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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D731CC it is the complementary color #28CE33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D731CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D731CC shade: #DC31C7, #ED43DA, #FE55ED, #FF67FF and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D731CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D731CC shade: #D731CC, #C61FB9, #B50DA6, #A40093 and #930080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D731CC shade: #D632CB, #D6329F, #D63273, #D63247 and #D63232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D731CC shade: #D632CB, #B532D6, #8932D6, #5C32D6 and #3232D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D731CC shade matches the following richer shades: #D632CB, #EA1EDC and #FE0AEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D731CC shade: #D632CB, #C246BA, #AE5AA9, #9B6E98 and #878187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D731CC shade: #8732D6, #B332D6, #D632CE, #D632A2 and #D63276

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D731CC shade: #981E90, #BA24B1, #D632CB, #DD55D4 and #E477DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D731CC shade: #D731CC, #D65B32 and #32D69D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D731CC shade: #D731CC, #CED632 and #32CED6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D731CC shade: #D731CC, #D65B32, #32D63A and #32ADD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D731CC shade: #D731CC, #D68C32, #32D63A and #327CD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 5 / 16

HEX #D731CC

RGB 215 49 204

HSL 303.98, 0.67%, 0.52%

LAB 52.95, 77.55, -44.23

 

Complementary color

CMYK 81 / 0 / 75 / 19

HEX #28CE33

RGB 40 206 51

HSL 123.98, 0.67%, 0.48%

LAB 72.78, -68.66, 61.23

 

CMYK 0 / 78 / 10 / 14

HEX #DC31C7

RGB 220 49 199

HSL 307.37, 0.71%, 0.53%

LAB 53.53, 77.85, -40.39

 

CMYK 0 / 72 / 8 / 7

HEX #ED43DA

RGB 237 67 218

HSL 306.71, 0.83%, 0.6%

LAB 59.05, 79.03, -42.35

 

CMYK 0 / 67 / 7 / 0

HEX #FE55ED

RGB 254 85 237

HSL 306.04, 0.99%, 0.66%

LAB 64.71, 79.62, -43.9

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 77 / 5 / 16

HEX #D731CC

RGB 215 49 204

HSL 303.98, 0.67%, 0.52%

LAB 52.95, 77.55, -44.23

 

CMYK 0 / 84 / 7 / 22

HEX #C61FB9

RGB 198 31 185

HSL 304.67, 0.73%, 0.45%

LAB 47.61, 75.59, -41.87

 

CMYK 0 / 93 / 8 / 29

HEX #B50DA6

RGB 181 13 166

HSL 305.36, 0.87%, 0.38%

LAB 42.56, 72.51, -38.83

 

CMYK 0 / 100 / 10 / 36

HEX #A40093

RGB 164 0 147

HSL 306.22, 1%, 0.32%

LAB 37.84, 68.15, -35.03

 

CMYK 0 / 100 / 13 / 42

HEX #930080

RGB 147 0 128

HSL 307.76, 1%, 0.29%

LAB 33.48, 62.39, -30.39

 

CMYK 0 / 77 / 5 / 16

HEX #D632CB

RGB 214 50 203

HSL 304.02, 0.67%, 0.52%

LAB 52.83, 76.93, -43.87

 

CMYK 0 / 77 / 26 / 16

HEX #D6329F

RGB 214 50 159

HSL 320.12, 0.67%, 0.52%

LAB 50.78, 70.98, -21.38

 

CMYK 0 / 77 / 46 / 16

HEX #D63273

RGB 214 50 115

HSL 336.22, 0.67%, 0.52%

LAB 49.27, 66.37, 2.82

 

CMYK 0 / 77 / 67 / 16

HEX #D63247

RGB 214 50 71

HSL 352.32, 0.67%, 0.52%

LAB 48.3, 63.31, 28.27

 

CMYK 0 / 77 / 77 / 16

HEX #D63232

RGB 214 50 50

HSL 0, 0.67%, 0.52%

LAB 48.02, 62.4, 40.17

 

CMYK 0 / 77 / 5 / 16

HEX #D632CB

RGB 214 50 203

HSL 304.02, 0.67%, 0.52%

LAB 52.83, 76.93, -43.87

 

CMYK 15 / 77 / 0 / 16

HEX #B532D6

RGB 181 50 214

HSL 287.93, 0.67%, 0.52%

LAB 48.21, 72.28, -57.86

 

CMYK 36 / 77 / 0 / 16

HEX #8932D6

RGB 137 50 214

HSL 271.83, 0.67%, 0.52%

LAB 41.93, 64.54, -68.33

 

CMYK 57 / 77 / 0 / 16

HEX #5C32D6

RGB 92 50 214

HSL 255.37, 0.67%, 0.52%

LAB 36.76, 58.05, -77

 

CMYK 77 / 77 / 0 / 16

HEX #3232D6

RGB 50 50 214

HSL 240, 0.67%, 0.52%

LAB 33.59, 53.97, -82.34

 

CMYK 0 / 77 / 5 / 16

HEX #D632CB

RGB 214 50 203

HSL 304.02, 0.67%, 0.52%

LAB 52.83, 76.93, -43.87

 

CMYK 0 / 87 / 6 / 8

HEX #EA1EDC

RGB 234 30 220

HSL 304.12, 0.83%, 0.52%

LAB 55.67, 87.33, -48.85

 

CMYK 0 / 96 / 6 / 0

HEX #FE0AEE

RGB 254 10 238

HSL 303.93, 0.99%, 0.52%

LAB 59.4, 95.2, -52.86

 

CMYK 0 / 77 / 5 / 16

HEX #D632CB

RGB 214 50 203

HSL 304.02, 0.67%, 0.52%

LAB 52.83, 76.93, -43.87

 

CMYK 0 / 64 / 4 / 24

HEX #C246BA

RGB 194 70 186

HSL 303.87, 0.5%, 0.52%

LAB 51.15, 63.07, -36.91

 

CMYK 0 / 48 / 3 / 32

HEX #AE5AA9

RGB 174 90 169

HSL 303.57, 0.34%, 0.52%

LAB 50.89, 45.44, -27.61

 

CMYK 0 / 29 / 2 / 39

HEX #9B6E98

RGB 155 110 152

HSL 304, 0.18%, 0.52%

LAB 52.27, 25.06, -15.72

 

CMYK 0 / 4 / 0 / 47

HEX #878187

RGB 135 129 135

HSL 300, 0.02%, 0.52%

LAB 54.66, 3.43, -2.43

 

CMYK 37 / 77 / 0 / 16

HEX #8732D6

RGB 135 50 214

HSL 271.1, 0.67%, 0.52%

LAB 41.67, 64.22, -68.77

 

CMYK 16 / 77 / 0 / 16

HEX #B332D6

RGB 179 50 214

HSL 287.2, 0.67%, 0.52%

LAB 47.91, 71.91, -58.36

 

CMYK 0 / 77 / 4 / 16

HEX #D632CE

RGB 214 50 206

HSL 302.93, 0.67%, 0.52%

LAB 52.99, 77.38, -45.34

 

CMYK 0 / 77 / 24 / 16

HEX #D632A2

RGB 214 50 162

HSL 319.02, 0.67%, 0.52%

LAB 50.9, 71.34, -22.97

 

CMYK 0 / 77 / 45 / 16

HEX #D63276

RGB 214 50 118

HSL 335.12, 0.67%, 0.52%

LAB 49.36, 66.64, 1.12

 

CMYK 0 / 80 / 5 / 40

HEX #981E90

RGB 152 30 144

HSL 303.93, 0.67%, 0.36%

LAB 37.15, 60.41, -34.43

 

CMYK 0 / 81 / 5 / 27

HEX #BA24B1

RGB 186 36 177

HSL 303.6, 0.68%, 0.44%

LAB 45.46, 70.97, -40.7

 

CMYK 0 / 77 / 5 / 16

HEX #D632CB

RGB 214 50 203

HSL 304.02, 0.67%, 0.52%

LAB 52.83, 76.93, -43.87

 

CMYK 0 / 62 / 4 / 13

HEX #DD55D4

RGB 221 85 212

HSL 303.97, 0.67%, 0.6%

LAB 58.62, 67.9, -39.79

 

CMYK 0 / 48 / 3 / 11

HEX #E477DD

RGB 228 119 221

HSL 303.85, 0.67%, 0.68%

LAB 65.68, 55.94, -33.76

 

CMYK 0 / 77 / 5 / 16

HEX #D731CC

RGB 215 49 204

HSL 303.98, 0.67%, 0.52%

LAB 52.95, 77.55, -44.23

 

CMYK 0 / 57 / 77 / 16

HEX #D65B32

RGB 214 91 50

HSL 15, 0.67%, 0.52%

LAB 54.04, 46.13, 46.48

 

CMYK 77 / 0 / 27 / 16

HEX #32D69D

RGB 50 214 157

HSL 159.15, 0.67%, 0.52%

LAB 76.8, -54.19, 16.62

 

CMYK 0 / 77 / 5 / 16

HEX #D731CC

RGB 215 49 204

HSL 303.98, 0.67%, 0.52%

LAB 52.95, 77.55, -44.23

 

CMYK 4 / 0 / 77 / 16

HEX #CED632

RGB 206 214 50

HSL 62.93, 0.67%, 0.52%

LAB 82.62, -21.24, 73.51

 

CMYK 77 / 4 / 0 / 16

HEX #32CED6

RGB 50 206 214

HSL 182.93, 0.67%, 0.52%

LAB 75.87, -35.83, -15.31

 

CMYK 0 / 77 / 5 / 16

HEX #D731CC

RGB 215 49 204

HSL 303.98, 0.67%, 0.52%

LAB 52.95, 77.55, -44.23

 

CMYK 0 / 57 / 77 / 16

HEX #D65B32

RGB 214 91 50

HSL 15, 0.67%, 0.52%

LAB 54.04, 46.13, 46.48

 

CMYK 77 / 0 / 73 / 16

HEX #32D63A

RGB 50 214 58

HSL 122.93, 0.67%, 0.52%

LAB 75.5, -69.3, 61.61

 

CMYK 77 / 19 / 0 / 16

HEX #32ADD6

RGB 50 173 214

HSL 195, 0.67%, 0.52%

LAB 66.07, -19.51, -30.25

 

CMYK 0 / 77 / 5 / 16

HEX #D731CC

RGB 215 49 204

HSL 303.98, 0.67%, 0.52%

LAB 52.95, 77.55, -44.23

 

CMYK 0 / 35 / 77 / 16

HEX #D68C32

RGB 214 140 50

HSL 32.93, 0.67%, 0.52%

LAB 64.39, 20.82, 56.78

 

CMYK 77 / 0 / 73 / 16

HEX #32D63A

RGB 50 214 58

HSL 122.93, 0.67%, 0.52%

LAB 75.5, -69.3, 61.61

 

CMYK 77 / 42 / 0 / 16

HEX #327CD6

RGB 50 124 214

HSL 212.93, 0.67%, 0.52%

LAB 51.78, 8.48, -52.73

 

Description

Color code: HEX #D731CC | qconv.com Color code: HEX #D731CC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 49 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 49 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 5 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 5% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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