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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D764BF it is the complementary color #289B40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D764BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D764BF shade: #DC64BA, #ED76CD, #FE88E0, #FF9AF3 and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D764BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D764BF shade: #D764BF, #C652AC, #B54099, #A42E86 and #931C73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D764BF shade: #D764BF, #D764A0, #D76481 and #D76464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D764BF shade: #D764BF, #D064D7, #B164D7, #9264D7 and #7364D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D764BF shade matches the following richer shades: #D764BF, #E655C8 and #F645D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D764BF shade: #D764BF, #C774B6, #B784AD, #A893A4 and #98A39A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D764BF shade: #B164D7, #CF64D7, #D764C0, #D764A1 and #D76483

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D764BF shade: #B92F9D, #CE44B1, #D764BF, #DF85CC and #E8A6DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D764BF shade: #D764BF, #D79264 and #64D7C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D764BF shade: #D764BF, #C0D764 and #64C0D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D764BF shade: #D764BF, #D79264, #64D77B and #64A9D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D764BF shade: #D764BF, #D7B464, #64D77B and #6487D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 11 / 16

HEX #D764BF

RGB 215 100 191

HSL 312.52, 0.59%, 0.62%

LAB 59.27, 56.35, -26.9

 

Complementary color

CMYK 74 / 0 / 59 / 39

HEX #289B40

RGB 40 155 64

HSL 132.52, 0.59%, 0.38%

LAB 56.35, -50.84, 38.2

 

CMYK 0 / 55 / 15 / 14

HEX #DC64BA

RGB 220 100 186

HSL 317, 0.63%, 0.63%

LAB 59.78, 57.02, -23.21

 

CMYK 0 / 50 / 14 / 7

HEX #ED76CD

RGB 237 118 205

HSL 316.13, 0.77%, 0.7%

LAB 66.04, 56.44, -24.17

 

CMYK 0 / 46 / 12 / 0

HEX #FE88E0

RGB 254 136 224

HSL 315.25, 0.98%, 0.76%

LAB 72.27, 55.78, -24.99

 

CMYK 0 / 40 / 5 / 0

HEX #FF9AF3

RGB 255 154 243

HSL 307.13, 1%, 0.8%

LAB 76.58, 50.25, -28.74

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 53 / 11 / 16

HEX #D764BF

RGB 215 100 191

HSL 312.52, 0.59%, 0.62%

LAB 59.27, 56.35, -26.9

 

CMYK 0 / 59 / 13 / 22

HEX #C652AC

RGB 198 82 172

HSL 313.45, 0.5%, 0.55%

LAB 52.97, 56.79, -25.87

 

CMYK 0 / 65 / 15 / 29

HEX #B54099

RGB 181 64 153

HSL 314.36, 0.48%, 0.48%

LAB 46.7, 56.96, -24.57

 

CMYK 0 / 72 / 18 / 36

HEX #A42E86

RGB 164 46 134

HSL 315.25, 0.56%, 0.41%

LAB 40.52, 56.67, -22.86

 

CMYK 0 / 81 / 22 / 42

HEX #931C73

RGB 147 28 115

HSL 316.13, 0.68%, 0.34%

LAB 34.54, 55.57, -20.55

 

CMYK 0 / 53 / 11 / 16

HEX #D764BF

RGB 215 100 191

HSL 312.52, 0.59%, 0.62%

LAB 59.27, 56.35, -26.9

 

CMYK 0 / 53 / 26 / 16

HEX #D764A0

RGB 215 100 160

HSL 328.7, 0.59%, 0.62%

LAB 58.13, 51.78, -10.8

 

CMYK 0 / 53 / 40 / 16

HEX #D76481

RGB 215 100 129

HSL 344.87, 0.59%, 0.62%

LAB 57.22, 47.98, 5.94

 

CMYK 0 / 53 / 53 / 16

HEX #D76464

RGB 215 100 100

HSL 0, 0.59%, 0.62%

LAB 56.57, 45.19, 21.95

 

CMYK 0 / 53 / 11 / 16

HEX #D764BF

RGB 215 100 191

HSL 312.52, 0.59%, 0.62%

LAB 59.27, 56.35, -26.9

 

CMYK 3 / 53 / 0 / 16

HEX #D064D7

RGB 208 100 215

HSL 296.35, 0.59%, 0.62%

LAB 59.37, 58.47, -40.44

 

CMYK 18 / 53 / 0 / 16

HEX #B164D7

RGB 177 100 215

HSL 280.17, 0.59%, 0.62%

LAB 55.45, 50.26, -46.89

 

CMYK 32 / 53 / 0 / 16

HEX #9264D7

RGB 146 100 215

HSL 264, 0.59%, 0.62%

LAB 51.99, 42.31, -52.61

 

CMYK 47 / 53 / 0 / 16

HEX #7364D7

RGB 115 100 215

HSL 247.83, 0.59%, 0.62%

LAB 49.09, 35.01, -57.42

 

CMYK 0 / 53 / 11 / 16

HEX #D764BF

RGB 215 100 191

HSL 312.52, 0.59%, 0.62%

LAB 59.27, 56.35, -26.9

 

CMYK 0 / 63 / 13 / 10

HEX #E655C8

RGB 230 85 200

HSL 312.41, 0.74%, 0.62%

LAB 59.43, 68.33, -31.62

 

CMYK 0 / 72 / 15 / 4

HEX #F645D1

RGB 246 69 209

HSL 312.54, 0.91%, 0.62%

LAB 60.3, 79.14, -35.19

 

CMYK 0 / 53 / 11 / 16

HEX #D764BF

RGB 215 100 191

HSL 312.52, 0.59%, 0.62%

LAB 59.27, 56.35, -26.9

 

CMYK 0 / 42 / 9 / 22

HEX #C774B6

RGB 199 116 182

HSL 312.29, 0.43%, 0.62%

LAB 59.9, 41.98, -20.98

 

CMYK 0 / 28 / 5 / 28

HEX #B784AD

RGB 183 132 173

HSL 311.76, 0.26%, 0.62%

LAB 61.3, 26.31, -13.9

 

CMYK 0 / 13 / 2 / 34

HEX #A893A4

RGB 168 147 164

HSL 311.43, 0.11%, 0.62%

LAB 63.24, 10.88, -6.05

 

CMYK 7 / 0 / 6 / 36

HEX #98A39A

RGB 152 163 154

HSL 130.91, 0.06%, 0.62%

LAB 65.91, -5.65, 3.32

 

CMYK 18 / 53 / 0 / 16

HEX #B164D7

RGB 177 100 215

HSL 280.17, 0.59%, 0.62%

LAB 55.45, 50.26, -46.89

 

CMYK 4 / 53 / 0 / 16

HEX #CF64D7

RGB 207 100 215

HSL 295.83, 0.59%, 0.62%

LAB 59.24, 58.21, -40.66

 

CMYK 0 / 53 / 11 / 16

HEX #D764C0

RGB 215 100 192

HSL 312, 0.59%, 0.62%

LAB 59.31, 56.5, -27.41

 

CMYK 0 / 53 / 25 / 16

HEX #D764A1

RGB 215 100 161

HSL 328.17, 0.59%, 0.62%

LAB 58.16, 51.92, -11.33

 

CMYK 0 / 53 / 39 / 16

HEX #D76483

RGB 215 100 131

HSL 343.83, 0.59%, 0.62%

LAB 57.27, 48.2, 4.84

 

CMYK 0 / 75 / 15 / 27

HEX #B92F9D

RGB 185 47 157

HSL 312.17, 0.59%, 0.45%

LAB 45.33, 64.76, -29.03

 

CMYK 0 / 67 / 14 / 19

HEX #CE44B1

RGB 206 68 177

HSL 312.61, 0.58%, 0.54%

LAB 52.32, 65.45, -29.7

 

CMYK 0 / 53 / 11 / 16

HEX #D764BF

RGB 215 100 191

HSL 312.52, 0.59%, 0.62%

LAB 59.27, 56.35, -26.9

 

CMYK 0 / 40 / 9 / 13

HEX #DF85CC

RGB 223 133 204

HSL 312.67, 0.58%, 0.7%

LAB 67.14, 44.49, -22.07

 

CMYK 0 / 28 / 6 / 9

HEX #E8A6DA

RGB 232 166 218

HSL 312.73, 0.59%, 0.78%

LAB 75.76, 32.39, -16.64

 

CMYK 0 / 53 / 11 / 16

HEX #D764BF

RGB 215 100 191

HSL 312.52, 0.59%, 0.62%

LAB 59.27, 56.35, -26.9

 

CMYK 0 / 32 / 53 / 16

HEX #D79264

RGB 215 146 100

HSL 24, 0.59%, 0.62%

LAB 66.46, 21.13, 34.8

 

CMYK 53 / 0 / 11 / 16

HEX #64D7C0

RGB 100 215 192

HSL 168, 0.59%, 0.62%

LAB 79.11, -38.18, 1.44

 

CMYK 0 / 53 / 11 / 16

HEX #D764BF

RGB 215 100 191

HSL 312.52, 0.59%, 0.62%

LAB 59.27, 56.35, -26.9

 

CMYK 11 / 0 / 53 / 16

HEX #C0D764

RGB 192 215 100

HSL 72, 0.59%, 0.62%

LAB 82.23, -24.31, 53.39

 

CMYK 53 / 11 / 0 / 16

HEX #64C0D7

RGB 100 192 215

HSL 192, 0.59%, 0.62%

LAB 73.1, -21.04, -19.91

 

CMYK 0 / 53 / 11 / 16

HEX #D764BF

RGB 215 100 191

HSL 312.52, 0.59%, 0.62%

LAB 59.27, 56.35, -26.9

 

CMYK 0 / 32 / 53 / 16

HEX #D79264

RGB 215 146 100

HSL 24, 0.59%, 0.62%

LAB 66.46, 21.13, 34.8

 

CMYK 53 / 0 / 43 / 16

HEX #64D77B

RGB 100 215 123

HSL 132, 0.59%, 0.62%

LAB 77.72, -52.09, 35.67

 

CMYK 53 / 21 / 0 / 16

HEX #64A9D7

RGB 100 169 215

HSL 204, 0.59%, 0.62%

LAB 66.51, -8.88, -29.99

 

CMYK 0 / 53 / 11 / 16

HEX #D764BF

RGB 215 100 191

HSL 312.52, 0.59%, 0.62%

LAB 59.27, 56.35, -26.9

 

CMYK 0 / 16 / 53 / 16

HEX #D7B464

RGB 215 180 100

HSL 41.74, 0.59%, 0.62%

LAB 74.83, 2.88, 45.11

 

CMYK 53 / 0 / 43 / 16

HEX #64D77B

RGB 100 215 123

HSL 132, 0.59%, 0.62%

LAB 77.72, -52.09, 35.67

 

CMYK 53 / 37 / 0 / 16

HEX #6487D7

RGB 100 135 215

HSL 221.74, 0.59%, 0.62%

LAB 57.02, 10.6, -44.83

 

Description

Color code: HEX #D764BF | qconv.com Color code: HEX #D764BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 100 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 100 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 11 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 11% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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