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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D73C93 it is the complementary color #28C36C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D73C93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D73C93 shade: #DC3C8E, #ED4EA1, #FE60B4, #FF72C7 and #FF84DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D73C93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D73C93 shade: #D73C93, #C62A80, #B5186D, #A4065A and #930047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D73C93 shade: #D73C93, #D73C69, #D73C3F and #D73C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D73C93 shade: #D73C93, #D73CBC, #C73CD7, #9D3CD7 and #743CD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D73C93 shade matches the following richer shades: #D73C93, #EA2995 and #FD1697

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D73C93 shade: #D73C93, #C44F90, #B1628E, #9E758C and #8B8889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D73C93 shade: #C73CD7, #D73CBD, #D73C94, #D73C6A and #D73C41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D73C93 shade: #A02068, #C2277E, #D73C93, #DE5EA6 and #E580B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D73C93 shade: #D73C93, #D79E3C and #3CD1D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D73C93 shade: #D73C93, #94D73C and #3C94D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D73C93 shade: #D73C93, #D79E3C, #3CD77F and #3C75D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D73C93 shade: #D73C93, #D7CC3C, #3CD77F and #3C46D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 32 / 16

HEX #D73C93

RGB 215 60 147

HSL 326.32, 0.66%, 0.54%

LAB 51.59, 66.71, -13

 

Complementary color

CMYK 79 / 0 / 45 / 24

HEX #28C36C

RGB 40 195 108

HSL 146.32, 0.66%, 0.46%

LAB 69.87, -58.11, 32.87

 

CMYK 0 / 73 / 35 / 14

HEX #DC3C8E

RGB 220 60 142

HSL 329.25, 0.7%, 0.55%

LAB 52.29, 67.47, -8.89

 

CMYK 0 / 67 / 32 / 7

HEX #ED4EA1

RGB 237 78 161

HSL 328.68, 0.82%, 0.62%

LAB 58.06, 67.8, -11.14

 

CMYK 0 / 62 / 29 / 0

HEX #FE60B4

RGB 254 96 180

HSL 328.1, 0.99%, 0.69%

LAB 63.94, 67.72, -12.98

 

CMYK 0 / 55 / 22 / 0

HEX #FF72C7

RGB 255 114 199

HSL 323.83, 1%, 0.72%

LAB 67.59, 62.74, -18.21

 

CMYK 0 / 48 / 15 / 0

HEX #FF84DA

RGB 255 132 218

HSL 318.05, 1%, 0.76%

LAB 71.44, 57.09, -22.94

 

CMYK 0 / 72 / 32 / 16

HEX #D73C93

RGB 215 60 147

HSL 326.32, 0.66%, 0.54%

LAB 51.59, 66.71, -13

 

CMYK 0 / 79 / 35 / 22

HEX #C62A80

RGB 198 42 128

HSL 326.92, 0.65%, 0.47%

LAB 45.93, 65.79, -10.37

 

CMYK 0 / 87 / 40 / 29

HEX #B5186D

RGB 181 24 109

HSL 327.52, 0.77%, 0.4%

LAB 40.54, 63.94, -7.02

 

CMYK 0 / 96 / 45 / 36

HEX #A4065A

RGB 164 6 90

HSL 328.1, 0.93%, 0.33%

LAB 35.52, 60.86, -2.76

 

CMYK 0 / 100 / 52 / 42

HEX #930047

RGB 147 0 71

HSL 331.02, 1%, 0.29%

LAB 31.02, 56.08, 2.69

 

CMYK 0 / 72 / 32 / 16

HEX #D73C93

RGB 215 60 147

HSL 326.32, 0.66%, 0.54%

LAB 51.59, 66.71, -13

 

CMYK 0 / 72 / 51 / 16

HEX #D73C69

RGB 215 60 105

HSL 342.58, 0.66%, 0.54%

LAB 50.33, 62.61, 10.44

 

CMYK 0 / 72 / 71 / 16

HEX #D73C3F

RGB 215 60 63

HSL 358.84, 0.66%, 0.54%

LAB 49.54, 59.95, 34.54

 

CMYK 0 / 72 / 72 / 16

HEX #D73C3C

RGB 215 60 60

HSL 0, 0.66%, 0.54%

LAB 49.5, 59.81, 36.22

 

CMYK 0 / 72 / 32 / 16

HEX #D73C93

RGB 215 60 147

HSL 326.32, 0.66%, 0.54%

LAB 51.59, 66.71, -13

 

CMYK 0 / 72 / 13 / 16

HEX #D73CBC

RGB 215 60 188

HSL 310.45, 0.66%, 0.54%

LAB 53.29, 72, -34.48

 

CMYK 7 / 72 / 0 / 16

HEX #C73CD7

RGB 199 60 215

HSL 293.81, 0.66%, 0.54%

LAB 52.15, 72.75, -51.95

 

CMYK 27 / 72 / 0 / 16

HEX #9D3CD7

RGB 157 60 215

HSL 277.55, 0.66%, 0.54%

LAB 46.05, 64.38, -62.09

 

CMYK 46 / 72 / 0 / 16

HEX #743CD7

RGB 116 60 215

HSL 261.68, 0.66%, 0.54%

LAB 40.98, 57.08, -70.57

 

CMYK 0 / 72 / 32 / 16

HEX #D73C93

RGB 215 60 147

HSL 326.32, 0.66%, 0.54%

LAB 51.59, 66.71, -13

 

CMYK 0 / 82 / 36 / 8

HEX #EA2995

RGB 234 41 149

HSL 326.42, 0.82%, 0.54%

LAB 53.22, 76.8, -11.4

 

CMYK 0 / 91 / 40 / 1

HEX #FD1697

RGB 253 22 151

HSL 326.49, 0.98%, 0.54%

LAB 55.78, 84.26, -8.39

 

CMYK 0 / 72 / 32 / 16

HEX #D73C93

RGB 215 60 147

HSL 326.32, 0.66%, 0.54%

LAB 51.59, 66.71, -13

 

CMYK 0 / 60 / 27 / 23

HEX #C44F90

RGB 196 79 144

HSL 326.67, 0.5%, 0.54%

LAB 51.08, 53.51, -12.28

 

CMYK 0 / 45 / 20 / 31

HEX #B1628E

RGB 177 98 142

HSL 326.58, 0.34%, 0.54%

LAB 51.88, 37.65, -10.18

 

CMYK 0 / 26 / 11 / 38

HEX #9E758C

RGB 158 117 140

HSL 326.34, 0.17%, 0.54%

LAB 53.9, 19.88, -6.21

 

CMYK 0 / 2 / 1 / 45

HEX #8B8889

RGB 139 136 137

HSL 340, 0.01%, 0.54%

LAB 56.98, 1.31, -0.15

 

CMYK 7 / 72 / 0 / 16

HEX #C73CD7

RGB 199 60 215

HSL 293.81, 0.66%, 0.54%

LAB 52.15, 72.75, -51.95

 

CMYK 0 / 72 / 12 / 16

HEX #D73CBD

RGB 215 60 189

HSL 310.06, 0.66%, 0.54%

LAB 53.33, 72.14, -34.98

 

CMYK 0 / 72 / 31 / 16

HEX #D73C94

RGB 215 60 148

HSL 325.94, 0.66%, 0.54%

LAB 51.63, 66.83, -13.54

 

CMYK 0 / 72 / 51 / 16

HEX #D73C6A

RGB 215 60 106

HSL 342.19, 0.66%, 0.54%

LAB 50.36, 62.69, 9.87

 

CMYK 0 / 72 / 70 / 16

HEX #D73C41

RGB 215 60 65

HSL 358.06, 0.66%, 0.54%

LAB 49.57, 60.04, 33.41

 

CMYK 0 / 80 / 35 / 37

HEX #A02068

RGB 160 32 104

HSL 326.25, 0.67%, 0.38%

LAB 36.94, 56.32, -9.69

 

CMYK 0 / 80 / 35 / 24

HEX #C2277E

RGB 194 39 126

HSL 326.32, 0.67%, 0.46%

LAB 44.84, 65.39, -10.87

 

CMYK 0 / 72 / 32 / 16

HEX #D73C93

RGB 215 60 147

HSL 326.32, 0.66%, 0.54%

LAB 51.59, 66.71, -13

 

CMYK 0 / 58 / 25 / 13

HEX #DE5EA6

RGB 222 94 166

HSL 326.25, 0.66%, 0.62%

LAB 58.31, 57.52, -13.9

 

CMYK 0 / 44 / 19 / 10

HEX #E580B9

RGB 229 128 185

HSL 326.14, 0.66%, 0.7%

LAB 66.21, 45.98, -12.76

 

CMYK 0 / 72 / 32 / 16

HEX #D73C93

RGB 215 60 147

HSL 326.32, 0.66%, 0.54%

LAB 51.59, 66.71, -13

 

CMYK 0 / 27 / 72 / 16

HEX #D79E3C

RGB 215 158 60

HSL 37.94, 0.66%, 0.54%

LAB 68.92, 11.98, 57.14

 

CMYK 72 / 3 / 0 / 16

HEX #3CD1D7

RGB 60 209 215

HSL 182.32, 0.66%, 0.54%

LAB 76.96, -35.85, -14.19

 

CMYK 0 / 72 / 32 / 16

HEX #D73C93

RGB 215 60 147

HSL 326.32, 0.66%, 0.54%

LAB 51.59, 66.71, -13

 

CMYK 31 / 0 / 72 / 16

HEX #94D73C

RGB 148 215 60

HSL 85.94, 0.66%, 0.54%

LAB 79.17, -44.05, 65.69

 

CMYK 72 / 31 / 0 / 16

HEX #3C94D7

RGB 60 148 215

HSL 205.94, 0.66%, 0.54%

LAB 59.02, -4.2, -41.79

 

CMYK 0 / 72 / 32 / 16

HEX #D73C93

RGB 215 60 147

HSL 326.32, 0.66%, 0.54%

LAB 51.59, 66.71, -13

 

CMYK 0 / 27 / 72 / 16

HEX #D79E3C

RGB 215 158 60

HSL 37.94, 0.66%, 0.54%

LAB 68.92, 11.98, 57.14

 

CMYK 72 / 0 / 41 / 16

HEX #3CD77F

RGB 60 215 127

HSL 145.94, 0.66%, 0.54%

LAB 76.74, -59.31, 32.16

 

CMYK 72 / 46 / 0 / 16

HEX #3C75D7

RGB 60 117 215

HSL 217.94, 0.66%, 0.54%

LAB 50.2, 14.45, -55.8

 

CMYK 0 / 72 / 32 / 16

HEX #D73C93

RGB 215 60 147

HSL 326.32, 0.66%, 0.54%

LAB 51.59, 66.71, -13

 

CMYK 0 / 5 / 72 / 16

HEX #D7CC3C

RGB 215 204 60

HSL 55.74, 0.66%, 0.54%

LAB 80.72, -12.09, 68.77

 

CMYK 72 / 0 / 41 / 16

HEX #3CD77F

RGB 60 215 127

HSL 145.94, 0.66%, 0.54%

LAB 76.74, -59.31, 32.16

 

CMYK 72 / 67 / 0 / 16

HEX #3C46D7

RGB 60 70 215

HSL 236.13, 0.66%, 0.54%

LAB 38.28, 43.93, -75.16

 

Description

Color code: HEX #D73C93 | qconv.com Color code: HEX #D73C93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 60 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 60 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 32 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 32% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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