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Color name
HEX #D70D57

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D70D57 it is the complementary color #28F2A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D70D57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D70D57 shade: #DC0D52, #ED1F65, #FE3178, #FF438B and #FF559E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D70D57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D70D57 shade: #D70D57, #C60044, #B50031, #A4001E and #93000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D70D57 shade: #D80C57, #D80C20 and #D80C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D70D57 shade: #D80C57, #D80C8E, #D80CC5, #B50CD8 and #7D0CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D70D57 shade matches the following richer shades: #D80C57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D70D57 shade: #D80C57, #C61F5C, #B33161, #A14466 and #8E566B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D70D57 shade: #D80CC4, #D80C8D, #D80C57, #D80C21 and #D82E0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D70D57 shade: #8A0838, #B10A47, #D80C57, #F11C6A and #F44384

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D70D57 shade: #D70D57, #D8B60C and #0CA9D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D70D57 shade: #D70D57, #57D80C and #0C57D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D70D57 shade: #D70D57, #D8B60C, #0CD88D and #0C2ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D70D57 shade: #D70D57, #BDD80C, #0CD88D and #270CD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 60 / 16

HEX #D70D57

RGB 215 13 87

HSL 338.02, 0.89%, 0.45%

LAB 46.21, 71.87, 15.78

 

Complementary color

CMYK 83 / 0 / 31 / 5

HEX #28F2A8

RGB 40 242 168

HSL 158.02, 0.89%, 0.55%

LAB 85.39, -63.3, 22.77

 

CMYK 0 / 94 / 63 / 14

HEX #DC0D52

RGB 220 13 82

HSL 340, 0.89%, 0.46%

LAB 47.12, 72.77, 20.28

 

CMYK 0 / 87 / 57 / 7

HEX #ED1F65

RGB 237 31 101

HSL 339.61, 0.85%, 0.53%

LAB 51.75, 75.55, 15.47

 

CMYK 0 / 81 / 53 / 0

HEX #FE3178

RGB 254 49 120

HSL 339.22, 0.99%, 0.59%

LAB 56.71, 77.35, 11.42

 

CMYK 0 / 74 / 45 / 0

HEX #FF438B

RGB 255 67 139

HSL 337.02, 1%, 0.63%

LAB 59.1, 74.2, 3.62

 

CMYK 0 / 67 / 38 / 0

HEX #FF559E

RGB 255 85 158

HSL 334.24, 1%, 0.67%

LAB 61.85, 69.84, -3.45

 

CMYK 0 / 94 / 60 / 16

HEX #D70D57

RGB 215 13 87

HSL 338.02, 0.89%, 0.45%

LAB 46.21, 71.87, 15.78

 

CMYK 0 / 100 / 66 / 22

HEX #C60044

RGB 198 0 68

HSL 339.39, 1%, 0.39%

LAB 41.88, 67.99, 21.29

 

CMYK 0 / 100 / 73 / 29

HEX #B50031

RGB 181 0 49

HSL 343.76, 1%, 0.35%

LAB 37.92, 63.02, 27.55

 

CMYK 0 / 100 / 82 / 36

HEX #A4001E

RGB 164 0 30

HSL 349.02, 1%, 0.32%

LAB 33.95, 58.11, 33.8

 

CMYK 0 / 100 / 93 / 42

HEX #93000B

RGB 147 0 11

HSL 355.51, 1%, 0.29%

LAB 29.98, 53.3, 39.08

 

CMYK 0 / 94 / 60 / 15

HEX #D80C57

RGB 216 12 87

HSL 337.94, 0.89%, 0.45%

LAB 46.38, 72.2, 16.04

 

CMYK 0 / 94 / 85 / 15

HEX #D80C20

RGB 216 12 32

HSL 354.12, 0.89%, 0.45%

LAB 45.59, 70.02, 47.56

 

CMYK 0 / 94 / 94 / 15

HEX #D80C0C

RGB 216 12 12

HSL 0, 0.89%, 0.45%

LAB 45.48, 69.72, 55.83

 

CMYK 0 / 94 / 60 / 15

HEX #D80C57

RGB 216 12 87

HSL 337.94, 0.89%, 0.45%

LAB 46.38, 72.2, 16.04

 

CMYK 0 / 94 / 34 / 15

HEX #D80C8E

RGB 216 12 142

HSL 321.76, 0.89%, 0.45%

LAB 48.03, 76.63, -15.38

 

CMYK 0 / 94 / 9 / 15

HEX #D80CC5

RGB 216 12 197

HSL 305.59, 0.89%, 0.45%

LAB 50.56, 83.14, -43.98

 

CMYK 16 / 94 / 0 / 15

HEX #B50CD8

RGB 181 12 216

HSL 289.71, 0.89%, 0.45%

LAB 45.7, 80.39, -63.07

 

CMYK 42 / 94 / 0 / 15

HEX #7D0CD8

RGB 125 12 216

HSL 273.24, 0.89%, 0.45%

LAB 37.08, 73.4, -77.5

 

CMYK 0 / 94 / 60 / 15

HEX #D80C57

RGB 216 12 87

HSL 337.94, 0.89%, 0.45%

LAB 46.38, 72.2, 16.04

 

CMYK 0 / 94 / 60 / 15

HEX #D80C57

RGB 216 12 87

HSL 337.94, 0.89%, 0.45%

LAB 46.38, 72.2, 16.04

 

CMYK 0 / 84 / 54 / 22

HEX #C61F5C

RGB 198 31 92

HSL 338.08, 0.73%, 0.45%

LAB 43.88, 65.24, 8.91

 

CMYK 0 / 73 / 46 / 30

HEX #B33161

RGB 179 49 97

HSL 337.85, 0.57%, 0.45%

LAB 42.22, 55.33, 2.92

 

CMYK 0 / 58 / 37 / 37

HEX #A14466

RGB 161 68 102

HSL 338.06, 0.41%, 0.45%

LAB 42.26, 42.06, -0.51

 

CMYK 0 / 39 / 25 / 44

HEX #8E566B

RGB 142 86 107

HSL 337.5, 0.25%, 0.45%

LAB 43.46, 26.17, -2.15

 

CMYK 0 / 94 / 9 / 15

HEX #D80CC4

RGB 216 12 196

HSL 305.88, 0.89%, 0.45%

LAB 50.51, 83, -43.48

 

CMYK 0 / 94 / 35 / 15

HEX #D80C8D

RGB 216 12 141

HSL 322.06, 0.89%, 0.45%

LAB 47.99, 76.53, -14.84

 

CMYK 0 / 94 / 60 / 15

HEX #D80C57

RGB 216 12 87

HSL 337.94, 0.89%, 0.45%

LAB 46.38, 72.2, 16.04

 

CMYK 0 / 94 / 85 / 15

HEX #D80C21

RGB 216 12 33

HSL 353.82, 0.89%, 0.45%

LAB 45.6, 70.04, 47.06

 

CMYK 0 / 79 / 94 / 15

HEX #D82E0C

RGB 216 46 12

HSL 10, 0.89%, 0.45%

LAB 47.73, 63.32, 57.1

 

CMYK 0 / 94 / 59 / 46

HEX #8A0838

RGB 138 8 56

HSL 337.85, 0.89%, 0.29%

LAB 29.06, 51.49, 9.7

 

CMYK 0 / 94 / 60 / 31

HEX #B10A47

RGB 177 10 71

HSL 338.08, 0.89%, 0.37%

LAB 37.88, 62.05, 13.25

 

CMYK 0 / 94 / 60 / 15

HEX #D80C57

RGB 216 12 87

HSL 337.94, 0.89%, 0.45%

LAB 46.38, 72.2, 16.04

 

CMYK 0 / 88 / 56 / 5

HEX #F11C6A

RGB 241 28 106

HSL 338.03, 0.88%, 0.53%

LAB 52.48, 77.31, 13.56

 

CMYK 0 / 73 / 46 / 4

HEX #F44384

RGB 244 67 132

HSL 337.97, 0.89%, 0.61%

LAB 56.99, 70.64, 4.45

 

CMYK 0 / 94 / 60 / 16

HEX #D70D57

RGB 215 13 87

HSL 338.02, 0.89%, 0.45%

LAB 46.21, 71.87, 15.78

 

CMYK 0 / 16 / 94 / 15

HEX #D8B60C

RGB 216 182 12

HSL 50, 0.89%, 0.45%

LAB 74.88, -1.68, 75.62

 

CMYK 94 / 22 / 0 / 15

HEX #0CA9D8

RGB 12 169 216

HSL 193.82, 0.89%, 0.45%

LAB 64.49, -19.35, -33.84

 

CMYK 0 / 94 / 60 / 16

HEX #D70D57

RGB 215 13 87

HSL 338.02, 0.89%, 0.45%

LAB 46.21, 71.87, 15.78

 

CMYK 60 / 0 / 94 / 15

HEX #57D80C

RGB 87 216 12

HSL 97.94, 0.89%, 0.45%

LAB 76.78, -65.04, 73.76

 

CMYK 94 / 60 / 0 / 15

HEX #0C57D8

RGB 12 87 216

HSL 217.94, 0.89%, 0.45%

LAB 40.98, 30.21, -71.37

 

CMYK 0 / 94 / 60 / 16

HEX #D70D57

RGB 215 13 87

HSL 338.02, 0.89%, 0.45%

LAB 46.21, 71.87, 15.78

 

CMYK 0 / 16 / 94 / 15

HEX #D8B60C

RGB 216 182 12

HSL 50, 0.89%, 0.45%

LAB 74.88, -1.68, 75.62

 

CMYK 94 / 0 / 35 / 15

HEX #0CD88D

RGB 12 216 141

HSL 157.94, 0.89%, 0.45%

LAB 76.75, -61.18, 24.88

 

CMYK 94 / 79 / 0 / 15

HEX #0C2ED8

RGB 12 46 216

HSL 230, 0.89%, 0.45%

LAB 31.78, 55.06, -86.53

 

CMYK 0 / 94 / 60 / 16

HEX #D70D57

RGB 215 13 87

HSL 338.02, 0.89%, 0.45%

LAB 46.21, 71.87, 15.78

 

CMYK 13 / 0 / 94 / 15

HEX #BDD80C

RGB 189 216 12

HSL 67.94, 0.89%, 0.45%

LAB 81.81, -30.17, 79.89

 

CMYK 94 / 0 / 35 / 15

HEX #0CD88D

RGB 12 216 141

HSL 157.94, 0.89%, 0.45%

LAB 76.75, -61.18, 24.88

 

CMYK 82 / 94 / 0 / 15

HEX #270CD8

RGB 39 12 216

HSL 247.94, 0.89%, 0.45%

LAB 28.52, 68.11, -91.95

 

Description

Color code: HEX #D70D57 | qconv.com Color code: HEX #D70D57 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 13 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 13 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 60% 16% C M Y K

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