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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D75576 it is the complementary color #28AA89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D75576. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D75576 shade: #DC5571, #ED6784, #FE7997, #FF8BAA and #FF9DBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D75576. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D75576 shade: #D75576, #C64363, #B53150, #A41F3D and #930D2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D75576 shade: #D75576 and #D75555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D75576 shade: #D75576, #D75599, #D755BC, #CF55D7 and #AC55D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D75576 shade matches the following richer shades: #D75576, #E8446E and #F93365

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D75576 shade: #D75576, #C6667E, #B57787, #A4888F and #939997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D75576 shade: #D755BD, #D7559A, #D75578, #D75555 and #D77855

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D75576 shade: #B0294B, #CF345B, #D75576, #DF7791 and #E698AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D75576 shade: #D75576, #D7CE55 and #55ACD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D75576 shade: #D75576, #78D755 and #5578D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D75576 shade: #D75576, #D7CE55, #55D7B4 and #555ED7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D75576 shade: #D75576, #B9D755, #55D7B4 and #7355D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 45 / 16

HEX #D75576

RGB 215 85 118

HSL 344.77, 0.62%, 0.59%

LAB 54.29, 53.83, 8.24

 

Complementary color

CMYK 76 / 0 / 19 / 33

HEX #28AA89

RGB 40 170 137

HSL 164.77, 0.62%, 0.41%

LAB 62.51, -42.19, 7.27

 

CMYK 0 / 61 / 49 / 14

HEX #DC5571

RGB 220 85 113

HSL 347.56, 0.66%, 0.6%

LAB 54.97, 54.98, 12.28

 

CMYK 0 / 57 / 44 / 7

HEX #ED6784

RGB 237 103 132

HSL 347.01, 0.79%, 0.67%

LAB 61.11, 54.25, 10.18

 

CMYK 0 / 52 / 41 / 0

HEX #FE7997

RGB 254 121 151

HSL 346.47, 0.99%, 0.74%

LAB 67.26, 53.42, 8.39

 

CMYK 0 / 45 / 33 / 0

HEX #FF8BAA

RGB 255 139 170

HSL 343.97, 1%, 0.77%

LAB 71.3, 47.14, 3.54

 

CMYK 0 / 38 / 26 / 0

HEX #FF9DBD

RGB 255 157 189

HSL 340.41, 1%, 0.81%

LAB 75.48, 40.44, -0.89

 

CMYK 0 / 60 / 45 / 16

HEX #D75576

RGB 215 85 118

HSL 344.77, 0.62%, 0.59%

LAB 54.29, 53.83, 8.24

 

CMYK 0 / 66 / 50 / 22

HEX #C64363

RGB 198 67 99

HSL 345.34, 0.53%, 0.52%

LAB 48.16, 54.34, 10.6

 

CMYK 0 / 73 / 56 / 29

HEX #B53150

RGB 181 49 80

HSL 345.91, 0.57%, 0.45%

LAB 42.15, 54.47, 13.52

 

CMYK 0 / 81 / 63 / 36

HEX #A41F3D

RGB 164 31 61

HSL 346.47, 0.68%, 0.38%

LAB 36.38, 53.93, 17.22

 

CMYK 0 / 91 / 71 / 42

HEX #930D2A

RGB 147 13 42

HSL 347.01, 0.84%, 0.31%

LAB 31.02, 52.26, 21.95

 

CMYK 0 / 60 / 45 / 16

HEX #D75576

RGB 215 85 118

HSL 344.77, 0.62%, 0.59%

LAB 54.29, 53.83, 8.24

 

CMYK 0 / 60 / 60 / 16

HEX #D75555

RGB 215 85 85

HSL 0, 0.62%, 0.59%

LAB 53.6, 51.11, 26.77

 

CMYK 0 / 60 / 45 / 16

HEX #D75576

RGB 215 85 118

HSL 344.77, 0.62%, 0.59%

LAB 54.29, 53.83, 8.24

 

CMYK 0 / 60 / 29 / 16

HEX #D75599

RGB 215 85 153

HSL 328.62, 0.62%, 0.59%

LAB 55.32, 57.73, -10.93

 

CMYK 0 / 60 / 13 / 16

HEX #D755BC

RGB 215 85 188

HSL 312.46, 0.62%, 0.59%

LAB 56.66, 62.6, -29.23

 

CMYK 4 / 60 / 0 / 16

HEX #CF55D7

RGB 207 85 215

HSL 296.31, 0.62%, 0.59%

LAB 56.75, 64.96, -44.58

 

CMYK 20 / 60 / 0 / 16

HEX #AC55D7

RGB 172 85 215

HSL 280.15, 0.62%, 0.59%

LAB 52.03, 56.49, -52.36

 

CMYK 0 / 60 / 45 / 16

HEX #D75576

RGB 215 85 118

HSL 344.77, 0.62%, 0.59%

LAB 54.29, 53.83, 8.24

 

CMYK 0 / 71 / 53 / 9

HEX #E8446E

RGB 232 68 110

HSL 344.63, 0.78%, 0.59%

LAB 54.47, 65.13, 13.66

 

CMYK 0 / 80 / 59 / 2

HEX #F93365

RGB 249 51 101

HSL 344.85, 0.94%, 0.59%

LAB 55.53, 74.32, 20.98

 

CMYK 0 / 60 / 45 / 16

HEX #D75576

RGB 215 85 118

HSL 344.77, 0.62%, 0.59%

LAB 54.29, 53.83, 8.24

 

CMYK 0 / 48 / 36 / 22

HEX #C6667E

RGB 198 102 126

HSL 345, 0.46%, 0.59%

LAB 55.09, 40.72, 4.32

 

CMYK 0 / 34 / 25 / 29

HEX #B57787

RGB 181 119 135

HSL 344.52, 0.3%, 0.59%

LAB 56.85, 26.53, 1.33

 

CMYK 0 / 17 / 13 / 36

HEX #A4888F

RGB 164 136 143

HSL 345, 0.13%, 0.59%

LAB 59.42, 11.8, 0.24

 

CMYK 4 / 0 / 1 / 40

HEX #939997

RGB 147 153 151

HSL 160, 0.03%, 0.59%

LAB 62.69, -2.55, 0.29

 

CMYK 0 / 60 / 12 / 16

HEX #D755BD

RGB 215 85 189

HSL 312, 0.62%, 0.59%

LAB 56.7, 62.75, -29.73

 

CMYK 0 / 60 / 28 / 16

HEX #D7559A

RGB 215 85 154

HSL 328.15, 0.62%, 0.59%

LAB 55.36, 57.86, -11.46

 

CMYK 0 / 60 / 44 / 16

HEX #D75578

RGB 215 85 120

HSL 343.85, 0.62%, 0.59%

LAB 54.34, 54.02, 7.13

 

CMYK 0 / 60 / 60 / 16

HEX #D75555

RGB 215 85 85

HSL 0, 0.62%, 0.59%

LAB 53.6, 51.11, 26.77

 

CMYK 0 / 44 / 60 / 16

HEX #D77855

RGB 215 120 85

HSL 16.15, 0.62%, 0.59%

LAB 60.37, 33.85, 35.29

 

CMYK 0 / 77 / 57 / 31

HEX #B0294B

RGB 176 41 75

HSL 344.89, 0.62%, 0.43%

LAB 40.12, 55.33, 13.73

 

CMYK 0 / 75 / 56 / 19

HEX #CF345B

RGB 207 52 91

HSL 344.9, 0.62%, 0.51%

LAB 47.59, 61.91, 14.95

 

CMYK 0 / 60 / 45 / 16

HEX #D75576

RGB 215 85 118

HSL 344.77, 0.62%, 0.59%

LAB 54.29, 53.83, 8.24

 

CMYK 0 / 47 / 35 / 13

HEX #DF7791

RGB 223 119 145

HSL 345, 0.62%, 0.67%

LAB 62.45, 43.13, 4.34

 

CMYK 0 / 34 / 25 / 10

HEX #E698AC

RGB 230 152 172

HSL 344.62, 0.61%, 0.75%

LAB 71.05, 31.91, 1.68

 

CMYK 0 / 60 / 45 / 16

HEX #D75576

RGB 215 85 118

HSL 344.77, 0.62%, 0.59%

LAB 54.29, 53.83, 8.24

 

CMYK 0 / 4 / 60 / 16

HEX #D7CE55

RGB 215 206 85

HSL 55.85, 0.62%, 0.59%

LAB 81.43, -11.7, 59.65

 

CMYK 60 / 20 / 0 / 16

HEX #55ACD7

RGB 85 172 215

HSL 199.85, 0.62%, 0.59%

LAB 66.78, -13.51, -29.63

 

CMYK 0 / 60 / 45 / 16

HEX #D75576

RGB 215 85 118

HSL 344.77, 0.62%, 0.59%

LAB 54.29, 53.83, 8.24

 

CMYK 44 / 0 / 60 / 16

HEX #78D755

RGB 120 215 85

HSL 103.85, 0.62%, 0.59%

LAB 78.02, -51.43, 54.21

 

CMYK 60 / 44 / 0 / 16

HEX #5578D7

RGB 85 120 215

HSL 223.85, 0.62%, 0.59%

LAB 52.14, 16.63, -52.63

 

CMYK 0 / 60 / 45 / 16

HEX #D75576

RGB 215 85 118

HSL 344.77, 0.62%, 0.59%

LAB 54.29, 53.83, 8.24

 

CMYK 0 / 4 / 60 / 16

HEX #D7CE55

RGB 215 206 85

HSL 55.85, 0.62%, 0.59%

LAB 81.43, -11.7, 59.65

 

CMYK 60 / 0 / 16 / 16

HEX #55D7B4

RGB 85 215 180

HSL 163.85, 0.62%, 0.59%

LAB 78.36, -44.01, 6.7

 

CMYK 60 / 56 / 0 / 16

HEX #555ED7

RGB 85 94 215

HSL 235.85, 0.62%, 0.59%

LAB 45.42, 32.73, -63.45

 

CMYK 0 / 60 / 45 / 16

HEX #D75576

RGB 215 85 118

HSL 344.77, 0.62%, 0.59%

LAB 54.29, 53.83, 8.24

 

CMYK 14 / 0 / 60 / 16

HEX #B9D755

RGB 185 215 85

HSL 73.85, 0.62%, 0.59%

LAB 81.6, -28.29, 59.19

 

CMYK 60 / 0 / 16 / 16

HEX #55D7B4

RGB 85 215 180

HSL 163.85, 0.62%, 0.59%

LAB 78.36, -44.01, 6.7

 

CMYK 47 / 60 / 0 / 16

HEX #7355D7

RGB 115 85 215

HSL 253.85, 0.62%, 0.59%

LAB 45.7, 43.74, -62.89

 

Description

Color code: HEX #D75576 | qconv.com Color code: HEX #D75576 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 85 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 85 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 45 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 45% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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