 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 72 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 72% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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