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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7340E it is the complementary color #28CBF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7340E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7340E shade: #DC3409, #ED461C, #FE582F, #FF6A42 and #FF7C55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7340E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7340E shade: #D7340E, #C62200, #B51000, #A40000 and #930000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7340E shade: #D7330D and #D70D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7340E shade: #D7330D, #D76A0D, #D7A00D, #D7D70D and #A1D70D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7340E shade matches the following richer shades: #D7330D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7340E shade: #D7330D, #C53F20, #B24B32, #A05645 and #8D6258

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7340E shade: #D70D54, #D70D1E, #D7320D, #D7680D and #D79E0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7340E shade: #8A2108, #B02A0B, #D7330D, #F0451E and #F36544

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7340E shade: #D7340E, #8AD70D and #0D39D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7340E shade: #D7340E, #0DD732 and #320DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7340E shade: #D7340E, #8AD70D, #0DB2D7 and #5B0DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7340E shade: #D7340E, #4DD70D, #0DB2D7 and #970DD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 93 / 16

HEX #D7340E

RGB 215 52 14

HSL 11.34, 0.88%, 0.45%

LAB 48.18, 61.26, 56.69

 

Complementary color

CMYK 83 / 16 / 0 / 5

HEX #28CBF1

RGB 40 203 241

HSL 191.34, 0.88%, 0.55%

LAB 75.77, -26.87, -30.01

 

CMYK 0 / 76 / 96 / 14

HEX #DC3409

RGB 220 52 9

HSL 12.23, 0.92%, 0.45%

LAB 49.12, 62.72, 59.07

 

CMYK 0 / 70 / 88 / 7

HEX #ED461C

RGB 237 70 28

HSL 12.06, 0.85%, 0.52%

LAB 54.52, 62.18, 58.19

 

CMYK 0 / 65 / 81 / 0

HEX #FE582F

RGB 254 88 47

HSL 11.88, 0.99%, 0.59%

LAB 60.12, 61.24, 56.08

 

CMYK 0 / 58 / 74 / 0

HEX #FF6A42

RGB 255 106 66

HSL 12.7, 1%, 0.63%

LAB 63.31, 54.59, 50.19

 

CMYK 0 / 51 / 67 / 0

HEX #FF7C55

RGB 255 124 85

HSL 13.76, 1%, 0.67%

LAB 66.77, 47.09, 44.31

 

CMYK 0 / 76 / 93 / 16

HEX #D7340E

RGB 215 52 14

HSL 11.34, 0.88%, 0.45%

LAB 48.18, 61.26, 56.69

 

CMYK 0 / 83 / 100 / 22

HEX #C62200

RGB 198 34 0

HSL 10.3, 1%, 0.39%

LAB 42.99, 61.16, 56.22

 

CMYK 0 / 91 / 100 / 29

HEX #B51000

RGB 181 16 0

HSL 5.3, 1%, 0.35%

LAB 38.19, 60.01, 52.2

 

CMYK 0 / 100 / 100 / 36

HEX #A40000

RGB 164 0 0

HSL 0, 1%, 0.32%

LAB 33.76, 57.57, 47.96

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 76 / 94 / 16

HEX #D7330D

RGB 215 51 13

HSL 11.29, 0.89%, 0.45%

LAB 48.06, 61.56, 56.91

 

CMYK 0 / 94 / 94 / 16

HEX #D70D0D

RGB 215 13 13

HSL 0, 0.89%, 0.45%

LAB 45.31, 69.38, 55.31

 

CMYK 0 / 76 / 94 / 16

HEX #D7330D

RGB 215 51 13

HSL 11.29, 0.89%, 0.45%

LAB 48.06, 61.56, 56.91

 

CMYK 0 / 51 / 94 / 16

HEX #D76A0D

RGB 215 106 13

HSL 27.62, 0.89%, 0.45%

LAB 56.86, 38.24, 62.57

 

CMYK 0 / 26 / 94 / 16

HEX #D7A00D

RGB 215 160 13

HSL 43.66, 0.89%, 0.45%

LAB 69.2, 9.54, 71.28

 

CMYK 0 / 0 / 94 / 16

HEX #D7D70D

RGB 215 215 13

HSL 60, 0.89%, 0.45%

LAB 83.48, -18.83, 81.91

 

CMYK 25 / 0 / 94 / 16

HEX #A1D70D

RGB 161 215 13

HSL 76.04, 0.89%, 0.45%

LAB 79.73, -40.86, 77.39

 

CMYK 0 / 76 / 94 / 16

HEX #D7330D

RGB 215 51 13

HSL 11.29, 0.89%, 0.45%

LAB 48.06, 61.56, 56.91

 

CMYK 0 / 76 / 94 / 16

HEX #D7330D

RGB 215 51 13

HSL 11.29, 0.89%, 0.45%

LAB 48.06, 61.56, 56.91

 

CMYK 0 / 68 / 84 / 23

HEX #C53F20

RGB 197 63 32

HSL 11.27, 0.72%, 0.45%

LAB 46.35, 51.88, 46.81

 

CMYK 0 / 58 / 72 / 30

HEX #B24B32

RGB 178 75 50

HSL 11.72, 0.56%, 0.45%

LAB 45.26, 40.38, 35.31

 

CMYK 0 / 46 / 57 / 37

HEX #A05645

RGB 160 86 69

HSL 11.21, 0.4%, 0.45%

LAB 45.02, 28.8, 23.43

 

CMYK 0 / 30 / 38 / 45

HEX #8D6258

RGB 141 98 88

HSL 11.32, 0.23%, 0.45%

LAB 45.77, 16.07, 12.67

 

CMYK 0 / 94 / 61 / 16

HEX #D70D54

RGB 215 13 84

HSL 338.91, 0.89%, 0.45%

LAB 46.14, 71.69, 17.56

 

CMYK 0 / 94 / 86 / 16

HEX #D70D1E

RGB 215 13 30

HSL 354.95, 0.89%, 0.45%

LAB 45.4, 69.63, 48.31

 

CMYK 0 / 77 / 94 / 16

HEX #D7320D

RGB 215 50 13

HSL 10.99, 0.89%, 0.45%

LAB 47.95, 61.87, 56.85

 

CMYK 0 / 52 / 94 / 16

HEX #D7680D

RGB 215 104 13

HSL 27.03, 0.89%, 0.45%

LAB 56.46, 39.25, 62.3

 

CMYK 0 / 27 / 94 / 16

HEX #D79E0D

RGB 215 158 13

HSL 43.07, 0.89%, 0.45%

LAB 68.7, 10.61, 70.91

 

CMYK 0 / 76 / 94 / 46

HEX #8A2108

RGB 138 33 8

HSL 11.54, 0.89%, 0.29%

LAB 30.66, 43.05, 39.95

 

CMYK 0 / 76 / 94 / 31

HEX #B02A0B

RGB 176 42 11

HSL 11.27, 0.88%, 0.37%

LAB 39.43, 52.37, 48.36

 

CMYK 0 / 76 / 94 / 16

HEX #D7330D

RGB 215 51 13

HSL 11.29, 0.89%, 0.45%

LAB 48.06, 61.56, 56.91

 

CMYK 0 / 71 / 88 / 6

HEX #F0451E

RGB 240 69 30

HSL 11.14, 0.88%, 0.53%

LAB 54.94, 63.51, 57.98

 

CMYK 0 / 58 / 72 / 5

HEX #F36544

RGB 243 101 68

HSL 11.31, 0.88%, 0.61%

LAB 60.59, 52.71, 45.66

 

CMYK 0 / 76 / 93 / 16

HEX #D7340E

RGB 215 52 14

HSL 11.34, 0.88%, 0.45%

LAB 48.18, 61.26, 56.69

 

CMYK 36 / 0 / 94 / 16

HEX #8AD70D

RGB 138 215 13

HSL 82.87, 0.89%, 0.45%

LAB 78.48, -49.36, 75.86

 

CMYK 94 / 73 / 0 / 16

HEX #0D39D7

RGB 13 57 215

HSL 226.93, 0.89%, 0.45%

LAB 33.81, 48.69, -82.59

 

CMYK 0 / 76 / 93 / 16

HEX #D7340E

RGB 215 52 14

HSL 11.34, 0.88%, 0.45%

LAB 48.18, 61.26, 56.69

 

CMYK 94 / 0 / 77 / 16

HEX #0DD732

RGB 13 215 50

HSL 130.99, 0.89%, 0.45%

LAB 75.4, -73.42, 64.04

 

CMYK 77 / 94 / 0 / 16

HEX #320DD7

RGB 50 13 215

HSL 250.99, 0.89%, 0.45%

LAB 29.09, 67.97, -90.41

 

CMYK 0 / 76 / 93 / 16

HEX #D7340E

RGB 215 52 14

HSL 11.34, 0.88%, 0.45%

LAB 48.18, 61.26, 56.69

 

CMYK 36 / 0 / 94 / 16

HEX #8AD70D

RGB 138 215 13

HSL 82.87, 0.89%, 0.45%

LAB 78.48, -49.36, 75.86

 

CMYK 94 / 17 / 0 / 16

HEX #0DB2D7

RGB 13 178 215

HSL 190.99, 0.89%, 0.45%

LAB 67.15, -24.33, -29.17

 

CMYK 58 / 94 / 0 / 16

HEX #5B0DD7

RGB 91 13 215

HSL 263.17, 0.89%, 0.45%

LAB 32.74, 70.09, -84.23

 

CMYK 0 / 76 / 93 / 16

HEX #D7340E

RGB 215 52 14

HSL 11.34, 0.88%, 0.45%

LAB 48.18, 61.26, 56.69

 

CMYK 64 / 0 / 94 / 16

HEX #4DD70D

RGB 77 215 13

HSL 100.99, 0.89%, 0.45%

LAB 76.2, -66.96, 73.06

 

CMYK 94 / 17 / 0 / 16

HEX #0DB2D7

RGB 13 178 215

HSL 190.99, 0.89%, 0.45%

LAB 67.15, -24.33, -29.17

 

CMYK 30 / 94 / 0 / 16

HEX #970DD7

RGB 151 13 215

HSL 280.99, 0.89%, 0.45%

LAB 40.85, 76.03, -70.58

 

Description

Color code: HEX #D7340E | qconv.com Color code: HEX #D7340E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 52 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 52 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 93% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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