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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D75D55 it is the complementary color #28A2AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D75D55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D75D55 shade: #DC5D50, #ED6F63, #FE8176, #FF9389 and #FFA59C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D75D55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D75D55 shade: #D75D55, #C64B42, #B5392F, #A4271C and #931509

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D75D55 shade: #D75D55 and #D75555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D75D55 shade: #D75D55, #D78055, #D7A355, #D7C655 and #C5D755

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D75D55 shade matches the following richer shades: #D75D55, #E84E44 and #F93F33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D75D55 shade: #D75D55, #C66C66, #B57B77, #A48A88 and #939899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D75D55 shade: #D75594, #D75571, #D75C55, #D77E55 and #D7A155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D75D55 shade: #B03129, #CF3D34, #D75D55, #DF7D77 and #E69D98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D75D55 shade: #D75D55, #B6D755 and #5583D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D75D55 shade: #D75D55, #55D75C and #5C55D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D75D55 shade: #D75D55, #B6D755, #55D0D7 and #7655D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D75D55 shade: #D75D55, #8FD755, #55D0D7 and #9C55D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 60 / 16

HEX #D75D55

RGB 215 93 85

HSL 3.69, 0.62%, 0.59%

LAB 55, 47.42, 28.57

 

Complementary color

CMYK 76 / 5 / 0 / 33

HEX #28A2AA

RGB 40 162 170

HSL 183.69, 0.62%, 0.41%

LAB 60.95, -29.18, -13.55

 

CMYK 0 / 58 / 64 / 14

HEX #DC5D50

RGB 220 93 80

HSL 5.57, 0.67%, 0.59%

LAB 55.71, 48.87, 32.47

 

CMYK 0 / 53 / 58 / 7

HEX #ED6F63

RGB 237 111 99

HSL 5.22, 0.79%, 0.66%

LAB 61.89, 47.69, 30.11

 

CMYK 0 / 49 / 54 / 0

HEX #FE8176

RGB 254 129 118

HSL 4.85, 0.99%, 0.73%

LAB 68.08, 46.51, 28.05

 

CMYK 0 / 42 / 46 / 0

HEX #FF9389

RGB 255 147 137

HSL 5.08, 1%, 0.77%

LAB 72.18, 39.53, 23.09

 

CMYK 0 / 35 / 39 / 0

HEX #FFA59C

RGB 255 165 156

HSL 5.45, 1%, 0.81%

LAB 76.42, 32.22, 18.51

 

CMYK 0 / 57 / 60 / 16

HEX #D75D55

RGB 215 93 85

HSL 3.69, 0.62%, 0.59%

LAB 55, 47.42, 28.57

 

CMYK 0 / 62 / 67 / 22

HEX #C64B42

RGB 198 75 66

HSL 4.09, 0.54%, 0.52%

LAB 48.8, 48.52, 31.2

 

CMYK 0 / 69 / 74 / 29

HEX #B5392F

RGB 181 57 47

HSL 4.48, 0.59%, 0.45%

LAB 42.7, 49.43, 34.27

 

CMYK 0 / 76 / 83 / 36

HEX #A4271C

RGB 164 39 28

HSL 4.85, 0.71%, 0.38%

LAB 36.79, 49.92, 37.71

 

CMYK 0 / 86 / 94 / 42

HEX #931509

RGB 147 21 9

HSL 5.22, 0.88%, 0.31%

LAB 31.25, 49.58, 40.84

 

CMYK 0 / 57 / 60 / 16

HEX #D75D55

RGB 215 93 85

HSL 3.69, 0.62%, 0.59%

LAB 55, 47.42, 28.57

 

CMYK 0 / 60 / 60 / 16

HEX #D75555

RGB 215 85 85

HSL 0, 0.62%, 0.59%

LAB 53.6, 51.11, 26.77

 

CMYK 0 / 57 / 60 / 16

HEX #D75D55

RGB 215 93 85

HSL 3.69, 0.62%, 0.59%

LAB 55, 47.42, 28.57

 

CMYK 0 / 40 / 60 / 16

HEX #D78055

RGB 215 128 85

HSL 19.85, 0.62%, 0.59%

LAB 62.12, 29.62, 37.43

 

CMYK 0 / 24 / 60 / 16

HEX #D7A355

RGB 215 163 85

HSL 36, 0.62%, 0.59%

LAB 70.38, 10.78, 47.25

 

CMYK 0 / 8 / 60 / 16

HEX #D7C655

RGB 215 198 85

HSL 52.15, 0.62%, 0.59%

LAB 79.32, -7.63, 57.34

 

CMYK 8 / 0 / 60 / 16

HEX #C5D755

RGB 197 215 85

HSL 68.31, 0.62%, 0.59%

LAB 82.45, -23.51, 60.35

 

CMYK 0 / 57 / 60 / 16

HEX #D75D55

RGB 215 93 85

HSL 3.69, 0.62%, 0.59%

LAB 55, 47.42, 28.57

 

CMYK 0 / 66 / 71 / 9

HEX #E84E44

RGB 232 78 68

HSL 3.66, 0.78%, 0.59%

LAB 55.09, 58.79, 38.95

 

CMYK 0 / 75 / 80 / 2

HEX #F93F33

RGB 249 63 51

HSL 3.64, 0.94%, 0.59%

LAB 56.02, 68.71, 49.94

 

CMYK 0 / 57 / 60 / 16

HEX #D75D55

RGB 215 93 85

HSL 3.69, 0.62%, 0.59%

LAB 55, 47.42, 28.57

 

CMYK 0 / 45 / 48 / 22

HEX #C66C66

RGB 198 108 102

HSL 3.75, 0.46%, 0.59%

LAB 55.78, 34.98, 19.31

 

CMYK 0 / 32 / 34 / 29

HEX #B57B77

RGB 181 123 119

HSL 3.87, 0.3%, 0.59%

LAB 57.39, 22.09, 11.37

 

CMYK 0 / 16 / 17 / 36

HEX #A48A88

RGB 164 138 136

HSL 4.29, 0.13%, 0.59%

LAB 59.75, 9.49, 4.73

 

CMYK 4 / 1 / 0 / 40

HEX #939899

RGB 147 152 153

HSL 190, 0.03%, 0.59%

LAB 62.47, -1.6, -1.16

HEX #939899

CMYK 0 / 60 / 31 / 16

HEX #D75594

RGB 215 85 148

HSL 330.92, 0.62%, 0.59%

LAB 55.16, 57.11, -8.24

 

CMYK 0 / 60 / 47 / 16

HEX #D75571

RGB 215 85 113

HSL 347.08, 0.62%, 0.59%

LAB 54.17, 53.35, 11.04

 

CMYK 0 / 57 / 60 / 16

HEX #D75C55

RGB 215 92 85

HSL 3.23, 0.62%, 0.59%

LAB 54.82, 47.89, 28.34

 

CMYK 0 / 41 / 60 / 16

HEX #D77E55

RGB 215 126 85

HSL 18.92, 0.62%, 0.59%

LAB 61.68, 30.68, 36.89

 

CMYK 0 / 25 / 60 / 16

HEX #D7A155

RGB 215 161 85

HSL 35.08, 0.62%, 0.59%

LAB 69.89, 11.86, 46.68

 

CMYK 0 / 72 / 77 / 31

HEX #B03129

RGB 176 49 41

HSL 3.56, 0.62%, 0.43%

LAB 40.55, 50.65, 35.07

 

CMYK 0 / 71 / 75 / 19

HEX #CF3D34

RGB 207 61 52

HSL 3.48, 0.62%, 0.51%

LAB 48.07, 56.6, 38.73

 

CMYK 0 / 57 / 60 / 16

HEX #D75D55

RGB 215 93 85

HSL 3.69, 0.62%, 0.59%

LAB 55, 47.42, 28.57

 

CMYK 0 / 44 / 47 / 13

HEX #DF7D77

RGB 223 125 119

HSL 3.46, 0.62%, 0.67%

LAB 63.08, 37.21, 20.06

 

CMYK 0 / 32 / 34 / 10

HEX #E69D98

RGB 230 157 152

HSL 3.85, 0.61%, 0.75%

LAB 71.69, 26.6, 13.68

 

CMYK 0 / 57 / 60 / 16

HEX #D75D55

RGB 215 93 85

HSL 3.69, 0.62%, 0.59%

LAB 55, 47.42, 28.57

 

CMYK 15 / 0 / 60 / 16

HEX #B6D755

RGB 182 215 85

HSL 75.23, 0.62%, 0.59%

LAB 81.4, -29.47, 58.91

 

CMYK 60 / 39 / 0 / 16

HEX #5583D7

RGB 85 131 215

HSL 218.77, 0.62%, 0.59%

LAB 55.14, 9.93, -47.85

 

CMYK 0 / 57 / 60 / 16

HEX #D75D55

RGB 215 93 85

HSL 3.69, 0.62%, 0.59%

LAB 55, 47.42, 28.57

 

CMYK 60 / 0 / 57 / 16

HEX #55D75C

RGB 85 215 92

HSL 123.23, 0.62%, 0.59%

LAB 76.86, -59.92, 49.44

 

CMYK 57 / 60 / 0 / 16

HEX #5C55D7

RGB 92 85 215

HSL 243.23, 0.62%, 0.59%

LAB 43.77, 39.41, -66.11

 

CMYK 0 / 57 / 60 / 16

HEX #D75D55

RGB 215 93 85

HSL 3.69, 0.62%, 0.59%

LAB 55, 47.42, 28.57

 

CMYK 15 / 0 / 60 / 16

HEX #B6D755

RGB 182 215 85

HSL 75.23, 0.62%, 0.59%

LAB 81.4, -29.47, 58.91

 

CMYK 60 / 3 / 0 / 16

HEX #55D0D7

RGB 85 208 215

HSL 183.23, 0.62%, 0.59%

LAB 77.25, -31.77, -13.69

 

CMYK 45 / 60 / 0 / 16

HEX #7655D7

RGB 118 85 215

HSL 255.23, 0.62%, 0.59%

LAB 45.98, 44.35, -62.42

 

CMYK 0 / 57 / 60 / 16

HEX #D75D55

RGB 215 93 85

HSL 3.69, 0.62%, 0.59%

LAB 55, 47.42, 28.57

 

CMYK 33 / 0 / 60 / 16

HEX #8FD755

RGB 143 215 85

HSL 93.23, 0.62%, 0.59%

LAB 79.1, -43.94, 55.71

 

CMYK 60 / 3 / 0 / 16

HEX #55D0D7

RGB 85 208 215

HSL 183.23, 0.62%, 0.59%

LAB 77.25, -31.77, -13.69

 

CMYK 27 / 60 / 0 / 16

HEX #9C55D7

RGB 156 85 215

HSL 272.77, 0.62%, 0.59%

LAB 50.06, 52.72, -55.63

 

Description

Color code: HEX #D75D55 | qconv.com Color code: HEX #D75D55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 93 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 93 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 60% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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