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Color name
HEX #D7785F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7785F it is the complementary color #2887A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7785F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7785F shade: #DC785A, #ED8A6D, #FE9C80, #FFAE93 and #FFC0A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7785F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7785F shade: #D7785F, #C6664C, #B55439, #A44226 and #933013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7785F shade: #D7785F and #D75F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7785F shade: #D7785F, #D7985F, #D7B95F, #D5D75F and #B4D75F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7785F shade matches the following richer shades: #D7785F, #E76F4F and #F7653F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7785F shade: #D7785F, #C7826F, #B78B80, #A69490 and #969EA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7785F shade: #D75F87, #D75F67, #D7775F, #D7975F and #D7B75F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7785F shade: #B64A2D, #CE5C3E, #D7785F, #DF9480 and #E7B0A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7785F shade: #D7785F, #A7D75F and #5F77D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7785F shade: #D7785F, #5FD777 and #775FD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7785F shade: #D7785F, #A7D75F, #5FBFD7 and #8F5FD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7785F shade: #D7785F, #83D75F, #5FBFD7 and #B35FD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 56 / 16

HEX #D7785F

RGB 215 120 95

HSL 12.5, 0.6%, 0.61%

LAB 60.52, 34.61, 29.97

 

Complementary color

CMYK 75 / 16 / 0 / 37

HEX #2887A0

RGB 40 135 160

HSL 192.5, 0.6%, 0.39%

LAB 52.19, -18.53, -21.16

 

CMYK 0 / 45 / 59 / 14

HEX #DC785A

RGB 220 120 90

HSL 13.85, 0.65%, 0.61%

LAB 61.12, 36.17, 33.64

 

CMYK 0 / 42 / 54 / 7

HEX #ED8A6D

RGB 237 138 109

HSL 13.59, 0.78%, 0.68%

LAB 67.49, 34.88, 31.8

 

CMYK 0 / 39 / 50 / 0

HEX #FE9C80

RGB 254 156 128

HSL 13.33, 0.98%, 0.75%

LAB 73.81, 33.7, 30.14

 

CMYK 0 / 32 / 42 / 0

HEX #FFAE93

RGB 255 174 147

HSL 15, 1%, 0.79%

LAB 78.25, 26.54, 25.88

 

CMYK 0 / 25 / 35 / 0

HEX #FFC0A6

RGB 255 192 166

HSL 17.53, 1%, 0.83%

LAB 82.76, 19.24, 21.9

 

CMYK 0 / 44 / 56 / 16

HEX #D7785F

RGB 215 120 95

HSL 12.5, 0.6%, 0.61%

LAB 60.52, 34.61, 29.97

 

CMYK 0 / 48 / 62 / 22

HEX #C6664C

RGB 198 102 76

HSL 12.79, 0.52%, 0.54%

LAB 54.06, 35.96, 31.95

 

CMYK 0 / 54 / 69 / 29

HEX #B55439

RGB 181 84 57

HSL 13.06, 0.52%, 0.47%

LAB 47.57, 37.4, 34.19

 

CMYK 0 / 60 / 77 / 36

HEX #A44226

RGB 164 66 38

HSL 13.33, 0.62%, 0.4%

LAB 41.1, 38.9, 36.68

 

CMYK 0 / 67 / 87 / 42

HEX #933013

RGB 147 48 19

HSL 13.59, 0.77%, 0.33%

LAB 34.73, 40.31, 39.16

 

CMYK 0 / 44 / 56 / 16

HEX #D7785F

RGB 215 120 95

HSL 12.5, 0.6%, 0.61%

LAB 60.52, 34.61, 29.97

 

CMYK 0 / 56 / 56 / 16

HEX #D75F5F

RGB 215 95 95

HSL 0, 0.6%, 0.61%

LAB 55.54, 47.2, 23.49

 

CMYK 0 / 44 / 56 / 16

HEX #D7785F

RGB 215 120 95

HSL 12.5, 0.6%, 0.61%

LAB 60.52, 34.61, 29.97

 

CMYK 0 / 29 / 56 / 16

HEX #D7985F

RGB 215 152 95

HSL 28.5, 0.6%, 0.61%

LAB 67.82, 17.47, 39.13

 

CMYK 0 / 14 / 56 / 16

HEX #D7B95F

RGB 215 185 95

HSL 45, 0.6%, 0.61%

LAB 76.05, -0.16, 49

 

CMYK 1 / 0 / 56 / 16

HEX #D5D75F

RGB 213 215 95

HSL 61, 0.6%, 0.61%

LAB 83.74, -16.31, 57.79

 

CMYK 16 / 0 / 56 / 16

HEX #B4D75F

RGB 180 215 95

HSL 77.5, 0.6%, 0.61%

LAB 81.36, -29.43, 54.45

 

CMYK 0 / 44 / 56 / 16

HEX #D7785F

RGB 215 120 95

HSL 12.5, 0.6%, 0.61%

LAB 60.52, 34.61, 29.97

 

CMYK 0 / 52 / 66 / 9

HEX #E76F4F

RGB 231 111 79

HSL 12.63, 0.76%, 0.61%

LAB 60.71, 44.19, 39.49

 

CMYK 0 / 59 / 74 / 3

HEX #F7653F

RGB 247 101 63

HSL 12.39, 0.92%, 0.61%

LAB 61.17, 53.9, 49.03

 

CMYK 0 / 44 / 56 / 16

HEX #D7785F

RGB 215 120 95

HSL 12.5, 0.6%, 0.61%

LAB 60.52, 34.61, 29.97

 

CMYK 0 / 35 / 44 / 22

HEX #C7826F

RGB 199 130 111

HSL 12.95, 0.44%, 0.61%

LAB 61.01, 24.42, 21.26

 

CMYK 0 / 24 / 30 / 28

HEX #B78B80

RGB 183 139 128

HSL 12, 0.28%, 0.61%

LAB 61.73, 15.15, 12.36

 

CMYK 0 / 11 / 13 / 35

HEX #A69490

RGB 166 148 144

HSL 10.91, 0.11%, 0.61%

LAB 62.76, 5.98, 4.54

 

CMYK 6 / 1 / 0 / 37

HEX #969EA0

RGB 150 158 160

HSL 192, 0.05%, 0.61%

LAB 64.54, -2.45, -2.04

 

CMYK 0 / 56 / 37 / 16

HEX #D75F87

RGB 215 95 135

HSL 340, 0.6%, 0.61%

LAB 56.47, 51.04, 1.34

 

CMYK 0 / 56 / 52 / 16

HEX #D75F67

RGB 215 95 103

HSL 356, 0.6%, 0.61%

LAB 55.7, 47.86, 19.03

 

CMYK 0 / 45 / 56 / 16

HEX #D7775F

RGB 215 119 95

HSL 12, 0.6%, 0.61%

LAB 60.31, 35.13, 29.7

 

CMYK 0 / 30 / 56 / 16

HEX #D7975F

RGB 215 151 95

HSL 28, 0.6%, 0.61%

LAB 67.58, 18.01, 38.84

 

CMYK 0 / 15 / 56 / 16

HEX #D7B75F

RGB 215 183 95

HSL 44, 0.6%, 0.61%

LAB 75.54, 0.89, 48.4

 

CMYK 0 / 59 / 75 / 29

HEX #B64A2D

RGB 182 74 45

HSL 12.7, 0.6%, 0.45%

LAB 45.68, 42.13, 38.69

 

CMYK 0 / 55 / 70 / 19

HEX #CE5C3E

RGB 206 92 62

HSL 12.5, 0.6%, 0.53%

LAB 53.08, 43.22, 38.82

 

CMYK 0 / 44 / 56 / 16

HEX #D7785F

RGB 215 120 95

HSL 12.5, 0.6%, 0.61%

LAB 60.52, 34.61, 29.97

 

CMYK 0 / 34 / 43 / 13

HEX #DF9480

RGB 223 148 128

HSL 12.63, 0.6%, 0.69%

LAB 68.33, 25.95, 22.17

 

CMYK 0 / 24 / 30 / 9

HEX #E7B0A1

RGB 231 176 161

HSL 12.86, 0.59%, 0.77%

LAB 76.44, 17.97, 15.44

 

CMYK 0 / 44 / 56 / 16

HEX #D7785F

RGB 215 120 95

HSL 12.5, 0.6%, 0.61%

LAB 60.52, 34.61, 29.97

 

CMYK 22 / 0 / 56 / 16

HEX #A7D75F

RGB 167 215 95

HSL 84, 0.6%, 0.61%

LAB 80.54, -34.37, 53.29

 

CMYK 56 / 45 / 0 / 16

HEX #5F77D7

RGB 95 119 215

HSL 228, 0.6%, 0.61%

LAB 52.43, 19.21, -52.13

 

CMYK 0 / 44 / 56 / 16

HEX #D7785F

RGB 215 120 95

HSL 12.5, 0.6%, 0.61%

LAB 60.52, 34.61, 29.97

 

CMYK 56 / 0 / 45 / 16

HEX #5FD777

RGB 95 215 119

HSL 132, 0.6%, 0.61%

LAB 77.5, -53.92, 37.36

 

CMYK 45 / 56 / 0 / 16

HEX #775FD7

RGB 119 95 215

HSL 252, 0.6%, 0.61%

LAB 48.28, 38.83, -58.71

 

CMYK 0 / 44 / 56 / 16

HEX #D7785F

RGB 215 120 95

HSL 12.5, 0.6%, 0.61%

LAB 60.52, 34.61, 29.97

 

CMYK 22 / 0 / 56 / 16

HEX #A7D75F

RGB 167 215 95

HSL 84, 0.6%, 0.61%

LAB 80.54, -34.37, 53.29

 

CMYK 56 / 11 / 0 / 16

HEX #5FBFD7

RGB 95 191 215

HSL 192, 0.6%, 0.61%

LAB 72.63, -21.55, -20.64

 

CMYK 33 / 56 / 0 / 16

HEX #8F5FD7

RGB 143 95 215

HSL 264, 0.6%, 0.61%

LAB 50.61, 44.35, -54.84

 

CMYK 0 / 44 / 56 / 16

HEX #D7785F

RGB 215 120 95

HSL 12.5, 0.6%, 0.61%

LAB 60.52, 34.61, 29.97

 

CMYK 39 / 0 / 56 / 16

HEX #83D75F

RGB 131 215 95

HSL 102, 0.6%, 0.61%

LAB 78.61, -46.95, 50.55

 

CMYK 56 / 11 / 0 / 16

HEX #5FBFD7

RGB 95 191 215

HSL 192, 0.6%, 0.61%

LAB 72.63, -21.55, -20.64

 

CMYK 17 / 56 / 0 / 16

HEX #B35FD7

RGB 179 95 215

HSL 282, 0.6%, 0.61%

LAB 54.74, 53.31, -48.01

 

Description

Color code: HEX #D7785F | qconv.com Color code: HEX #D7785F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 120 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 120 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 56 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 56% 16% C M Y K

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Provide designers and agencies with accurate color values.

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