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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D70F5D it is the complementary color #28F0A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D70F5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D70F5D shade: #DC0F58, #ED216B, #FE337E, #FF4591 and #FF57A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D70F5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D70F5D shade: #D70F5D, #C6004A, #B50037, #A40024 and #930011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D70F5D shade: #D60E5C, #D60E26 and #D60E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D70F5D shade: #D60E5C, #D60E92, #D60EC8, #AE0ED6 and #790ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D70F5D shade matches the following richer shades: #D60E5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D70F5D shade: #D60E5C, #C42160, #B13464, #9E4669 and #8C596D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D70F5D shade: #D60EC9, #D60E94, #D60E5E, #D60E29 and #D6290E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D70F5D shade: #89093B, #B00C4C, #D60E5C, #EF1F70 and #F24589

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D70F5D shade: #D70F5D, #D6AE0E and #0EAED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D70F5D shade: #D70F5D, #5ED60E and #0E5ED6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D70F5D shade: #D70F5D, #D6AE0E, #0ED686 and #0E36D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D70F5D shade: #D70F5D, #C2D60E, #0ED686 and #220ED6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 57 / 16

HEX #D70F5D

RGB 215 15 93

HSL 336.6, 0.87%, 0.45%

LAB 46.42, 72.04, 12.34

 

Complementary color

CMYK 83 / 0 / 33 / 6

HEX #28F0A2

RGB 40 240 162

HSL 156.6, 0.87%, 0.55%

LAB 84.68, -63.83, 24.86

 

CMYK 0 / 93 / 60 / 14

HEX #DC0F58

RGB 220 15 88

HSL 338.63, 0.87%, 0.46%

LAB 47.32, 72.91, 16.83

 

CMYK 0 / 86 / 55 / 7

HEX #ED216B

RGB 237 33 107

HSL 338.24, 0.85%, 0.53%

LAB 52.01, 75.59, 12.18

 

CMYK 0 / 80 / 50 / 0

HEX #FE337E

RGB 254 51 126

HSL 337.83, 0.99%, 0.6%

LAB 57.02, 77.31, 8.29

 

CMYK 0 / 73 / 43 / 0

HEX #FF4591

RGB 255 69 145

HSL 335.48, 1%, 0.64%

LAB 59.49, 74.11, 0.66

 

CMYK 0 / 66 / 36 / 0

HEX #FF57A4

RGB 255 87 164

HSL 332.5, 1%, 0.67%

LAB 62.3, 69.72, -6.24

 

CMYK 0 / 93 / 57 / 16

HEX #D70F5D

RGB 215 15 93

HSL 336.6, 0.87%, 0.45%

LAB 46.42, 72.04, 12.34

 

CMYK 0 / 100 / 63 / 22

HEX #C6004A

RGB 198 0 74

HSL 337.58, 1%, 0.39%

LAB 42, 68.31, 17.66

 

CMYK 0 / 100 / 70 / 29

HEX #B50037

RGB 181 0 55

HSL 341.77, 1%, 0.35%

LAB 38.02, 63.28, 23.87

 

CMYK 0 / 100 / 78 / 36

HEX #A40024

RGB 164 0 36

HSL 346.83, 1%, 0.32%

LAB 34.02, 58.3, 30.22

 

CMYK 0 / 100 / 88 / 42

HEX #930011

RGB 147 0 17

HSL 353.06, 1%, 0.29%

LAB 30.02, 53.41, 36.16

 

CMYK 0 / 93 / 57 / 16

HEX #D60E5C

RGB 214 14 92

HSL 336.6, 0.88%, 0.45%

LAB 46.15, 71.85, 12.56

 

CMYK 0 / 93 / 82 / 16

HEX #D60E26

RGB 214 14 38

HSL 352.8, 0.88%, 0.45%

LAB 45.29, 69.45, 44

 

CMYK 0 / 93 / 93 / 16

HEX #D60E0E

RGB 214 14 14

HSL 0, 0.88%, 0.45%

LAB 45.14, 69.03, 54.77

 

CMYK 0 / 93 / 57 / 16

HEX #D60E5C

RGB 214 14 92

HSL 336.6, 0.88%, 0.45%

LAB 46.15, 71.85, 12.56

 

CMYK 0 / 93 / 32 / 16

HEX #D60E92

RGB 214 14 146

HSL 320.4, 0.88%, 0.45%

LAB 47.86, 76.43, -18.09

 

CMYK 0 / 93 / 7 / 16

HEX #D60EC8

RGB 214 14 200

HSL 304.2, 0.88%, 0.45%

LAB 50.43, 83.02, -45.94

 

CMYK 19 / 93 / 0 / 16

HEX #AE0ED6

RGB 174 14 214

HSL 288, 0.88%, 0.45%

LAB 44.47, 78.83, -63.95

 

CMYK 43 / 93 / 0 / 16

HEX #790ED6

RGB 121 14 214

HSL 272.1, 0.88%, 0.45%

LAB 36.43, 72.29, -77.43

 

CMYK 0 / 93 / 57 / 16

HEX #D60E5C

RGB 214 14 92

HSL 336.6, 0.88%, 0.45%

LAB 46.15, 71.85, 12.56

 

CMYK 0 / 93 / 57 / 16

HEX #D60E5C

RGB 214 14 92

HSL 336.6, 0.88%, 0.45%

LAB 46.15, 71.85, 12.56

 

CMYK 0 / 83 / 51 / 23

HEX #C42160

RGB 196 33 96

HSL 336.81, 0.71%, 0.45%

LAB 43.75, 64.59, 6.17

 

CMYK 0 / 71 / 44 / 31

HEX #B13464

RGB 177 52 100

HSL 336.96, 0.55%, 0.45%

LAB 42.34, 53.92, 1.18

 

CMYK 0 / 56 / 34 / 38

HEX #9E4669

RGB 158 70 105

HSL 336.14, 0.39%, 0.45%

LAB 42.26, 40.41, -2.42

 

CMYK 0 / 36 / 22 / 45

HEX #8C596D

RGB 140 89 109

HSL 336.47, 0.22%, 0.45%

LAB 43.98, 23.99, -2.64

 

CMYK 0 / 93 / 6 / 16

HEX #D60EC9

RGB 214 14 201

HSL 303.9, 0.88%, 0.45%

LAB 50.48, 83.16, -46.43

 

CMYK 0 / 93 / 31 / 16

HEX #D60E94

RGB 214 14 148

HSL 319.8, 0.88%, 0.45%

LAB 47.94, 76.64, -19.17

 

CMYK 0 / 93 / 56 / 16

HEX #D60E5E

RGB 214 14 94

HSL 336, 0.88%, 0.45%

LAB 46.2, 71.98, 11.38

 

CMYK 0 / 93 / 81 / 16

HEX #D60E29

RGB 214 14 41

HSL 351.9, 0.88%, 0.45%

LAB 45.32, 69.53, 42.39

 

CMYK 0 / 81 / 93 / 16

HEX #D6290E

RGB 214 41 14

HSL 8.1, 0.88%, 0.45%

LAB 46.86, 64.11, 55.79

 

CMYK 0 / 93 / 57 / 46

HEX #89093B

RGB 137 9 59

HSL 336.56, 0.88%, 0.29%

LAB 28.98, 51.29, 7.53

 

CMYK 0 / 93 / 57 / 31

HEX #B00C4C

RGB 176 12 76

HSL 336.59, 0.87%, 0.37%

LAB 37.87, 61.9, 9.99

 

CMYK 0 / 93 / 57 / 16

HEX #D60E5C

RGB 214 14 92

HSL 336.6, 0.88%, 0.45%

LAB 46.15, 71.85, 12.56

 

CMYK 0 / 87 / 53 / 6

HEX #EF1F70

RGB 239 31 112

HSL 336.63, 0.87%, 0.53%

LAB 52.4, 76.76, 9.75

 

CMYK 0 / 71 / 43 / 5

HEX #F24589

RGB 242 69 137

HSL 336.42, 0.87%, 0.61%

LAB 57.02, 69.89, 1.49

 

CMYK 0 / 93 / 57 / 16

HEX #D70F5D

RGB 215 15 93

HSL 336.6, 0.87%, 0.45%

LAB 46.42, 72.04, 12.34

 

CMYK 0 / 19 / 93 / 16

HEX #D6AE0E

RGB 214 174 14

HSL 48, 0.88%, 0.45%

LAB 72.63, 1.66, 73.61

 

CMYK 93 / 19 / 0 / 16

HEX #0EAED6

RGB 14 174 214

HSL 192, 0.88%, 0.45%

LAB 65.92, -22.58, -30.52

 

CMYK 0 / 93 / 57 / 16

HEX #D70F5D

RGB 215 15 93

HSL 336.6, 0.87%, 0.45%

LAB 46.42, 72.04, 12.34

 

CMYK 56 / 0 / 93 / 16

HEX #5ED60E

RGB 94 214 14

HSL 96, 0.88%, 0.45%

LAB 76.38, -62.58, 73.3

 

CMYK 93 / 56 / 0 / 16

HEX #0E5ED6

RGB 14 94 214

HSL 216, 0.88%, 0.45%

LAB 42.69, 24.92, -67.43

 

CMYK 0 / 93 / 57 / 16

HEX #D70F5D

RGB 215 15 93

HSL 336.6, 0.87%, 0.45%

LAB 46.42, 72.04, 12.34

 

CMYK 0 / 19 / 93 / 16

HEX #D6AE0E

RGB 214 174 14

HSL 48, 0.88%, 0.45%

LAB 72.63, 1.66, 73.61

 

CMYK 93 / 0 / 37 / 16

HEX #0ED686

RGB 14 214 134

HSL 156, 0.88%, 0.45%

LAB 76.01, -61.82, 27.52

 

CMYK 93 / 75 / 0 / 16

HEX #0E36D6

RGB 14 54 214

HSL 228, 0.88%, 0.45%

LAB 33.11, 50.09, -83.18

 

CMYK 0 / 93 / 57 / 16

HEX #D70F5D

RGB 215 15 93

HSL 336.6, 0.87%, 0.45%

LAB 46.42, 72.04, 12.34

 

CMYK 9 / 0 / 93 / 16

HEX #C2D60E

RGB 194 214 14

HSL 66, 0.88%, 0.45%

LAB 81.62, -27.14, 79.68

 

CMYK 93 / 0 / 37 / 16

HEX #0ED686

RGB 14 214 134

HSL 156, 0.88%, 0.45%

LAB 76.01, -61.82, 27.52

 

CMYK 84 / 93 / 0 / 16

HEX #220ED6

RGB 34 14 214

HSL 246, 0.88%, 0.45%

LAB 28.14, 67.06, -91.43

 

Description

Color code: HEX #D70F5D | qconv.com Color code: HEX #D70F5D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 15 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 15 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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