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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D755FA it is the complementary color #28AA05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D755FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D755FA shade: #DC55F5, #ED67FF, #FE79FF, #FF8BFF and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D755FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D755FA shade: #D755FA, #C643E7, #B531D4, #A41FC1 and #930DAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D755FA shade: #D756F9, #F956F0, #F956C4, #F95698 and #F9566C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D755FA shade: #D756F9, #AB56F9, #7F56F9 and #5656F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D755FA shade matches the following richer shades: #D756F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D755FA shade: #D756F9, #CF64EB, #C772DD, #BE80CF and #B68EC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D755FA shade: #7F56F9, #AB56F9, #D656F9, #F956F1 and #F956C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D755FA shade: #C307F6, #CD2EF8, #D756F9, #E07EFB and #EAA6FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D755FA shade: #D755FA, #F95659 and #56F995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D755FA shade: #D755FA, #F9D656 and #56F9D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D755FA shade: #D755FA, #F95659, #7AF956 and #56F9F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D755FA shade: #D755FA, #F98456, #7AF956 and #56CBF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 66 / 0 / 2

HEX #D755FA

RGB 215 85 250

HSL 287.27, 0.94%, 0.66%

LAB 59.75, 73.12, -59.33

 

Complementary color

CMYK 76 / 0 / 97 / 33

HEX #28AA05

RGB 40 170 5

HSL 107.27, 0.94%, 0.34%

LAB 60.97, -59.9, 61.19

 

CMYK 10 / 65 / 0 / 4

HEX #DC55F5

RGB 220 85 245

HSL 290.63, 0.89%, 0.65%

LAB 60.16, 73.29, -55.86

 

CMYK 7 / 60 / 0 / 0

HEX #ED67FF

RGB 237 103 255

HSL 292.89, 1%, 0.7%

LAB 65.69, 71.56, -52.45

 

CMYK 0 / 53 / 0 / 0

HEX #FE79FF

RGB 254 121 255

HSL 299.55, 1%, 0.74%

LAB 70.85, 67.89, -44.18

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 14 / 66 / 0 / 2

HEX #D755FA

RGB 215 85 250

HSL 287.27, 0.94%, 0.66%

LAB 59.75, 73.12, -59.33

 

CMYK 14 / 71 / 0 / 9

HEX #C643E7

RGB 198 67 231

HSL 287.93, 0.77%, 0.58%

LAB 53.8, 72.94, -58.38

 

CMYK 15 / 77 / 0 / 17

HEX #B531D4

RGB 181 49 212

HSL 288.59, 0.65%, 0.51%

LAB 47.97, 72.22, -57.09

 

CMYK 15 / 84 / 0 / 24

HEX #A41FC1

RGB 164 31 193

HSL 289.26, 0.72%, 0.44%

LAB 42.34, 70.69, -55.31

 

CMYK 16 / 93 / 0 / 32

HEX #930DAE

RGB 147 13 174

HSL 289.94, 0.86%, 0.37%

LAB 37.02, 67.96, -52.83

 

CMYK 14 / 65 / 0 / 2

HEX #D756F9

RGB 215 86 249

HSL 287.48, 0.93%, 0.66%

LAB 59.84, 72.53, -58.64

 

CMYK 0 / 65 / 4 / 2

HEX #F956F0

RGB 249 86 240

HSL 303.31, 0.93%, 0.66%

LAB 64.23, 78.57, -46.37

 

CMYK 0 / 65 / 21 / 2

HEX #F956C4

RGB 249 86 196

HSL 319.51, 0.93%, 0.66%

LAB 62.32, 72.28, -24.63

 

CMYK 0 / 65 / 39 / 2

HEX #F95698

RGB 249 86 152

HSL 335.71, 0.93%, 0.66%

LAB 60.84, 67.15, -1.57

 

CMYK 0 / 65 / 57 / 2

HEX #F9566C

RGB 249 86 108

HSL 351.9, 0.93%, 0.66%

LAB 59.78, 63.36, 22.56

 

CMYK 14 / 65 / 0 / 2

HEX #D756F9

RGB 215 86 249

HSL 287.48, 0.93%, 0.66%

LAB 59.84, 72.53, -58.64

 

CMYK 31 / 65 / 0 / 2

HEX #AB56F9

RGB 171 86 249

HSL 271.29, 0.93%, 0.66%

LAB 54.19, 63.27, -68.02

 

CMYK 49 / 65 / 0 / 2

HEX #7F56F9

RGB 127 86 249

HSL 255.09, 0.93%, 0.66%

LAB 49.5, 54.95, -75.84

 

CMYK 65 / 65 / 0 / 2

HEX #5656F9

RGB 86 86 249

HSL 240, 0.93%, 0.66%

LAB 46.28, 48.75, -81.24

 

CMYK 14 / 65 / 0 / 2

HEX #D756F9

RGB 215 86 249

HSL 287.48, 0.93%, 0.66%

LAB 59.84, 72.53, -58.64

 

CMYK 14 / 65 / 0 / 2

HEX #D756F9

RGB 215 86 249

HSL 287.48, 0.93%, 0.66%

LAB 59.84, 72.53, -58.64

 

CMYK 12 / 57 / 0 / 8

HEX #CF64EB

RGB 207 100 235

HSL 287.56, 0.77%, 0.66%

LAB 60.23, 61.95, -50.3

 

CMYK 10 / 48 / 0 / 13

HEX #C772DD

RGB 199 114 221

HSL 287.66, 0.61%, 0.66%

LAB 61.13, 50.25, -41.13

 

CMYK 8 / 38 / 0 / 19

HEX #BE80CF

RGB 190 128 207

HSL 287.09, 0.45%, 0.66%

LAB 62.42, 37.37, -31.35

 

CMYK 6 / 26 / 0 / 24

HEX #B68EC1

RGB 182 142 193

HSL 287.06, 0.29%, 0.66%

LAB 64.28, 24.23, -20.7

 

CMYK 49 / 65 / 0 / 2

HEX #7F56F9

RGB 127 86 249

HSL 255.09, 0.93%, 0.66%

LAB 49.5, 54.95, -75.84

 

CMYK 31 / 65 / 0 / 2

HEX #AB56F9

RGB 171 86 249

HSL 271.29, 0.93%, 0.66%

LAB 54.19, 63.27, -68.02

 

CMYK 14 / 65 / 0 / 2

HEX #D656F9

RGB 214 86 249

HSL 287.12, 0.93%, 0.66%

LAB 59.7, 72.32, -58.87

 

CMYK 0 / 65 / 3 / 2

HEX #F956F1

RGB 249 86 241

HSL 302.94, 0.93%, 0.66%

LAB 64.28, 78.73, -46.85

 

CMYK 0 / 65 / 20 / 2

HEX #F956C6

RGB 249 86 198

HSL 318.77, 0.93%, 0.66%

LAB 62.4, 72.54, -25.65

 

CMYK 21 / 97 / 0 / 4

HEX #C307F6

RGB 195 7 246

HSL 287.2, 0.94%, 0.5%

LAB 49.99, 87.8, -73

 

CMYK 17 / 81 / 0 / 3

HEX #CD2EF8

RGB 205 46 248

HSL 287.23, 0.94%, 0.58%

LAB 53.72, 83.62, -68

 

CMYK 14 / 65 / 0 / 2

HEX #D756F9

RGB 215 86 249

HSL 287.48, 0.93%, 0.66%

LAB 59.84, 72.53, -58.64

 

CMYK 11 / 50 / 0 / 2

HEX #E07EFB

RGB 224 126 251

HSL 287.04, 0.94%, 0.74%

LAB 67.82, 56.89, -47

 

CMYK 7 / 34 / 0 / 1

HEX #EAA6FC

RGB 234 166 252

HSL 287.44, 0.93%, 0.82%

LAB 77.16, 39.29, -32.92

 

CMYK 14 / 66 / 0 / 2

HEX #D755FA

RGB 215 85 250

HSL 287.27, 0.94%, 0.66%

LAB 59.75, 73.12, -59.33

 

CMYK 0 / 65 / 64 / 2

HEX #F95659

RGB 249 86 89

HSL 358.9, 0.93%, 0.66%

LAB 59.45, 62.16, 33.06

 

CMYK 65 / 0 / 40 / 2

HEX #56F995

RGB 86 249 149

HSL 143.19, 0.93%, 0.66%

LAB 87.92, -63.68, 35.89

 

CMYK 14 / 66 / 0 / 2

HEX #D755FA

RGB 215 85 250

HSL 287.27, 0.94%, 0.66%

LAB 59.75, 73.12, -59.33

 

CMYK 0 / 14 / 65 / 2

HEX #F9D656

RGB 249 214 86

HSL 47.12, 0.93%, 0.66%

LAB 86.46, -1.58, 65.5

 

CMYK 65 / 0 / 14 / 2

HEX #56F9D6

RGB 86 249 214

HSL 167.12, 0.93%, 0.66%

LAB 89.2, -50.21, 4.44

 

CMYK 14 / 66 / 0 / 2

HEX #D755FA

RGB 215 85 250

HSL 287.27, 0.94%, 0.66%

LAB 59.75, 73.12, -59.33

 

CMYK 0 / 65 / 64 / 2

HEX #F95659

RGB 249 86 89

HSL 358.9, 0.93%, 0.66%

LAB 59.45, 62.16, 33.06

 

CMYK 51 / 0 / 65 / 2

HEX #7AF956

RGB 122 249 86

HSL 106.75, 0.93%, 0.66%

LAB 88.24, -63.74, 65.07

 

CMYK 65 / 0 / 1 / 2

HEX #56F9F7

RGB 86 249 247

HSL 179.26, 0.93%, 0.66%

LAB 90.07, -41.78, -11.46

 

CMYK 14 / 66 / 0 / 2

HEX #D755FA

RGB 215 85 250

HSL 287.27, 0.94%, 0.66%

LAB 59.75, 73.12, -59.33

 

CMYK 0 / 47 / 65 / 2

HEX #F98456

RGB 249 132 86

HSL 16.93, 0.93%, 0.66%

LAB 67.51, 40.95, 44.44

 

CMYK 51 / 0 / 65 / 2

HEX #7AF956

RGB 122 249 86

HSL 106.75, 0.93%, 0.66%

LAB 88.24, -63.74, 65.07

 

CMYK 65 / 18 / 0 / 2

HEX #56CBF9

RGB 86 203 249

HSL 196.93, 0.93%, 0.66%

LAB 77, -19.14, -32.32

 

Description

Color code: HEX #D755FA | qconv.com Color code: HEX #D755FA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 85 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 85 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 66 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 66% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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