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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7087C it is the complementary color #28F783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7087C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7087C shade: #DC0877, #ED1A8A, #FE2C9D, #FF3EB0 and #FF50C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7087C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7087C shade: #D7087C, #C60069, #B50056, #A40043 and #930030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7087C shade: #D8077C, #D80744, #D8070C and #D80707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7087C shade: #D8077C, #D807B5, #C307D8, #8B07D8 and #5307D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7087C shade matches the following richer shades: #D8077C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7087C shade: #D8077C, #C61A7A, #B42C78, #A23E76 and #8F5074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7087C shade: #C307D8, #D807B5, #D8077E, #D80746 and #D8070E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7087C shade: #88044E, #B00665, #D8077C, #F61392 and #F73BA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7087C shade: #D7087C, #D88C07 and #07D1D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7087C shade: #D7087C, #7ED807 and #077ED8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7087C shade: #D7087C, #D88C07, #07D862 and #0754D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7087C shade: #D7087C, #D8CA07, #07D862 and #0715D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 42 / 16

HEX #D7087C

RGB 215 8 124

HSL 326.38, 0.93%, 0.44%

LAB 47.07, 75.05, -5.88

 

Complementary color

CMYK 84 / 0 / 47 / 3

HEX #28F783

RGB 40 247 131

HSL 146.38, 0.93%, 0.56%

LAB 86.31, -71.9, 42.46

 

CMYK 0 / 96 / 46 / 14

HEX #DC0877

RGB 220 8 119

HSL 328.58, 0.93%, 0.45%

LAB 47.91, 75.72, -1.47

 

CMYK 0 / 89 / 42 / 7

HEX #ED1A8A

RGB 237 26 138

HSL 328.15, 0.85%, 0.52%

LAB 52.48, 79.13, -5.87

 

CMYK 0 / 83 / 38 / 0

HEX #FE2C9D

RGB 254 44 157

HSL 327.71, 0.99%, 0.58%

LAB 57.37, 81.52, -9.53

 

CMYK 0 / 76 / 31 / 0

HEX #FF3EB0

RGB 255 62 176

HSL 324.56, 1%, 0.62%

LAB 59.74, 79.28, -17.01

 

CMYK 0 / 69 / 24 / 0

HEX #FF50C3

RGB 255 80 195

HSL 320.57, 1%, 0.66%

LAB 62.45, 75.84, -23.78

 

CMYK 0 / 96 / 42 / 16

HEX #D7087C

RGB 215 8 124

HSL 326.38, 0.93%, 0.44%

LAB 47.07, 75.05, -5.88

 

CMYK 0 / 100 / 47 / 22

HEX #C60069

RGB 198 0 105

HSL 328.18, 1%, 0.39%

LAB 42.8, 70.44, -0.79

 

CMYK 0 / 100 / 52 / 29

HEX #B50056

RGB 181 0 86

HSL 331.49, 1%, 0.35%

LAB 38.72, 65.15, 4.9

 

CMYK 0 / 100 / 59 / 36

HEX #A40043

RGB 164 0 67

HSL 335.49, 1%, 0.32%

LAB 34.6, 59.84, 10.91

 

CMYK 0 / 100 / 67 / 42

HEX #930030

RGB 147 0 48

HSL 340.41, 1%, 0.29%

LAB 30.44, 54.55, 17.26

 

CMYK 0 / 97 / 43 / 15

HEX #D8077C

RGB 216 7 124

HSL 326.41, 0.94%, 0.44%

LAB 47.24, 75.35, -5.6

 

CMYK 0 / 97 / 69 / 15

HEX #D80744

RGB 216 7 68

HSL 342.49, 0.94%, 0.44%

LAB 45.86, 71.64, 27.14

 

CMYK 0 / 97 / 94 / 15

HEX #D8070C

RGB 216 7 12

HSL 358.56, 0.94%, 0.44%

LAB 45.33, 70.17, 55.75

 

CMYK 0 / 97 / 97 / 15

HEX #D80707

RGB 216 7 7

HSL 0, 0.94%, 0.44%

LAB 45.31, 70.12, 57.21

 

CMYK 0 / 97 / 43 / 15

HEX #D8077C

RGB 216 7 124

HSL 326.41, 0.94%, 0.44%

LAB 47.24, 75.35, -5.6

 

CMYK 0 / 97 / 16 / 15

HEX #D807B5

RGB 216 7 181

HSL 310.05, 0.94%, 0.44%

LAB 49.6, 81.44, -36.17

 

CMYK 10 / 97 / 0 / 15

HEX #C307D8

RGB 195 7 216

HSL 293.97, 0.94%, 0.44%

LAB 47.89, 82.89, -59.39

 

CMYK 36 / 97 / 0 / 15

HEX #8B07D8

RGB 139 7 216

HSL 277.89, 0.94%, 0.44%

LAB 38.9, 75.49, -74.44

 

CMYK 62 / 97 / 0 / 15

HEX #5307D8

RGB 83 7 216

HSL 261.82, 0.94%, 0.44%

LAB 31.69, 70.73, -86.58

 

CMYK 0 / 97 / 43 / 15

HEX #D8077C

RGB 216 7 124

HSL 326.41, 0.94%, 0.44%

LAB 47.24, 75.35, -5.6

 

CMYK 0 / 97 / 43 / 15

HEX #D8077C

RGB 216 7 124

HSL 326.41, 0.94%, 0.44%

LAB 47.24, 75.35, -5.6

 

CMYK 0 / 87 / 38 / 22

HEX #C61A7A

RGB 198 26 122

HSL 326.51, 0.77%, 0.44%

LAB 44.45, 68.83, -8.92

 

CMYK 0 / 76 / 33 / 29

HEX #B42C78

RGB 180 44 120

HSL 326.47, 0.61%, 0.44%

LAB 42.55, 59.71, -10.87

 

CMYK 0 / 62 / 27 / 36

HEX #A23E76

RGB 162 62 118

HSL 326.4, 0.45%, 0.44%

LAB 41.9, 47.3, -10.93

 

CMYK 0 / 44 / 19 / 44

HEX #8F5074

RGB 143 80 116

HSL 325.71, 0.28%, 0.44%

LAB 42.52, 31.39, -9.05

 

CMYK 10 / 97 / 0 / 15

HEX #C307D8

RGB 195 7 216

HSL 293.97, 0.94%, 0.44%

LAB 47.89, 82.89, -59.39

 

CMYK 0 / 97 / 16 / 15

HEX #D807B5

RGB 216 7 181

HSL 310.05, 0.94%, 0.44%

LAB 49.6, 81.44, -36.17

 

CMYK 0 / 97 / 42 / 15

HEX #D8077E

RGB 216 7 126

HSL 325.84, 0.94%, 0.44%

LAB 47.31, 75.53, -6.73

 

CMYK 0 / 97 / 68 / 15

HEX #D80746

RGB 216 7 70

HSL 341.91, 0.94%, 0.44%

LAB 45.9, 71.73, 25.95

 

CMYK 0 / 97 / 94 / 15

HEX #D8070E

RGB 216 7 14

HSL 357.99, 0.94%, 0.44%

LAB 45.33, 70.19, 55.1

 

CMYK 0 / 97 / 43 / 47

HEX #88044E

RGB 136 4 78

HSL 326.36, 0.94%, 0.27%

LAB 29.08, 53.48, -5.08

 

CMYK 0 / 97 / 43 / 31

HEX #B00665

RGB 176 6 101

HSL 326.47, 0.93%, 0.36%

LAB 38.38, 64.59, -5.31

 

CMYK 0 / 97 / 43 / 15

HEX #D8077C

RGB 216 7 124

HSL 326.41, 0.94%, 0.44%

LAB 47.24, 75.35, -5.6

 

CMYK 0 / 92 / 41 / 4

HEX #F61392

RGB 246 19 146

HSL 326.43, 0.93%, 0.52%

LAB 54.17, 82.65, -7.96

 

CMYK 0 / 76 / 34 / 3

HEX #F73BA4

RGB 247 59 164

HSL 326.49, 0.92%, 0.6%

LAB 57.64, 76.92, -13.36

 

CMYK 0 / 96 / 42 / 16

HEX #D7087C

RGB 215 8 124

HSL 326.38, 0.93%, 0.44%

LAB 47.07, 75.05, -5.88

 

CMYK 0 / 35 / 97 / 15

HEX #D88C07

RGB 216 140 7

HSL 38.18, 0.94%, 0.44%

LAB 64.46, 20.68, 68.8

 

CMYK 97 / 3 / 0 / 15

HEX #07D1D8

RGB 7 209 216

HSL 182.01, 0.94%, 0.44%

LAB 76.44, -39.1, -15.57

 

CMYK 0 / 96 / 42 / 16

HEX #D7087C

RGB 215 8 124

HSL 326.38, 0.93%, 0.44%

LAB 47.07, 75.05, -5.88

 

CMYK 42 / 0 / 97 / 15

HEX #7ED807

RGB 126 216 7

HSL 85.84, 0.94%, 0.44%

LAB 78.21, -53.94, 75.99

 

CMYK 97 / 42 / 0 / 15

HEX #077ED8

RGB 7 126 216

HSL 205.84, 0.94%, 0.44%

LAB 51.75, 5.08, -53.94

 

CMYK 0 / 96 / 42 / 16

HEX #D7087C

RGB 215 8 124

HSL 326.38, 0.93%, 0.44%

LAB 47.07, 75.05, -5.88

 

CMYK 0 / 35 / 97 / 15

HEX #D88C07

RGB 216 140 7

HSL 38.18, 0.94%, 0.44%

LAB 64.46, 20.68, 68.8

 

CMYK 97 / 0 / 55 / 15

HEX #07D862

RGB 7 216 98

HSL 146.12, 0.94%, 0.44%

LAB 76.09, -68.89, 45.47

 

CMYK 97 / 61 / 0 / 15

HEX #0754D8

RGB 7 84 216

HSL 217.89, 0.94%, 0.44%

LAB 40.15, 32.02, -72.73

 

CMYK 0 / 96 / 42 / 16

HEX #D7087C

RGB 215 8 124

HSL 326.38, 0.93%, 0.44%

LAB 47.07, 75.05, -5.88

 

CMYK 0 / 6 / 97 / 15

HEX #D8CA07

RGB 216 202 7

HSL 55.98, 0.94%, 0.44%

LAB 80.1, -12, 79.98

 

CMYK 97 / 0 / 55 / 15

HEX #07D862

RGB 7 216 98

HSL 146.12, 0.94%, 0.44%

LAB 76.09, -68.89, 45.47

 

CMYK 97 / 90 / 0 / 15

HEX #0715D8

RGB 7 21 216

HSL 235.98, 0.94%, 0.44%

LAB 28.22, 65.36, -92.47

 

Description

Color code: HEX #D7087C | qconv.com Color code: HEX #D7087C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 8 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 8 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 42 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 42% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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