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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D70057 it is the complementary color #28FFA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D70057. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D70057 shade: #DC0052, #ED1265, #FE2478, #FF368B and #FF489E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D70057. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D70057 shade: #D70057, #C60044, #B50031, #A4001E and #93000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D70057 shade: #D60056, #D6001C and #D60000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D70057 shade: #D60056, #D60090, #D600CA, #A800D6 and #6E00D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D70057 shade matches the following richer shades: #D60056

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D70057 shade: #D60056, #C41159, #B3225D, #A23360 and #904563

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D70057 shade: #D600CB, #D60092, #D60059, #D60020 and #D61800

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D70057 shade: #830035, #AC0045, #D60056, #FF0067 and #FF2980

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D70057 shade: #D70057, #D6A700 and #00AED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D70057 shade: #D70057, #59D600 and #0059D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D70057 shade: #D70057, #D6A700, #00D67C and #002ED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D70057 shade: #D70057, #C4D600, #00D67C and #1100D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 60 / 16

HEX #D70057

RGB 215 0 87

HSL 335.72, 1%, 0.42%

LAB 45.82, 73, 15.25

 

Complementary color

CMYK 84 / 0 / 34 / 0

HEX #28FFA8

RGB 40 255 168

HSL 155.72, 1%, 0.58%

LAB 89.3, -67.96, 28.1

 

CMYK 0 / 100 / 63 / 14

HEX #DC0052

RGB 220 0 82

HSL 337.64, 1%, 0.43%

LAB 46.74, 73.87, 19.78

 

CMYK 0 / 92 / 57 / 7

HEX #ED1265

RGB 237 18 101

HSL 337.26, 0.86%, 0.5%

LAB 51.13, 77.36, 14.61

 

CMYK 0 / 86 / 53 / 0

HEX #FE2478

RGB 254 36 120

HSL 336.88, 0.99%, 0.57%

LAB 55.77, 80.02, 10.11

 

CMYK 0 / 79 / 45 / 0

HEX #FF368B

RGB 255 54 139

HSL 334.63, 1%, 0.61%

LAB 57.81, 77.85, 1.75

 

CMYK 0 / 72 / 38 / 0

HEX #FF489E

RGB 255 72 158

HSL 331.8, 1%, 0.64%

LAB 60.22, 74.38, -5.86

 

CMYK 0 / 100 / 60 / 16

HEX #D70057

RGB 215 0 87

HSL 335.72, 1%, 0.42%

LAB 45.82, 73, 15.25

 

CMYK 0 / 100 / 66 / 22

HEX #C60044

RGB 198 0 68

HSL 339.39, 1%, 0.39%

LAB 41.88, 67.99, 21.29

 

CMYK 0 / 100 / 73 / 29

HEX #B50031

RGB 181 0 49

HSL 343.76, 1%, 0.35%

LAB 37.92, 63.02, 27.55

 

CMYK 0 / 100 / 82 / 36

HEX #A4001E

RGB 164 0 30

HSL 349.02, 1%, 0.32%

LAB 33.95, 58.11, 33.8

 

CMYK 0 / 100 / 93 / 42

HEX #93000B

RGB 147 0 11

HSL 355.51, 1%, 0.29%

LAB 29.98, 53.3, 39.08

 

CMYK 0 / 100 / 60 / 16

HEX #D60056

RGB 214 0 86

HSL 335.89, 1%, 0.42%

LAB 45.59, 72.72, 15.53

 

CMYK 0 / 100 / 87 / 16

HEX #D6001C

RGB 214 0 28

HSL 352.15, 1%, 0.42%

LAB 44.77, 70.51, 48.69

 

CMYK 0 / 100 / 100 / 16

HEX #D60000

RGB 214 0 0

HSL 0, 1%, 0.42%

LAB 44.65, 70.18, 58.89

 

CMYK 0 / 100 / 60 / 16

HEX #D60056

RGB 214 0 86

HSL 335.89, 1%, 0.42%

LAB 45.59, 72.72, 15.53

 

CMYK 0 / 100 / 33 / 16

HEX #D60090

RGB 214 0 144

HSL 319.63, 1%, 0.42%

LAB 47.38, 77.41, -17.62

 

CMYK 0 / 100 / 6 / 16

HEX #D600CA

RGB 214 0 202

HSL 303.36, 1%, 0.42%

LAB 50.17, 84.39, -47.51

 

CMYK 21 / 100 / 0 / 16

HEX #A800D6

RGB 168 0 214

HSL 287.1, 1%, 0.42%

LAB 43.03, 79.37, -66.34

 

CMYK 49 / 100 / 0 / 16

HEX #6E00D6

RGB 110 0 214

HSL 270.84, 1%, 0.42%

LAB 34.33, 73.16, -80.94

 

CMYK 0 / 100 / 60 / 16

HEX #D60056

RGB 214 0 86

HSL 335.89, 1%, 0.42%

LAB 45.59, 72.72, 15.53

 

CMYK 0 / 100 / 60 / 16

HEX #D60056

RGB 214 0 86

HSL 335.89, 1%, 0.42%

LAB 45.59, 72.72, 15.53

 

CMYK 0 / 91 / 55 / 23

HEX #C41159

RGB 196 17 89

HSL 335.87, 0.84%, 0.42%

LAB 42.55, 67, 8.86

 

CMYK 0 / 81 / 48 / 30

HEX #B3225D

RGB 179 34 93

HSL 335.59, 0.68%, 0.42%

LAB 40.44, 59.66, 2.87

 

CMYK 0 / 69 / 41 / 36

HEX #A23360

RGB 162 51 96

HSL 335.68, 0.52%, 0.42%

LAB 39.4, 49.37, -0.93

 

CMYK 0 / 52 / 31 / 44

HEX #904563

RGB 144 69 99

HSL 336, 0.35%, 0.42%

LAB 39.73, 35.2, -2.67

 

CMYK 0 / 100 / 5 / 16

HEX #D600CB

RGB 214 0 203

HSL 303.08, 1%, 0.42%

LAB 50.23, 84.53, -48

 

CMYK 0 / 100 / 32 / 16

HEX #D60092

RGB 214 0 146

HSL 319.07, 1%, 0.42%

LAB 47.46, 77.61, -18.7

 

CMYK 0 / 100 / 58 / 16

HEX #D60059

RGB 214 0 89

HSL 335.05, 1%, 0.42%

LAB 45.66, 72.9, 13.75

 

CMYK 0 / 100 / 85 / 16

HEX #D60020

RGB 214 0 32

HSL 351.03, 1%, 0.42%

LAB 44.8, 70.59, 46.72

 

CMYK 0 / 89 / 100 / 16

HEX #D61800

RGB 214 24 0

HSL 6.73, 1%, 0.42%

LAB 45.56, 67.56, 59.22

 

CMYK 0 / 100 / 60 / 49

HEX #830035

RGB 131 0 53

HSL 335.73, 1%, 0.26%

LAB 26.97, 50.86, 8.6

 

CMYK 0 / 100 / 60 / 33

HEX #AC0045

RGB 172 0 69

HSL 335.93, 1%, 0.34%

LAB 36.37, 61.88, 12.31

 

CMYK 0 / 100 / 60 / 16

HEX #D60056

RGB 214 0 86

HSL 335.89, 1%, 0.42%

LAB 45.59, 72.72, 15.53

 

CMYK 0 / 100 / 60 / 0

HEX #FF0067

RGB 255 0 103

HSL 335.76, 1%, 0.5%

LAB 54.28, 82.94, 18.29

 

CMYK 0 / 84 / 50 / 0

HEX #FF2980

RGB 255 41 128

HSL 335.61, 1%, 0.58%

LAB 56.49, 79.9, 6.37

 

CMYK 0 / 100 / 60 / 16

HEX #D70057

RGB 215 0 87

HSL 335.72, 1%, 0.42%

LAB 45.82, 73, 15.25

 

CMYK 0 / 22 / 100 / 16

HEX #D6A700

RGB 214 167 0

HSL 46.82, 1%, 0.42%

LAB 70.83, 5.23, 74

 

CMYK 100 / 19 / 0 / 16

HEX #00AED6

RGB 0 174 214

HSL 191.21, 1%, 0.42%

LAB 65.85, -23, -30.64

 

CMYK 0 / 100 / 60 / 16

HEX #D70057

RGB 215 0 87

HSL 335.72, 1%, 0.42%

LAB 45.82, 73, 15.25

 

CMYK 58 / 0 / 100 / 16

HEX #59D600

RGB 89 214 0

HSL 95.05, 1%, 0.42%

LAB 76.2, -64.07, 74.48

 

CMYK 100 / 58 / 0 / 16

HEX #0059D6

RGB 0 89 214

HSL 215.05, 1%, 0.42%

LAB 41.22, 27.78, -69.85

 

CMYK 0 / 100 / 60 / 16

HEX #D70057

RGB 215 0 87

HSL 335.72, 1%, 0.42%

LAB 45.82, 73, 15.25

 

CMYK 0 / 22 / 100 / 16

HEX #D6A700

RGB 214 167 0

HSL 46.82, 1%, 0.42%

LAB 70.83, 5.23, 74

 

CMYK 100 / 0 / 42 / 16

HEX #00D67C

RGB 0 214 124

HSL 154.77, 1%, 0.42%

LAB 75.79, -64.21, 32.34

 

CMYK 100 / 79 / 0 / 16

HEX #002ED6

RGB 0 46 214

HSL 227.1, 1%, 0.42%

LAB 31.37, 54.2, -86.08

 

CMYK 0 / 100 / 60 / 16

HEX #D70057

RGB 215 0 87

HSL 335.72, 1%, 0.42%

LAB 45.82, 73, 15.25

 

CMYK 8 / 0 / 100 / 16

HEX #C4D600

RGB 196 214 0

HSL 65.05, 1%, 0.42%

LAB 81.75, -26.46, 81.14

HEX #C4D600

CMYK 100 / 0 / 42 / 16

HEX #00D67C

RGB 0 214 124

HSL 154.77, 1%, 0.42%

LAB 75.79, -64.21, 32.34

HEX #00D67C

CMYK 92 / 100 / 0 / 16

HEX #1100D6

RGB 17 0 214

HSL 244.77, 1%, 0.42%

LAB 26.66, 69.49, -93.92

HEX #1100D6

Description

Color code: HEX #D70057 | qconv.com Color code: HEX #D70057 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, none green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 0 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 60% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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