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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D76994 it is the complementary color #28966B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D76994. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D76994 shade: #DC698F, #ED7BA2, #FE8DB5, #FF9FC8 and #FFB1DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D76994. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D76994 shade: #D76994, #C65781, #B5456E, #A4335B and #932148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D76994 shade: #D76994, #D76977 and #D76969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D76994 shade: #D76994, #D769B2, #D769CF, #C169D7 and #A369D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D76994 shade matches the following richer shades: #D76994, #E65A91 and #F54B8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D76994 shade: #D76994, #C87998, #B8889B, #A9979E and #9AA6A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D76994 shade: #D769D0, #D769B2, #D76995, #D76978 and #D77869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D76994 shade: #BC3268, #CE497D, #D76994, #E08AAB and #E8ABC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D76994 shade: #D76994, #D7C169 and #69C1D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D76994 shade: #D76994, #95D769 and #6995D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D76994 shade: #D76994, #D7C169, #69D7AB and #697FD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D76994 shade: #D76994, #CCD769, #69D7AB and #7469D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 31 / 16

HEX #D76994

RGB 215 105 148

HSL 336.55, 0.58%, 0.63%

LAB 58.68, 47.78, -3.01

 

Complementary color

CMYK 73 / 0 / 29 / 41

HEX #28966B

RGB 40 150 107

HSL 156.55, 0.58%, 0.37%

LAB 55.41, -41.02, 14.06

 

CMYK 0 / 52 / 35 / 14

HEX #DC698F

RGB 220 105 143

HSL 340.17, 0.62%, 0.64%

LAB 59.25, 48.84, 0.81

 

CMYK 0 / 48 / 32 / 7

HEX #ED7BA2

RGB 237 123 162

HSL 339.47, 0.76%, 0.71%

LAB 65.58, 48.01, -0.58

 

CMYK 0 / 44 / 29 / 0

HEX #FE8DB5

RGB 254 141 181

HSL 338.76, 0.98%, 0.77%

LAB 71.86, 47.17, -1.78

 

CMYK 0 / 38 / 22 / 0

HEX #FF9FC8

RGB 255 159 200

HSL 334.38, 1%, 0.81%

LAB 76.21, 40.94, -5.86

 

CMYK 0 / 31 / 14 / 0

HEX #FFB1DB

RGB 255 177 219

HSL 327.69, 1%, 0.85%

LAB 80.64, 34.45, -9.62

 

CMYK 0 / 51 / 31 / 16

HEX #D76994

RGB 215 105 148

HSL 336.55, 0.58%, 0.63%

LAB 58.68, 47.78, -3.01

 

CMYK 0 / 56 / 35 / 22

HEX #C65781

RGB 198 87 129

HSL 337.3, 0.49%, 0.56%

LAB 52.29, 48.54, -1.52

 

CMYK 0 / 62 / 39 / 29

HEX #B5456E

RGB 181 69 110

HSL 338.04, 0.45%, 0.49%

LAB 45.91, 49.15, 0.29

 

CMYK 0 / 69 / 45 / 36

HEX #A4335B

RGB 164 51 91

HSL 338.76, 0.53%, 0.42%

LAB 39.61, 49.47, 2.57

 

CMYK 0 / 78 / 51 / 42

HEX #932148

RGB 147 33 72

HSL 339.47, 0.63%, 0.35%

LAB 33.48, 49.2, 5.55

 

CMYK 0 / 51 / 31 / 16

HEX #D76994

RGB 215 105 148

HSL 336.55, 0.58%, 0.63%

LAB 58.68, 47.78, -3.01

 

CMYK 0 / 51 / 45 / 16

HEX #D76977

RGB 215 105 119

HSL 352.36, 0.58%, 0.63%

LAB 57.93, 44.48, 12.77

 

CMYK 0 / 51 / 51 / 16

HEX #D76969

RGB 215 105 105

HSL 0, 0.58%, 0.63%

LAB 57.63, 43.15, 20.48

 

CMYK 0 / 51 / 31 / 16

HEX #D76994

RGB 215 105 148

HSL 336.55, 0.58%, 0.63%

LAB 58.68, 47.78, -3.01

 

CMYK 0 / 51 / 17 / 16

HEX #D769B2

RGB 215 105 178

HSL 320.18, 0.58%, 0.63%

LAB 59.68, 51.95, -18.84

 

CMYK 0 / 51 / 4 / 16

HEX #D769CF

RGB 215 105 207

HSL 304.36, 0.58%, 0.63%

LAB 60.83, 56.61, -33.57

 

CMYK 10 / 51 / 0 / 16

HEX #C169D7

RGB 193 105 215

HSL 288, 0.58%, 0.63%

LAB 58.36, 51.99, -42.15

 

CMYK 24 / 51 / 0 / 16

HEX #A369D7

RGB 163 105 215

HSL 271.64, 0.58%, 0.63%

LAB 54.86, 43.92, -47.92

 

CMYK 0 / 51 / 31 / 16

HEX #D76994

RGB 215 105 148

HSL 336.55, 0.58%, 0.63%

LAB 58.68, 47.78, -3.01

 

CMYK 0 / 61 / 37 / 10

HEX #E65A91

RGB 230 90 145

HSL 336.43, 0.74%, 0.63%

LAB 58.21, 59.16, -1.7

 

CMYK 0 / 69 / 42 / 4

HEX #F54B8E

RGB 245 75 142

HSL 336.35, 0.89%, 0.63%

LAB 58.41, 69.11, 0.64

 

CMYK 0 / 51 / 31 / 16

HEX #D76994

RGB 215 105 148

HSL 336.55, 0.58%, 0.63%

LAB 58.68, 47.78, -3.01

 

CMYK 0 / 40 / 24 / 22

HEX #C87998

RGB 200 121 152

HSL 336.46, 0.42%, 0.63%

LAB 60.09, 34.88, -3.48

 

CMYK 0 / 26 / 16 / 28

HEX #B8889B

RGB 184 136 155

HSL 336.25, 0.25%, 0.63%

LAB 61.8, 21.3, -2.89

 

CMYK 0 / 11 / 7 / 34

HEX #A9979E

RGB 169 151 158

HSL 336.67, 0.09%, 0.63%

LAB 64.19, 7.89, -1.25

 

CMYK 7 / 0 / 2 / 35

HEX #9AA6A2

RGB 154 166 162

HSL 160, 0.06%, 0.63%

LAB 67.09, -5.01, 0.6

 

CMYK 0 / 51 / 3 / 16

HEX #D769D0

RGB 215 105 208

HSL 303.82, 0.58%, 0.63%

LAB 60.87, 56.78, -34.07

 

CMYK 0 / 51 / 17 / 16

HEX #D769B2

RGB 215 105 178

HSL 320.18, 0.58%, 0.63%

LAB 59.68, 51.95, -18.84

 

CMYK 0 / 51 / 31 / 16

HEX #D76995

RGB 215 105 149

HSL 336, 0.58%, 0.63%

LAB 58.71, 47.91, -3.54

 

CMYK 0 / 51 / 44 / 16

HEX #D76978

RGB 215 105 120

HSL 351.82, 0.58%, 0.63%

LAB 57.95, 44.58, 12.22

 

CMYK 0 / 44 / 51 / 16

HEX #D77869

RGB 215 120 105

HSL 8.18, 0.58%, 0.63%

LAB 60.69, 35.46, 24.58

 

CMYK 0 / 73 / 45 / 26

HEX #BC3268

RGB 188 50 104

HSL 336.52, 0.58%, 0.47%

LAB 44.19, 58.23, 1.63

 

CMYK 0 / 65 / 39 / 19

HEX #CE497D

RGB 206 73 125

HSL 336.54, 0.58%, 0.55%

LAB 51.11, 56.87, -0.71

 

CMYK 0 / 51 / 31 / 16

HEX #D76994

RGB 215 105 148

HSL 336.55, 0.58%, 0.63%

LAB 58.68, 47.78, -3.01

 

CMYK 0 / 38 / 24 / 12

HEX #E08AAB

RGB 224 138 171

HSL 336.98, 0.58%, 0.71%

LAB 67.25, 37.05, -3.4

 

CMYK 0 / 26 / 16 / 9

HEX #E8ABC3

RGB 232 171 195

HSL 336.39, 0.57%, 0.79%

LAB 76.21, 25.91, -3.41

 

CMYK 0 / 51 / 31 / 16

HEX #D76994

RGB 215 105 148

HSL 336.55, 0.58%, 0.63%

LAB 58.68, 47.78, -3.01

 

CMYK 0 / 10 / 51 / 16

HEX #D7C169

RGB 215 193 105

HSL 48, 0.58%, 0.63%

LAB 78.23, -3.5, 46.74

 

CMYK 51 / 10 / 0 / 16

HEX #69C1D7

RGB 105 193 215

HSL 192, 0.58%, 0.63%

LAB 73.58, -20.5, -19.17

 

CMYK 0 / 51 / 31 / 16

HEX #D76994

RGB 215 105 148

HSL 336.55, 0.58%, 0.63%

LAB 58.68, 47.78, -3.01

 

CMYK 31 / 0 / 51 / 16

HEX #95D769

RGB 149 215 105

HSL 96, 0.58%, 0.63%

LAB 79.62, -39.83, 47.31

 

CMYK 51 / 31 / 0 / 16

HEX #6995D7

RGB 105 149 215

HSL 216, 0.58%, 0.63%

LAB 61.14, 3.5, -38.33

 

CMYK 0 / 51 / 31 / 16

HEX #D76994

RGB 215 105 148

HSL 336.55, 0.58%, 0.63%

LAB 58.68, 47.78, -3.01

 

CMYK 0 / 10 / 51 / 16

HEX #D7C169

RGB 215 193 105

HSL 48, 0.58%, 0.63%

LAB 78.23, -3.5, 46.74

 

CMYK 51 / 0 / 20 / 16

HEX #69D7AB

RGB 105 215 171

HSL 156, 0.58%, 0.63%

LAB 78.78, -41.88, 12.17

 

CMYK 51 / 41 / 0 / 16

HEX #697FD7

RGB 105 127 215

HSL 228, 0.58%, 0.63%

LAB 55.16, 16.5, -47.75

 

CMYK 0 / 51 / 31 / 16

HEX #D76994

RGB 215 105 148

HSL 336.55, 0.58%, 0.63%

LAB 58.68, 47.78, -3.01

 

CMYK 5 / 0 / 51 / 16

HEX #CCD769

RGB 204 215 105

HSL 66, 0.58%, 0.63%

LAB 83.16, -19.11, 52.38

 

CMYK 51 / 0 / 20 / 16

HEX #69D7AB

RGB 105 215 171

HSL 156, 0.58%, 0.63%

LAB 78.78, -41.88, 12.17

 

CMYK 46 / 51 / 0 / 16

HEX #7469D7

RGB 116 105 215

HSL 246, 0.58%, 0.63%

LAB 50.36, 32.26, -55.37

 

Description

Color code: HEX #D76994 | qconv.com Color code: HEX #D76994 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 105 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 105 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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